Manuscript on paper (sturdy; staggered thumb holes at bottom of leaves) of Antiphons for suffrages. With liturgies and offices for various occasions. Written during the 16th century presumably for Franciscan use and supplemented during the 17th century; the second portion may have been added for use of the Reform Congregation of the Spanish Discalceates of which Peter of Alcantara was the founder
Description:
In Latin., Script: Written by two scribes in a large round gothic bookhand. 1) ff. 1r-43v (16th century); 2) ff. 44r-50r (17th century). Scribe 2 attempts to replicate the work of Scribe 1, but uses 5-line staves rather than 4-line., Decoration for ff. 1r-43v: initials, with foliage designs, in rectangular frame, often with ground uncolored; colors range from vibrant blue, yellow, and orange to olive green and dark purple. Initials for ff. 44r-50r, of similar design, with more subdued shades, and no frames., and Binding: Seventeenth century. Vellum stays, contemporary paper flyleaves and pastedowns. Original sewing on five supports attached to very thick, square wooden boards. Beaded and colored endbands. Red edges. Covered in brown calf (cow?) reinforced at spine with additional leather and straps nailed to the boards. Traces of a strap and pin fastening. Vellum label with notation "Antiphonar. Com. sanctorum" nailed to lower board. The badly warped upper board is reinforced with two strips of wood placed vertically on the upper surface.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Franciscans.
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of an antiphonary containing St. Cecilia (22 November).
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: musical notation in black on a five-line staff in red; on the recto there is a 2-line initial "C" in red and blue on a rectangular ground of red and blue penwork; the 2-line initial "E" on the verso and the 1-line initials are black; rubrics are written in red in the same script as the text, but in a smaller module; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of an antiphonary containing Saturday throughout the year, matins
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: on the recto there is a 4-line initial "C", in red and blue on a ground outlined in purple and decorated with purple foliage on red cross-hatching; 1-line initials at the beginning of the hymn and the psalm are red; rubrics written in red in the same script as the text; punctuated with the punctus and the comma; hyphenation is in the same ink as the text.
Manuscript on paper of Pedro Lopez de Ayala, Aves de caça.
Description:
In Spanish., Script: Written by a single scribe in a careful italic script., Crude initial and heading (in gold and subdued water colors) on f. i recto and f. 1r; other small initials, 4- to 1-line, in similar colors throughout text. Headings in red; initials of each paragraph in blue or red., Waterstained throughout., and Binding: Seventeenth century. Black goatskin, blind-tooled. Fragments of manuscripts (covered by paper pastedowns) serve as binding reinforcements.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
López de Ayala, Pedro, 1332-1407.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Spanish literature
Santillana, Iñigo López de Mendoza, marqués de, 1398-1458
Published / Created:
[between 1550 and 1600]
Call Number:
Beinecke MS 489
Image Count:
3
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper, composed of two segments, formerly separate books. Part I: 1) Letter from Inigo Lopez de Mendoza, Marques de Santillana (1398-1458), to his nephew Pedro de Mendoza, Senor de almacan. Santillana promises to send a copy of his own sonnets, some proverbs, and sayings of the philosophers and of Seneca which Mendoza had requested, and discusses a translation of a letter of Seneca sent to him by Mendoza. 2) Reply of Mendoza to Santillana, about Santillana’s Sonnets. Artt. 3-25: sonnets by Santillana. Part II: 26) Pseudo-Seneca, Proverbia, Castilian tr. perhaps by Pedro Diaz de Toledo (d. 1499), Counsellor to Juan II of Castile, Chaplain to the Marques de Santillana, and later first bishop of Malaga. Each proverb is followed by an explanatory text. 27) Dichos de filosofos, in 29 parts, mostly lists: 4 things a king should do, 3 sorts of friends, etc. 28) Tacitus, Annales 14.52-56, in an unidentified Castilian translation.
Description:
Belonged to Sir Thomas Phillipps (no. 8320; tag on spine). Sotheby's sale (16 June 1970, no. 1291). Purchased from C. A. Stonehill in 1970 as the gift of Edwin J. Beinecke., Binding: Sixteenth/seventeenth-century. Original sewing on three small, tawed tapes laced into limp vellum case. Small pieces of unidentified Latin manuscript glued in as spine reinforcements. Two tawed thong fastenings. Inscription on spine: Prouerb. Moral [?]., Cataloged from microfilm by Albert Derolez., M. Duran, ed., Marques de Santillana: Poesias completas (Madrid, 1975) v. 1: pl. 2 of f. 119r. C. B. Faulhaber et al., Bibliography of Old Spanish Texts (Madison, 1984) p. 196, nos. 2331-37., Part I: thin paper; watermarks similar in design to Briquet Homme 7582., and Part II watermark: unidentified Latin cross in elongated, pointed oval.
