Manuscript on parchment of Thomas Aquinas, In tertium librum Sententiarum Petri Lombardi. Copied from an exemplar vended by Guglielmus Senonensis, stationer on the rue St. Jacques.
Alternative Title:
Comment on the 3rd book of sentences of Peter Lombard
Description:
Binding: 1899. Quarter leather over wooden boards, blind-tooled, with a gold-tooled label and brass clasps. Bound by Douglas Cockerell (stamp with date inside back cover)., Script: Written in neat gothic textura by a single scribe secundum pecias (notations along bottom of leaves, mostly trimmed)., Small decorative initials in red and/or blue with penwork designs of either or both colors; notes for illuminator in margins. Paragraph marks alternating red and blue throughout; running headings in red and blue., and Some folios mended with chartreuse thread.
Subject (Name):
Peter Lombard, Bishop of Paris, ca. 1100-1160
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Pecia, Scholasticism, and Scholia
Manuscript on paper of Didymus' interpretation of the Odyssey.
Description:
Binding: Nineteenth century. Wooden boards. Quarter bound in brick-red goatskin. Bound for the convent of San Marco, Florence; title in gold on spine with number "232"., Collection of Sir Thomas Phillipps (no. 10371), who purchased it from Payne. Acquired in 1953 by Thomas E. Marston from C. A. Stonehill. Gift of Thomas E. Marston in 1959., Script: Written and signed by the scribe Ioannes Skoutariotes, who finished the manuscript 4 October 1453., Simple initials and headings, in red, at the beginning of each book., and Watermarks: Harlfinger Fleur 108, from a manuscript dated 4 Nov. 1445 and attributed to Ioannes Skoutariotes.
Subject (Name):
Didymus,--Chalcenterus
Subject (Topic):
Classical poetry, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholia
Manuscript on paper (polished) of Cecco d'Ascoli (Francesco Stabili), L'Acerba, Bks. 1-4 with the final 214 lines of Bk. 4 and all of the fragmentary Bk. 5 missing.
Description:
Binding: Nineteenth century, Italy. Vellum stays adhered inside and outside of quires. Backs of quires cut in for original sewing. Bookblock tacketed to a semi-limp paper case, reinforced at the spine. Handwritten paper label with title and a printed medallion with Flora (?) standing on an anchor and globe (?), both on spine., Blue initial, 6-line, with nice penwork designs, f. 1r. Smaller initials, 2-line, red with purple designs or blue with red designs, alternate throughout. Headings in pale red. Paragraph marks alternate red and blue. Later addition of arms in lower margin, f. 1r, effaced and covered with mending strips., Purchased from B. M. Rosenthal in 1959 by Thomas E. Marston., Script: Written by a single scribe in mercantesca script, above top line., and Watermarks: unidentified cherries (?) in upper margin, trimmed.
Subject (Topic):
Encyclopedias and dictionaries--Early works to 1600, Italian poetry--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of Christine de Pizan, La Cite des dames. With Jacques le Grand, Le Livre de bonnes moeurs., On f. iii verso, pasted in by a later owner, a miniature (80 x 61 mm.), the Queen of Sheba before Solomon, and a separate compartmentalized border (161 x 105 mm.) of blue and gold acanthus on pink, and red, purple and white flowers and grapevines., and Pasted in on f. 137v a small miniature (41 x 32 mm.) of St. Barbara, originally for a Suffrage, probably from the same Book of Hours as the border of f. iii verso.
Alternative Title:
The Queen of Sheba before King Solomon
Description:
Note, in ink, inside front cover: "Secundarius posessor et vetus peraccens erit quiuis alius I.g.
Subject (Topic):
Books of hours, Didactic literature, French, French literature--To 1500, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Women authors, French
Manuscript on parchment of 1) Lessons for the sanctorale from Saturninus through Catharine, including many Franciscan feasts. 2) Bull of canonization of Bernardinus of Siena, ending defectively. 3) Lessons for the common of saints and for the anniversary of a dedication of a church.
