Manuscript on vellum and paper of 1) Treatise on the Koran. 2) Ricoldus de Monte Crucis O.P. (Ricoldo da Montecroce, d. 1320), Libellus contra legem Sarracenorum (Confutatio Alcorani). 3) Anonymous treatise against the Koran in the form of letters exchanged between two friends, a Moslem and a Christian. 4) Bonacursius de Bononia O.P. (s. XIII2), De erroribus Graecorum. 5) A short history of the oecumenical councils.
Description:
Binding: Original binding. Blind-tooled calfskin over bevelled wooden boards, worm-eaten. Sewn on three split leather thongs. Brass?? bosses., Script: Probably copied by one hand, who starts writing Humanistica Textualis but gradually changes into a rapid Gothico-Humanistica., and Some errors in modern foliation.
Subject (Topic):
Apologetics--Early works to 1800, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of 1) Unidentified Greek-Latin lexicon. 2) Anonymous treatise on breathing marks in Greek. 3) De formationibus temporum uerborum graecorum. 4) De praepositionum significatione et constructione. 4) De numeris.
Description:
Belonged to Sir Thomas Phillipps (no. 3384). Purchased in 1956 from L. C. Witten by Thomas E. Marston., Binding: ca. 1500, Italy. Original sewing on three tawed skin, slit straps laid in channels on the outside of wooden boards. Gilt edges. The secondary, beaded endband is cream and green. Covered in reddish brown goatskin, blind-tooled with a floral border and fleurons in a central panel. Name of owner is gold-tooled on side in Roman letters that have been modified to form Greek letters. Spine: triple fillets at head and tail; single fillet diapering in the panels. Gold tooling added later. Traces of two fastenings, the catches on the lower board; the upper board heavily cut in for clasps. Modern title on spine: "Guarini Lexicon Ineditum. MS. in membranis"., and The decoration consists of an illuminated title page, with full border, thin white vine-stem ornament with stylized foliage in red, pink, blue against blue, green and pink ground with white dots and gold balls. In outer border two vases, blue with white highlights, and three roundels framed in red, green or pink with Roman profile heads wearing fillets against blue or gold ground. In inner border foliage curling around a thin gold bar. The upper border consists of a garland, green with gold highlights, tied with red ribbons against a blue and gold ground with two masks, one spouting water. Unidentified arms (palm? tree on red ground) in center of lower border. Large illuminated initial, 12-line, gold against a predominately blue ground with some green, pink, red and gold, and sprouting vine-stem ornament, white with pale brown shading and stylized foliage in red, pink and light brown. 25 illuminated initials for letters of Greek alphabet, 6- to 5-line, gold, against blue, green and dark pink grounds with stylized white vine-stem ornament or white stylized foliage. 2 small illuminated initials (ff. 205v and 206r), 3-line, gold against blue, red and green ground with pale yellow and white dots and white filigree. Heading on f. 1r in blue; others in red. Plain initials in red.
