Fox, and Richmond on the left with Shelburne standing pensively between them, move away from the armored ghost of Cromwell who stands on a crushed crown and sceptre. Cromwell is saying "To obtain your end your measures are right, you arm the people, like me, you trample on prerogative...." A reference to Shelburne's plan after the Gordon Riots to arm the populace in preference to the use of troops
Alternative Title:
Malagrida and conspirators consulting the ghost of Oliver Cromwell
Description:
Title etched below image., Printmaker from British Museum catalogue no. 6006, of which this appears to be an earlier state with date and publication line intact., Sheet trimmed within plate mark., On left within border: "Political characters & caracatures of 1782. No. 5.", and Mounted to 29 x 39 cm.
Publisher:
Pubd. June 10th 1782 by E. D'Achery, St. James's Street, London
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806., Lansdowne, William Petty, Marquis of, 1737-1805., Richmond and Lennox, Charles Lennox, Duke of, 1735-1806., and Cromwell, Oliver, 1599-1658.
Fox, and Richmond on the left with Shelburne standing pensively between them, move away from the armored ghost of Cromwell who stands on a crushed crown and sceptre. Cromwell is saying "To obtain your end your measures are right, you arm the people, like me, you trample on prerogative...." A reference to Shelburne's plan after the Gordon Riots to arm the populace in preference to the use of troops
Alternative Title:
Malagrida and conspirators, consulting the ghost of Oliver Cromwell
Description:
Title etched below image., Printmaker from British Museum catalogue., Imprint statement partly obscured by a line etched across it., Statement in upper left border, "Political characters & caracatures of 1782. No. 5," has the year crossed out., and Sheet trimmed within plate mark.
Publisher:
Pubd. June 10th, 1782, by E. D'Achery, St. James's Street, London
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, and Cromwell, Oliver, 1599-1658
"A carriage (right) drives at a gallop towards the gateway of St. James's Palace; Lord Lansdowne, in peer's robes, puts his head out of the window to call to the coachman, who is lashing the pair of horses: "Drive you dog! drive! - now, or never! - aha the Coast is clearing!------drive! drive! you dog!" He has a sly smile. The carriage is decorated with coronets, and on the door is the beehive crest of Lord Lansdowne and the motto 'Ut Ap[es] Geometriam'. The coachman and three footmen who stand behind have enormous feather-trimmed cocked hats in the French fashion, with bag-wigs. Running behind the carriage with outstretched arms are: Fox, saying, "Stop! stop! - & take me in, - Stop!"; Sheridan saying, "And me too! stop", and (very small) M. A. Taylor, saying, "And me". In the background a similar carriage is driving yet more rapidly out of the Palace gateway; the tiny figures are recognizable: Dundas, the coachman, has dropped the reins, the horses are running away; Pitt, terror-stricken, puts his arms through the windows. Both look up at a dove with an olive-branch which flies over their heads towards the gateway. In the background are part of the Palace and the houses at the SW. corner of St. James's Street."--British Museum online catalogue
Description:
Title from item., Year of publication from British Museum catalogue., Temporary local subject terms: Vehicles: coaches -- London: St. James's Palace -- Domestic service: footmen -- Coachmen -- Pavement -- Symbols: dove with an olive-branch -- Nicknames: Shelburne as Malagrida -- Allusion to Gabriel Malagrida, 1689-1761., Mounted to 33 x 47 cm., and Watermark.
