Manuscript on parchment of a Psalter, with astrological notes, a Calendar, and other litanies and prayers
Description:
In Latin., Written by two scribes in tiny gothic textura. Scribe 1: ff. 2v-91v; Scribe 2: ff. 91v (last folio of quire 8)-95v. Several later hands have added scribbles, prayers, and inscriptions on ff. 1r-2r, 10r, 95v, 96r, 97v, 98r, 99r., Small (6-line) and rather crude historiated initials. The initials for Ps. 52 (the Fool) and Ps. 109 (the Trinity) are missing. In each initial, the figure drawn in black and colored pink, green, and/or blue on a gold ground; the initials attached to cusped, tapering bar border, blue, red, and gold, with white highlights, with ivy terminal, black with red and green leaves. Gold and blue calligraphic initials (2-line), with blue and red penwork respectively; 1-line initials, alternating red and blue. KL monograms, gold on red and blue, with white highlights. Because the initial I was placed in the margin without an inset space in the text, the illuminator often missed it (e.g., for Ps. 70 on f. 42r; for Ps. 113 on f. 62r, and for Ps. 125 on f. 68v)., and Binding: 15th-16th centuries. Resewn on three two-layered tapes of tawed skin attached to wooden boards. The endband cores are of tawed skin with a tawed skin braid at the head, a new endband added at the tail. The spine is square and the cover adhered to it. Covered in tawed skin, originally pink, with corner tongues. Cover repaired at spine and two corners and two silver clasps added. In a flexible grey leather pouch.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Astrology, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on parchment (sturdy) of Calendar; Psalter; Six canticles; and Litany. and Parchment (sturdy), ff. 125 (125 = back pastedown), 196 x 141 (128 x 89) mm. Written in 20 long lines; double horizontal bounding lines, single vertical, all full across. Ruled in ink; prickings (slashes) in upper, lower, and outer margins.
Description:
Script: Written by a single scribe in bold, early gothic bookhand. Notes by several later scribes, some of which have been erased. Full page initial B (f. 2v) in blue with pink and blue interior vine-stem patterns, on gold ground surrounded by red rectangular frame outlined in black. Smaller gold initials, 10- to 8-line, for Psalms 26, 38, 51, 52, 80, 97, 101, 109 (ff. 21r, 33v, 43r, 43v, 53v, 68r, 70r, 83r), of similar design, on blue ground with vine-stem patterns of olive green, white, and red, and rectangular frame of red and white. Other psalms introduced by gold initials, 9- to 3-line, outlined in red, infilled and surrounded by blue penwork designs; headings and first letter of each verse in red. Most decorative initials are severely rubbed.
Subject (Name):
Catholic Church--Prayers and devotions
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Psalters
Book belonged to a member of the family von der Ecken, prominent in Trier from the 15th to the 17th century; perhaps she was a member of a Trier convent. and Manuscript on parchment (ff. 56v-57r palimpsest?) of a Psalter; with Hours of the Virgin, use unidentified.
Alternative Title:
Diss boich is Marien Van Der ie [?] genant Erlenbach
Description:
Binding: Sixteenth century. Resewn on four tawed, slit straps. Wooden boards chamfered and indented. Edges gilt. The spine is square and now lined with cloth. Covered in dark brown calf, blind-stamped with portraits of saints (one of whom may be Rochus) and fleurons in concentric panels (?); very little of the earlier cover remaining. Clasp-and-catch fastening, the catch on the upper board, the brown leather straps attached through metal plates to the lower. Rebacked with one half of the leather on the boards replaced with old leather from another book. Catches and clasps wanting. Upper sewing supports broken., Initials for text divisions, 11-line (f. 115r: Ps. 101) and 7-line (f. 22r: Ps. 26, f. 40r: Ps. 38, f. 93r: Ps. 80, f. 112v: Ps. 97, f. 133r: Ps. 109), gold, with symmetrical gold tendril ornament, occasionally with dragon-head terminals, against green and mauve panelled grounds covered with dense red cross-hatching set in red and mauve frames. 7- to 2-line initials for other Psalms, red or green with red and/or green flourishes. 1-line initials for verses, alternating red and green. Headings in red and/or green throughout., and Script: Written by a single scribe in well formed late caroline minuscule, above the top line. Marginal notes, some with neumes above them (e.g. ff. 63v, 65r), in several later hands have been partially lost due to trimming.
Subject (Name):
Catholic Church--Prayers and devotions
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Psalters
Manuscript on parchment of a Psalter-Hymnal, written for a Benedictine monastery. On the rear flyleaf, a fragment of the Gospel of Mark, 1:24-31 and 36-42, in West-Saxon translation
Description:
In Latin and Anglo-Saxon., Script: Copied by three scribes, all writing Northern Gothica Textualis Formata. The fragment is copied in careful Anglo-Saxon Minuscule., The decoration consists of 1-line plain initials alternately in red and blue in the text; 2-line flourished initials in blue with red penwork with marginal extensions; 3- and 5-line litterae duplices with partial or full penwork borders (J-motifs) as indicated in art. 2. Litterae duplices also on ff. 116r, 133v, 143v (artt. 3, 6 and 7)., and Binding: Original undecorated leather over oak boards (?). Spine with three raised bands. Traces (?) of one clasp.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines. and Catholic Church
Subject (Topic):
Liturgy, Hymns, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Psalters
Manuscript on paper of 1) Ps.-Cyprianus Carthaginensis (Pseudo-Cyprian of Carthage or Pseudo-Augustine), De singularitate clericorum. 2) Ps.-Augustinus Hipponensis (Pseudo-Augustine), De incarnatione Verbi ad Ianuarium. 3) Pseudo-Augustine, De essentia divinitatis. 4) Letter from the bishops assembled at the council of Carthage, A.D. 416, to pope Innocentius I. 5) Letter of pope Innocentius I to the bishops at the council of Carthage A.D. 416. 6) Letter from the bishops assembled at the council of Mileve A.D. 416 to pope Innocent I. 7) Innocentius I, letter to the bishops assembled at the council of Mileve A.D. 416. 8) Prayer to be said before the image of Corpus Christi. 9) Prayer to Jesus Christ. 10) Prayer to Jesus Christ ascribed to Thomas Aquinas.
Description:
Binding: Original Italian reddish brown leather over pasteboard with a flap at the rear cover closing over the front cover with leather ties. Covers and flap are blind-tooled with frames and lozenges of quadruple fillets, decorated with small circular tools either single or in clusters, and a full border consisting of a scroll motif. At the top of the front cover, in black ink, Capitalis ca. 1500: “Aur. (?) Augustini opus”. Parchment flyleaves. On the front flyleaf verso a Table of Content written in red by hand A, recording artt. 1-7 only, under the title “Que in hoc libello inserte sunt”., Headings in purplish red. Spaces for 1- or 2-line initials have been reserved throughout the codex (in artt. 1-3 with guide letters), but these have not been executed, except in artt. 8-10, where they have been clumsily written in black ink in the left margin. At the opening of art. 1, 3-line half inset Humanistic dentelle initial on a square background in green and blue decorated with silver and gold penwork. It has floral extensions with gold balls in the upper and inner margin. In the lower margin of the same f. 1r, between three similar floral decorations, a circular medallion containing the coat of arms of the Ugolini family of Florence (parti per bend, or on azure, with two lions passant counter changed, surmounting)., and Script: Two hands, both writing a very small Humanistica hesitating between Semitextualis Currens and Cursiva Currens. A, the main scribe, copied ff. 1r-60v; B, an inexperienced hand, marked by the use of d with ascender curving to the right, i longa and round s in all positions, added the prayers on ff. 61r-63r.
Subject (Name):
Council of Carthage--(411) and Pseudo-Augustinus
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Pelagianism, and Theology--History--Early church, ca. 30-600
Manuscript on parchment of 1-2) Registrum brevium. 3) Novae narrationes (in Anglo-Norman). 4) Part of an article of indenture (13 lines; 18th-century hand), in English, concerning William Jenninges of Birmingham.
Description:
Binding: 15th-16th centuries. Original sewing on four double, tawed cords laced into flush wooden boards. The covering extends over the endbands and is sewn around them. Traces of a secondary embroidery. Spine lined with tawed skin extending to outside of boards. Covered with tawed, cream-colored skin. A brass catch on the lower cover and traces of a clasp attachment on the first few leaves. Lower board detached, upper board and most of the spine covering wanting, probably for some time., In Latin and Anglo-Norman., Lower half of ff. 33, 78 torn; large portions of text stained and illegible., Script: Written in small, cramped anglicana by one scribe., and Twelve illuminated initials (crudely drawn and much rubbed), in dark red, blue, gold, green, and orange, with simple borders extending the length of the folio. Paragraph marks in blue or gold throughout.