Description:
Binding: Eighteenth century. Brown calf over wooden boards, blind-tooled. Five very small, round bosses on each board and two fastenings. Rebacked. Pastedowns and flyleaves are conjugate leaves from a gradual (Italy, 16th century): front pastedown hidden under bookplates; front flyleaf with parts of the third Christmas mass and the rubric for Circumcision; back flyleaf with part of the first Christmas mass; back pastedown with parts of the mass of Epiphany., One 9-line initial, f. 1r, St. Saturninus holding an open book and martyr's palm, three-quarter length in front of trees and sky, dark blue with white filigree; purple foliage against a gold ground edged in black, with curling purple, green, and gold foliage extending into margin. Full border, framed in blue and gold, with three roundels in lower margin, right and left, hour glasses with scrolls with the motto "Pan. se. de. moi.", center, a coat of arms (barry of 6, sable and argent; overall a bend or). In upper margin, at right, a smaller roundel with a duck; at center, a Greek cross in gold, on purple; each framed in gold with blue or purple. Some foliage, as in initial, in center outer margin; border otherwise filled with blue and purple flowers with red and green centers, symmetrically disposed with smaller blue, purple, and green flowers, blue, purple, red and gold dots and fine spiralling vines in light brown. 2-line initials throughout, red or blue with blue or red penwork, with flourishes. 1-line red or blue paragraph marks. Rubrics throughout., and Script: Written by one person in round gothic bookhand.
Subject (Geographic):
Padua (Italy)
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Graduals (Liturgical books), Illumination of books and manuscripts, Medieval, Lectionaries, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of 1) Les livres du roy Modus et de la royne Ratio. 2) Le bon chien Soullart (in verse).
Description:
Binding: Nineteenth century. Quarter purple leather with textured cloth sides., Penwork drawing (with red added) of the hound, Soullart, on f. 59r; drawing of a lion (?) in same style on f. 60r. Simple decorative initials and headings in red, blue and/or black; some with calligraphic penwork designs and grotesques extending into margins. Paragraph marks, underlining, and highlights, in red., Script: Written by a single scribe in a running script, with a more formal style of writing for headings., and Watermarks: similar to Briquet Tete de cerf 15548, Tete de boeuf 14247, and unidentified unicorn.
Subject (Topic):
Dogs, French literature--To 1500, French poetry--To 1500, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Mathematics, Medieval, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (thick, good quality), composed of four parts. Although all four parts may be roughly contemporary in execution, they apparently were not assembled together as a "missal" until the 15th century, at which point the manuscript was annotated and cross-referenced from beginning to end; it is possible that only the lectionary and sacramentary in Part IV were originally intended to be used together.
Description:
Binding: Nineteenth century, England. Quarter bound in brown calf, blind-tooled, over wooden board. Metal fittings at the head and tail of the leather and two fastenings., Elegant repairs to parchment sewn with blue and chartreuse thread (e.g., f. 27). Most of the leaves of Part III have been repaired., Part I: KL monograms, in red, embellished with knobs. Part II: Eleven large initials, 12- to 6-line, drawn in red and/or brown ink against geometric grounds of blue and lime-green washes. The initials are constructed of dragons and other fantastic animals, or of stylized foliage inhabited by biting beasts and birds. Plain initials in blue, red or lime-green, some with blue and/or red penwork designs, others with knobs. Major headings in majuscules with letters alternating red, black, and sometimes lime green; other headings in red. Instructions to rubricator perpendicular to text. Part III: The decoration of the Canon of the Mass consists of a 3/4-page miniature of the crucifixion, f. 60r, framed with a narrow border of olive green, red and blue with white filigree. Christ is shown hanging from a Y-shaped Astkreuz flanked by Mary and St. John, against gold ground. The gold ground is largely rubbed and the figures are partly restored (lower part of St. John's robe has been reworked, and flaked paint on the cross and Christ's loin cloth replaced). Marginal illustration of what appears to be a kneeling Augustinian canon dressed in white and red robes, adjoining the Te igitur (f. 60v). Three illuminated initials, ff. 58r, 59v, 60v, for the Canon of the Mass, 7- to 5-line, pale mauve with stylized scrolls and green foliage against gold ground edged in blue with white filigree. Vere dignum initials, 3-line, alternate in red and blue with penwork in either blue or red. Part IV: Pen-and-ink initials, 7- to 4-line, of a similar design as in Part II, but lacking the vitality; drawn in brown and/or red ink with stylized foliage and palmettes sometimes touched with blue or red against blue, red and/or lime-green ground. Smaller initials, 4-line, red, blue or green with red and/or green penwork design. Plain initials in red. Headings in red. Instructions for rubricator perpendicular to text., and Script: Part I (ff. 2-8): Text of calendar written in gothic bookhand by a single scribe; many later additions in several hands. Part II (ff. 9-56): Written in gothic bookhand, with additions in several different hands in less formal styles of writing. Musical notation consists of Austrian adiastematic neumes in the same ink as the text. Part III (ff. 57-64): Written in large liturgical gothic bookhand. Part IV (ff. 65-276): Written in gothic bookhand; several layers of marginalia added in less formal hands.
Subject (Name):
Catholic Church--Liturgy
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Missals
Manuscript on parchment of Cicero, Orationes. With works by Pseudo-Cicero and Pseudo-Sallust.
Description:
Binding: Eighteenth century. Narrow brown calf spine with brown spattered-paper sides, small vellum corners. Bound for the Convent of San Marco, Florence; rebacked in Yale Library Conservation Studio., Delicately executed gold initials, 7- to 5-line, filled with white-vine ornament (highlights in pale orange) on blue, pale green, and pale orange ground with brown dots, mark the beginning of each oration. Rubrics (modified square capitals) throughout., and Script: Written by a single scribe in a beautiful humanistic script.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Speeches, addresses, etc., Latin
Aquila, Romanus Cicero, Marcus Tullius Martianus Capella Priscian, fl. ca. 500-530 Rutilius Lupus, Publius
Published / Created:
[ca. 1425-30]
Call Number:
Marston MS 278
Image Count:
5
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment, composed of two distinct parts. Part I: 1) Cicero, Partitiones oratoriae. 2) Cicero, Topica. Part II: 3) P. Rutilius Lupus, De figuris sententiarum et elocutionis. 4) Aquila Romanus, De figuris sententiarum et elocutionis. 5) Martianus Capella, De figuris sententiarum et elocutionis, extracts. 6) Priscian, De figuris numerorum (quos antiquissimi habent codices), sections 1-10 only and omitting portions of the long Greek quotations.
Description:
Binding: Nineteenth century, France. Bound in red goatskin, blind- and gold-tooled, by L. Guetant. Gilt edges., Part I: Illumination in the early style of Bartolomeo di Antonio Varnucci (1410-79). Two large illuminated initials (ff. 1r and 37v), 5-line, gold on blue, green and peach ground with white vine-stem ornament, touched with green and white dots. On f. 1r a partial border incorporating a butterfly, grasshopper, moth, and a flying putto with bow and arrow who appears to be propelled by lozenge-shaped blue clouds. 25 small initials, 2-line, gold on blue, green and peach ground with white vine-stem ornament and white dots. Headings in pale red, the first on f. 1r partially obscured by the decoration. Part II: Display headings and key grammar words in majuscules; no decoration or rubrication., and Script: Part I (ff. 1-64): Written in a well formed round humanistic script by a single scribe, above top line. Part II (ff. 65-114): Scribe 1 wrote arts. 3-4 in a neat round humanistic script, above top line. Scribe 2 added arts. 5-6 in an upright humanistic script bordering on cursive; he also added the Greek words in the margins for arts. 3-4.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Rhetoric, and Speeches, addresses, etc., Latin
Manuscript on paper (watermarks obscured by binding and trimming) of prayers and hymns to the Virgin Mary.
Alternative Title:
Questa sie de madona felippa da thano
Description:
Early inscription on front cover.
Subject (Name):
Catholic Church--Prayers and devotions and Mary,--Blessed Virgin, Saint--Devotion to
Subject (Topic):
Hymns, Italian, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library