Volume 2, page 57. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"In a sitting room, a portly figure at left pushes the reluctant Sir Andrew towards his opponent Viola, in the guise of servant Cesario, at right, also ill at ease, to fight for the love of Olivia; two men standing beside Viola offer encouragement, while two more figures, one with a staff, enter through the central door behind; after Bunbury."--British Museum online catalogue
Alternative Title:
Duel between Sir Andrew Aguecheek and Viola
Description:
Title etched below image., "First state with etched title, before dedication"--British Museum online catalogue, registration no.: 1906,0419.135., Sheet trimmed to plate mark., and Mounted on page 57 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 10th, 1788, by W. Dickinson, engraver, Bond Street
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Interiors, Dueling, Daggers & swords, and Staffs (Sticks)
Volume 2, page 53. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior scene in a tavern, at left a woman rasies a large tankard to her lips, the man sitting near her with his hand around her waist, another customer sitting beside them encourages her to take a drink, a cigar(?) in his hand, behind a woman bends down to tend to the fire, across the room at right a patron sits reading from a newspaper, a smartly dressed man with a lantern(?) in hand standing beside him, another in labourers clothes leans on the back of his chair at right; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Eight lines of verse below image, four on either side of title: verse: No more the farmer's news, the barbers tale, no more, the woodman's ballad shall prevail, no more the smith his duskey brow shall clear, relax his pond'rous strength, and lean to hear; the host himself, no longer shall be found, carefull to see the mantling bliss go round; nor the coy maid, half willing to be press'd, shall kiss the cup, and pass it to the rest. Goldsmith., Illustration to Oliver Goldsmith's poem 'The deserted village'., and Mounted on page 53 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published April 7th, 1787, by W. Dickinson, engraver & printseller, No. 158 Bond Street
Subject (Name):
Goldsmith, Oliver, 1730?-1774.
Subject (Topic):
Interiors, Taverns (Inns), Drinking vessels, and Newspapers
Volume 2, page 92. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Kitchen scene with a woman standing over a table at left with knife in hand, displaying a diamond in her palm to a man and young boy, a figure at right seen from behind leaving the room, above a bird-cage hangs; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title from text below image, enclosed within parentheses., Sheet trimmed to plate mark., and Mounted on page 92 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Pub'd April 10th, 1795, by W. Dickinson, No. 53 next York House, Piccadilly
Subject (Topic):
Interiors, Kitchens, Tables, Knives, Fish, Diamonds, Fireplaces, Birdcages, and Boys
"A girl dressed in male clothing, starting with a startled expression and thrusting her right arm forward as she stands between two monks, others seen from behind exiting through a door ..., another ringing a bell through an arch at [left], the choir beyond; after Henry William Bunbury."--British Museum online catalogue, description of a later state
Description:
Title from later state., Artist from statement of responsibility on later state: H. Bunbury Esqr. delint., Printmaker identified as Dickinson in the British Museum online catalogue., Proof before letters. For a later state with title, statements of responsibility, verses, and imprint "London, Publish'd Octr. 20th, 1782, by W. Dickinson ..." below image, see British Museum online catalogue, registration no.: 1893,0731.62., Sheet trimmed within plate mark., and Mounted on page 123 of: Bunbury album.
Publisher:
W. Dickinson
Subject (Name):
Tencin, Claudine Alexandrine Guérin de, 1682-1749.
Subject (Topic):
Interiors, Abbeys, Monks, Doors & doorways, and Bells
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the servant Bianca shown descending a staircase while looking over her right shoulder, a worried expression on her face. Her gaze is directed at the top of the stairs, where a large hand in armor is seen resting on the banister near the landing of the floor above. The arched opening to the landing is flanked on either side with a display of armor and weapons mounted on the wall. Several arched windows and doorways are seen in the shadowy background
Description:
Title devised by cataloger., Signed and dated by the artist in lower left corner., and Bound in opposite page 217 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic standing on the right in an oratory, leaning slightly backwards with a shocked expression on his face. Across the room from him on the left stands a skeleton wrapped in a hermit's cowl, its fleshless face visible within the hood and its bony legs and feet sticking out from under the cloak. Behind the skeleton is an altar on which two tall candlesticks and an open book sit; beyond the altar is a crucifix within an arched alcove. Behind Frederic on the right are columns with armorial shields mounted above; an arched window, a bench, and a painting on the wall complete the background
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 223 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Chapels, Interiors, Altars, Crucifixes, and Skeletons
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1802]
Call Number:
24 17 791P Copy 9
Collection Title:
Opposite page 223. Castle of Otranto.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic shown flinching back in surprise and horror at the sight in front of him, his arms outstretched and his legs poised for motion. A short distance to the left stands a skeleton wrapped in a hermit's cowl, its fleshless face seen in profile within a hood as it turns toward Frederic. The skeleton stands at an altar on which a cross and an open book sit; beyond the altar is a large, ornate window decorated with quatrefoils, Gothic tracery, and coats of arms. The walls behind Frederic on the right are decorated in a similar motif
Description:
Title devised by cataloger., Signed and dated by the artist in lower right portion of image., Additional statement of responsibility written in pencil at bottom of sheet, in Thomas Kirgate's hand: By George Perfect Harding., and Inlaid opposite page 223 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic seen in the background on the left, peering around a half-open door into an oratory. In the foreground on the right is a figure, completely hidden within a hooded cloak, kneeling at an altar. An open book and a crucifix sit on the altar; light streams in from the window behind it on the right. On the back wall of the room a statue resides within a raised alcove; a chair sits below the statue, and a framed picture hangs on the wall beside it.
Description:
Title devised by cataloger., Unsigned; artist attribution and date from signature "F. Miller 1802" on similar drawing bound in the same volume., and Bound in after page 222 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Manfred and Theodore standing at center and three servants holding torches standing at left. The location is a dimly-lit vault, its arched ceiling supported at intervals by short columns; Theodore points upward to a hole in the ceiling that was broken through from above. Manfred, standing beside the pointing Theodore, looks up in astonishment, leaning backwards slightly with his left arm out in front of him
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 36 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].