Subject (Topic):
Greek language--Dictionaries--Latin--Early works to 1800, Greek language--Grammar, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
The decoration is uneven and differs from section to section. Artt. 1, 3, 5, 6, 7, 8 have headings in red ink, red heightening of majuscules, red paragraph marks and red plain initials (plain and unusual flourished initials in red in art. 3) of various sizes. Artt. 2, 4 and 5-8 may have yellow heightening of majuscules too. No initials or paragraph marks in art. 8. Artt. 9-11 have red plain initials up to f. 81v; after that blank spaces with guide-letters; headings are missing after f. 67r. Artt. 2, 4, 12, 13, 14 have almost no decoration. Running headlines (author names) in large Southern Gothica Textualis Formata on pages of artt. 1, 3, 5 and 6., Binding: Nineteenth-century. Damaged half linen, the pasteboard covers covered with red paper impressed with a spiky lozenge pattern in black. Removed and rebound in purple paper. Modern binding not digitized., Cite as: Mariological, Ascetical and Other Texts. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper. This incomplete manuscript consists of a series of more or less independent sections. An unusual feature is the writing of text parts in the lower margins as if they were catchwords. Leaves are missing, and many texts are consequently incomplete. Many pages spoilt by the acidity of the ink. Apparently copied by four different hands, mostly very unstable and looking different depending on the period during which they entered the various sections. A (ff. 1r-54v = artt. 1-8 and ff. 107v-108v = art. 14) writes peculiar forms of Humanistica Semitextualis Libraria, which if written rapidly (Currens) tends to become a Cursiva with more pronounced Gothic features, especially in the additional artt. 2, 4 and 14; typical is the unusual abbreviation for in in the shape of dotted i. B (ff. 55r-66v = art. 9) writes Humanistica Semitextualis Libraria, equally under Gothic influence. C (ff. 67r-98v = artt. 10-11) writes a small sloping Gothico-Antiqua Currens. D (ff. 99r-105r = art. 12) writes a Humanistica Cursiva Libraria under Gothic influence; a deviant form D' is seen on ff. 106r-107r = art. 13., and Modern foliation followed. Wanting ff. 71-72.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 91-1153, John, of Wales, 13th cent, and Mary, Blessed Virgin, Saint
Subject (Topic):
Christian literature, Latin (Medieval and modern), Contemplation in literature, Exempla -- Early works to 1800, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V. (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., Cite as: Mariological, Mystical and Ascetical Treatises. General Collection, Beinecke Rare Book and Manuscript Libra, Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials., f. 142 loose. Originally tipped in and tab bound., In Latin., Manuscript on paper in five parts, each with its own very partial foliation (ca. 1800); they seem to have had the same history. The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. The paper at places damaged by the acidity of the ink. Part I (ff. 1-84, art. 1): Copied by four Gothic hands: A (ff. 1r-29v): Hybrida Formata; B (ff. 30r-39va): Semihybrida Currens; C (ff. 39vb-56r): Hybrida Libraria; D (ff. 56v-77r): small Hybrida Libraria. Part II (ff. 85-215, art. 2): Copied by various scribes, writing Hybrida Formata, Hybrida Libraria, Cursiva Libraria (ff. 153v-157v) and Semihybrida Currens (f. 210r-v, 212v). The headings are in diverse types of script, often slovenly written. Part III (ff. 216-273, art. 3): Copied by three hands. A (ff. 216r-230v): large, bold Hybrida Formata; B (ff. 231r-272ra): Hybrida Libraria; C = friar Rudolphus Deyrdynck (f. 272rb-v): Hybrida Libraria. Part IV (ff. 274-343, artt. 4-19): Copied by one hand writing Hybrida or Semihybrida Libraria/Currens. Part V (ff. 344-388, art. 20): Copied by three hands. A (ff. 344r-352ra, 14): bold Hybrida Formata/Libraria; B (ff. 352ra, 14-354va): bold Semihybrida Libraria; C (ff. 354vb-388r): linear Hybrida Libraria/Currens sloping to the left., Note in the lower margin of f. 1r suggests that the manuscript was produced in the Benedictine abbey of Huysburg, north of Halberstadt. The scribe Rudolf Deyerdynck may have been a member of this community. Gift of the Library Associates of Yale University Library., Part I: Headings in red. The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand., Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v., Part III: Headings in red. The majuscules are stroked in red. 2-3 line plain initials in red., Part IV: Headings in red. Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I., and Part V: Headings in red. Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red.
Subject (Name):
Abbot of St. Mihiel, Smaragdus, fl. 809-819, Bishop of Brandenburg, Stephan Bodeker, 1383-1459, and Blessed Virgin, Saint, Mary
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Johannes, de Rupescissa, ca. 1300-ca. 1365 Křišt̕an z Prachatic, ca. 1366-1439 Wenceslas, Emperor of Germany, 1361-1419
Published / Created:
[ca. 1440]
Call Number:
Mellon MS 9
Image Count:
671
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper of the compilation of a physician interested in medicine, alchemy, and herbs. Includes three texts by Krisean z Prachatic, a physician, herbalist, and teacher of Prague University; Albicus, De regimine sanitatis, a treatise on the treatment of paralysis and the plague; Albicus, Regimen for King Wenceslaus of Bohemia (1361-1419); several alphabets of general scientific terms in Latin with Czech and/or German equivalents; Latin names of herbs with Czech and sometimes Polish equivalents; John of Rupescissa, De consideratione quinte essentie; and hundreds of medical and alchemical recipes.