Publisher:
Pub. March 16th by H. Humphrey, Bond Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Taylor, Michael Angelo, 1757-1834
"Napoleon stamps in fury, right arm outstretched with clenched fist, left fist on his forehead. His frantic gestures have overturned table (left), 'Consular Chair', and terrestrial globe, both on the extreme right. His huge plumed cocked hat lies on the floor; his (sheathed) sabre is broken. From his head issue swirling words: (left) "English Newspapers- \ English Newspapers!!! \ Oh, English Newspapers!!! \ hated & Betray'd by the French! - Despised by the English! \ & Laughed at, by the whole World!!! \ Treason! Treason! Treason! Georges! [Cadoudal] Arras! de Rolle! Dutheil! O Assassins!! \ O! Sebastiani! Sebastiani! Oh! \ English calumniating Newspapers! \ British Trade & Commerce! - Oh! Oh! Oh! \ Treaty of Amiens! - damnation \ Insolence of British Parliament \ Oh cursed Liberty of y British press! \ Malta! Malta! Malta! \ O Diable \ the Riches! Freedom! & Happiness, of the British Nation!!! \ ha Diable! \ Diable! \ Diable \ O- Egypt! Egypt! Egypt! \ Oh St Domingo! Oh! \ Oh! the Liberty of the British Press \ English Blood-hounds! \ Wyndham! Grenville! Pitt! \ Oh! I'm Murder'd! - I'm Assassinated!! \ London Newspapers! Oh! Oh! Oh! \ Revenge! Revenge! \ come Fire! Sword! Famine! \ Invasion! Invasion! \ Four Hundred & Eighty Thousand Frenchmen \ British Slavery - & everlasting Chains! \ everlasting Chains." Under the overturned writing-table are Napoleon's ink-stand and pen and papers: 'Scheme'; 'List of Future Conquests, Turkey - Persia China'; 'pour le Expedition a la Lune' [see BMSat 9988]; 'Pour Mettre le Thames en Feu dedié a mi Lord Stanhope' [as Francophil Jacobin and inventor of steam navigation, see BMSats 8448, 8640, &c]; 'Pour le Hamburg Gazette'; 'Pour le Moniteur'; 'Pour le Argus'. Against his hat lies a large 'Plan for Invading Great Britain with a list of ye Members of the British Republic'. On other papers he is stamping frantically: 'Wyndham's Speeches'; 'Cobbett's Weekly Journal'; 'Parliament[ary] Debates'; 'Anti-Jacobin Review' [see BMSat 9243, &c.]; 'de Peltier'; 'Lloyds'; 'True Briton'; 'Mor . . . Herald'; 'Times'; 'Wilson's Egypt'; 'Debates'. The globe is damaged: a jagged hole fills the place of Europe, leaving the British Isles untouched. The back of the ornate 'Consular Chair' is decorated with Medusa's head, the snakes in violent action."--British Museum online catalogue
Alternative Title:
Little Boney in a strong fit
Description:
Title from text in top part of image., Mounted to 37 x 56 cm., and Watermark: J. Whatman 1811.
Publisher:
Pubd. May 24th, 1803, by Js. Gillray, St. James Street
"The interior of a bedroom, with Miss Gunning in bed (left), facing the spectator; a stout woman, her mother, holds her arm; both look round in alarm at a much-caricatured creature, Miss Minifie, who rushes towards them (right) from an open door, arms outstretched, gaping with staring eyeballs. Mrs. Gunning raises a leg in her surprise, breaking a bottle of 'Brandy' which with a glass had been concealed under her petticoats. Beneath the design is etched: 'What's the matter Auntee-Peg, what makes you put on such a long Face?"' In the upper and lower margins is the inscription: 'I was sitting by the Bedside of my smiling-injured-innocent-Lambkin, & holding one of the sweet tender hands of my amiable-gentle-dovelike-Cherub, when her Aunt came into the Room, with a face paler than Ashes, - "What is the matter, Auntee Peg" - says my dear-chaste-adorable-kind-benificent-enchanting-heart-feeling-benificent-paragon of Goodness \ She broke upon us the dishonorable-infamous-false-accusations, & the cruel most cruel messages that accompanied them, at that moment a Vow issued from my torn, my rent, my wounded, my agonizing, my suffering Heart, & my dear-divine-glorious-Arch angelic-Angel, said &c &c.'"--British Museum online catalogue
Alternative Title:
What's the matter Auntee-Peg, what makes you put on such a long face?"
