Manuscript on paper (lightly burnished) of Poggio Bracciolini, Historia Florentina, translated into Italian by his son Jacopo. With Prefatory letter of Jacopo di Poggio to Federico da Montefeltro
Description:
In Italian., Watermarks: similar to Briquet Chapeau 3387., Script: Written in sloping humanistic bookhand with cursive elements., Illuminated initial in gold, f. 1r, 10-line, infilled and surrounded by flowers in rose and blue (yellow centers), rayed gold discs, winding green stems and leaves, and hair-line decoration. Gold initial, f. 3r, 6-line, on ground composed of blue, green, and rose panels, all decorated with gold scroll designs. Headings in red rustic capitals., and Binding: Nineteenth century. Diced brown calf spine, blind- and gold-tooled, with Strozzi arms and "Poggio istoria tradotta da Iacopo suo figlio" and "M. S. Cartaceo del S. XV". Blue and white decorated paper sides.
Subject (Geographic):
Connecticut, New Haven., and Florence (Italy)
Subject (Name):
Bracciolini, Poggio, 1380-1459.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian literature, Manuscripts, Medieval, and History
Manuscript on paper (unidentified watermarks in gutter) of a hunting diary of Ferdinando de' Medici (1549-1609), Cardinal, and Grand Duke of Tuscany; this portion of the manuscript covers the period 15 October 1579 to 21 March 1585
Description:
In Italian., Written in a sprawling cursive script., and Binding: Nineteenth century. Dark green, hard-grained goatskin, gold-tooled, by the same binder as MS 90. Front cover of original limp vellum binding bound in at front of manuscript, with contemporary inscription: "Libro della Caccia che si fe (?)/ Illustrissimo et Reverendissimo Signor Cardinale d'/ Medici mio Signore e padrone".
Subject (Geographic):
Connecticut, New Haven., and Tuscany (Italy)
Subject (Name):
Ferdinando I, Grand-Duke of Tuscany, 1549-1609.
Subject (Topic):
Hunting, Italian literature, Manuscripts, Medieval, and Social life and customs
Manuscript on paper (watermarks buried in gutter) of Gregorio (or Leonardo?) Dati, La Sfera. This rhyming treatise (ottava rima) is divided into two parts: 1) a treatise on astronomy; 2) rules for navigation and the determination of the position of the sea
Description:
In Italian., Script: Written by one person in neat mercantile script., One 4-line initial, f. lr., gold capital with white-vine foliage against a blue, pink and green ground, connected to a 3/4 white-vine border with brown penwork and gold dots; a coat of arms in wreath at center of lower margin. Two 3-line initials, ff. 7r and 14v, gold, against pink and green grounds with yellow and white filigree. Folios 1r-14v illustrated in margins with astronomical and geographical diagrams, all of them circular, tinted drawings in brown pen with red, yellow, blue and green washes. Folios 15r-24v decorated with unframed maps and illustrations drawn in brown pen, and tinted green, brown and red. Most illustrations unlabeled., Some leaves repaired; the manuscript shows signs of heavy use., and Binding: 16th-17th centuries. Resewn on three vegetable fiber supports. Rounded spine. Covered in black/brown sheepskin over wooden boards with corner tongues. Blind-tooled with five line fillets forming diamonds. There are traces of four bosses on each board and two clasp-and-catch fastenings, the catches on the lower board. Fastenings and bosses are wanting. Concentric circles are scratched in the center of the lower board. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dati, Gregorio, 1362-1436.
Subject (Topic):
Astronomy, Medieval, Italian poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Early maps, and Navigation
Manuscript on paper of 1) Jacopone da Todi (c. 1236-1306), Laude. 2) Poem in quatrains, each beginning with the name "Yhesu" (attributed to Jacopone da Todi). 3) Jacopone da Todi (attributed), Tractatus utilissimus. 4) On the five steps of spiritual illumination. 5) Hymn on the name of Jesus attributed to St. Bernard of Clairvaux (Bernardus Claraevallensis, 1090-1153). 6) Bonaventura (1221-1274), Rhythmus de operationibus Iesu Christi, an addition to his Lignum vitae. 7) On the name of Jesus. 8) Lauda on the love of Jesus, attributed to Bianco da Siena (ca. 1350, d. between 1400 and 1450). 9) Lauda on the Virgin, attributed to Gianotto Sachetti
Description:
In Italian and Latin., Script: In spite of the very uneven script, probably copied by one hand hesitating between Southern Gothica Textualis and Semitextualis Libraria/Formata., Headings in red, often missing. Initials with guide-letters: 1-line plain initials alternately red and blue; 2-line flourished initials in red with purple penwork and blue with red penwork; those on the first pages are 3- or 4-line. On f. 1r 11-line historiated initial on gold background containing a profile portrait of Jacopone da Todi with nimbus and holding medallion with the "Jesus"-monogram; the initial has floral extensions in the inner margin. In the lower margin a coat of arms (made illegible by means of black paint) in a wreath., and Binding: Ancient limp parchment. At the top of the spine in 17th-century handwriting: "Imni di F. Jacopone. M.S. D.27" ; at the bottom the shelfmark "T 1 15".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacopone, da Todi, 1230-1306. and Franciscans.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, Manuscripts, Medieval, and Religious poetry, Italian
Manuscript on paper of Emperor Charles V (1500-1558), Laudum inter papam Clementem et illustrissimum Ducem ferrariae, the arbitration of the conflict between Pope Clement VII (Giulio de' Medici, 1523-1534) and Alfonso I d'Este, Duke of Ferrara (1505-1534), Ghent, 1531 April 21.
Description:
In Latin and Italian., Script: copied by one hand writing Humanistica Cursiva., Contemporary copy of the charter, granted by Charles V, Roman Emperor (1500-1558), by which he arbitrated in the conflict between Pope Clement VII (Giulio de' Medici, 1523-1534) and Alfonso I d'Este, Duke of Ferrara (1505-1534), Ghent, 1531 April 21., and Binding: the leaves are part of a volume formerly in the possession of Thomas Phillipps, containing mostly copies of documents related to the affairs of the Medici dukes of Tuscany Alessandro (1531-1537), Cosimo I (1537-1574) and Ferdinand I (1587-1609).
Manuscript on paper of Anonymous epic in ottava rima dealing with San Giusto paladin of Charlemagne
Description:
In Italian., Script: Copied by one hand in bold Southern Gothica Textualis Formata (but f and straight s slightly descending below the base-line), with majuscules under strong Humanistic influence., The first letter of each verse heightened with yellow. Red plain initials (3-4 lines) at the head of each Book (no space had been provided for the last one)., and Binding: Eighteenth century. White parchment over cardboard. Spine with red leather title-label with gold-tooled inscription "LE BATTAGL. DI J. PALLAD. CON IL DEMONIO. MS. 1400". Marbled endpapers and red and blue sprinkled edges.
Manusript on paper of 6 autograph letters of various sizes. The printer Paolo Manuzio (Paulus Manutius, 1512-1574), son of Aldus Manutius, wrote these letters to his benefactor Cardinal Rodolfo Pio di Savoia of Carpi (1500?-1564) in the hope of being appointed head of the Tridentine publishing house in Rome (which he indeed was 1561-1570).
Description:
In Italian., Script: Written in rapid Humanistica Cursiva., From several leaves triangular sections have been cut off, without loss of text., and Most letters show traces of the red wax seal.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Manuzio, Paolo, 1512-1574.
Subject (Topic):
Manuscripts, Medieval and Patronage, Ecclesiastical