Description:
Binding: Probably original. Brown calf, the covers ruled with triple parallel lines to a pattern of four rectangles within a rectangle, the larger rectangle crossed with similar ruling; indications of five center and corner pieces on each cover, possibly of iron and certainly fastened with iron nails, now lost; indications of two missing clasps and catches at the fore-edges of the covers; heavily repaired at fore-edges, hinges, and backstrip, the original back divided into four compartments by five heavy double bands, a modern morocco label in the second compartment from the top gold-stamped between double gold rules top and bottom: "ALCHEMICAL-MEDICAL | MISCELLANY | - | MANUSCRIPT | MIDDLE EUROPE | XVTH CENTURY"., Headings, foliation, rubrics, and capital strokes in red., Pagination refers to openings, i.e. facing pages., and Script: The greater part of the manuscript (except the unnumbered quires 15-19) written by a single hand in a clear, round, and steady Gothica cursiva. Quires 15-19 written in a similar but more pointed and flowing hand, sometimes more condensed, similarly decorated.
Subject (Topic):
Alchemy--Early works to 1800, Handbooks, vade-mecums, etc, Herbs--Early works to 1800, Latin language--Glossaries, vocabularies, etc.--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, Medicine, Medieval, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript fragment on parchment containing a medical treatise.
Description:
Decoration: rubrics in red; initials in blue with red penwork. Some marginal comments are circled in red., Script: written in an unidentified script., and This fragment is contained in Zi +4794 (Giovani Balbi of Genoa, Catholicon), around which the fragment is used as a cover.
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven., Medieval and Renaissance Manuscript Fragments in Beinecke Library., and Medieval and Renaissance Manuscripts in Beinecke Library.
Manuscript on parchment (thick, good quality), composed of four parts. Although all four parts may be roughly contemporary in execution, they apparently were not assembled together as a "missal" until the 15th century, at which point the manuscript was annotated and cross-referenced from beginning to end; it is possible that only the lectionary and sacramentary in Part IV were originally intended to be used together.
Description:
Binding: Nineteenth century, England. Quarter bound in brown calf, blind-tooled, over wooden board. Metal fittings at the head and tail of the leather and two fastenings., Elegant repairs to parchment sewn with blue and chartreuse thread (e.g., f. 27). Most of the leaves of Part III have been repaired., Part I: KL monograms, in red, embellished with knobs. Part II: Eleven large initials, 12- to 6-line, drawn in red and/or brown ink against geometric grounds of blue and lime-green washes. The initials are constructed of dragons and other fantastic animals, or of stylized foliage inhabited by biting beasts and birds. Plain initials in blue, red or lime-green, some with blue and/or red penwork designs, others with knobs. Major headings in majuscules with letters alternating red, black, and sometimes lime green; other headings in red. Instructions to rubricator perpendicular to text. Part III: The decoration of the Canon of the Mass consists of a 3/4-page miniature of the crucifixion, f. 60r, framed with a narrow border of olive green, red and blue with white filigree. Christ is shown hanging from a Y-shaped Astkreuz flanked by Mary and St. John, against gold ground. The gold ground is largely rubbed and the figures are partly restored (lower part of St. John's robe has been reworked, and flaked paint on the cross and Christ's loin cloth replaced). Marginal illustration of what appears to be a kneeling Augustinian canon dressed in white and red robes, adjoining the Te igitur (f. 60v). Three illuminated initials, ff. 58r, 59v, 60v, for the Canon of the Mass, 7- to 5-line, pale mauve with stylized scrolls and green foliage against gold ground edged in