Description:
Title etched at top of image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: bedrooms -- Furniture: side tables -- Beds -- Glass: wine bottles -- Alcohol: brandy -- Allusion to the Gunning scandal -- Literature: burlesque of Mrs. Gunning's A Letter ... to the Duke of Argyll., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Pub. March 25th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Gunning, Miss 1769-1823 (Elizabeth),, Gunning, Mrs. 1740?-1800 (Susannah),, and Minifie, Margaret
"The cattle-pens (right) of Smithfield Market are filled with cattle with the faces of peers and draped with ermine-trimmed robes. [The ermine is apparent only in the coloured impression] Thurlow, dressed as a farmer, the owner of the cattle, stands on guard with his back to the pens; he wears his Chancellor's wig and uses the mace as a walking-stick. He clutches a full purse in his right hand and looks fiercely at a smaller number of cattle who are being driven from the left towards the pens. One of these, with the head of Lord Derby, stands on his hind legs, saying, "I move an adjournment till after the next Newmarket Meeting". The cattle in the pens (right) have the heads of peers who were believed favourable to Hastings. In the front row are (left to right) Lord Sydney, the Duke of Grafton, and (between two unidentified peers) Lord Bathurst. An ox with the head of Lord Lansdowne, his horns tipped to prevent mischief, stands (right) outside the pen which he tries to enter, his eyes slyly fixed on Thurlow (cf. BMSat 7311). Others cannot be identified. The Opposition peers include the Duke of Portland (who glares fiercely at Sydney), the Duke of Norfolk, Lord Carlisle, and Lord Stormont. They are being driven by a fierce-looking drover (left); a dog wearing a peer's robe, his collar inscribed 'Mountford', barks at them. On the extreme left Hastings, dressed as a butcher but wearing a turban, riding (right to left) a miserable horse fit only for the knacker (the horse of Hanover), carries off a calf with the profile of George III, its forelegs tied together. He whips his horse ferociously. Behind him is a pawnbroker's shop-window, with three balls and the sign 'Money Lent'. In the middle of the cattle-pens (right) is a bell (that of the Market) on a post, a man (? George Rose) wearing a bag-wig pulls the bell-rope, looking round with a cynical smile. Undifferentiated ministerial cattle at the back of the pens push with their horns at a watchman's box which they are overturning. Three men dressed as watchmen, seated on the roof (which they have climbed to escape the cattle), drop staff, lantern, and rattle and are about to fall off; they are Fox, Burke, and Sheridan. The background is formed by buildings; the pawnshop (left) adjoins a large inn behind the cattle, a house at the corner of 'Smithfield' and 'Cow Lane', which diverges on the right. It is the sign of the Crown; in a balcony over the large gateway which leads to the courtyard sit Dundas (left) and Pitt (right), much at their ease, facing each other in profile, regardless of the turmoil below. They are smoking and have foaming tankards marked with a crown; Dundas is in Highland dress, Pitt is dressed as an English farmer or drover. On the balcony is: 'Good Entertainment for Man and Beast'. Beneath the design is etched: '"Every Man has his Price", Sir Rt Walpole', and '"Sic itur ad astra"'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Two lines of quotation inscribed on either side of title. On the left: "Every man has his price," Sir Robert Walpole. On the right: "Sic itur ad astra.", and Mounted to 37 x 56 cm.
