The third drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this fourth drawing, Charles is partying with friends. Seated at a table with a tray of wine glasses and a platter of fruit, Charles holds a woman on his lap as two other women sit at the table with wine in hand. Another gentleman stands beside the lady in the back looking down at her with affection. A black servant stands with hat in hand and his other hand in his waistcoat. Two paintings on the wall amplify the subject, one of which shows Cupid with a bare breasted woman and the other, Leda and the swan. On the left wall is an ornate mirror
Description:
Title devised by cataloger., Signed "Dodd" in lower left and numbered '4' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
The sixth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this sixth drawing, three men play at dice in a room at a club. The man seated at the table (left) and the man standing with his back to the wall both have piles of coins in front of them. Charles with a worried look stands at the table as he throws the dice. Another pair of men play cards at the table on the right. On the walls are pictures of a ship on a river along the shore with a tower, a painting of a race horse, and pastoral scene
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '6' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Allegorical drawings, Card games, Gambling, and Parables
The second drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this second drawing, Charles stands in an elegant room as he is measured for new cloths by a tailor who kneels to his right with a tape measure raised to Charles's leg; on the floor at his feet is a bolt of fabric and a scissors. Behind them on the right, a servant holds up a large silver urn for Charles's approval; it is reflected in one of two large Venetian mirrors on the wall behind, the second being hung by two servants. On the left, a woman in a large hat sits in an chair beside a round tea table holding another bolt of fabric; she sits in front of a large window through which is seen a elegant square with an equestrian statue. A little dog jumps toward Charles
Description:
Title devised by cataloger., Text in faint pencil below image: Charles [illegible text]., Signed "Dodd" in lower left and numbered '2' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Volume 1, page 65. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of Chichester Cross, a 15th-century market cross that stands in the center of the city of Chichester
Description:
Title devised by curator., Date supplied by cataloger., Scale within a banner drawn in upper left corner., Portions of the drawing were done on smaller pieces of paper integrated into the larger sheet; the image of the clock is drawn on a sheet 65 x 27 mm that is pasted onto the larger sheet at the center of the composition, while the image of the top of the structure is drawn on a sheet 72 x 32 mm that is pasted into an area at the top of the composition where the larger sheet has been cut away., Laid down on an ink line mount., and Mounted on page 65 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Title devised by curator., "Rowlandson" in brown ink at lower right., Date based on artist's date of death., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Geographic):
Bath (England).
Subject (Topic):
Health resorts, Physicians, Gout, Gluttony, and Patients
Title devised by curator., Date based on artist's date of death., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Geographic):
Bath (England).
Subject (Topic):
Health resorts, Physicians, Gout, Gluttony, and Patients
Three doctors stand together in discussion, wearing wigs and tailcoats. The man on the right holds a wine glass; bottles and additional glasses sit on a table behind him. In the background on the left the patient can be seen, lying in a canopy bed
Description:
Title and date supplied by curator., Unsigned; attribution to Rowlandson from curator., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: John Crompton -- William Esdaile -- [*R. Willett].
Subject (Topic):
Physicians, Discussion, Sick persons, and Canopy beds
A scene from Dante's 'Divine Comedy' showing Count Ugolino della Gherardesca, Count of Donoratico (c. 1220-1289), an Italian nobleman, politician and naval commander and his sons and grandchildren imprisoned in a dungeon. After Reynolds
Description:
Title supplied by cataloger, from that of the original painting by Reynolds., Signed by the artist in lower left corner., and Drawn after Sir Joshua Reynolds’s painting, which was exhibited at the Royal Academy in 1773 and is currently in the National Trust Collection at Knole, Kent (accession no.: 129934).
Subject (Geographic):
Italian.
Subject (Name):
Ugolino, della Gherardesca, conte di Donoratico, -1289,
Subject (Topic):
Capture & imprisonment, Dungeons, Political prisoners, and Children
An exoticly dressed man and wild hair dances with a woman in a large headdress and flowing gown as three figures look on.
Description:
Title from dealer's description., Artist's name written in ink lower right corner., Date of production based on watermark., and Watermark on paper: 1811 C[....]thley.