Manuscript on parchment (thick, but good quality) of a Collection of Texts on St. Barbara. With a miscellany of texts including patristic works, moralistic poems, and prophecies.
Alternative Title:
Liber gloriose uirginis et martyris christi barbare
Description:
Binding: ca. 1500, Belgium. Covered in brown calf with corner tongues over wooden boards, a central panel diapered with blind-tooled triple fillets. Center and corner fittings and title written in a careful gothic bookhand under a brass-framed window on the upper board: "liber gloriose uirginis et martyris christi barbare". Lower board cut in for the straps which are attached with metal plates. Hasps of a chain on the lower board. Rebacked. and Script: Written in a regular heavy hybrida formata script with features of bastarda by a single scribe who placed small circular flourishes above the letter u.
Subject (Name):
Barbara, Saint
Subject (Topic):
Christian martyrs, Christian poetry, Latin (Medieval and modern), Fathers of the church, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval --Connecticut --New Haven, and Prophecies --Early works to 1800
Manuscript leaves, on parchment, in a single hand, from a text of Terence's Comedies.
Description:
Attributed to the Florentine scribe "Messer Marco" (Giovanni d'Astore?)., Decoration: initials in blue ink., From a manuscript previously owned by Otto Ege. From the collection of Toshiyuki Takamiya, 2013-., Layout: single columns of 30 lines., and Script: humanist script.
Subject (Name):
Terence.
Subject (Topic):
Latin drama (Comedy), Manuscripts, Renaissance--Connecticut--New Haven., Medieval and Renaissance Manuscript Fragments in Beinecke Library., and Medieval and Renaissance Manuscripts in Beinecke Library.
Manuscript on paper of 1) Henricus de Langenstein (Henricus de Hassia the Elder, c. 1325-1397), Expositio super Orationem Dominicam. 2) Henricus de Langenstein, Expositio super Ave Maria. 3) Ps.-Augustinus Hipponensis, Sermo super Symbolum Apostolorum. 4) Ps.-Augustinus Hipponensis, De Oratione Dominica. 5) Expositio in Orationem Dominicam, based on excerpts from the following authors: Ambrosius, Anselmus Cantuariensis ("Anshelmus"), Augustinus, Bernardus Claraevallensis ("Berenhardus"), Cyprianus, Cyrillus Alexandrinus, Fulgentius Ruspensis, Gregorius Magnus, Hieronymus, Hilarius Pictaviensis, Iohannes Chrysostomus, Isidorus Hispalensis, Origenes, "Theophilus", Thomas de Aquino, "Titus".
Description:
Binding: Twentieth century. White parchment and marbled paper over cardboard., Headings, underlining and stroking of the majuscules in red. Red plain initials in artt. 1-5, normally 4 lines. On f. 16r, space for a 7-line initial was provided but not executed., Script: Copied by two hands writing Gothica Semihybrida Libraria; A copied ff. 1r-15v; B, writing a wider, more sloping and more rapid script, copied ff. 16r-20v. Both hands spell the diphthongs ae and oe in the classical manner., and Watermark: Ox head with eight-petalled flower on a rod and a cross below the mouth (Piccard, Ochsenkopfwasserzeichen, XIII.723 (1471-1474).
Subject (Name):
Heinrich,--von Langenstein,--ca. 1325-1397 and Pseudo-Augustinus
Subject (Topic):
Apostles' Creed, Ave Maria, Lord's prayer, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Nicolas Trevet, Commentarius in tragoedias Senecae.