Publisher:
Pubd. May 2d, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India. and England
Subject (Name):
Smithfield Market., Thurlow, Edward Thurlow, Baron, 1731-1806, Smith-Stanley, Edward, 1752-1834, Hastings, Warren, 1732-1818, Sydney, Thomas Townshend, Viscount, 1733-1800, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Bathurst, Henry Bathurst, Earl, 1714-1794, Lansdowne, William Petty, Marquis of, 1737-1805, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Rose, George, 1744-1818, Montfort, Thomas Bromley, Baron, 1733-1799, Mansfield, David Murray, Earl of, 1727-1796, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, and Walpole, Robert, Earl of Orford, 1676-1745
Subject (Topic):
Impeachment, Influence, Bribery, Cattle, Ceremonial objects, City & town life, Clock & watch making, Equipment, Taverns (Inns), Usury, Signs (Notices), Stockyards, and Stores & shops
"George Walpole stands defiantly, head in profile to the right, feet splayed awkwardly. He wears Roman armour with medieval greaves and a huge sabre; in his left hand is a large oval shield, in his right he supports a vertical tilting-lance, the head of which is cut off by the upper margin. His fantastic helmet is partly a cocked hat with a tricolour cockade; on it crouches a simian demon with webbed wings and long barbed tail, wearing a cap like the cornucopia of BMSat 9374, and spitting fire. Behind him (left) is a gobbling turkey-cock. Clouds form a background."--British Museum online catalogue
Description:
Title etched below image., No. 2 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet trimmed to plate mark at bottom., and Temporary local subject terms: Male costume: Roman armor -- Demons -- Birds: turkey -- Weapons: tilting lance -- Swords -- Shields -- Bonnet rouge.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
"A scene representing the hustings at the Westminster election. Fox (right) stealthily enters a door leading to the side of the hustings, carrying on his shoulder a sack from holes in which guineas and a Garter jewel are issuing. On the left, on the hustings, Townshend stands between two supporters, resting an elbow on the shoulder of each: one (left) is a chimney-sweep, waving his brush, his shovel is inscribed 'Townsend'; the other is a butcher, waving his hat. Behind, the profile heads of Burke (left) and Hanger (right) face each other. A crowd is indicated at the back of the hustings, and a large banner inscribed 'Noble Townsend' is conspicuous. In front of Townshend is a poll-clerk who offers a Testament to a Jew who stands outside the hustings about to take the 'bribery oath'. Over his shoulders hangs a pair of breeches, under his arm is a hat inscribed 'Townsend'. On the door through which Fox enters is a placard: 'Liberty & Property Secured'. Fox looks with a sly smile at Townshend and his supporters; from his pocket protrudes a document inscribed 'Ways & Means'."--British Museum online catalogue
Description:
Title etched below image., Possibly by Gillray; see British Museum catalogue., Sheet trimmed within plate mark., Following imprint: Price 5 s., Temporary local subject terms: Allusion to Captain Mason, fl. 1671 -- Documents: Ways and Means -- Flags: Election banner -- Elections: Westminster by-election, 1788 -- Signs: Placard -- Money: Guineas -- Orders: Garter jewel -- Hustings -- Butchers -- Election music -- Chimney sweeps -- Bible: Testament -- Poll clerks -- Oath against bribery -- Jews., and All but the "P" in "Price 5 s." has been erased from sheet.
Publisher:
Pubd. July 21st, 1788, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Townsend, John, 1757-1826
"A scene representing the hustings at the Westminster election. Fox (right) stealthily enters a door leading to the side of the hustings, carrying on his shoulder a sack from holes in which guineas and a Garter jewel are issuing. On the left, on the hustings, Townshend stands between two supporters, resting an elbow on the shoulder of each: one (left) is a chimney-sweep, waving his brush, his shovel is inscribed 'Townsend'; the other is a butcher, waving his hat. Behind, the profile heads of Burke (left) and Hanger (right) face each other. A crowd is indicated at the back of the hustings, and a large banner inscribed 'Noble Townsend' is conspicuous. In front of Townshend is a poll-clerk who offers a Testament to a Jew who stands outside the hustings about to take the 'bribery oath'. Over his shoulders hangs a pair of breeches, under his arm is a hat inscribed 'Townsend'. On the door through which Fox enters is a placard: 'Liberty & Property Secured'. Fox looks with a sly smile at Townshend and his supporters; from his pocket protrudes a document inscribed 'Ways & Means'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Reissue with altered price, from 5 s. to 1 s., Following imprint: Price 1 s., and Mounted to 30 x 38.
Publisher:
Pubd. July 21st, 1788, by H. Humphrey, New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Townsend, John, 1757-1826
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (left), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of British Museum Satires No. 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (left) is a bust of 'Hymen' with a broken nose, and (right) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Harmony before matrimony.", Sheet trimmed within plate mark., Temporary local subject terms: Musical Instruments -- Furniture -- Female Costume: Morning gown -- Rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Bell-Pulls., and Temporary local Medical Library subject terms: Marriage & married life.
Publisher:
Publish'd October 25th, 1805, by H. Humphrey, 27 St. James's Street