A collection of moralistic sayings, compiled from various authorities, isthe French version of an Arabic work of the 11th century. Guillaume deTignonville (d. 1414) composed the French text from a Latin translationsometime before 1402. and Manuscript on parchment (worn and stained) of a collection of moralistic sayings, compiled from various authorities: the French version of an Arabic work of the 11th century. Guillaume de Tignonville (d. 1414) composed the French text from a Latin translation sometime before 1402. The philosophers represented include (in the order of their appearance): Sedachias, Hermes, Tac, Zalqualquin, Homer, Zalon, Abion, Hippocrates, Pythagoras, Diogenes, Socrates, Plato, Aristotle, Alexander the Great, Ptolemy, Assaron, Loguion, Onese, Macdarge, Thesile, St. Gregory, Galen.
Description:
One miniature on f. 1r, 11-line, Ezekiel, Socrates, and Cicero with identifying banderoles, in grisaille with light green and ink washes.
Subject (Topic):
Arabic literature, Conduct of life--Early works to 1800, French literature--To 1500, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V. (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., Cite as: Mariological, Mystical and Ascetical Treatises. General Collection, Beinecke Rare Book and Manuscript Libra, Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials., f. 142 loose. Originally tipped in and tab bound., In Latin., Manuscript on paper in five parts, each with its own very partial foliation (ca. 1800); they seem to have had the same history. The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. The paper at places damaged by the acidity of the ink. Part I (ff. 1-84, art. 1): Copied by four Gothic hands: A (ff. 1r-29v): Hybrida Formata; B (ff. 30r-39va): Semihybrida Currens; C (ff. 39vb-56r): Hybrida Libraria; D (ff. 56v-77r): small Hybrida Libraria. Part II (ff. 85-215, art. 2): Copied by various scribes, writing Hybrida Formata, Hybrida Libraria, Cursiva Libraria (ff. 153v-157v) and Semihybrida Currens (f. 210r-v, 212v). The headings are in diverse types of script, often slovenly written. Part III (ff. 216-273, art. 3): Copied by three hands. A (ff. 216r-230v): large, bold Hybrida Formata; B (ff. 231r-272ra): Hybrida Libraria; C = friar Rudolphus Deyrdynck (f. 272rb-v): Hybrida Libraria. Part IV (ff. 274-343, artt. 4-19): Copied by one hand writing Hybrida or Semihybrida Libraria/Currens. Part V (ff. 344-388, art. 20): Copied by three hands. A (ff. 344r-352ra, 14): bold Hybrida Formata/Libraria; B (ff. 352ra, 14-354va): bold Semihybrida Libraria; C (ff. 354vb-388r): linear Hybrida Libraria/Currens sloping to the left., Note in the lower margin of f. 1r suggests that the manuscript was produced in the Benedictine abbey of Huysburg, north of Halberstadt. The scribe Rudolf Deyerdynck may have been a member of this community. Gift of the Library Associates of Yale University Library., Part I: Headings in red. The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand., Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v., Part III: Headings in red. The majuscules are stroked in red. 2-3 line plain initials in red., Part IV: Headings in red. Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I., and Part V: Headings in red. Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red.
Subject (Name):
Abbot of St. Mihiel, Smaragdus, fl. 809-819, Bishop of Brandenburg, Stephan Bodeker, 1383-1459, and Blessed Virgin, Saint, Mary
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Manuscript on parchment (much worn, pieced) of 1) Ovid, Tristia 1.7.35-40. 2) Ovid, Metamorphoses. With Lactantian tituli added in margins.
Description:
Belonged to Sir Thomas Phillipps (no. 9033). Sold by W. H. Robinson to H. P. Kraus, from whom it was purchased in 1955 by Thomas E. Marston., Binding: Nineteenth century. Sewing, possibly original, on four kermes pink slit straps. Plain, wound endbands on tawed skin cores. Tan blind-tooled goatskin over wooden boards, also possibly original as they are cut in for the straps. Title gold-tooled on spine: "Ovidii Metam./ Saec. XV. M. S. in memb"., Script: Written by at least three scribes in scripts ranging from late caroline minuscule to early gothic bookhand, all above top line. Interlinear and marginal annotations and running headlines by several hands, 13th-15th centuries., and Two illuminated initials, f. 1r, severely damaged: 21-line initial I for first verse of art. 2 incorporates an elongated grotesque, originally purple, red, blue, and green on gold ground; 4-line initial at beginning of art. 1, gold on red ground with center totally effaced. 8-line initial for Bk. 2, f. 8v, gold on blue (?) ground, now rubbed: inhabited by winged grotesque biting its back with intertwining foliage in blue, green, orange and mauve on gold and red ground. Books 3-15 have attractive penwork initials divided red and medium blue with designs in both colors, ascenders and descenders often sweeping far into margins. Headings and paragraph marks in red. First letter of each verse (either set apart from text block between the first and second or placed directly on the second vertical bounding line) stroked with yellow.
Subject (Name):
Lactantius,--ca. 240-ca. 320 and Ovid,--43 B.C.-17 or 18 A.D
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin fiction, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Aulus Gellius, Noctes Atticae (abridged).
Description:
Binding: Fifteenth century, Italy. Sewn on three tawed skin, kermes pink slit straps nailed in channels on the outside of the wooden boards. Yellow edges. The plain wound endbands may have been resewn. The spine is lined with cloth. Covered in brown, originally tan, sheepskin with corner tongues. Blind-tooled with two rope interlace stars in a central panel bordered with concentric frames. Spine: bands outlined with double fillets; panels diapered with triple fillets. Two truncated diamond fastenings, the catches on the lower board (one wanting), the upper board cut in for straps attached with star-headed nails., Folio 1r with partial border in inner and lower margin (rubbed). Inner margin has scrolling vine, yellow, on parchment ground with red dots, with stylized foliage, flowers and fruit in green, red, purple and dove grey. Illuminated initial, 3-line, purple on dark green ground, is incorporated into border. In lower margin, wreathed medallion (unidentified mutilated arms: per pale, or and sable?) on pink ground, supported by two heraldic dragons, parchment colored (unfinished) against red ground. All of this decoration appears to be a later addition. Plain initials and headings in red., and Script: Written in fere-humanistic script by a single scribe, below top line.
Subject (Name):
Gellius, Aulus
Subject (Topic):
Commonplace-books, Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (trimmed) of Five Novelle. First novella about Valeria married against her will to Pietro Lombardo; Second: "Julia e Prunneo"; Third: "Lucretia e Hyeronimo"; Fourth: "Camilla e Estore"; Fifth: "Justa Victoria," by Felice Feliciano.
Description:
Binding: Eighteenth century. Gilt, gauffered edges. Brown sheepskin over wooden boards, blind-tooled. Floral woodblock paste paper pastedowns and endleaves. Two fastenings with shell-shaped clasps on the upper board and pins in the edge of the lower. Rebacked., Decorated with several miniatures and borders in water and body color: f. i verso, full-page miniature of tomb in a landscape, with an epigraphic inscription. Arms above inscription: azure, a fess or; an inescutcheon azure, a bend wavy or. On f. 1r, a full frame, outer, inner and upper margins with bucrania, trophies, swags, jewels, arms and armor (including two shields: azure, a fess or; and azure, a bend wavy [Marcello]), in blue, pink, green and gold, framed in gold; lower margin, a parapet with a cornice, enclosing a cartouche with bust, supported by putti and flanked by the letters "A. A.", background filled with spiral flowing vines, pink, blue, green and gold, with brown hair-spray. Cartouches bearing inscriptions on ff. 53v, 82v, 105v. On f. 145v a scroll, written in red and blue letters festooned on a tree in a landscape, the ends supported by two putti. At the beginning of each novel, a 3- or 2-line initial, gold, against a purple or crimson ground with gold floral filigree; followed by several words in text script, gold against a crimson or purple rectangular ground., Script: Written by one person in bold italic., and Watermarks: crossed arrows buried in gutter.
Subject (Name):
Feliciano, Felice,--15th cent
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--16th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (fine; leaves repaired before pricking and ruling) of the Collected Works of Hugh of St. Victor.
Description:
8-line illuminated initial, blue with white highlights on square ground, magenta with blue and white highlights; interior of initial inhabited by scrolling vines, rabbit and two animal heads on gold and blue ground; tail of letter extends down inner margin. 11- to 7-line red and blue initials divided by a zig-zag line in parchment and with interior red and blue flourishes resembling the design on a peacock's tail feathers, mostly in red with small blue circles. This style of initial accompanied by long penwork extensions in red and blue I designs and with small spirals, circles, flourishes. Small 3-line initials alternate red and blue with penwork flourishes in the opposite color. 1-line plain initials alternate red and blue for chapter lists. Remains of guide letters for decorator. Headings, running titles (often incorrect), deletions (single horiztonal red line) and initial strokes in red., Binding: France [?], ca. 19th c. Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges., Binding: Nineteenth century, France (?). Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges., Purchased from L. C. Witten in 1960 by Thomas E. Marston., Script: Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands., and Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands.
