Manuscript on paper of Honore Bovet (often erroneously named Bonet, c. 1345-1405), L'arbre des batailles, composed between 1386 and 1389
Description:
In French., Accompanied by: Typescript of an English translation by G. W. Coopland: The Tree of battles of Honore Bonet (sic). With a hitherto unpublished historical interpolation translated by G. A. Knowlson ... Cambridge, Massachusetts, 1949. Catalogued as Beinecke MS 605a., Watermark: similar to Briquet 389 (?)., Script: Probably copied by one hand, writing Gothica Cursiva Libraria (Bastarda)., In art. 1 red heightening of the majuscules. In art. 2 paragraph marks and underlining in red; red 2-line plain initials; at the opening of the text (f. 5r) 4-line red and blue littera duplex without penwork. Guide-letters., and Binding: ca. 1900 by Chambolle-Duru. Crimson morocco over cardboard, preserved in fleece-lined folder. Spine with five raised bands and gold-tooled title: "L'ARBRE DES BATAILLES PAR HONORE BONNET - MANUSCRIT DU QUINZIEME SIECLE". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bovet, Honore.
Subject (Topic):
French literature, Manuscripts, Medieval, Military art and science, and Schism, The Great Western, 1378-1417
Manuscript of Honore Bonet, L'Arbre des Batailles. With Diego de Valera, Espejo de verdadera nobleza, translated into French by Hugues de Salve; and other treatises on arms
Description:
In French., Script: Written in formal batarde script. Folios 7r-9r, also in formal batarde, but in a different hand., The fine miniatures, by the Master of Bruges of 1482, are in arched frames composed of thin gold and pink bands. Between ff. 147r and 152r there are sixty-three painted armorial bearings, perhaps a later addition (16th century?) as indicated by the type of pigment, the occasional lack of correspondence with the original preparatory drawings, and the fact that some drawings were never overpainted. 5-, 4-, 3-, and 2-line initials, gold, edged in black, against irregular blue and red grounds with white highlights. 1-line initials in the table of contents, red and blue, with guide-letters to illuminator; ff. 7r-9r (the section for the L'Arbre des batailles) in darker shades and without notes, suggesting, as does the change of hand, that this section of the table as well as the portion of the text to which it refers were added to the manuscript in a second stage of its production. Paragraph marks, 1-line, red and blue. Pages foliated in red, upper right recto. Headings in red throughout., and Binding: Nineteenth century. Edges gilt. Purple goatskin case with brilliant gold tooling and elaborate doublures.
Subject (Geographic):
Connecticut, New Haven., Burgundy (France), and France
Subject (Name):
Bonet, Honoré, fl. 1378-1398.
Subject (Topic):
Chivalry, Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on paper (watermarks buried in gutter) of Gregorio (or Leonardo?) Dati, La Sfera. This rhyming treatise (ottava rima) is divided into two parts: 1) a treatise on astronomy; 2) rules for navigation and the determination of the position of the sea
Description:
In Italian., Script: Written by one person in neat mercantile script., One 4-line initial, f. lr., gold capital with white-vine foliage against a blue, pink and green ground, connected to a 3/4 white-vine border with brown penwork and gold dots; a coat of arms in wreath at center of lower margin. Two 3-line initials, ff. 7r and 14v, gold, against pink and green grounds with yellow and white filigree. Folios 1r-14v illustrated in margins with astronomical and geographical diagrams, all of them circular, tinted drawings in brown pen with red, yellow, blue and green washes. Folios 15r-24v decorated with unframed maps and illustrations drawn in brown pen, and tinted green, brown and red. Most illustrations unlabeled., Some leaves repaired; the manuscript shows signs of heavy use., and Binding: 16th-17th centuries. Resewn on three vegetable fiber supports. Rounded spine. Covered in black/brown sheepskin over wooden boards with corner tongues. Blind-tooled with five line fillets forming diamonds. There are traces of four bosses on each board and two clasp-and-catch fastenings, the catches on the lower board. Fastenings and bosses are wanting. Concentric circles are scratched in the center of the lower board. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dati, Gregorio, 1362-1436.
Subject (Topic):
Astronomy, Medieval, Italian poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Early maps, and Navigation
Manuscript on paper (watermarks buried in gutter) of Jean Franchieres, La fauconnerie. Begins imperfectly in the Prologue and apparently ends at the beginning of Bk. 4, ch. 22.
Description:
In French., Script: Art. 1 written by a single scribe in a sprawling batarde. Notes on ff. 145r-147r added by several later writers., Major headings in red., Loss of text on ff. 145r-146r due to trimming., and Binding: Nineteenth century. Green goatskin, gold-tooled, by the same binder as MS 467.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Franchières, Jean de, ca. 1400-1488.
Subject (Topic):
Falconry, French literature, and Manuscripts, Medieval
Manuscript on parchment of Arthelouche de Alagona, La Fauconnerie. Text is defective from ff. 32v-33r; leaf missing after f. 32.
Description:
In French., Script: Written by Vincent Philippon in elegant upright batarde., One undistinguished miniature (f. 1r), a falconer standing on a shallow ground, with some blue tinting for sky, set between blue and red columns with gold highlights; a blue and red band above inscribed in gold: "VRAI LVI SERAI AMI." A large coat of arms on f. ii verso (possibly a later addition and now effaced) supported by two angels with a miter above, in brown ink. One blue and red initial (f. 1r), 3- line, against a gold ground. 6- to 1-line initials throughout, brushed gold against blue or red grounds; line-endings, blue or red with gold highlights. Rubrics throughout., and Binding: 16th-17th centuries. Original sewing on three tawed, slit straps laced in and out of the boards. The spine is square. Covered in brown calf, blind-tooled with vertical lines of square and diamond shaped tools in a border of flowers in squares. Two ribbon fastenings. The upper board is broken down the center and sewn together. Half the lower board, endbands, ties and leather around the edges of the boards wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alagona, Arthelouche de.
Subject (Topic):
Falconry, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (soft, furry; trimmed) in two parts, the first of which has several distinct formats. Part I: 1) Pierre de Peckham, La lumiere as Lais, lacking all of Book I and part of Book II. Part II: 2) Edmund Rich, St., abp. of Canterbury, Speculum amicicie, also known as Speculum religiosorum or Speculum ecclesie, in a French translation. 3) Poem on the love of God and the hatred of sin. 4) Hymn based on the "Iesu dulcis memoria" (14 quatrains). 5) Appeal of Christ to sinner. 6) Collection of recipes
Description:
In French., Script: Part I: Written in gothic textura by two hands: Scribe 1) ff. 1r-71v; Scribe 2) ff. 72r-85v. Part II: Written in gothic textura by two hands: Scribe 1) ff. 86r-99v (column 1); Scribe 2) ff. 99v (column 2)-110v., Decoration, Part I: One historiated initial, f. 16v, Master expounding to a pupil, figures predominantly pink and blue on a pale purple and gold diapered ground; blue initial with white filigree and pink and green curling vine serifs on a pink ground with white ivy; ground framed by a thick gold band, edged in black. Two styles of minor decoration that correspond to work division of the two scribes: ff. 1r-71v, 2-line initials, blue or gold with red or blue penwork with flourishes; 1-line initials, blue or gold; numerous line-fillers, almost every line in different styles, blue and gold; first letter of each verse stroked in red. ff. 72r-85v, 2-line initials, blue with red penwork and flourishes. No line-fillers. First letter of each verse stroked in red. Rubrics throughout. Part II: Decorative initial, divided red and blue, 4-line, on f. 86r, with blue and red flourishes and design cascading down inner margin. 2-line initials, blue, with red penwork and flourishes. 1-line initials, red or blue. Rubrics throughout. Very crude drawings (16th century) added on f. 111r-v., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled. Bound by F. Bedford (London, active 1851-ca. 1883). Title on spine: "Lume As Lais/ Poemes francais MS. XIV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pierre, de Peckham, -1293.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Johannes Baers, Lamentationes Ieremiae carmine elegiaco redditae. With a Dedicatory epistle to Robert Cecil, 1st Earl of Salisbury (c. 1563-1612), secretary of state of Queen Elizabeth
