Bannerman, Alexander, approximately 1730- printmaker
Published / Created:
[approximately 1765]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Caius Gabriel Cibber, half-length, in an oval, slightly turned to the right, holding a pair of compasses in his hand, dressed in a black doublet with a wide collar and plain cuffs and with his hair scrolling to his shoulders, the title on the plinth below."--British Museum online catalogue
Description:
Title from text in image., After a watercolor drawing by Christian Richter that was kept by Horace Walpole in the Green Closet at Strawberry Hill., Publication information from that of the volume for which the print was engraved., Plate from: Walpole, H. Anecdotes of painting in England. [Twickenham] : Printed by Thomas Kirgate at Strawberry-Hill, 1765-1771 [i.e. 1780]., Sheet trimmed to plate mark., "Vol. III, p. 80"--Above image in upper right., Mounted on page 59 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : engraving and etching on wove paper ; sheet 16.8 x 12.7 cm., and Imperfect; sheet trimmed within plate mark with loss of statement of responsibility from bottom edge and volume and page numbering from top edge.
Publisher:
Strawberry Hill Press
Subject (Name):
Cibber, Caius Gabriel, 1630-1700, and Strawberry Hill (Twickenham, London, England)
Title from caption below image., Text below title: E tabula Guidonis Reni, in Pinacotheca Domini De Montriblou armigeri conservata., Sheet trimmed within plate mark., and Watermark.
Publisher:
publisher not identified
Subject (Geographic):
Egypt.
Subject (Name):
Cleopatra, Queen, consort of Juba II, King of Mauretania, 40 B.C.-
"A companion print to British Museum Satires nos. 6700, 6701, 6703. An enormous balloon not completely inflated rests on a platform suspended between two masts; it is exploding, flames and thick clouds of smoke pour from a crease in its contour, a number of men with faggots on their backs run from the balloon, others are on the platform, which is covered by a large cloth or net which hangs in folds. In the air (left), as if having sprung from the exploding part of the balloon, is a small balloon in the form of a head, identical with that in British Museum Satires No. 6704, with the same inscription and passenger. From it streams, in place of a rope, the tail of a kite. This evidently represents the bursting of Keegan's balloon in the garden of Foley House. A circle of posts with a rope keeps the spectators, who are fashionably dressed, from the balloon. Two men inside the barrier (right), probably Blanchard and Sheldon, who was to be pilot (see British Museum Satires No. 6703) run towards the balloon shouting directions through speaking-trumpets. In the foreground is one of the small balloons which were commonly sent up on the occasion of an ascent, cf. British Museum Satires No. 6668. In the background are trees. A number of spectators watch from the top of the high garden-wall (left). [Foley House was noted for its extremely high wall. 'Town and Country Magazine' xvi, 625] Behind are houses, evidently those in or near Portland Place. Sheldon's projected ascent ended in disaster on 25 Sept. 1784. He attempted to fill a balloon more than three times the size of Lunardi's by heated or rarefied air produced by a furnace suspended below the balloon. The balloon was supported on two masts and on a platform; it burst while it was being filled. See 'London Chronicle', Sept. 24, 28, 29. Except for the contour of the balloon which appears to burlesque human posteriors, and for the little balloon in the shape of a fool's head, this is probably a realistic rendering of the scene, see British Museum Satires No. 6703."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Matted to 33 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
Blanchard, Jean-Pierre, 1753-1809., Sheldon, John, 1752-1808., and Lunardi, Vincent, 1759-1806.
Subject (Topic):
Balloons (Aircraft), Aircraft accidents, Fires, and Spectators
A sheet full of dozens of images of men and women's caricatured heads, after Hogarth's Characters ; Caricaturas?
Description:
Title from quotation etched below image., Frederick Birnie was active in London from 1787-1792. See British Museum catalogue., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Drawing of Cornelis Poelenburgh (1594 or 1595-1667), Dutch painter and draughtsman, one of the first generation of Dutch italianates. He worked in the Court of Charles 1.
Alternative Title:
Cornelis Poelenburgh and Cornelius Polenburg
Description:
Title in ink below image in Horace Walpole's hand: Corn. Poelenburgh pictor., Signed in pencil, lower right: G.V., George Vertue, English artist, 1684-1756., Engraved portrait by T. Chambars in Anecdotes of painting in England entitled "Cornelius Polenburg" and identifies the work as a self portrait by the artist: ipse pinxit., and Drawing that was used as a basis for an engraving of Poelenburgh in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 103.
Drawing of Cormelius Johnson (1593-1661), English born painter. During the English Civil War, moved to Netherlands in late 1643; believed to have died in Utrecht in 1661
Alternative Title:
Cornelius Janson
Description:
Title from item., Drawing that was used as a basis for an engraving of Johnson in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 4., and George Vertue, English artist, 1684-1756.
Drawing of Daniel Mytens (ca. 1590-1674), painter born in Delft in the northern Netherlands. He moved to London in the mid-1610s where his patrons included many members of the royal court and later King James I and Charles I. He returned to The Hague in 1630 where he worked as an art dealer
Alternative Title:
Daniel Mytens pictor magna Britannia Regis
Description:
Title from item., Signed in pencil, lower right: G.V., Drawing that was used as a basis for an engraving of Mytens in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 7. Artist indentified as: Ant. van Dyck pinxt., and George Vertue, English artist, 1684-1756.