Subject (Topic):
Anglo-Norman literature, Illumination of books and manuscripts, Medieval, Law--Great Britain, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Guarino of Verona, 1) Regulae grammaticales. 2) De orthographia. 3) Carmina differentialia.
Description:
Binding: Nineteenth century (?). Rigid vellum case. Remains of a brick red label., Bookplate of Thomas E. Marston; the date and source of acquisition unknown., One illuminated initial of poor quality, f. 1r, 11-line, purple with white filigree on gold and blue ground; filled with a stylized flower red and green with white filigree, upper terminal extending into pen-and-ink inkspray with gold balls and a mauve flower in upper border; pen-and-ink flourish with gold balls, ending in a bird's head, mauve, green and blue. Plain initials and paragraph marks alternate in blue and red; headings in red. Arms of the Valaresso family of Venice in lower border (azure, 3 bars gemelles or); partially effaced arms of Cardinal Bessarion in outer margin (azure, a cross botonny gules, a chief or; crest, cardinal's hat and crozier)., and Script: Written in humanistic bookhand, below top line; marginal annotations in humanistic cursive.
Subject (Name):
Guarino,--Veronese,--1374-1460
Subject (Topic):
Illumination of books and manuscripts, Medieval, Language and languages--Orthography and spelling, Latin language, Medieval and modern--Grammar, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Antoninus Pontus (Antonino Ponti from Cosenza, ca. 1600-1650), Rhomitypion. An allegorical treatise in three parts on the past and present state of Rome and Italy, topography, cosmography, geography, etc. Includes a dream vision of heaven and a dialogue between the author and Cato the Censor. Ends with a panegyric in praise of Giovanni Ruffo de' Teodoli, Archbishop of Cosenza (1511-1527), the author's patron. The manuscript is apparently unique and probably an autograph fair copy.
Description:
At many places the paper is damaged and the reading impaired by the acidity of the ink., Belonged to Sir Thomas Phillipps, MS 887. Purchased on the Edwin J. Beinecke Fund., Binding: Original presentation binding: light brown leather over pasteboard. Spine with three raised bands, gauffered and gilt edges. Both covers are decorated with two frames of blind-tooled quadruple fillets surrounding rich gold-tooled frames with in the centre on the front cover the coat of arms of the dedicatee (with six-spoked wheel), on the rear cover a large rosette. Remainders of two pairs of ties., On f. 2v, painted coat of arms of Giovanni Ruffo de' Teodoli, Archbishop of Cosenza, surmounted by a cross and placed in a floral wreath, above two distychs. At the head of each part a 6-line silver initial (Capitalis), outlined with black ink, on a square red or blue background with silver foliate decoration. A small purple initial in the space for a 4-line initial on f. 4r., and Script: Copied by one hand in a slightly uneven upright Humanistica Cursiva Formata. Headings and explicit-incipit formulas in capitals.
Subject (Geographic):
Rome (Italy)--Description and travel
Subject (Name):
Ponti, Antonino
Subject (Topic):
Allegory, Illumination of books and manuscripts, Medieval, Laudatory poetry, Latin, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Visions
Manuscript on parchment of Guido de Baysio, Rosarium decretorum, secunda pars. Missing leaves throughout.
Description:
Binding: Date? Brown leather over wooden boards, possibly early. Blind-tooled with concentric frames of fillets and a rectangular rope tool. Hearts in a central panel. Four fastenings, the catches on the upper board. Heavily restored., One fine miniature, f. 1r, 23-line, without frame, bishop enthroned under baldachin instructing the clergy; two trees at sides; two birds above. In lower margin, a roundel with a portrait of a student, in a blue, pink and white frame, surrounded by spiral foliage and large gold dots. At the end of the volume, f. 212v, a roundel with a portrait of an older man, with a thick red and blue frame with blue, green, and gold dots. Thirty initials, 16- to 12-line (ff. 1r, 15v, 36r, 45r, 47v, 52r, 59r, 64r, 68v, 81r, 92v, 96v, 100r, 103v, 123v, 127r, 129r, 131r, 137v, 156v, 163r, 163v, 166r, 166v, 172r, 174r, 190r, 190v, 193r, 194r), most with a single, some with as many as three figures, bishops, priests, monks, students, and women, either reading, instructing or debating; in one case, f. 194r, a priest celebrating mass (De consecratione). The figures set against navy blue grounds with white filigree; the initials shaded pink, orange, red, blue and green against square gold grounds with white filigree, framed in black, blue or green; curling foliate serifs attached to bar stems in inner or central margin, interrupted by initials in margin, blue, light blue, grey, pink, orange, red, and black, extending full length of margin; with large spiral foliate terminals with gold dots and flourishes in brown ink, often incorporating roundels, some with additional figures or birds. Numerous small, 4-line, flourished initials, red with blue flourishes and vice versa, as well as red and blue alternating paragraph marks throughout. Running titles added along upper edge., Script: Written in elegant round gothic bookhand secundum pecias., and Written probably in Bologna from a stationer's exemplar secundum pecias.
