Manuscript fragment on parchment of the end of Te deum in a Gradual. The colophon is signed by the scribe, Jacobellus de Salerno. With an additional leaf.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Graduals (Liturgical books), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment, composed of two parts. Part I (ff. 1-44): Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II (ff. 46-82): Ovid, Epistolae ex Ponto, I.1-IV.16. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin.
Description:
Binding: Fifteenth-century. Caught up sewing on four double, tawed supports. Covers wanting., Cataloged from microfilm by Albert Derolez., Cite as: Ovid, Heroides. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Decorative initials, 4-line, body split red and blue, with neat penwork flourishes, in red (ff. 1r, 46r); plain initials, 3- to 2-line, alternate red and blue for each letter throughout text; first letter of each verse placed on middle ruling of three vertical bounding lines., Early modern provenance unknown. Belonged to Martin Bodmer, from whom it was acquired by H. P. Kraus. Purchased from Kraus in 1970 with the Edwin J. Beinecke Fund., and Manuscript on parchment composed of two parts of similar agenda format that were bound together by the 15th century when notes were added to the parchment pastedowns, now the flyleaves. Part I written in Rheims in 1303 (see colophon, art. 1); Part II was written by the same scribe in a contemporary period. Part I: ff. 1-44, 39 lines of verse. 1) Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II: ff. 46-82, 45 lines of verse. 2) Ovid, Epistolae ex Ponto, I.1-IV.16. Letter 2 of Book I divided into two sections at lines 68-69. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin. Stains in upper margin result in some loss of text. Written by one scribe whose hand is characterized by an unusually tall double compartment a.
Subject (Name):
Ovid, 43 B.C.-17 or 18 A.D
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Latin literature, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederick II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123).
Description:
Binding: Modern limp vellum., Cataloged from microfilm by Albert Derolez., Cite as: Petrus Comestor, Historia Scholastica. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment of 1) Petrus Comestor (d. ca. 1179-1189), Historia scholastica, Genesis. 2) Petrus Comestor, Historia scholastica, Exodus. 3) Petrus Comestor, Historia scholastica, Leviticus, chapters 1-15. 4) Raymundus de Pennaforti, Summa de casibus poenitentiae. 5) Pseudo-Augustine, De vita christiana (also attributed to Pelagius, d. ca. 423-429). 6) Augustine (doubtful authorship), Sermo 351, De paenitentia agenda. 7) Anonymous Italian Franciscan, Visiones. These seventeen visions are said to have been written in 1243, before the 1st Council of Lyons which took place in 1245 and during which Emperor Frederic II was deposed. 8) An additional vision by Peter of Treviso O.F.M., which he had in Bolzano (?) in 1245, at the time of the Council of Lyons mentioned in art. 7. The final rubric seems to indicate that the author of art. 7 was friar Stephen of Fiorentino. 9) Well-known poem on the Twelve Apocalyptic Stones (cf. Rev. 21:19-20), often ascribed to Marbod of Rennes (d. 1123). Probably written by one hand in extremely small Southern Gothica Semitextualis Libraria under some Cursiva influence. The script of art. 9 is larger., On the front fly-leaf r a table of contents written in pencil by the owner S. Harrison Thomson. Purchased in 1972 from Thomson on the Edwin J. Beinecke Fund., Red headings, red heightening of majuscules and red plain initials, mostly 2-3 lines; the red initials were to alternate with blue ones but the latter have not been executed. Many initials are anyhow missing. Guide-letters are seen close to the fold or to the edge of the pages. The running titles were also planned to be executed in alternately red and blue majuscules, but the blue letters are missing; there are no running titles after f. 20 (quire II)., and The ink on the first pages has flaked, making them very difficult to decipher.
Subject (Name):
Comestor, Petrus, 12th cent
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval -- Connecticut -- New Haven, Religious poetry, Latin, and Sermons, Latin
Manuscript on parchment (poor quality: thick, holes, ends, repairs) of Gregory the Great, Homeliae in Hiezechielem prophetam. Written perhaps at the Cistercian abbey of Hautecombe to which it belonged.
Description:
Acquired from C. A. Stonehill in 1957 by Thomas E. Marston., Binding: 1800-1810, Italy. Half bound in mottled brown calf with bright pink paper sides. Two gold-tooled, brick red labels on spine: "Greg. Pape. in Ezechiel." and "Saecul. XIII". Red edges. Bound in the same distinctive style as Marston MSS 50, 125, 128, 135, 151, 153, 158, 197, also from the Cistercian abbey of Hautecombe., Many leaves damaged along outer edges, now repaired, but with loss of text; stained throughout., Script: Written by multiple scribes in spiky early gothic bookhand., and Spaces left unfilled, f. 1r, for initials and headings at beginning of prologue and text. Decorative monochrome initials and headings, which extend the width of columns, of modest quality, in red (many oxidized). Minor initials, 5- to 2-line, some with simple penwork designs, headings, initial strokes in red.
Subject (Name):
Cistercians and Gregory--I,--Pope,--ca. 540-604
Subject (Topic):
Bible.--O.T.--Ezekiel, Bible--Commentaries, Fathers of the church, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
128r: Signature of Jannette Brongnart, Binding: Modern limp vellum with two pairs of white leather ties. The preceding 19th-century binding is preserved: dark brown leather over cardboard, both covers framed with blind-tooled fillets; spine with four raised bands and gold-tooled title: HEURES DE SENLIS; gilt edges., Cataloged from microfilm by Albert Derolez., Cite as: Hours, Undetermined Use, with French Calendar. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment. Written by a single scribe in Gothica Cursiva Formata (Bastarda) in two sizes. The ascenders on the top line often have calligraphic extensions., Red headings. Heightening of the majuscules in yellow. All initials (1- or 2-lines) are on a rectangular background and are executed in paint and liquid gold. At the opening of the various Hours there are 4-line initials of the same type, always accompanied by full acanthus borders and an arch-topped miniature. The borders are framed in gold and may also contain leaves, flowers, fruit, birds., and Senlis use according to the inscription on the binding, but this use is not documented. The saints in the Calendar and in the Litany point to Northern France and Hainault.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval -- Connecticut -- New Haven
Manuscript on paper of a collection of extracts primarily on virtues and vices.
Description:
Binding: Fifteenth century, Italy. Strips cut from a parchment manuscript (text washed) are adhered around the fold of each quire. Original sewing on three kermes pink, slit straps. The parchment sides are sewn with the first and last quires., Large decorated initial, f. 2r, 16-line. Body of initial formed of intricate interlace bands, yellow and brown washes, against paper and yellow and brown ground; exhibits strong shading. Display script in red and blue. Rubrics (pale red) in text in humanistic bookhand., Script: Written in a calligraphic and sometimes flamboyant humanistic cursive script by a single scribe, below top line., and Watermarks: unidentified letter (?), in gutter.
Subject (Topic):
Commonplace-books, Education, Humanistic, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Vices, and Virtues
Manuscript on parchment of Petrus de Tarentasia (Pope Innocent V), In quartum librum Sententiarum Petri Lombardi. Copied from a stationer's exemplar secundum pecias. With Distinctiones on the scholastic and monastic life, entered in a later highly abbreviated script; and Anonymous commentary on the Psalms.
Description:
Binding: Sixteenth century, Germany or Italy (?). Resewn (early) on three tawed skin slit straps laced through tunnels in the edge of beech boards to channels on the outside and pegged; channels filled with glue. A pink, green and white, five core endband is sewn through a leather lining on a tawed skin core laced into the boards and pegged. Covered in brick red sheepskin with corner tongues; blind-tooled with an X and sparse use of oak-leaf edging tool. Two truncated diamond catches on lower board, the upper board cut in for the red fabric clasp straps which were attached with star-headed nails. Corner fittings and six-petalled central medallion. Traces of title, in ink, on spine. Spine of the bookblock partially eaten by rodents., Script: Written in small gothic bookhand; arts. 2 and 4 in less formal scripts., and Two historiated initials, 7- and 4-line. Folio 1r: mauve initial with white filigree on blue ground with white filigree, edged in gold, showing a man drawing water from a well, against gold ground, illustrating the Biblical passage "Haurietis aquas...." Serifs, ending in heart-shaped red leaves, on blue and red cusped grounds, with gold balls, extending along the inner margin to form a partial bar border. Perched on the top of the initial is a small bird, grey with red wings. Folio 1v: blue initial with white shading against dark red ground with white filigree. Ascender blue against dark red ground, extending along text column to form a partial bar border. The initial shows the good Samaritan riding on a donkey, against gold ground. Numerous flourished initials, 4- to 3-line, alternate red and blue with penwork designs in the opposite color. Running headlines in red and blue. Paragraph marks alternate red and blue. Guide letters for decorator visible beneath initials.
Subject (Name):
Innocent--V,--Pope,--ca. 1224-1276 and Peter Lombard,--Bishop of Paris,--ca. 1100-1160
Subject (Topic):
Bible.--O.T.--Psalms, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Pecia, Scholasticism, and Scholia
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Abstract:
Cutting of an initial I ("Intret") at the beginning of the chants for the mass for the Common of Martyrs. On the verso only a few letters are preserved.
Description:
Illuminated ornamental initial (1 stave) on gold background., Double ruling in beige ink., On parchment., and Written in large calligraphic Southern Gothica Textualis Formata (Rotunda). The music is written in nota quadrata on 4-line red staves, width 38 mm.