Description:
Iohannes Baers (Baersius), born in Ghent 1580, d. 1653, studied theology in Leiden, was minister in various places in the Northern Netherlands, was 1629 in Pernambuco (Brasil) and in 1632 back in the Netherlands minister in Soest. He is the author of two books in Dutch, published in 1648 and 1653 respectively, but his poetic paraphrase of Lamentations seems to be unrecorded. Whether this work was finished in 1601 or 1605 is not clear. This Carmelite monk in Ghent, named Paschasius Baers, became after his conversion minister in Zele (East Flanders) and from 1580 onwards in various places in the Netherlands; from 1590 to 1603 he was active in Leeuwarden., In Latin., Script: Written by a single scribe in careful Humanistica Cursiva. Titles and running titles are in a larger size of the same script., and Binding: Original limp vellum, both covers decorated with a simple blind-tooled frame and four small gilt fleurons in the corners. Remains of two green silk ties. Gold-tooled inscriptions in capitals, on front cover: ".SERO.SED.SERIO."; on rear cover "ANNO.1601." Inscription in ink on the spine: "Lamentationes ***********". Edges gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Baers, Johannes, d. 1653. and Salisbury, Robert Cecil, Earl of, 1563-1612.
Subject (Topic):
Latin poetry, Medieval and modern, Manuscripts, Medieval, and Religious poetry, Latin
Land grant, manuscript on parchment, originally made to Alonzo Prieto, and awarded after his death to his brother Gonzalo Prieto, following litigation. The grant, valued at 35,000 maravedis annually, was given to defray the costs of preparing land and naval forces to protect Spain and the Catholic Church, particularly from the "Gran Turco" ( Süleyman I). Four ships carrying gold and silver were to arrive from Peru to support this. The text refers to places and dates in the years 1535-1536. The end of the document, apparently written when the authorizing signatures were added, gives the location as Valladolid, and the date as 27 February 1537
Description:
In Spanish., Single quire of 12 leaves containing 21 pages of text., Layout: 1 column, 40 lines., Script: Written in Gothic textura script., and Binding: Vellum cover, worn, with numerous notations on front.
Subject (Geographic):
Spain, Jerez de la Frontera., Connecticut, New Haven., Jerez de la Frontera (Spain), and America
Subject (Name):
Charles V, Holy Roman Emperor, 1500-1558.
Subject (Topic):
Land grants, Land titles, Manuscripts, Medieval, Colonies, History, and Politics and government
Manuscript on paper, copied from an exemplar with the final part in disorder
Description:
In Latin., Script: Copied by one hand writing an imperfect Humanistica Textualis with a relatively large number of abbreviations, incomplete word separations, hesitations, errors and corrections making reading sometimes difficult in spite of the formal character of the writing., Spaces and guide-letters for initials (3-line on ff.1r and 2r, the others 2-line); the initials are not executed., and Binding: Of undetermined age. Half light brown leather over original (?) unbevelled wooden boards, the leather decorated with fillets in a geometrical checkered pattern. Spine with four raised bands. Modern parchment pastedowns covering the inner half of the boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Marrasio, Giovanni.
Subject (Topic):
Latin poetry, Medieval and modern and Manuscripts, Medieval
In English and Latin., Script: Slovenly written mostly by one hand in Gothica Cursiva Currens (Secretary), with calligraphic extensions on the top line. The headings of the chapters are in Northern Gothica Textualis Libraria or more often in a somewhat more solemn form of Secretary., The majuscules are heightened in red. In the middle section of the manuscript the chapter headings are marked by a pointing hand; in the final section (ff. 20r-22v) horse-headed (?) dividers are used. Some initials in the headings are decorated with human heads. Numerous coarse pen-drawings in the margins, in black and red, more or less loosely illustrating the text., Badly damaged paper with leaves pasted onto stubs., and Binding: Nineteenth century. Blind-tooled brown calf over cardboard boards. Spine with gold-tooled title: "OLD ENGLISH VOCABULARY. MS. XV. CENT." Red marbled endpapers.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Dictionaries, Polyglot, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval