Manuscript on paper of a Cartulary of the abbey of Sant Cugat del Vallés. The manuscript also contains documents pertaining to a lawsuit between the monastery and the town of Sant Cugat.
Description:
Binding: no covers., Copy of the charter of Lothaire, King of the Franks (954-986), for the abbey of Sant Cugat, dated Compiègne, 986 January-February. The copy was made by Bernard of Caderita, notary at Barcelona, 1044 January 17. The manuscript contains confirmations of this charter by James I, King of Aragon (1213-1276), dated 1233 January 23, and Pedro IV, King of Aragon (1336-1387), dated 1338 April 20. The manuscript also contains documents about a lawsuit before the court of the bishop of Barcelona between the monastery of Sant Cugat del Vallés and the town of Sant Cugat at the occasion of a fight between two inhabitants of the town and the wounds they received, 1273-1380. The Latin language of these documents is very ungrammatical., Script: probably copied by a single hand writing Gothica Cursiva Libraria/Currens with Spanish features. Paragraph marks and headings in pale red ink. Red initials with reserved interior shapes, of various heights., and Wanting f. 30.
Subject (Topic):
Cartularies, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Justinus, Marcus Junianus Seneca, Lucius Annaeus, ca. 4 B.C.-65 A.D
Published / Created:
[between 1430 and 1440]
Call Number:
Marston MS 279
Image Count:
1
Resource Type:
Archives or Manuscripts
Abstract:
Contemporary inscription, in gold, in upper margin of f. 2r was apparently added by Genevra Nogarola (1419-1465?). and Manuscript on parchment of Part I: Excerpts from Seneca, Phaedra. Part II: Justinus, Epitoma historiarum Pompei Trogi.
Alternative Title:
Epitoma historiarum Pompei Trogi, etc.
Description:
Acquired from L. C. Witten in 1954 by Thomas E. Marston., Binding: Nineteenth century, Italy. Rigid vellum binding, gold-tooled. Traces of turn-ins and bosses from earlier binding on f. 130 and possibly on f. 1., One large illuminated initial, f. 3r, 9-line, pink with white highlights on irregular angular ground, blue with white filigree and a thin white line outlining the ground. Filled with a stylized interlacing pattern of white vine-stem, white with green and yellow shading against gold ground. Numerous small initials, 3-line, yellow, on blue or blue and pink grounds with white filigree. Initial heading in gold; running headlines for book numbers in red., and Script: Part I (ff. 1-2, palimpsest): Written by several scribes in humanistic bookhand; for the passages from Seneca, the initial letter for each verse is set between vertical bounding lines. Part II (ff. 3-130): Written by a single scribe, below top line, in humanistic bookhand that sits somewhat above the ruled line; the conclusion of the text on ff. 129v-130r was added by a different hand.
Subject (Name):
Justinus, Marcus Junianus and Trogus, Pompeius
Subject (Topic):
History, Ancient, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment containing 1) Ceremonial for the vestment of a nun. 2) Ceremonial for the communion of a sick nun. 3) Ceremonial for administering the extreme unction. 4) Ceremonial at the death of a nun. 5) Commendations for the dead nun. 6) Ceremonial for the burial of a nun. 7) Seven Penitential Psalms. 8) Antiphons, Responses and Hymns for the aspersions with holy water and the processions, with musical notation and rubrics in Latin, for the feast of Purification of the Virgin (2 Febr., f. 52v), Palm Sunday (ff. 54r and 59r), Maundy Thursday (f. 61r), Easter, Ascension, Pentecost (ff. 66r and 68r), the Rogation Days (f. 69r), the Vigil of Pentecost, Corpus Christi (f. 73r), the Assumption of the Virgin (15 August, f. 74v), the Dedication of the Church (f. 76r), Trinity Sunday (f. 78r) and again Purification (f. 79v). These are followed by the various melodies, with Dutch rubrics, for three liturgical formulas. 9) Text of Versicles for various periods and feasts of the ecclesiastical year. 10) Versicles for the Common of the Saints. 11) Dutch prayers for a dying nun. 12) Ceremonial for the consecration of candles at Purification, the consecration of ashes on Ash Wednesday, the consecration of palms on Palm Sunday, the washing of the altar on Maundy Thursday, partly with musical notation. 13) Fragment of the Antiphons for Pentecost, with musical notation. and Manuscript on parchment.
Alternative Title:
Ceremonial and processional and Liturgy and ritual
Description:
Binding: ca. 1500. Blind-tooled brown calf over wooden boards, both covers decorated with twice a panel containing two rows of four animals in tendrils in a frame of 16 dragons in tendrils (the so-called 24 Animals panel), separated by a frieze with the Peasants' Dance. Spine with three raised bands. Remnants of two clasps.The pastedowns are two parts of a document in Dutch on parchment (a large section between the two is missing) datable 25 August 1443. It is a chirograph in documentary cursive script, stating that before the court of Geraardsbergen ("Gheerondsberghe", Fr. Grammont, East Flanders) parties have promised to pay a debt of £ 200 in eight instalments over the next four years, 1443-1446. Among the persons mentioned are Heinrik den Haec (?), the lady de Tiennes, the aldermen of Edingen (Enghien, Hainaut?), Collaert van den Foreeste, alderman of Geraardsbergen and Coppenole, counciller of the same city. The design and letters appearing at the top and at the bottom of the document prove that it was made in three copies., Rubrics, underlining and paragraph marks in red; red stroking of majuscules. 1-line versals and 2-line plain initials in red. 2-line flourished initials alternately red and blue ; cadels with red heightening on the pages with musical notation; 3- or 4-line litterae duplices with penwork extensions in red, blue and green on ff. 1r (art. 1), 18r (art. 5), 40r (art. 6), 46v (art. 7) and 86r (art. 11)., and Script: The main scribe (A) wrote Gothica Textualis Formata on ff. 1r-46v, l. 4 (with the exception of f. 39, where another hand wrote a smaller Gothica Textualis Formata). Hand B wrote Gothica Hybrida Formata (Bastarda) on ff. 46v, l. 6 - 87v, l. 4 (artt. 7-11). Hand C copied ff. 88r-94v (art. 12) in Gothica Textualis Formata. F. 95 is 16th century addition copied in a clumsy Gothica Semitextualis. The musical notation is a variant of the Hoefnagel type. There are several later additions of music and text.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Processionals (Liturgical books)
Manuscript on paper of Iacobus de Malvetiis (Jacopo Malvezzi, d. after 1432), Chronicon Brixianum. History of Brescia from its mythical foundation by Hercules up to 15 June 1332. With Prologue added ca. 1600.
Description:
Binding: Eighteenth century. Undecorated yellow parchment over pasteboard. On the spine dark red leather gold-tooled title label with inscription: “CRON. URB. BRIX. / PER MAG. JAC. / DE / MALVET. BRIX. / MS.” Below this label traces of an oval label. Endleaves in decorated paper printed with floral ornament in pink and gold., Collection of Sir Thomas Phillipps. Purchased on the Edwin J. Beinecke Fund., ff. 145-192 blank, not digitized., Guide letters and spaces for 2-line initials (for a 3-line initial on f. 1r and in some other places) have been provided; no initials were executed., and Script: Art. 2 is copied by one hand writing Humanistica Cursiva Currens (Libraria on the first pages), s. XVIin. Art. 3 is by another hand writing the same type of script (Currens). Art. 1 is written in Humanistica Cursiva Libraria s. XVI/XVII, most headings in art. 2 by the same hand in less careful script.
Subject (Geographic):
Brescia (Italy)--History
Subject (Name):
Malvezzi, Jacopo
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Marcus Tullius Cicero (106-43 B.C.), Paradoxa. 2) Prophecy in 11 verses added by a slightly later hand on the blank lower half of the page. The text is corrupt. 3) Two rhetorical exercises by an unrecorded author addressed to an emperor, who is praised with all possible exaggeration. 4) Astronomical or computistical table, recording for each month 3 up to 7 days, of which two are superscribed with a cross and an hour, the remaining ones only with the letter "p". The crosses are crutched crosses up to September inclusive, afterwards simple crosses. 5) Notes added by slightly later hands on a blank page; notes on ancient Roman abbreviations; various Latin names applied to the Greeks. 6) Ps.-Cicero, Synonyma, printed from 1487 onward, with 17th century Italian annotations, in the same hand as in art. 1, found in the margins of ff. 23v-25r. 7) Ps.-Sallustius, Invectiva in Marcum Tullium Ciceronem.