Description:
Binding: Date? The backs of the quires are cut in, some in a W shape. Resewn on two tawed skin, slit straps. Endband sewn on a tawed skin core laid in grooves on the outside of the boards and nailed. The back oak board was previously covered with leather; front board is of unidentified wood. This seems to be a patched together binding using boards from different, possibly 15th-century, books. Presently quarter bound with brown sheepskin, blind-tooled, with radiant IHS in circles. Spine: supports defined with triple (?) fillets; an X with a central cross bar in the panels. Two fastenings, with the catches on the lower board. The upper board cut in for straps fastened with star-headed nails. Remains of title, in ink, on tail edge., Many leaves stained and crumbling along edges; no loss of text., Red and/or deep aquamarine blue initials, 10- to 5-line, with penwork flourished in same color(s), mark beginning of each play. On f. 1r head of bearded man peeps out from behind foliage in interior of letter; on other initials penwork designs extend into margins to form borders (e. g., 170r). Plain initials, 5- to 2-line, paragraph marks, headings, in red., Script: Written in semi-gothic cursive script by a single scribe, above top line; headings in gothic bookhand., and Watermarks: similar to Briquet Tete de boeuf 14330, 14338, Piccard Ochsenkopf I.701, Briquet Main 11092.
Subject (Name):
Seneca, Lucius Annaeus,--ca. 4 B.C.-65 A.D and Trivet, Nicholas,--1258?-1328
Subject (Topic):
Latin drama (Tragedy), Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Cyril, Saint, Patriarch of Alexandria, ca. 370-444
Published / Created:
15th century.
Call Number:
Beinecke MS 953
Image Count:
262
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of Cyril of Alexandria's Glaphyra in Genesim, Books I-IV (first part of Glaphyra in Pentateuchum).
Description:
Binding: 19th or 20th century: brown morocco, both covers gold-tooled with a floral stamp, four times crosswise applied in the center. Spine with three raised bands, to which the gold-tooled leather of the 17th century binding has been pasted, with the inscription: “CIRILI / ALEXAND / OPUS / MS”. Marbled paper pastedowns., Cyril of Alexandria's Glaphyra in Genesim, Books I-IV (first part of Glaphyra in Pentateuchum). Latin translation ascribed to Iosephus.Due to the loss of two leaves (ff. 124-125) a part of the text preceding the final sentences is missing. A few 17th century annotations., and Script: copied by one hand writing Humanistica Textualis. Pale red headings, mostly not executed. Space for initials is provided, with guide letters, but initials are mostly not executed. On f. 1r a 6-line white vinestem initial with extensions in the upper and left margins; white vinestem decoration in the lower margin around a wreath, containing now a blank escutcheon. On ff. 37v (4 lines), 42r (6 lines) and 60r (4 lines) white vinestem initials of lower quality and in a different style.
Subject (Name):
Cyril, Saint, Patriarch of Alexandria, ca. 370-444
Subject (Topic):
Bible.--O.T.--Pentateuch, Bible--Commentaries, Fathers of the church, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1400 and 1500]
Call Number:
Beinecke MS 786
Image Count:
331
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of St. Antoninus, Confessionale. With several other texts, including papal bulls and confessional manuals.
Subject (Topic):
Bulls, Papal, Confession--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Bartholomaeus de Chaimis (de Mediolano, d. c. 1496), OFM, Confessionale. 2) Ps.-Anselmus Cantuariensis (Pseudo-Anselm of Canterbury), Interrogationes faciendae infirmo morienti.
Description:
Binding: Original brown leather over bevelled beech boards, both covers blind-tooled with fillets and small tools in ropework design. Sewn on three split leather thongs. Spine damaged. Remnants of three clasps, one at the top, one at the bottom and one at the side edge of the covers, each attached with three engraved nails to the front cover; quadrangular decorated brass catches on the rear cover, engraved with the initial “S” and each fixed with four nails., Headings in purplish red. Alternately red and blue paragraph marks and 1- and 2-line plain initials with guide letters. Decorated initials: f. 1r (Prologue), 7-line white vinestem initial followed by text line in fancy Capitalis; f. 2r (Part 1), 4-line Humanistic dentelle initial; f. 12r (Part 2), 4-line white vinestem initial; f. 18v (Part 3), 4-line Humanistic dentelle initial; f. 127v (Part 4), idem. Running headlines in Capitalis in purplish red., and Script: Copied by one hand writing a small and rather uneven Humanistica Textualis Libraria, highly abbreviated, especially in the quotations of authorities.
Subject (Name):
Franciscans
Subject (Topic):
Confession--Catholic Church, Extreme unction, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library