"One man falls violently, arms and legs in the air; he brings the ferrule of his stick heavily down on the eye of a neighbour who has just landed on his posterior, his legs and arms extended. In the background three other skaters have fallen, and lie or sit, legs in the air."--British Museum online catalogue
Alternative Title:
Fundamental error in the art of skating, Elements of skateing : a fundamental error in the art of skaiting, and Elements of skating : a fundamental error in the art of skaiting
Description:
Title etched below image, following series title., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., One of four prints in a series entitled: Elements of skateing., Sheet trimmed within plate mark., and Mounted to 27 x 37 cm.
Publisher:
Publishd. November 24th, 1805, by H. Humphrey, 27 St. James's Street
"Grenville (left) stands in St. James's Park in profile to the right, firing a gun with a wide barrel at a group of winged money-bags, &c, flying in the upper right corner of the design, rising on smoke issuing from the chimneys of 'Buckingham House'. A pen in his round hat indicates his Secretaryship. Dead game hangs from his person: a hare whose body is a money-bag inscribed 'Secretaryship of State £7000 pr Ann.', a goose, whose similar body is inscribed 'Sinecures £9000pr Ann.', and two goslings, respectively 'Private Pension £4000' and '£3000 pr Ann.' The central bird at which he fires at close range is a winged document: 'Ranger of the Park'; winged bags are '75000 pr Ann', '3000 pr Ann', and '7000 pr Ann'. All these he hits. A winged ducal coronet is flying up towards the line of fire. A group of dogs with human faces surrounds him; they lick his boots, look up at him expectantly, or watch the shot; one has a collar inscribed 'Whitehall'. The southern part of the east front of Buckingham House fills the right part of the design. Behind Grenville are trees. ..."--British Museum online catalogue
Alternative Title:
Billy Ranger the Game Keeper in a fine sporting country
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of text below title: He shoots a good shot; it will do a mans heart good to see him; he will charge you & discharge you ..., Sheet trimmed within plate mark., Temporary local subject terms: Dogs: hounds -- Ministers as hounds -- Buildings: Buckingham House -- Sinecures -- Lord Grenville's sinecures as Ranger and Keeper of St. James's and Hyde Parks -- Bags of money -- Hunting: bird shooting., and Watermark: Armorial shield with fleur de lis above and initials G R below.
Publisher:
Pubd. Feby. 1st, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834
"Lord Moira, a candle in each hand, stands in the doorway of his house. He wears a dressing-gown in place of a coat He has opened the door to a young officer, who steps forward unsteadily raising his cocked hat. An ugly watchman (l.) in Highland dress trudges to the left. holding his staff and lantern; he is the only figure who is caricatured. The architrave is surmounted by an earl's coronet. The dignified doorway is set in a wall of heavy stones and flanked by two windows high above the cobbled street."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Fifteen lines of verse in two columns below title: When loud the watchman cry'd the hour and call'd 'till he was hoarse ... Parody upon [the] Red Cross Knight., Temporary local subject terms: Cocked Hat -- Highland Dress -- Lantern -- Watchman -- Door knocker., and Mounted to 45 x 31 cm.
Publisher:
Publishd. July 9th, 1804, by H. Humphrey, 27 St. James Street
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"A companion print to BMSat 8659. Grenville seated in an ornate armchair peers near-sightedly at a map of 'The Globe' in two hemispheres which he holds up to his face. The eastern hemisphere, at which he is not looking, shows an exaggeratedly large tract of 'French Conquests'. His posteriors and legs, very solid in BMSat 8659, are thin. He sits before a light rectangular table on which are ink-stand and pens and two books, 'Court Calender' and 'Locke on Human Understanding' (as in BMSat 8659). On the wall are two pictures, the subjects merely indicated: 'The Treasury' (left) shows the arched gate and stone wall of many satires; 'Brittania Triumphant': Britannia seated with spear and shield. A patterned carpet completes the design. Grenville fixes his attention on scarcely visible successes in the W. Indies, ignoring the French conquests in Europe. The 'Court Calender' and 'The Treasury' indicate eagerness for the perquisites of office, cf. BMSat 8061 (1792)."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Furniture: chairs -- Inkstands -- Maps -- Shortsightedness -- Pictures amplifying subject: View of the Treasury building -- Pictures amplifying subject: Britannia's chariot -- Literature: reference to John Locke's Essay Concerning Human Understanding., and Mounted to 48 x 34 cm.
Publisher:
Pubd. June 8th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834
"A companion print to BMSat 8656. Grenville stands on a hearth-rug, his back to a blazing fire (right), holding up to his face an open book inscribed: 'Fundamental Principles of Government for 1795', at which he looks sideways and near-sightedly. He raises his coat-tails to warm his bulky posteriors, his left hand in his breeches pocket. On the chimney-piece lie two books: 'Court Cookery' and 'Locke on Human Understanding'. Hanging above it is a 'Map of British Victories on the Continent' on which confused scrawls are depicted. On the back wall (left) is a bracket supporting a bowl of gold-fish, above which is a picture of the 'Treasury Bench': three Ministers seated as if in Parliament, in back view with their coats drawn aside to show their bulky posteriors; the wall of the Treasury forms a background. ...."--British Museum online catalogue
Description:
Title etched below image., Nine lines of verse in two columns below title: "Lord-Pogy boasts no common share of head ...", Sheet trimmed within plate mark., and Temporary local subject terms: Fireplaces -- Furniture: shelves -- Fish bowls -- Shortsightedness -- Wall maps -- Pictures amplifying subject: Treasury bench -- Literature: Reference to John Locke's Essay on human understanding -- Furnishings: carpets.
