Manuscript on parchment of 1) Jacobus Palladinus de Teramo, Belial (also known as Consolatio peccatorum seu Processus Luciferi contra Iesum Christum). 2) Athanasian Creed, added in a different hand.
Description:
According to a note in library files, the manuscript was purchased from B. M. Rosenthal via L. C. Witten in 1958 by Thomas E. Marston., Binding: Nineteenth century. Dark brown, hard-grained goatskin, blind- and gold-tooled. Gilt edges. On spine: "Liber Bellial" and "Codex Ms. Saec. XV"., Divided initial, 15-line, in red in f. 1r. Plain initials, 10- to 4-line, initial strokes, and paragraph marks (in outer margin) in red throughout., and Script: Written in a cramped gothic cursive by a single scribe, above top line; art. 2 added in an awkwardly formed gothic bookhand.
Subject (Name):
Palladinus, Jacobus
Subject (Topic):
Athanasian Creed, Christian literature, Latin, Consolation--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Caesar, Bellum Gallicum, translated into Italian by Pier Candido Decembrio in 1438. With Dedication of the translation to Filippo Maria Visconti, Duke of Milan.
Description:
Binding: Date? Italy. Vellum case with title in ink on spine: "Cesare Comment". Gilt, gauffered edges and gold and cream silk endbands. Fragments of a printed service book with musical notation partially visible under pastedowns., Elegant illuminated title page (f. 2v) with the title, written in blue over an erasure, in a circular wreath, green with gold flowers, and framed by narrow gold bands with fillets and inkspray issuing from the top and bottom with blue and deep red flowers, green leaves and gold balls. Full border, f. 1r, white vine-stem ornament on blue, green, deep red and gold ground between thin gold frames. In lower border, medallion, blank, framed by wreath, green with yellow highlights and narrow deep red frame. Partial border, f. 3r, white vine-stem ornament on blue, green and deep red ground between narrow gold frames, enlarged to elongated dots at terminals; white vine-stem ornament extends into upper (trimmed) and lower margins, with single gold balls with hair-line strokes. 8 large initials, 11- to 3-line, gold on blue, green, gold and deep red ground with white vine-stem ornament shaded with pale pink. First few words of each book in gold; incipits, explicits and marginalia in red., and Script: Written below top line in a bold round humanistic hand by a single scribe who added extra rulings in outer margins for headings, annotations, etc., in red. Additional annotations in humanistic cursive, in a brighter shade of red.
Subject (Geographic):
Rome--History, Military--265-30 B.C
Subject (Name):
Caesar, Julius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Fragments of a Brut Chronicle. Begins imperfectly in chapter 36 (Constantine) and has several lacunae. The work ends in chapter 86 (beginning on f. 11r) with the thirty-first year of Edward III. With art. 3) A note (in Latin) stating that King Henry IV was consecrated in 1399 and documenting his descent from Adam. 4) A list (in Latin) of 86 kings (each numbered) from Brutus to Edward III. 5) Names of prisoners captured and killed at the battle of Poitiers (19 Sept. 1356). 6) Terms of the treaty of Bretigny (8 May 1360). 7) Parliamentary text.
Description:
Acquired from Henry Fletcher in 1950., Binding: 18th-19th centuries. Stab sewn to a vellum folder made up of a legal document (trimmed with some loss of text) dated 1766 and involving the manors of Whitechurch and Milbourne in Wiltshire. The outside has an inscription, 19th century, "Some leaves of early English History in Norman French supposed to have come from Malmesbury Abbey." A similar inscription occurs on f. i verso., Decorative initials, blue with red penwork, appear only on ff. 1-12; initial strokes and headings, in red, throughout., In Anglo-Norman., and Script: Written in Anglicana bookhand by one scribe.
Subject (Geographic):
Great Britain--History--14th century
Subject (Name):
England.--Treaties, etc.--France,--(1360 May 8)
Subject (Topic):
Anglo-Norman literature, Chronicles of England, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Jerome, Epistolae, etc., translated into Italian by Ser Nicolaus Berti Martini de Gentiluzis de Sanctogeminiano, a notary in Florence (ca. 1388-1468). With Ps.-Augustine, Epistula ad Cyrillum, concerning the death of St. Jerome.
Description:
Binding: ca. 1500, Florence. Sewn on three tawed skin, slit straps attached to oak boards, with brown and natural color endbands (later additions?) sewn on tawed skin cores laid in grooves on the outside of the boards. Covered in orange/brown sheepskin neatly blind-tooled with rope interlace in concentric frames. Spine: double fillets at head and tail and outlining the supports on the spine; fine diapering with double fillets in the panels. Four flower-shaped catches on the lower board, two wanting. Remains of vellum label (worm eaten) on the spine and pieces of string used as place marks. Off-set impressions of medieval liturgical manuscript on front and back pastedowns. Orange edges. Sticky from excessive oiling., One illuminated initial, f. 4r, 6-line, gold, filled with red and blue penwork in geometric patterns. The penwork extends the whole length of the text column to form a partial border, terminating in the upper and lower margins in a scroll of blue penwork with small flowers, heart-shaped leaves and red dots. Numerous penwork initials of good quality, 5- to 2-line, alternate in red and blue with purple and red penwork respectively, often extending into the margins. Headings in red. Majuscules and display script touched with yellow., Script: Written by a single scribe in a small upright gothic script with both notarial and humanistic influence, above top line., and Watermarks: similar to Piccard Schere III.710, Briquet Chapeau 3387; unidentified eagle.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Christian legends, Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript of parchment roll composed of 8 membranes, written in 4 columns. Column 1) Chronology of the popes from Peter to the antipope John XXIII. 2) Chronology of the rulers of the Empire from Augustus to Louis of Bavaria, Holy Roman Emperor from 1328-47. 3) Chronology of the Monarchs of France, beginning with the Trojan nobles and concluding with Charles VI, king from 1380-1422. 4) Chronology of the kings of England, from King Lud in the time of Julius Caesar to King Henry IV (d. 1413).
Description:
Binding: Unbound., Four illuminated initials, 4-line, at the top of each column, blue with white filigree against gold ground with stylized foliage or geometric patterns in red and blue. At the top of each initial, black inkspray with gold leaves; at the first initial (left column), decoration extends into the left margin to form a partial border. Numerous smaller initials, 2-line, gold on blue and mauve grounds with white filigree. Headings in red., Purchased from Maggs Bros. of London in 1958 by L. C. Witten, who sold it in 1959 to Thomas E. Marston., Script: Written in batarde script by a single scribe., and Text is accompanied by parallel schematic genealogical diagrams in red consisting of connected roundels inscribed with the names of various rulers in succession, between the columns. The genealogical diagrams are periodically interspersed with 58 roundels framed in red with lively pen drawings in brown ink with washes in blue, pink and green, depicting cities and churches whose foundations are ascribed to particular rulers or occurred during their reigns. Each of the genealogical diagrams begins at the top of the text with a roundel, depicting respectively (I) Mount Calvary, (II) Rome, (III) Venice (whose foundation is ascribed to Trojan nobles) and (IV) London. Included are drawings of Constantinople, Hagia Sophia, Santiago de Compostela; the majority of the drawings appear in the chronology of the French monarchs, with depictions of Paris, St. Genevieve, St. Denis, St. Martin-de-Champs, and others. The buildings are all late medieval in character and do not bear resemblance to the monuments themselves.
Subject (Geographic):
France--History, Great Britain--History, and Holy Roman Empire--History
Subject (Topic):
Church history--Chronology, Illumination of books and manuscripts, Medieval, Kings and rulers--Genealogy, Legends, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (poor quality: thick, holes, ends, repairs) of Gregory the Great, Homeliae in Hiezechielem prophetam. Written perhaps at the Cistercian abbey of Hautecombe to which it belonged.
Description:
Acquired from C. A. Stonehill in 1957 by Thomas E. Marston., Binding: 1800-1810, Italy. Half bound in mottled brown calf with bright pink paper sides. Two gold-tooled, brick red labels on spine: "Greg. Pape. in Ezechiel." and "Saecul. XIII". Red edges. Bound in the same distinctive style as Marston MSS 50, 125, 128, 135, 151, 153, 158, 197, also from the Cistercian abbey of Hautecombe., Many leaves damaged along outer edges, now repaired, but with loss of text; stained throughout., Script: Written by multiple scribes in spiky early gothic bookhand., and Spaces left unfilled, f. 1r, for initials and headings at beginning of prologue and text. Decorative monochrome initials and headings, which extend the width of columns, of modest quality, in red (many oxidized). Minor initials, 5- to 2-line, some with simple penwork designs, headings, initial strokes in red.
Subject (Name):
Cistercians and Gregory--I,--Pope,--ca. 540-604
Subject (Topic):
Bible.--O.T.--Ezekiel, Bible--Commentaries, Fathers of the church, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of a collection of extracts primarily on virtues and vices.
Description:
Binding: Fifteenth century, Italy. Strips cut from a parchment manuscript (text washed) are adhered around the fold of each quire. Original sewing on three kermes pink, slit straps. The parchment sides are sewn with the first and last quires., Large decorated initial, f. 2r, 16-line. Body of initial formed of intricate interlace bands, yellow and brown washes, against paper and yellow and brown ground; exhibits strong shading. Display script in red and blue. Rubrics (pale red) in text in humanistic bookhand., Script: Written in a calligraphic and sometimes flamboyant humanistic cursive script by a single scribe, below top line., and Watermarks: unidentified letter (?), in gutter.
