A collection of documents bearing the signatures of rulers or important personages of France; most are preceded or followed by an engraving of the person. Mounted so that both sides of the document are visible
Description:
In French, English, Italian, Latin and Spanish., Collected, mounted and bound in one volume during the 19th century., and Binding: Nineteenth century. Dark blue goatskin, gilt, by Riviere and Son.
Subject (Geographic):
Connecticut, New Haven., and France
Subject (Name):
Anne, Queen, consort of Louis XIII, King of France, 1601-1666., Catherine de Médicis, Queen, consort of Henry II, King of France, 1519-1589, Charles VIII, King of France, 1470-1498, Charles IX, King of France, 1550-1574, Charles X, King of France, 1757-1836, Eugénie, Empress, consort of Napoleon III, Emperor of the French, 1826-1920, Ferdinand II, Holy Roman Emperor, 1578-1637, Francis I, King of France, 1494-1547, Francis II, King of France, 1544-1560, Henry II, King of France, 1519-1559, Henry III, King of France, 1551-1589, Henry IV, King of France, 1553-1610, Louis XI, King of France, 1423-1483, Louis XII, King of France, 1462-1515, Louis XIII, King of France, 1601-1643, Louis XIV, King of France, 1638-1715, Louis XV, King of France, 1710-1774, Louis XVI, King of France, 1754-1793, Louis Philippe, King of the French, 1773-1850, Louise, de Savoie, duchesse d'Angoulême, 1476-1531, Marguerite, Queen, consort of Henry IV, King of France, 1553-1615, Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793, Marie Leszczyńska, Queen, consort of Louis XV, King of France, 1703-1768, Marie de Médicis, Queen, consort of Henry IV, King of France, 1573-1642, Marie-Thérèse, Queen, consort of Louis XIV, King of France, 1638-1683, Napoleon I, Emperor of the French, 1769-1821, and Napoleon III, Emperor of the French, 1808-1873
Manuscript on paper (sturdy) of Documents and accounts (ca. 1400-1530) pertaining to the church of St. Gregory in Sebenico (Dalmatia). Folios 63v-64r contain a copy of a will, in Latin, of Gregory of Sebenico. Other items, including an inventory of the church of St. Gregory (dated 8 Sept. 1403) are in Italian
Description:
In Italian and Latin., Watermarks: unidentified mountain., Script: Arranged in a tabular format and written in many different cursive hands. Some entries have been crossed out., Numerous folios are stained and partly illegible; final leaves mutilated; loss of text throughout., and Binding: Date? Sewn with coarse thread on seven double, wound thongs. Tacketed to a brown goatskin wrapper with seven sets of four tawed, pinkish-brown thongs, wound around each other on the outside of the spine. Sewing holes about 10 mm. apart outline the edges of the spine, sides, fore-edge and envelope flaps. Mold has eaten into cover and book, and the wrapper has shrunk so that it is now much smaller than the bookblock. Home-made notarial binding? Covers are lined with fragments of a noted antiphonal (12th century); part of one sheet containing responds and antiphons for Epiphany and its octave is legible. Ca. 17 lines of text. Diastematic notation on a dry point staff with one red line. C and f are used as clefs, but from the condition of the sheet it is not possible to tell which clef should be associated with the red line.
Subject (Geographic):
Connecticut, New Haven., and Šibenik (Croatia)
Subject (Topic):
Accounts, Antiphonaries, and Manuscripts, Medieval
Manuscript on paper of a number of ascetical treatises and prayers, including: 1) Pseudo-Bernard of Clairvaux, Octo versus. 2) Andrea da Pistoia, Epistola a un amico. 3) Aegidius O.S.B. (frate Gillio), Liber virtutum.
Description:
Binding: unbound., Manuscript on paper of a number of ascetical treatises and prayers, including: 1) Pseudo-Bernard of Clairvaux, Octo versus. 2) Aegidius O.S.B. (frate Gillio), De aedificatione animae, or Liber virtutum, translated from Latin into Venetian and from Venetian into Tuscan. 3) Andrea da Pistoia O.P., Epistola a un amico. (Perhaps the author is to be identified with Andreas Franchi de Pistorio (1335-1401)). 4) Prayers ascribed to St. Augustine. 5) The Apostles' Creed as supposed to be jointly composed by the twelve Apostles; the Seven Sacraments; the Seven Gifts of the Holy Spirit; the Seven Virtues; the Seven Mortal Sins; the Ten Commandments; the Works of Charity; the Ten Impediments of Penance; the Fifteen Signs announcing the Last Judgment. 6) Prayer to the Virgin., and Script: the main section (articles 2-5) is copied by a single hand writing Southern Gothica Textualis Libraria; the headings in Southern Gothica Semitextualis Libraria. Article 6 is in Semitextualis under Hybrida influence; the two final Latin quotations in a large decorative impure Textualis Formata. Article 1 in small rapid Italian Hybrida, the Latin Psalm verses in a larger and more formal form of the same script, with large opening majuscules. In the main section headings and stroking of majuscules in red; 1- and 2-line plain red initials half inserted, with large guide letters in the margin; a 3-line similar initial on f. 2r. Article 1 opens with an outline initial in black, art. 6 with a large initial with interior reserved space, placed in the margin.
