Manuscript on paper of Anonymous biography of Pope Alexander VI (Rodrigo Borgia, 1430-1503). Copied by one hand in rapid Humanistica Cursiva.
Description:
Binding: Eighteenth-century. Half parchment over pasteboard, covered with brown and blue marbled paper. On the spine brownish red leather label with the gold-tooled title VITA D'ALESSAND. VI. / MS. and small paper label with the number of the Phillipps collection., Life of Pope Alexander VI (Rodrigo Borgia). General Collection, Beinecke Rare Book and Manuscript Library, Yale University., and On the front pastedown armorial bookplate of Frederick North, fifth Earl of Guilford (1766-1827). Collection of Thomas Phillipps, no. 7235. Purchased on the Edwin J. Beinecke Fund.
Subject (Topic):
Biography -- 16th century, Italian literature -- 16th century, and Manuscripts, Medieval -- Connecticut -- New Haven
The decoration is uneven and differs from section to section. Artt. 1, 3, 5, 6, 7, 8 have headings in red ink, red heightening of majuscules, red paragraph marks and red plain initials (plain and unusual flourished initials in red in art. 3) of various sizes. Artt. 2, 4 and 5-8 may have yellow heightening of majuscules too. No initials or paragraph marks in art. 8. Artt. 9-11 have red plain initials up to f. 81v; after that blank spaces with guide-letters; headings are missing after f. 67r. Artt. 2, 4, 12, 13, 14 have almost no decoration. Running headlines (author names) in large Southern Gothica Textualis Formata on pages of artt. 1, 3, 5 and 6., Binding: Nineteenth-century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper. Modern binding not digitized., Cite as: Mariological, Ascetical and Other Texts. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper. This incomplete manuscript consists of a series of more or less independent sections. An unusual feature is the writing of text parts in the lower margins as if they were catchwords. Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink. Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v = artt. 1-8 and ff. 107v-108v = art. 14) writes peculiar forms of Humanistica Semitextualis Libraria, which if written rapidly (Currens) tends to become a Cursiva with more pronounced Gothic features, especially in the additional artt. 2, 4 and 14; typical is the unusual abbreviation for in in the shape of dotted i. B (ff. 55r-66v = art. 9) writes Humanistica Semitextualis Libraria, equally under Gothic influence. C (ff. 67r-98v = artt. 10-11) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r = art. 12) writes a Humanistica Cursiva Libraria under Gothic influence; a deviant form D' is seen on ff. 106r-107r = art. 13., and Modern foliation followed. Wanting ff. 71-72.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 91-1153, John, of Wales, 13th cent, and Mary, Blessed Virgin, Saint
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla -- Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
2-line plain initials (Capitalis) in red, with guide-letters. A few flourishes in black at the end of articles., Binding: Sixteenth-century. Italian brown leather over pasteboards, both covers blind-tooled: fillet frames and a border of floral tools, in the centre a fleuron. Marks of two ties. Yellow edges., Cite as: Moral Treatises. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., In Italian and Latin., and Manuscript on parchment of 1) Treatise on Christian love. Several later corrections on f. 10v. 2) On the contemplation of death, final judgment and hellish punishment. 3) Six prescriptions for Christian life given by St. Bonaventure (Bonaventura, 1221-1274) to a young friar. Translated into Italian. 4) The qualities of a perfect monk. Copied by one hand in large calligraphic Humanistica Textualis Formata; line-fillers in the form of crossed i.
Subject (Topic):
Christian literature, Italian, Christian literature, Latin (Medieval and modern), Didactic literature, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on paper (trimmed) of Five Novelle. First novella about Valeria married against her will to Pietro Lombardo; Second: "Julia e Prunneo"; Third: "Lucretia e Hyeronimo"; Fourth: "Camilla e Estore"; Fifth: "Justa Victoria," by Felice Feliciano.
Description:
Binding: Eighteenth century. Gilt, gauffered edges. Brown sheepskin over wooden boards, blind-tooled. Floral woodblock paste paper pastedowns and endleaves. Two fastenings with shell-shaped clasps on the upper board and pins in the edge of the lower. Rebacked., Decorated with several miniatures and borders in water and body color: f. i verso, full-page miniature of tomb in a landscape, with an epigraphic inscription. Arms above inscription: azure, a fess or; an inescutcheon azure, a bend wavy or. On f. 1r, a full frame, outer, inner and upper margins with bucrania, trophies, swags, jewels, arms and armor (including two shields: azure, a fess or; and azure, a bend wavy [Marcello]), in blue, pink, green and gold, framed in gold; lower margin, a parapet with a cornice, enclosing a cartouche with bust, supported by putti and flanked by the letters "A. A.", background filled with spiral flowing vines, pink, blue, green and gold, with brown hair-spray. Cartouches bearing inscriptions on ff. 53v, 82v, 105v. On f. 145v a scroll, written in red and blue letters festooned on a tree in a landscape, the ends supported by two putti. At the beginning of each novel, a 3- or 2-line initial, gold, against a purple or crimson ground with gold floral filigree; followed by several words in text script, gold against a crimson or purple rectangular ground., Script: Written by one person in bold italic., and Watermarks: crossed arrows buried in gutter.
Subject (Name):
Feliciano, Felice,--15th cent
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature--16th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
In addition to the Oratio, the manuscript contains: quotations from Plato, Plutarch, Pliny, St. Jerome, Aristotle; notes in Italian on painters in Padua (beginning with Giotto); a speech in Italian, dated Padua, January, 1556; Francesco Contarini, Dialogus; Lombardo della Seta, Epistula de dispositione sue vite ad celeberrimum vatem F. Petrarcham; a note on the office of the cardinal; Leonardo Bruni, Oratio funebris pro Nanni Strozza (Giovanni Strozzi), milite florentino; Poggio Bracciolini, Oratio in funere Francisci Zabarelle (Francesco Zabarella), cardinalis, florentini; Girolamo Maggi, Oratio pro D. Thadeo Quirino; Philippus [Arimineus], Symphosion de paupertate; Giovanni Boccaccio, Decameron IV.1, translated into Latin by Leonardo Bruni, with dedication letter to Bindaccio Ricasoli; Giovanni Boccaccio, Novella di Griselda, translated into Latin by Petrarch; Francisco Petrarca, Note on Laura; Pietro Paolo Vergerio, Funeral orations for Francisco (Sr.) da Carrara; Pietro Paolo Vergerio, Vita Francisci Petrarcae; Leonardo Bruni, Dialogi ad Petrum Histrum. Manuscript, on paper, in humanist script, produced in Italy around 1500.
Alternative Title:
Oratio iuvenis licentiam sui necandi a iudicibus petentis, [circa 1500].
Description:
Arms on f. 4r with initials NI. HO., Binding: nineteenth-century brown calf., Ex libris Sir Thomas Phillipps (MS 9627). Bequest of James M. Osborn, 1976., In Latin and Italian., Inscription on f. 3r: "Dultii Caesaris Patauini, Ordinis Minorum Conuentualium, No 486." The name Cesare Dultone also appears on f. 134v., Titles and marginalia (which note quotations from classical authors) are rubricated., and Watermark: tête de boeuf, similar to Briquet 14851.
Subject (Name):
Maggi, Girolamo,--d. 1572, Petrarca, Francesco,--1304-1374, Seta, Lombardo della, and Vergerio, Pietro Paolo,--1370-1444
Subject (Topic):
Humanism--Italy and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (watermarks obscured by binding and trimming) of prayers and hymns to the Virgin Mary.
Alternative Title:
Questa sie de madona felippa da thano
Description:
Early inscription on front cover.
Subject (Name):
Catholic Church--Prayers and devotions and Mary,--Blessed Virgin, Saint--Devotion to
Subject (Topic):
Hymns, Italian, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Haimo, of Auxerre, d. ca. 855 John, of Wales, 13th cent
Published / Created:
[between 1300 and 1350; 1290 and 1325]
Call Number:
Marston MS 223
Image Count:
2
Resource Type:
Archives or Manuscripts
Abstract:
A composite manuscript written in different locations and periods: Part I was written in Italy in the first half of the 14th century; Part II was probably written in England (or Northern France?) at the end of the 13th or beginning of the 14th century. The index was added on blank leaves in Italy in the 14th century, perhaps at the same time that Parts I and II were joined together to form the present codex. and Manuscript on parchment composed of two distinct parts. Part I: 1) Brief prologues to the Pauline Epistles, paraphrasing or extracted from the argumenta of Haimo of Auxerre, Expositio in epistolas Sancti Pauli. 2-4) Notes for sermons arranged according to the liturgical year. Part II: 5) Unidentified sermons. 6) John of Wales, Breviloquium.
Alternative Title:
Haimo of Auxerre; John of Wales, etc.
Description:
Binding: Nineteenth century, England. Backs of quires cut in for original sewing. Brown calf case, blind-tooled., Part I: Red initials, 3- to 2-line, with crude harping designs in black; headings and paragraph marks (art. 3) in red. Instructions for rubricator. Part II: Flourished initials, 3- to 2-line, alternate red and blue with penwork designs in the opposite color. Paragraph marks alternate red and blue; headings, often added in margin, in red. Remains of guide letters for decorator., Purchased from C. A. Stonehill in 1958 by Thomas E. Marston., and Script: Part I (ff. 1-24): Scribe I copied ff. 1r-6v in small gothic bookhand with southern features; Scribe II copied ff. 7r-24r in a somewhat more angular gothic bookhand; additions by different scribes on f. 24r-v. Part II (ff. 25-78): Arts. 5-6 copied in small neat gothic bookhand, by a single scribe; some marginalia added in anglicana script (e.g., f. 46v); art. 7 added in a less careful gothic bookhand.
Subject (Name):
Haimo,--of Auxerre,--d. ca. 855
Subject (Topic):
Bible.--N.T.--Epistles of Paul, Bible--Commentaries, Church year sermons--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Scholasticism, and Sermons--Early works to 1800
Manuscript on parchment of Guido de Baysio, Rosarium decretorum, secunda pars. Missing leaves throughout.
Description:
Binding: Date? Brown leather over wooden boards, possibly early. Blind-tooled with concentric frames of fillets and a rectangular rope tool. Hearts in a central panel. Four fastenings, the catches on the upper board. Heavily restored., One fine miniature, f. 1r, 23-line, without frame, bishop enthroned under baldachin instructing the clergy; two trees at sides; two birds above. In lower margin, a roundel with a portrait of a student, in a blue, pink and white frame, surrounded by spiral foliage and large gold dots. At the end of the volume, f. 212v, a roundel with a portrait of an older man, with a thick red and blue frame with blue, green, and gold dots. Thirty initials, 16- to 12-line (ff. 1r, 15v, 36r, 45r, 47v, 52r, 59r, 64r, 68v, 81r, 92v, 96v, 100r, 103v, 123v, 127r, 129r, 131r, 137v, 156v, 163r, 163v, 166r, 166v, 172r, 174r, 190r, 190v, 193r, 194r), most with a single, some with as many as three figures, bishops, priests, monks, students, and women, either reading, instructing or debating; in one case, f. 194r, a priest celebrating mass (De consecratione). The figures set against navy blue grounds with white filigree; the initials shaded pink, orange, red, blue and green against square gold grounds with white filigree, framed in black, blue or green; curling foliate serifs attached to bar stems in inner or central margin, interrupted by initials in margin, blue, light blue, grey, pink, orange, red, and black, extending full length of margin; with large spiral foliate terminals with gold dots and flourishes in brown ink, often incorporating roundels, some with additional figures or birds. Numerous small, 4-line, flourished initials, red with blue flourishes and vice versa, as well as red and blue alternating paragraph marks throughout. Running titles added along upper edge., Script: Written in elegant round gothic bookhand secundum pecias., and Written probably in Bologna from a stationer's exemplar secundum pecias.
Subject (Name):
Guido,--de Baysio,--d. 1313
Subject (Topic):
Canon law--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Pecia
Manuscript on paper (thick, coarse) of Lives of the Saints, preceded by accounts of events in the Bible from both the Old and New Testaments. Folios 51 and 61 interchanged in rebinding.
Description:
Binding: Nineteenth century, Italy. Rigid vellum case with two red labels on spine: "Trattati di storia sacra" and "Manuscritto 1360"., Crudely executed title page, f. 1r, consisting of floral and foliage motifs in upper margin, scroll around column in inner margin, and, in outer margin, scroll around column terminating in elongated arm with text on the scroll (much rubbed and stained). In lower margin a coat of arms (damaged; probably: or, two columns gules); the letters B and C on either side in the bases of columns in inner and outer margins. The decoration of title page in bright red and green. Plain initials (some with simple foliage designs), headings, paragraph marks, pointing hands, and hands holding crosses or symbols of passions of martyrs (e. g., gridiron for Laurence), all in bright red, green, and/or black., Folio 1 damaged; no loss of text., Script: Written by several scribes in unruly mercantesca script, above top line. Script becomes smaller and tighter toward end of codex., and Watermarks: similar in design to Briquet Ciseaux 3708 dated Genoa, 1465.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library