Description:
Binding: Twentieth century. Yellow parchment over light cardboard, with turned edges., Collection of Bernard M. Rosenthal, Berkeley, California (MS 211). Purchased on the Edwin J. Beinecke Fund., In the original parts all initials are missing; at the opening of art. 6 the upper half of f. 17r is blank (in view of a picture which was not executed?) and a later hand has entered a large and coarse initial “C” (8 lines) containing a human face; in that art. there are guide letters for the small initials which were intended to open each entry; a few of these initials were added afterwards. The initial planned at the opening of art. 7 is 6 lines high. The opening lines of art. 1 are in a large fanciful display script overdecorated with flourishes and almost illegible. There is some pale red stroking of the majuscules on ff. 68v, 69r and 70v., Script: The original parts are copied by two scribes: A copied art. 1 in Gothica Semihybrida Libraria/Currens; B, writing a bold Gothica Cursiva Formata with “northern” features and marked by lengthened and decorated ascenders on the top line, copied artt. 4, 6 and 7. The additional texts, copied on blank spaces or pages, are in badly shaped Humanistica Cursiva (art. 2), slovenly executed Gothica Semihybrida Currens (art. 3), Humanistica Cursiva (art. 5, [1] and [2]) and Gothico-Humanistica Cursiva (art. 5, [3] and [4])., and There are remnants of an early foliation in arabic numerals (17th century?) in the upper outer corner of the recto pages, starting f. 16 ("1").
Subject (Topic):
Latin letters, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Stoics
Bruni, Leonardo, 1369-1444 Cicero, Marcus Tullius Petrus, Diaconus, of Monte Cassino, ca. 1107-ca. 1140 Plato Plutarch Probus, Marcus Valerius
Published / Created:
1465
Call Number:
Beinecke MS 313
Image Count:
22
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of works by Cicero, Plutarch, Petrus Diaconus, Marcus Valerius Probus, Leonardo Bruni, and Plato.
Description:
Binding: 17th-18th centuries. Brown/red calf, gold-tooled. Paste decorated edges. On spine, stamped in gold but nearly effaced: "Ciceronis et aliorum varia. MSS 1465"., Initials, 5- to 2-line, ff. 1r, 39v, 71r (space for additional initials on ff. 105v and 149r), gold edged in black with white-vine ornament, against crimson, green and light blue; white-vine extensions in upper and inner margins. On f. 1r a coat of arms in lower margin surrounded by a wreath with a ribbon. 3-, 2-, and 1-line initials in red or blue. Rubrics throughout., Script: Written in humanistic bookhand below the top line by two persons: Scribe 1) ff. 1r-128r and 149r-191v; Scribe 2) ff. 129r-148v and 192r-207v., and Water damage has obliterated several words in the lower left of f. 1r.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Philosophy--Early works to 1800, and Roman law
Manuscript on paper, composed of two distinct parts. Part I (ff. 1-48): Cicero, Orator ad M. Brutum. Part II (ff. 49-114): Cicero, Orationes.
Alternative Title:
Orator; Orationes
Description:
Binding: Nineteenth century, Italy. Brick red goatskin, blind-tooled. Bound for the Guarnieri-Balleani library (Iesi) in the same bindery as MS 450 and Marston MSS 72, 86, 181 and probably by the same binder. Title in ink on the tail edge, mostly illegible., Heading and plain initial, in red, on f. 49r only., On paper, Part I: Plain initials in red or blue; heading on f. 1r in red majuscules. Part II: Heading and plain initial, in red, on f. 49r only., Purchased from C. A. Stonehill in 1959 by Thomas E. Marston., Script: Each part written in humanistic cursive by a single scribe, above top line., Watermarks: Part I: unidentified hunting horn, in gutter. Part II, in gutter: similar in design to Briquet Fruit 7380-81., and Written possibly in Northern Italy in the middle of the 15th century. Part II was copied by the humanist Stefano Guarnieri who never completed copying the text
Subject (Name):
Guarnieri, Stefano--Manuscripts
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Oratory--Early works to 1800, and Speeches, addresses, etc., Latin