Subject (Name):
Andrea da Pistoia
Subject (Topic):
Italian letters, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Virtue--Early works to 1800
Manuscript on paper of Jerome, Epistolae, etc., translated into Italian by Ser Nicolaus Berti Martini de Gentiluzis de Sanctogeminiano, a notary in Florence (ca. 1388-1468). With Ps.-Augustine, Epistula ad Cyrillum, concerning the death of St. Jerome.
Description:
Binding: ca. 1500, Florence. Sewn on three tawed skin, slit straps attached to oak boards, with brown and natural color endbands (later additions?) sewn on tawed skin cores laid in grooves on the outside of the boards. Covered in orange/brown sheepskin neatly blind-tooled with rope interlace in concentric frames. Spine: double fillets at head and tail and outlining the supports on the spine; fine diapering with double fillets in the panels. Four flower-shaped catches on the lower board, two wanting. Remains of vellum label (worm eaten) on the spine and pieces of string used as place marks. Off-set impressions of medieval liturgical manuscript on front and back pastedowns. Orange edges. Sticky from excessive oiling., One illuminated initial, f. 4r, 6-line, gold, filled with red and blue penwork in geometric patterns. The penwork extends the whole length of the text column to form a partial border, terminating in the upper and lower margins in a scroll of blue penwork with small flowers, heart-shaped leaves and red dots. Numerous penwork initials of good quality, 5- to 2-line, alternate in red and blue with purple and red penwork respectively, often extending into the margins. Headings in red. Majuscules and display script touched with yellow., Script: Written by a single scribe in a small upright gothic script with both notarial and humanistic influence, above top line., and Watermarks: similar to Piccard Schere III.710, Briquet Chapeau 3387; unidentified eagle.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Christian legends, Illumination of books and manuscripts, Medieval, Latin letters, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Bible.--N.T.--Epistles of Paul, Christian literature, Italian, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Domenico Cavalca OP (c. 1270-1342), Esposizione del Credo.
Description:
Binding: Nineteenth century. Quarter binding, brown paper over cardboard, the spine in brown leather with five raised bands, the second compartment gold-tooled with the title “CAVALCA / ESPOSIZIONE / DEL CREDO”. Marbled endpapers., Parchment stays in the center and at the outer side of the quires; the fold of many bifolios is repaired by means of strips of parchment. The top, outer and lower margins water-stained, the upper outer corners of the leaves defective. Many lower margins repaired by means of strips of paper., Script: Written in many different hands., and Unevenly spread decoration.
Subject (Name):
Cavalca, Domenico,--d. 1342 and Dominicans
Subject (Topic):
Creeds, Italian literature--15th century, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Aristotle, Ethica. An anonymous Tuscan translation made for Nuno de Guzman from the Latin translation of Leonardo Bruni
Description:
In Italian., Script: Text written in a well formed humanistic bookhand by a single scribe; the rubrics, in majuscules, by another scribe who used excessive punctuation., The decoration is by Gioacchino de' Gigantibus. A gold initial, 5-line, on f. 1r embedded in white vine ornament, extending into sides, top, and lower margin, filled in with green, red, and blue, with small section at regular intervals filled with gold; a green bird near the initial; in lower margin, an empty laurel wreath supported by putti filled later with a coat of arms (unidentified) in pen, now effaced; a few gold dots with hair-spray in brown ink. Other initials, gold, 5- to 4-line, on ff. 7r, 93v, 106v, 126r, 161v, in same manner, but with gold infilling., Significant stains in margins of first few leaves., and Binding: Eighteenth century. Edges gilt. Green calf with tan, gold-tooled label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Ethics, Illumination of books and manuscripts, Medieval, Italian literature, Literature, Medieval, Manuscripts, Medieval, and Philosophy, Ancient
