An explanatory design of the telegraph, built for the transmission of messages, over the Admiralty, Whitehall; the main image shows the telegraph on top of the Officer's Cabin with all the shutters closed; engraved lettering below, and around the edge, lettered from A to R, are further smaller telegraphs with shutters open in various different positions according to the specific letter signalled. Inscribed with letters above and within images, and with five short paragraphs of lettering below main image, three with the heading: "Explanation of the Telegraph / The Alphabet explained / Sentences explained".
Description:
Title from text engraved along the top of the image., All engraved., "Price 1 shilling.", and For further information, consult library staff.
Publisher:
Pud. March 26, 1796 by S.W. Fores, No. 50 Piccadilly corner of Sackville St.
Manuscript, in Walpole's and others' hands, of a collection of several dozen scraps of notes, verse fragments, sketches, and drawings, collected from Walpole's papers. The notes are primarily epigrammatic or anecdotal, on such topics as printing books; British monarchs; Waldegrave's time as ambassador at Paris; Lady Mary Coke's affectations; and Sir W. Draper's gambling. The collection also includes several riddles and verses. Some of the notes have been transcribed, on the same page, by Wilmarth Sheldon Lewis and The manuscript also contains 29 drawings, including pencil sketches of Strawberry Hill some done by Walpole and others possibly by John Chute; a pen-and-wash drawing of a scene from The Castle of Otranto accompanied by a note of thanks from Mrs Susanna (Highmore) Duncombe; a pen drawing of the actor William Kemp copied from the frontispiece of a book; numerous busts; a detailed pastoral landscape scene in pencil, possibly by Agnes Berry; pencil sketches of a pig, cow, and dog; pen sketches by Sir John Fenn; and a woodcut title page to a book of John Skelton's works, dated 1523
Alternative Title:
Walpoliana mss and drawings
Description:
In English., Laid in: scrap of paper with faded ink writing, possibly Walpole's., Marbled endpapers., Binding: full calf; gilt decoration. In gilt on spine: Walpoliana mss and drawings., and For further information, consult library staff.
"View from the street of the grand west front, the north front with portico not in view; elegantly dressed figures in foreground"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Imprint from impression in the British Museum., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., The Lewis Walpole Library impression: sheet trimmed with loss of imprint statement., The Lewis Walpole Library: From the Topographical Prints collection., and Window mounted to 48 x 36 cm.
England and Wales. Sovereign (1689-1694 : William and Mary)
Published / Created:
1694.
Call Number:
File 64 W26 694++
Image Count:
1
Resource Type:
text
Alternative Title:
Whereas the sad and deplorable condition of many of our good subjects of our ancient borough of Warwick, hath been presented to us
Description:
Title from first lines of text., A broadside with an account of the great fire of 5 September 1694 that destroyed much of the city of Warwick and an appeal to officials and the public to come to the aid of the victims., and For further information, consult library staff.
Publisher:
Printed by Edward Jones for William Fall dwelling in Weld-Street
Bateman's tragedy and Godly warning to all maidens
Description:
Date of publication from ESTC., Verse, known as 'Bateman's tragedy' - "You dainty dames so finely fram'd,". - In four columns, with the first and second as well as the third and fourth columns separated by ornamental rules; the title and first woodcut are above the first two columns while the second woodcut is above the third and fourth columns., Mounted on leaf 69. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Collection of mostly English engraved trade cards for a wide variety of London businesses, especially those advertising goods and services relating to household furnishings, men and women's attire and accessories such as gloves, boots, and swords, mercers and haberdashery being the most numerous. In addition there are cards for: cabinet makers, engravers and jewelers, clockmakers, tea shops, grocers, wine suppliers, exotic oil suppliers, apothecaries, hair styling, an auctioneer, and an undertaker. Also included are several invitations to private events such as a birthday party and a lodge meeting. Also included is one advertisement for an Edinburgh pewter shop and one for a French supplier of maps
Each card shows music and lyrics from John Gay's Beggar's opera and a small standard playing card inset in the upper left corner; red suits with stencil colored pips; no tax stamp; maker's details on king of clubs, 10 of spades and ace of hearts
Description:
Title devised by cataloger., French suit system., Composition of deck: 52 (A, K, Q, J, 10-2)., and All cards mounted with photo corners onto 3 display boards, encapsulated in clear plastic, each board 40 x 54.5 cm; together with a folder of notes (printed and handwritten) mostly regarding the Beggar's Opera on which the cards are based, including manuscript notes prepared (presumably by Dudley Ollis) for a talk on this theme. For further information, consult library staff.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
A single-horse carriage is stopped in front of a rustic inn or roadhouse, with two caricatured Frenchmen (one a postillion wearing enormous boots) engaged in changing out the horse. An occupant of the carriage hands money out the window to a peasant woman holding an infant and accompanied by a young boy; two other shabbily dressed figures are nearby next to a tree, one of them playing a makeshift drum. In the doorway of the building stands a young woman, and to the left a man under an archway stands with arms crossed; both watch the scene unfold. In the background a postillion rides away on horseback, whip extended into the air
Alternative Title:
Changing horses on the road to Paris
Description:
Title from dealer's description., Signed by the artist in lower left., and One of five views by the artist F.G. Byron that record his visit to France in 1790; they were exhibited at the Society of Artists the following year. This drawing was exhibited under the title "Changing horses on the road to Paris" (Society of Artists, 1791, no. 39).
Subject (Geographic):
Clermont (France) and France.
Subject (Topic):
Carriages & coaches, Horses, Taverns (Inns), Postillions, French, Peasants, Country life, Ethnic stereotypes, and Drums (Musical instruments)