blue with white filigree. Vere dignum initials, 3-line, alternate in red and blue with penwork in either blue or red. Part IV: Pen-and-ink initials, 7- to 4-line, of a similar design as in Part II, but lacking the vitality; drawn in brown and/or red ink with stylized foliage and palmettes sometimes touched with blue or red against blue, red and/or lime-green ground. Smaller initials, 4-line, red, blue or green with red and/or green penwork design. Plain initials in red. Headings in red. Instructions for rubricator perpendicular to text., and Script: Part I (ff. 2-8): Text of calendar written in gothic bookhand by a single scribe; many later additions in several hands. Part II (ff. 9-56): Written in gothic bookhand, with additions in several different hands in less formal styles of writing. Musical notation consists of Austrian adiastematic neumes in the same ink as the text. Part III (ff. 57-64): Written in large liturgical gothic bookhand. Part IV (ff. 65-276): Written in gothic bookhand; several layers of marginalia added in less formal hands.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Missals
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Description:
f. 1r //tur vobis. Deus autem pacis qui eduxit de mortuis pastorem magnum dominum ... Secundum Marcum. In illo tempore mane prima sabbati ...et illi euntes nunciaverunt ceteris.
Thursday of the second week after Easter, with lessons from Hebrews 13:20 and Mark 16.2-13.
f. 1r-v Feria via. Ad Romanos. Fratres, cum adhuc essemus infirmi ... Secundum Matheum. In illo tempore exierunt mulieres de monumento ... usque in hodiernum diem.
Friday of the second week after Easter, with lessons from Romans 5:6-11 and Matth. 28:8-15.
f. 1v Sabbato. Si non fuerit festum novem lectionum sollempnizamus ultimam missam ...
Saturday of the second week after Easter.
Dominica iia post Pascha. Ad missam de beata Maria. Alleluia. Versus. Post partum ... Ad processionem per cimiterium. Antiphona. Surgens Dominus Ihesus ... Ad missam introitus. Misericordia Domini plena est terra ... Gloria in excelsis. Collecta. Deus qui in filii tui humilitate iacentem mundum erexisti ... Lectio epistolae beati Petri apostoli. Karissimi, Christus passus est pro nobis ... R. Alleluia. Versus. Ego sum pastor bonus et cognosco oves meas et cognoscunt me mee. //
Second Sunday after Easter, with lesson from 1 Peter 2:21-25., On parchment., Pricking in the upper and lower margins. Ruled with brown ink for two columns of 30 lines below top line (type 43, 212 x 140 mm., The majuscules are heightened in yellow. One line-filler in gold and paint. The decoration consists of (1) 2-line dentelle initials and (2) 3-line foliate initials. On f. 1v there is a gold and blue bar in the intercolumnium ending in the upper and lower margins in rinceaux with vine-leaves, a few flowers and acanthus leaves. Instructions for the rubricator are written in the margins in small Gothica Cursiva., and Written in Northern Gothica Textualis Formata in two sizes.
2-line plain initials (Capitalis) in red, with guide-letters. A few flourishes in black at the end of articles., Binding: Sixteenth-century. Italian brown leather over pasteboards, both covers blind-tooled: fillet frames and a border of floral tools, in the centre a fleuron. Marks of two ties. Yellow edges., Cite as: Moral Treatises. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., In Italian and Latin., and Manuscript on parchment of 1) Treatise on Christian love. Several later corrections on f. 10v. 2) On the contemplation of death, final judgment and hellish punishment. 3) Six prescriptions for Christian life given by St. Bonaventure (Bonaventura, 1221-1274) to a young friar. Translated into Italian. 4) The qualities of a perfect monk. Copied by one hand in large calligraphic Humanistica Textualis Formata; line-fillers in the form of crossed i.
Subject (Topic):
Christian literature, Italian, Christian literature, Latin (Medieval and modern), Didactic literature, and Manuscripts, Medieval -- Connecticut -- New Haven