Subject (Name):
Santillana, Iñigo López de Mendoza, marqués de, 1398-1458 and Tacitus, Cornelius
Manuscript on paper (various watermarks) and parchment, composed of two distinct sections bound together in the 18th (?) century, but with additional folios inserted. Part I (parchment): Carta ejecutoria, or letter of nobility, granted to Don Alfonso Rodriguez (Tinagero Rodriguez de la Escalera) by the authority of King Ferdinand and Queen Isabel of Castile. Issued in Salamanca, 1487. Seal missing. Part II (paper): Numerous documents (all dated 1686) concerning a law suit involving Don Diego Tinagero Rodriguez de la Escalera of Seville, a descendent of Alfonso Rodriguez
Description:
In Spanish., Script: Part I (ff. 3-13): Round gothic script by a single scribe. Part II (ff. 19-74): Written in various cursive hands., Folios 1v and 2r have crudely illuminated full-page miniatures, 17th century. Folio 1v: members of the Rodriguez family offering prayers to the Madonna and Child. Folio 2r: arms of the Tinagero Rodriguez de la Escalera family. Crude decorative border on f. 3v and REY (in gold, outlined in black) may be later additions., Many of the documents included appear to have once been folded. Some loss of text due to trimming., and Binding: Eighteenth century (?). Thin wooden boards covered with dark brown leather, flesh side out. Vermilion and green ribbon fastenings.
Subject (Geographic):
Connecticut, New Haven., Spain., Spain, Salamanca (Spain), and Seville (Spain)
Subject (Topic):
Illumination of books and manuscripts, Medieval, Legal documents, Manuscripts, Medieval, Nobility, and Politics and government
Manuscript on parchment (thick, stiff) of 1) Record of those for whom memorial prayers were to be said during November, divided into 6 estaciones, with a total of 501 memoriae. The place where the prayer is to be said is often given; from those mentioned, the church in question can be identified as the Cathedral of Cordoba. Still at the Cathedral in 1625, when memoriae for Don Diego de Mardones were added. 2) Prayers for the Dead
Description:
In Latin and Spanish., Script: Written by a single scribe in rotunda, very well executed, with additions at end of estaciones in rotunda and humanistic script, by later hands., Initials, ff. 20r-21v (2-line), in alternating red with purple penwork and blue with red penwork. 1-line capitals sometimes have yellow wash. Rubrics in orange-tinted red, paragraph marks in blue. Added memoriae for Don Diego de Mardones have elaborate penwork cadeaux at the beginning., Offset impression of red lines (from pastedowns or flyleaves now lost?) appear on ff. 1r (running vertically) and 21v (horizontally); no loss of text., and Binding: Sixteenth century. Resewn on three small, vegetable fiber supports laced into wooden boards. The spine is square and lined with vellum between the supports. Covered in tan sheepskin blind-tooled with a floral roll border and arabesques in the center. A paper label on the upper cover: "Noviembre." Rebacked.
Subject (Geographic):
Connecticut, New Haven., and Córdoba (Spain)
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript, on parchment, containing Stephanus of Alexandria's Commentary on Hippocrates' Prognostica in Greek. Written in the hand of Andreas Darmarios
Alternative Title:
Commentary on Hippocrates' Prognostica : in Greek / ascribed to Stephen of Alexandria and Prognostica
Description:
In Greek., Title from title heading., Script: 16th-century hand., Decoration: rubrication throughout., Layout: single column of around 17 lines., Binding: blind-stamped light brown sheep over pasteboard., and Also available on microfilm.
Subject (Name):
Hippocrates.
Subject (Topic):
Medicine, Greek and Roman, Manuscripts, Greek, Medicine, and Manuscripts
Manuscript on parchment of Kyrie, Gloria, Credo, Sanctus, Agnus Dei, and other liturgical texts, with motets by Josquin des Pres added at a later date
Description:
In Latin., Script: original text and additions copied in extremely large Southern (Spanish) Gothica Textualis Formata (Textus Praescissus), with music notation in nota quadrata., Richly decorated with red rubrics and painted initials., and Binding: s. XVI: undecorated brown leather over heavy wooden boards, sewn on four double cords. On both covers four large engraved brass corner pieces and more centrally five smaller engraved brass bosses. The leather damaged and several metal pieces lost. On the front cover upside down large number "26" in white paint. On the rear cover four engraved brass catches for clasps (one both at the top and at the bottom edge, and two at the outer edge), and eight nails towards the top probably for fixing a fenestra with title label (now lost). Leather tabs partly with Spanish inscriptions pasted on the outer edges of the leaves.