"On the floor of a room are six pieces of blue Delft china in the shape of men and women. Descriptions are etched beneath the design, headed "Scene Delft. Dramatis Personae", the first (left) being, "Mynheer Van Vase of an Ancient Etruscan Family long since broken to pieces by ye vile Visigoths in deep love with Miss Cruet but discarded by her". On the walls are pictures in the Dutch manner, two portraits, a still life and a landscape, and in the back wall is a casement window. Across the ceiling is etched, "Collateral branch of the Heidelbergh Family"."--British Museum online catalogue
Description:
Title from text within image., Sheet trimmed to plate mark on bottom edge leaving thread margin., Mounted on page 77 of: Bunbury album., 1 print : etching on laid paper ; sheet 27.6 x 37.7 cm., and Sheet trimmed to plate mark.
"Three grotesquely ugly old maids stoop delightedly over a Cupid who sleeps against a rose-bush, arrow in hand, his unstrung bow beside him. On the back of one sits an ape; a lap-dog is beside her. A parrot sits on the bonnet of another, the third kneels. On a mound (right) a cock stands crowing: 'Cock a doodle doo.'"--British Museum online catalogue
Description:
Title etched below image., "One of prints (coloured) by, after, or attributed to G. Cruikshank [many were closely copied and unless original and copy can be compared they are difficult to distinguish; some attributed by Reid or Cohn to Cruikshank are in the manner of the supposed copyist; some are probably by I. R. Cruikshank], from a set issued c. 1817 to c. 1819"--Curator's comments, British Museum online catalogue, registration no.: 1865,1111.2137., Sheet trimmed to plate mark., and Watermark: C. Wilmot 1815.
Publisher:
publisher not identified
Subject (Topic):
Older people, Single women, Roses, Putti, Cupids, Monkeys, Dogs, Parrots, and Roosters
The Queen, grossly caricatured, sits on a zebra which stands in a round band-box with a hinged and upturned lid inscribed 'a Present from Bart. Bergami'. The zebra has the (profile) head of Wood, looking with greedy and imbecile satisfaction towards a sieve of food inscribed 'Garden of St Cath[erine]'. This is held out by two hands projecting from the right margin. The Queen, with a grin both calculating and insane, sits full-face, negligently holding reins attached to Wood's mouth, her right hand on her hip. She sits in a smaller (bottomless) band-box which surrounds her entirely from just below her large waist down, with only one leg extended below. She wears a décolletée dress; on her head is an erection of feathers and flowers rising from a circlet inscribed 'Wood'. An owl (cf. British Museum satires no. 14199) flies by her head. In the background is Brandenburgh House, in front of which is a braying ass
Alternative Title:
Queen's ass in a band-box
Description:
Title etched below image., A reversed copy of a print attributed to Theodore Lane that was published 22 January 1821 by G. Humphrey. See no. 14110 in the Catalogue of prints and drawings in the British Museum, v. 10., and The letters "ee" have been added in ink to the censored word "Qu-n's" in title, to complete the intended word "Queen's".
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and Brandenburgh House (London, England),
Caption title., In one column with a woodcut above the title., A slip song., In verse., First line: See the mall throng'd with ladies, the gay and the fair ..., and For further information, consult library staff.
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys.The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is a calendar from the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., A reduced copy of the fourth plate in the "Industry and idleness" series. For the original plate engraved by Hogarth and published in 1747, see no. 2926 in the Catalogue of prints and drawings in the British Museum, v. 3. See also: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 171., Caption centered below image, a quote from "Matthew Chap. XXV. Ve. 21": Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things., Plate numbered "4" in upper right corner., and Bound in after page 264 in volume 3 of an extra-illustrated copy of: Pennant, T. Some account of London.
Title from text below image., Illustration from an unidentified edition of: Heads of the people, or, Portraits of the English. Editions of this work were illustrated by Kenny Meadows and published ca. 1840., Text below title: She let her second floor to a very genteel man. Tatler., and Window mounted to 24 x 36 cm.
A facetious Oath of qualification taken by those participating in the mock elections of a mayor in the hamlet of Garrat in Surrey. The Garrat election was held to coincide with the general election
Description:
Date of publication based on the date of the Garrat 'election' in 1775.
Caption title., A version of this song appeared in The Gentleman's bottle companion (1768)., In verse., First line: Not far from town a country squire ..., Not in ESTC., and For further information, consult library staff.
Caption title., Verse-"In St. Lucie's distant isle, ", In four columns, with the title above the first two columns; columns are not separated by rules; the first and fourth columns include one woodcut each and the second includes two woodcuts., At foot of the fourth column, within square brackets, is the statement "Entered at Stationers Hall.", At head of title: Cheap Repository., Attributed to Hannah More., Imprinted from English short title catalogue., and For further information, consult library staff.
By the King's Royal Letters Patent and By the King's royal lettters patent
Description:
Title from text within image., With two small letterpress notices printed on green paper and pasted at the bottom of the image on the front and on the verso above the aperture that contains the lace samples., On reverse: Royal patent for Geo. Fred. Urling & Co. Thread Lace Manufacturers to the Royal Family and to her late Majesty. By special appointment. At top of image: Retail House for Urling's lace. Also two red wax seals below aperture., and On reverse: Royal patent for Geo. Fred. Urling & Co. Thread Lace Manufacturers to the Royal Family and to her late Majesty. By special appointment. Also carrying two red wax seals. For further information, consult library staff.