Subject (Name):
Guido,--de Baysio,--d. 1313
Subject (Topic):
Canon law--Early works to 1800, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Pecia
Manuscript on parchment (uneven quality, severely trimmed) of a Florilegium comprised of a series of meditations and prayers. The text, apparently a unicum, is a cento of biblical, liturgical, and patristic citations, with some additional material spuriously attributed to St. Bernard. The most important sources are the Song of Songs, the other Wisdom books, the Prophets, and, in the Trinitarian section, Augustine's De Trinitate
Description:
In Latin., Script: Written by three scribes. Art. 19 (ff. 189r-190r) written by Scribe 3 in an informal gothic bookhand, no later than ca. 1300. Scribes 1 and 2 collaborated on the rest of the manuscript: arts. 1, 3-5, 6 (ff. 124r-125r), 9-18 written by Scribe 1 in a neat, but somewhat irregular gothic bookhand, arts. 2, 6 (ff. 125v-132r), 7-8 written by Scribe 2 in an undisciplined gothic bookhand., The manuscript is outstanding for the quality and complexity of its program of illustration. In its original state it included at least fifty full-page miniatures, of which forty-six survive, one-hundred-and-sixty smaller miniatures, and forty-one historiated initials. Twenty-three tinted drawings were added on blank and added folios at a later date (between 1300 and 1350). The decoration is the work of at least three artists. The miniatures, initials, and marginal decoration are the work of two hands, one of whom contributed only two full-page miniatures (ff. 61r and 64r) that depend on the style usually associated with the name of Master Honore. The other, predominant hand works in a flatter, more linear style associated with Northeastern France. Full-page miniatures, in art. 1 only, some divided into two or three registers, in blue or orange frames, surrounded by a narrow gold band, with orange lozenges at the corners, each with an ivy spray, in black ink with five gold leaves; predominantly blue or vermilion tesselated or tooled gold grounds; two (ff. 25r and 55r) with fleurs-de-lis in lozenges. On each text page in art. 1 there is a smaller miniature, 9- to 5-line, with a witness who gesticulates towards the full-page miniature on the facing page; each miniature in a blue and/or pink frame with gold squares in the corners. Almost every folio in arts. 2-18 with at least one small miniature 10- to 5-line, framed as above. Arts. 11 and 14 illustrated almost exclusively with historiated initials, 6- to 4-line, blue, pink and/or orange against grounds of the same colors, with short ivy branches extending from the serifs, many with grotesque terminals., Illuminated initials, 2- to 1- line, in art. 1 only, gold against irregular blue or pink grounds, with white filigree, edged in black, some of the 2-line initials with ivy borders, as above. The borders, especially in arts. 2-18, are populated with grotesques and other marginal illustrations, the majority apparently non-narrative and without reference to the adjacent texts and miniatures, in the same style as the miniatures by the predominant hand. Names of Hebrew letters in art. 12 in red., Lower outer corners cut from ff. 167-192. Marginal decoration on many folios severely trimmed. Gold has flaked off considerably from the full-page miniatures on ff. 13r, 15r, 19r; some flaking of gold on ff. 6v, 18v, 25r, 34r, 44r, 51r., and Binding: ca. 1966. Bound in two volumes (I: ff. 1-96; II: ff. 97-192) in native tanned vermilion Nigerian goatskin, by J. Greenfield, without any adhesive touching the bookblock itself. Previously bound in brown leather in a single volume.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, Latin (Medieval and modern)., Exempla, Fathers of the church, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval