Drawing of Nicholas Stone Junior (bap. 1618-1674), English, sculptor and architect, second son of Nicholas Stone Senior (1585-1657).
Alternative Title:
Nicholas Stone junior statuary and architect
Description:
Title from inscription in ink below image on mount., Inscription in ink, above oval image: This may be Nicholas Stone Jun. Painted at Rome ano. 1638 as he mentions in his journal., Inscription in ink, below oval image: a sketch of a head pianted in Oyl in an oval. Sold in Mr. Gibbons [illegible] sale, called Mr. Stone., Drawing that was used as a basis for an engraving of Stone in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 23., and George Vertue, English artist, 1684-1756.
Oval drawing of Nicholas Stone Senior (1586-1647), leading sculptor, master mason, and architect, in London in the mid-17th century
Description:
Title from inscription in ink, below image., Drawing that was used as a basis for an engraving of Stone in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 23., and George Vertue, English artist, 1684-1756.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A stout man, wearing a coat and a tricorne, is shown half-length; he sits at a table, a mug of frothy beer in front of him
Alternative Title:
Old England's support
Description:
Titled by the artist in ink below image., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Date from local card catalog record., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
A confrontation in a bedchamber between a black woman in a nightgown in bed and four men who surround her canopy bed. One man holds a candle. The woman is slapping the one man to her right on the cheek while another pulls him away. A fourth man is pointing towards her shoulder
Alternative Title:
Discovery
Description:
Inscription in ink under title in Horace Walpole's hand: " [A black girl imp[...]ed on High[...] Manager of Drury lane]. These three from plates in Mr Ireland's collection.", Inscription in ink: From Horace Walpole's Collection. Bought at Strawberry Hill Sale 1842. The remarks in his hand., Text in Latin and English., See British Museum. Catalogue of political and personal Satires, v. 3, no. 2600., Tracing of original print., Samuel Ireland, English printmaker and writer, d. 1800., and Portfolio containing 365 original drawings by, or prints engraved by and after, Hogarth. Folio.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1799]
Call Number:
Drawings H263 no. 1 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Portrait, drawn in an oval, of Richard Sackville. He is wearing 17th century dress with a high collar. He is holding in his left hand the tassles of part of his clothing
Description:
George Perfect Harding, English miniature painter, 1779/80-1853., Title from inscription in graphite pencil on verso of image: drawn by G.P. Harding. Richard Sackville Baron Buckhurst Earl Dorset after a [scarce] print by Simon Pass. From a scarce print by Simon Pass., Signed in ink lower left of image: GPH 1799., Inscribed in graphite pencil lower right: Richard Sackville, 3d earl of Dorset., and Inscription in graphite pencil on verso lower right: Drawing by George Perfect Harding: "GPH 1799 after a print by Simon Pass.
Subject (Name):
Sackville, Richard, Baron Buckhurst and Earl of Dorset, 1589-1624,
Title from note in a contemporary hand on verso; alternative title devised by curator. and Approximate date based on that of a print in the same collection done in a similar style and depicting a similar theatrical scene. See Lewis Walpole Library call no.: Waller no. 24.
Volume 1, page 96.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
A seal with a shield at center bearing the coat arms of Stafford, Roos and Burley: greyhound supporters on either side; anchor above
Description:
Title written in ink below image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 96.1 in volume 1 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Volume 2, page 398.2. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of six seals bearing images of clergy and armorial shields. The name of the English king who used each seal and the date it was used are written below each seal; depicted are seals used by Edward III, Edward IV, and Richard II.
Description:
Title written in ink at top of image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 398.2 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Edward III, King of England, 1312-1377., Edward IV, King of England, 1442-1483., and Richard II, King of England, 1367-1400.
Half-length, oval portrait of Sir Thomas More, Lord Chancellor, classical scholar, philospher, later canonized, looking slightly right and wearing the Collar of Esses, with the Tudor rose badge of Henry VIII; within a decorative border with an elaborately decorated flag, spectre and axe below. The two drawings were created in preparation for the engraved portrait print engraved by Jacobus Houbraken and published by John & Paul Knapton in 1741
Alternative Title:
Sir Thomas More
Description:
Title from inscription on verso of drawing., Portrait is unsigned, but the mount is decorated with a border in ink and wash and signed: H. Gravelot inv. et delin., Counter watermark in center of sheet used as the mount: IV., After Hans Holbein the Younger, and One of ten watercolor portraits and other drawings included in George Vertue's set of engravings: The heads of the most illustrious persons of Great Britain (London : John and Paul Knapton). See all catalog records by searching call number: LWL Folio 724 743 H432 (Oversize).