Publisher:
Pubd. June 13th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834
"A lady sits in back view before a tall pier-glass, twisting a piece of drapery round her head. Two young women (right) hold up festoons of the immensely long drapery, the end of which trails across the floor and is worried by a small dog, shaved in the French manner. The glass is surmounted by an earl's coronet and decorated by triple ostrich plumes, suggesting that the lady, who wears a loose wrapper, may be Lady Jersey. The mirror is lit by two candles. Through a window (right) is a crescent moon, sinking into clouds. The second attendant wears a hat, suggesting that she is a milliner. Both are dressed in the short-waisted fashion of the day (cf. BMSat 8571). An elaborate bowl of flowers stands on a pedestal or small ornate table. A patterned carpet covers the floor."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Furniture: mirrors -- Crowns: earl's coronet -- Claw-foot table -- Furnishings: flower arrangements -- Window curtains -- Emblems: Earls of Jersey ostrich feathers -- Pets: dogs -- Lighting: candle holders on mirror -- Trades: milliners -- Female dress: drapery headdress.
Publisher:
Pubd. June 30th, 1795, by H. Humphrey, No. 37 New Bond Street
"Lord Moira, rigid and impassive, stands in profile to the left, right hand on his tasselled stick, left hand on hip, wearing quasi-military dress with looped cocked hat and high boots. Clouds, so coloured as to suggest a distant conflagration, and a low horizon, curved as if to indicate the edge of the globe, form a background. ..."--British Museum online catalogue
Description:
Title etched below image., Seven lines of quoted verse below image in two columns, one on either side of title: "Ne'er may his whiskers loose their hue, "chang'd (like Moll Coggin's tail) to blue! ... vide Anti-Jacobin., Sheet trimmed within plate mark., and Temporary local subject terms: Male dress: quasi-military -- Male fashion: sideburns -- Walking staves -- Literature: Quotation from the Ode to Lord Moira, by George Ellis (1753-1815) -- Periodicals: Anti Jacobin Review, no. XI.
Publisher:
Pubd. May 16th, 1799, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Soldiers march impassively in double file through a crowded street, and over the prostrate bodies of those whom they have overthrown. Military arrogance and foppishness are personified by the officer, much caricatured, with a grotesquely elongated waist (cf. British Museum Satires No. 7352). He places one toe on the body of a fish-woman who lies on her back, her legs much exposed. His outstretched right leg is poised above a crouching woman who tries to protect her barrow of vegetables. Two men holding muskets precede the officer; one tramples on the face of an infant. The officer is followed by a man carrying a pike, behind whom march six soldiers in double file carrying muskets with fixed bayonets. All march ruthlessly, eyes front, regardless of the havoc they are causing. A porter lies on the ground clutching a broken wooden case faintly inscribed 'Mr . . . Silversmith'; from it pour plate and jewels. The porter's knee is badly damaged, and his knot has been knocked from his shoulders. A milliner or courtesan lies on her back clutching the hair of a barber who clasps her leg. On the extreme right a prostrate woman tries to protect her infant, and a newsboy with his horn and a sheaf of the 'Morning Herald' tries to escape from the trampling soldiers. Other victims between the soldiers and the wall are a woman with a crutch, a shoeblack, a man with a tray of rolls. A pair of beseeching hands and two female legs (right) waving in the air add to the turmoil, which is accentuated by the writhing forms of the fish which fall from the fishwoman's basket. The background is formed by the wall of a stone building with two elaborately barred niches, and by the window of a silversmith's shop (right)."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Abuses: military marches, 1787 -- Newspapers: Morning Herald -- Architectural details: barred niches -- Trampled victims -- Guns: muskets with fixed bayonets -- Protection of the Bank, 1787 -- Military march, double file -- Children: abused infant -- Shops: exterior of a silversmith shop -- Silversmith's box -- Vegetable sellers -- Fishwomen -- Allusion to the Strand -- Allusion to Cheapside -- Allusion to Fleet Street -- Porter's knot -- Newsboys -- Milliners., and Watermark: Hall & [...]plin 1804 on the right side of sheet; Strasburg bend on the left.
Publisher:
Pubd. Augt. 22d, 1787, by S.W. Fores, Piccadilly
Subject (Topic):
Soldiers, British, Military uniforms, Military officers, Marching, Food vendors, Porters, Rifles, Barbers, Newspaper carriers, and Storefronts
"Three men, each holding up an umbrella, meet and seem to find difficulty in passing. An officer, his hair in a long pigtail queue, walks (left to right), his umbrella held in his right hand and resting on his left shoulder. A lean man, holding his umbrella high, and with tasselled cane in his left hand, advances from the right. Between them, his umbrella resting on his right shoulder, a plainly dressed citizen stands full face, holding out his left hand as if to prevent a collision between the other two. A stone wall forms the background."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.