Subject (Name):
Hugh,--of Saint-Victor,--1096?-1141
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Naldo Naldi, Oratio ad Andream Vendraminium (doge of Venice 1476-78).
Description:
Binding: 15th-16th centuries, Italy. Sewn on three tawed skin, slit straps laced through tunnels in the edge of beech boards to channels on the outside and nailed. Gilt edges. Fragment of head endband. The spine is lined with tawed skin between supports. Covered in red silk with traces of four fastenings on each board., One illuminated initial of average quality, 3-line, gold against blue ground with gold filigree. Filled with half-length portrait of the doge dressed in red robes and a red hat against green ground. Dedication, 5 lines, in alternating lines of gold and blue majuscules followed by the first three lines of text in red majuscules., Script: Written in a round humanistic hand, below top line, by the poet Tommaso Baldinotti of Pistoia (1451-1511)., and The margins of f. 1 have been trimmed away from the written space, which was then mounted on another piece of parchment conjugate to the front pastedown; hence, any marginal decoration, which may have included a coat of arms, is now lost.
Subject (Geographic):
Venice (Italy)
Subject (Name):
Naldi, Naldo,--1439-ca. 1520 and Vendramin, Andrea,--1392-1478
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Speeches, addresses, etc., Latin (Medieval and modern)
Manuscript on parchment of Pauline Epistles (Epistola ad Romanos 2.27 through Epistola ad Hebreos 11.34), with commentary of Gilbert de la Porree. With Argumenta, later additions, all attributed to Hugo de Sancto Caro or Peter Lombard.
Description:
Binding: Twentieth century, United States (?). Half bound in dark red goatskin with gold-tooled lettering on the spine ("St. Paul/ Epistulae cum commento/ MS. 12th Cent."), marbled paper sides, and yellow edges., Script: Written in fine early gothic bookhand in two sizes of script, above top line., and Three illuminated initials at beginning of first three Epistles of excellent quality, ff. 34v, 69v, 86v, 8- to 5-line, with descenders extending into margins, red, blue, green and beige against gold ground. Bodies of initials filled with stylized scrolling foliage, bright blue, red, green, orange, silver and yellow with white highlights against gold ground. Descenders serve as a trellis for similar scrolls, some ending in biting animal's heads or fantastic birds. Scrolling foliage, f. 86v, inhabited by beasts of a canine variety, white with red shading. The decoration of manuscript is unfinished; f. 99r pen and ink underdrawing for an initial as above, with only touches of red added; blank spaces left for initals for remaining Epistles. Small initials, 3-line, gold with red penwork, for beginning of commentary for each Epistle. Headings in red or alternating red and blue majuscules. Plain initials touched with red. Running titles, later addition, in red.
Subject (Name):
Gilbert, de La Porrée, Bishop, ca. 1075-1154, Hugh, of Saint-Cher, Cardinal, ca. 1200-1263, Paul, the Apostle, Saint, and Peter Lombard, Bishop of Paris, ca. 1100-1160
Subject (Topic):
Bible.--N.T.--Epistles of Paul, Bible--Commentaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Plato, Phaedo, translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Pope Innocent VII. 2) Xenophon, Hiero (Tyrannus), translated into Latin by Leonardo Bruni and preceded by his prefatory letter to Niccolo Niccoli.
Description:
Binding: Between 1800 and 1810, Italy. Rigid vellum case with the title gold-tooled on a label on the spine: "Leon. Aret. Opus". Gilt edges and faint lettering on the head edge., Decorated in the early style of Gioacchino de' Gigantibus. On f. 1r a partial border in upper, lower and inner margins, white vine-stem ornament on blue, green and dark pink with grey dots on blue grounds, blue dots on pink grounds, and gold balls. In lower border, medallion framed by gold interlace bands and supported by two putti wearing red necklaces, with a coat of arms, now erased, on green ground. Four illuminated initials, 7- to 5-line, in gold, framed in yellow, on blue, green and red grounds, with dots as above. Initial on f. 1r, inhabited by standing putto wearing a red necklace, is joined to the border. Other initials have vine-stem decoration extending into the margins and terminating with groups of three gold balls. Headings and names of interlocutors in red., Purchased from L. C. Witten in 1954 by Thomas E. Marston., and Script: Written by a single scribe in a somewhat angular humanistic bookhand.
Subject (Name):
Hieron--I,--Tyrant of Syracuse,--d. 467 or 466 B.C, Innocent--VII,--Pope,--1336-1406, Niccoli, Niccolò,--ca. 1364-1437, and Plato
Subject (Topic):
Biography--To 500, Dialogues, Greek, Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Philosophy, Ancient