Subject (Topic):
Commonplace-books, Education, Humanistic, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Vices, and Virtues
Manuscript on parchment of Petrus de Tarentasia (Pope Innocent V), In quartum librum Sententiarum Petri Lombardi. Copied from a stationer's exemplar secundum pecias. With Distinctiones on the scholastic and monastic life, entered in a later highly abbreviated script; and Anonymous commentary on the Psalms.
Description:
Binding: Sixteenth century, Germany or Italy (?). Resewn (early) on three tawed skin slit straps laced through tunnels in the edge of beech boards to channels on the outside and pegged; channels filled with glue. A pink, green and white, five core endband is sewn through a leather lining on a tawed skin core laced into the boards and pegged. Covered in brick red sheepskin with corner tongues; blind-tooled with an X and sparse use of oak-leaf edging tool. Two truncated diamond catches on lower board, the upper board cut in for the red fabric clasp straps which were attached with star-headed nails. Corner fittings and six-petalled central medallion. Traces of title, in ink, on spine. Spine of the bookblock partially eaten by rodents., Script: Written in small gothic bookhand; arts. 2 and 4 in less formal scripts., and Two historiated initials, 7- and 4-line. Folio 1r: mauve initial with white filigree on blue ground with white filigree, edged in gold, showing a man drawing water from a well, against gold ground, illustrating the Biblical passage "Haurietis aquas...." Serifs, ending in heart-shaped red leaves, on blue and red cusped grounds, with gold balls, extending along the inner margin to form a partial bar border. Perched on the top of the initial is a small bird, grey with red wings. Folio 1v: blue initial with white shading against dark red ground with white filigree. Ascender blue against dark red ground, extending along text column to form a partial bar border. The initial shows the good Samaritan riding on a donkey, against gold ground. Numerous flourished initials, 4- to 3-line, alternate red and blue with penwork designs in the opposite color. Running headlines in red and blue. Paragraph marks alternate red and blue. Guide letters for decorator visible beneath initials.
Subject (Name):
Innocent--V,--Pope,--ca. 1224-1276 and Peter Lombard,--Bishop of Paris,--ca. 1100-1160
Subject (Topic):
Bible.--O.T.--Psalms, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Pecia, Scholasticism, and Scholia
Manuscript on parchment (thick, good quality), composed of four parts. Although all four parts may be roughly contemporary in execution, they apparently were not assembled together as a "missal" until the 15th century, at which point the manuscript was annotated and cross-referenced from beginning to end; it is possible that only the lectionary and sacramentary in Part IV were originally intended to be used together.
Description:
Binding: Nineteenth century, England. Quarter bound in brown calf, blind-tooled, over wooden board. Metal fittings at the head and tail of the leather and two fastenings., Elegant repairs to parchment sewn with blue and chartreuse thread (e.g., f. 27). Most of the leaves of Part III have been repaired., Part I: KL monograms, in red, embellished with knobs. Part II: Eleven large initials, 12- to 6-line, drawn in red and/or brown ink against geometric grounds of blue and lime-green washes. The initials are constructed of dragons and other fantastic animals, or of stylized foliage inhabited by biting beasts and birds. Plain initials in blue, red or lime-green, some with blue and/or red penwork designs, others with knobs. Major headings in majuscules with letters alternating red, black, and sometimes lime green; other headings in red. Instructions to rubricator perpendicular to text. Part III: The decoration of the Canon of the Mass consists of a 3/4-page miniature of the crucifixion, f. 60r, framed with a narrow border of olive green, red and blue with white filigree. Christ is shown hanging from a Y-shaped Astkreuz flanked by Mary and St. John, against gold ground. The gold ground is largely rubbed and the figures are partly restored (lower part of St. John's robe has been reworked, and flaked paint on the cross and Christ's loin cloth replaced). Marginal illustration of what appears to be a kneeling Augustinian canon dressed in white and red robes, adjoining the Te igitur (f. 60v). Three illuminated initials, ff. 58r, 59v, 60v, for the Canon of the Mass, 7- to 5-line, pale mauve with stylized scrolls and green foliage against gold ground edged in blue with white filigree. Vere dignum initials, 3-line, alternate in red and blue with penwork in either blue or red. Part IV: Pen-and-ink initials, 7- to 4-line, of a similar design as in Part II, but lacking the vitality; drawn in brown and/or red ink with stylized foliage and palmettes sometimes touched with blue or red against blue, red and/or lime-green ground. Smaller initials, 4-line, red, blue or green with red and/or green penwork design. Plain initials in red. Headings in red. Instructions for rubricator perpendicular to text., and Script: Part I (ff. 2-8): Text of calendar written in gothic bookhand by a single scribe; many later additions in several hands. Part II (ff. 9-56): Written in gothic bookhand, with additions in several different hands in less formal styles of writing. Musical notation consists of Austrian adiastematic neumes in the same ink as the text. Part III (ff. 57-64): Written in large liturgical gothic bookhand. Part IV (ff. 65-276): Written in gothic bookhand; several layers of marginalia added in less formal hands.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Missals