Manuscript on paper of Giordano Ruffo, Marescalcia equorum, in an anonymous Italian translation. With medicinal recipes and prayers
Description:
In Italian., Watermark: unidentified bull's head in gutter., Script: Written in a poorly formed Italian notarial script; notes in contemporary cursive hands., Plain initial, 5-line, in red and black, at beginning of art. 1; initial strokes and rubrics for ff. 1r-9v only., and Binding: Nineteenth century. Limp vellum case. Stamped on upper cover: "Medecine des chevaux/ manuscrit du XV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ruffo, Giordano, fl. 1250-1260.
Subject (Topic):
Horses, Italian literature, Literature, Medieval, Manuscripts, Medieval, and Medicine, Medieval
Manuscript fragment on parchment of medical recipes, primarily of a gynecological nature; recipes include: medical recipes for tumors or swelling of the vulva; medical recipes for hardness of the breasts, ulcers, and cancers, increasing milk, so a girl will not grow breasts nor a boy testicles, and so that the hands and neck will be white; there are several undecipherable recipes and a portion of a poem in a thirteenth- or fourteenth-century hand on the sounds made by various animals
Description:
In Latin., Script: written in early gothic script (littera textualis); the added entries on fol. 2r are written in a French or Italian cursive hand from the second half of the fourteenth century; the upper portion of fol. 2v is written in littera textualis currens from the thirteenth century; the verses on animals are in a littera textualis from the latter thirteenth or early fourteenth century., and Decoration: punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Formulas, recipes, etc, Manuscripts, Medieval, and Medicine, Medieval
Manuscript fragment on parchment of a missal containing Palm Sunday and Feria II after Palm Sunday
Description:
In Latin., Script: written in two sizes of rounded gothic script (littera textualis), a larger script for the lessons and prayers and a smaller script for chants., and Decoration: 2-line initials of prayers and lessons alternate red and blue; 1-line initials within lessons, of chants and the first letters following a 2-line initial are brown and yellow; rubrics written in a red cursive script; punctuated with the punctus; a contemporary hand has made corrections in black ink.
Manuscript fragment on parchment of a missal containing: Third Sunday after Pentecost; Fourth Sunday after Pentecost; Fifth Sunday after Pentecost; Eighth Sunday after Pentecost; and Ninth Sunday after Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 2-line initials alternate red and blue; written over guide letters in black ink; 1-line capitals, which include the first letter after the 2-line initials, are in black filled with yellow; rubrics written in red in the same script as the text; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of a missal containing among others: St. Felix in Pincis (14 January); St. Marcellus (16 January); St. Prisca (18 January); St. George (23 April); St. Mark (25 April); Letania Maior ad S. Laurentium (25 April); Apostles Philip and James (1 May); and Sts. Alexander, Eventius, Theodolus, and Juvenal (3 May).
Description:
In Latin., Script: written in Caroline minuscule by two scribes, one on fols. 1-2 and the other on fols. 3-4., and Decoration: there are two 7-line initials on fol. 2; they are in red outline with a center shaft filled with red and are decorated with foliate ornamentation; 1- and 2-line prayer initials alternate red and brown; the red initials are sometimes filled with yellow; 1-line chant initials are in brown rustic capitals, occasionally highlighted with red; punctuated with the punctus and punctus interrogativus; diacritical marks appear over the interrogative word in a question, in the Beneventan fashion; accents in the same ink as the text; there are 2 10-line initials on fols. 3-4; rubrics written in red rustic capitals marked with a horizontal yellow line; punctuated with the punctus.
Manuscript fragment on parchment of Gregory the Great (Pope Gregory I), Moralia in Iob, chaps. 22.7.17-7.68; 22.8.48-9.28; and 31.43.14-51.27.
Description:
In Latin., Script: written in Caroline minuscule, with marginal notation (on f. 1v) in a contemporary hand, probably the text scribe., Decoration: 1- and 2-line initials in brown uncials; punctuation consisting of the punctus, punctus elevatus, and punctus interrogativus., and Former call numbers: Beinecke MS 482.17 (f. 2).
Manuscript on parchment of Hugo de Folieto, Moralitates de avibus; Moralitates de piscibus; Moralitates de lapidibus. This work is often attributed to Hugh of St. Victor in manuscripts
Description:
In Latin., Script: Written by a single scribe in gothic bookhand; many abbreviations., Painted initial at beginning of prologue in blue, brown, pale yellow, green, and orange; smaller initials in red or blue with penwork designs. Paragraph marks in red and blue; rubrics throughout., and Binding: Twentieth century. Quarter paper case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hugh, of Fouilloy, d. 1172 or 3.
Subject (Topic):
Allegory, Latin literature, Medieval and modern, Manuscripts, Medieval, and Scholasticism
Manuscript on paper of Girolamo Morlini (c. 1480-after 1528), Novellae. The manuscript is an exact copy of the edition Naples, Giovanni Pasquet de Sallo, 1520. It reproduces all the features of its printed model, including frontispiece woodcut, foliation and signatures. Soon after its publication the book was suppressed because of the obscenities many Novellae contain
Description:
In Latin., Script: Copied by one hand in clear Humanistica Cursiva; titles in Capitalis., 2-line initials (Capitalis) in black ink. Renaissance initial in pen and ink on f. 2r; space for an initial, with guide-letter, on f. 4r. The frontispiece is a pen-and-ink copy of the original woodcut, showing the author in his study, seated at his desk, with a clock and an armillary sphere, under a starry sky with sun and moon., Numerous pages are damaged by the acid ink., and Binding: Paper (or thin parchment) over pasteboard; on the spine gold-tooled bordeaux leather label with the title "MORLINI. / NOVEL.". Mark of a red seal on the rear cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Morlini, Girolamo, 16th cent.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper (trimmed) of Aristoteles, Oeconomica, translated into Latin by Leonardo Bruni
Description:
In Latin., Watermark: bird (Briquet 12127?)., The main scribe (artt. 1-2) writes Gothica Hybrida (often close to Gothica Semitextualis) Libraria under strong Humanistic influence, visible in the use of Roman Capitals and straight s in final position., Space and partly guide-letters for a few initials were provided but the decoration is missing. In the space for the first initial (f. 1r) a coat of arms (silver, with a bend gules) was afterwards drawn., and Binding: Twentieth century. Half brown leather over pasteboard, the covers covered with brown paper. On the spine the gold-tooled title "ARISTOTLE . OECONOMICA . MS. 15TH CENT.".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle. and Bruni, Leonardo, 1369-1444.
Subject (Topic):
Classical literature, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 1) Copy of passage omitted from Institutiones VII.9 and supplied in a later hand. 2) Prefatory material. 3) Lactantius, Divinarum Institutionum Libri VII. 4) Lactantius, De Opificio Dei. 5) Lactantius, De Ira Dei
Description:
In Latin., Script: Written by a single scribe in a "fractured" gothic script. Marginal notations by several later writers, one of whom made extensive corrections to the text and added Latin translations for the Greek passages., Ten neat gold initials, 9- to 8-line, infilled and surrounded by white vinework on blue, pale green, and pale red grounds, with white dots and pale yellow highlights (ff. 9r, 33v, 53v, 77r, 100r, 119v, 144r, 163r, 163v, 177v). Greek quotations in red (only for ff. 1r-88r). Capitals and paragraph marks, alternating red and blue for ff. 2r-8v., and Binding: Eighteenth century. Brown calf case, gold- and blind-tooled with interesting pictorial tools.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lactantius, approximately 240-approximately 320.
Subject (Topic):
Apologies, Christian literature, Latin, Church history, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval