Manuscript on parchment (trimmed) of Baudouin d'Avesnes (d. 1289; Lord of Beaumont and son of Margaret of Flanders), Chroniques de Hainaut. Continues to ca. 1131
Description:
In French., Script: Written in fine gothic textura. Corrections made over erasures., One fine historiated initial, 4-line (f. 4r): orange, pink and blue with white filigree; a king seated in conversation with three men, the figures orange, pink, and blue against a ground diapered in gold and blue with crowns in white; on a blue ground with white floral filigree framed in gold; curling vine serifs, red and green, extending into a 3/4 vine border, blue and pink, with red, blue, green and white leaves with some knots and gold cusping; large gold dots; two dogs, one with a bone, in lower margin. Two coats-of-arms in upper and lower margins. One fine calligraphic initial, 5-line, f. 197r, divided red and blue with particolored penwork, red and blue, with flourishes and a cascading column of I's, alternating red and blue and extending 3/4 length of inner margin. 4- to 2-line initials, red or blue, with blue or red penwork, dots and large flourishes, one on f. 4r with a cascading column of I's as above. 1-line initials, red or blue, with penwork, as above. Numerous crude marginal drawings in brown ink. Notes to rubricator, arts. 1 and 3., and Binding: Nineteenth century. Diced brown calf over heavy wooden boards which are possibly original.
Subject (Geographic):
Connecticut, New Haven., and Hainaut (Belgium)
Subject (Name):
Baudouin d'Avesnes.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (trimmed), with parchment bifolios interspersed, of Julius Caesar, Commentary on the Gallic Wars, translated into French by Jean Duchesne. Written for Jacques Donche, counselor of Charles the Bold of Burgundy
Description:
In French., Watermarks: similar to Briquet Armoires: Trois fleurs de lis 1741., Script: Written in neat batarde script by Hellin de Burchgrave., Ten half-page miniatures, each in an arched frame composed of two thin bands, gold and red highlighted with white, edged in black, the arch with tiny cusps; beneath, initials, 6-, 4-, or 3-line, blue or blue and red with white highlights on a gold ground of irregular shape conforming to the letter, edged in black, with serifs protruding into the left margin; filled with green and/or red and crimson trilobe leaves on curling stems with white and/or yellow highlights, or with a blue, green, crimson, and gold diapered ground with white highlights. Three smaller miniatures, 12- or 14-line, occasionally cut off at the upper edge so as to fill only part of a line of text; frames rectilinear, otherwise identical to those described above, Beneath, 2-line initials, blue, with white highlights, filled with trilobe leaves, as above, once (f. 25r) with one leaf of spiky acanthus added, and once (f. 256r) with a pink ground with gold filigree. There is a blank space on f. 27r for another miniature of this type. Other decoration consists of 2-line calligraphic initials, paragraph marks, line fillers (spirals and heraldic dragons), page and chapter headings, all executed in red. The first one or two lines of some books (as well as occasional lines within the text) are underlined in red., A few folios have tears in the margins., and Binding: Eighteenth century. Spattered and gilt edges. Red goatskin, gold-tooled, with the arms of Eugene of Savoy on cover and his monogram on spine.
Subject (Geographic):
Connecticut, New Haven., and Gaul
Subject (Name):
Caesar, Julius.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript on paper of Jean Faucket (or Faucquet), Commonplace Book: Holograph. Completed 1497 or later
Description:
In French., Four distinct watermarks: one resembles Piccard, vol. 2, IX 96 (Xanten, 1452), one resembles Piccard vol. 2, IX 182 or 190 (Rhine valley, 1470-1480 or Flanders, 1463-70), one closely resembles Briquet 9196 (St. Omer, 1491), and a fourth closely resembles Briquet 8992 or 8993 (Vaudrevange, 1499 and 1493, respectively)., Script: written by the author in a gothic bastarda script., Numerous full color illuminations of coats of arms. Ornate initials in black and red throughout. Rubricated., and Binding: heavy black cloth over boards made of early printed material. Several parchment manuscript fragments which were used in binding are visible in the spine. One contains 12th-century Caroline minuscule and the other contains a gothic bookhand of the 13th-14th century. Damaged, front board detached.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Faucket, Jean, fl. 1488-1497.
Subject (Topic):
Commonplace-books, Heraldry, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of a Book of Hours, use of Paris. Includes a Full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French
Description:
In Latin and French., Script: Written in Gothic bookhand., Sixteen miniatures from the workshops of the Lucon Master and the Master of the Duke of Bedford, in blue, pink, and gold arched frames, some with cusping. Each miniature with a lavish acanthus border incorporating arms on ff. 77r and 93r. Text pages with a 3/4 bar border, pink, blue and gold, with interlace knots at corners and terminals and delicate rinceaux, in two sizes on different folios. 3-line initials at text opening, two historiated: f. 77r and f. 93r; f. 51r with a blue and gold diapered ground; the remainder, blue with white highlights or in pink and blue acanthus filled with ivy, with blue and orange leaves, on gold, against pink, blue and/or gold grounds with white filigree; framed in gold, often with small ivy or acanthus serifs. 4- to 2-line initials in text and KL monograms, pink or blue with white highlights, filled with ivy, as above. 1-line initials blue, pink and gold with white filigree. Line endings, blue, pink and gold, three (ff. 57r, 102r, 102v) signed by Petrus Gilberti, known to have signed line-endings in at least four other manuscripts. Rubrics throughout., and Binding: 18th-19th centuries. Gilt edges. Red velvet with a silver fastening and a silver medallion, with unidentified male figure preaching, in center of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Artelouche de Alagona, Fauconnerie, printed several times between 1567 and 1628
Description:
In French., Script: Copied by scribe Vincent Philippon from Avignon (except f. 1) in Gothica Cursiva Formata (Bastarda). Calligraphic extensions of the letters in the upper and lower margin (on f. 48r ending in a monstrous animal's head)., Decoration: Paragraph marks in liquid gold on an alternately red and blue square background. 2- or 3-line, exceptionally 4-line plain initials in liquid gold (Capitalis) on an alternately red and blue square background. Space for a full-page miniature above two lines of text was provided on the facsimile page f. 1r.; a full-page picture, showing a falcon, on f. 45r. includes also a few small marginal images., and Binding: 20th century French red-brown morocco with gilt edges inside; spine has four raised bands and gold-tooled inscriptions.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Artelouche de Alagona.
Subject (Topic):
Falconry, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (sheepskin?) of Roman de Gui de Warewic. With so-called Roman de Herolt d'Ardenne, in fact the final part of art. 1, dealing with Guy's son Reinbrun, followed by 4 verses apparently not found in other manuscripts
Description:
In French., Script: Written probably by one hand in Northern Gothica Textualis Libraria, with loops or bold and calligraphic extensions at the ascenders at the top line., Red heightening of the majuscules. 2-line flourished initials in red and blue, with extensions in the margins or in the intercolumnar space; the alternance of red and blue initials is mostly not respected., The manuscript is waterstained and considerably trimmed. Many lower edges are defective., and Binding: Ca. 1900 de luxe gold-tooled maroon morocco over cardboard in brown leather box, by Riviere & Son; gold-tooled armorial stamp in the middle of the front cover. Gold-tooled spine with five raised bands and title "ROMANT DE GUI DE WARWIC ET DE LA BELLE FELICE". Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Anglo-Norman literature, Guy of Warwick (Legendary character), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment. Includes Calendar, Fifteen Joys of the Virgin, and Seven Requests to the Lord, all in French
Description:
In Latin and French., Script: Written in Northern Gothica Textualis Formata by two hands, marked by a different use of the two forms of a. Hand A, the main scribe, using almost only double-bow a, copied ff. 1r-21v11; 33r-108v11; 125r-144v. Hand B, who normally writes box-a, copied ff. 21v12-32v; 108v12-124v., Illuminated leaves have been excised after ff. 14, 58, 86, 94, 137., Headings in blue or red ink. The majuscules are heightened in yellow. The decoration consists of line-fillers in gold and blue and red paint and the following initial types: (1) dentelle initials, 1 line; (2) foliate initials, 2 lines; (3) foliate initials, 4 lines, always accompanied by full acanthus borders and, except on f. 142r, by a picture in an arched compartment above 5 lines of text. Seven of these miniatures remain. The borders are framed in gold ink. All ordinary text pages, including the Calendar, have unframed outer margin borders the height of the text area, with patterns traced from rectos to versos., and Binding: Nineteenth century (?). Red velvet over cardboard boards, on which the original decorated gilt brass bosses (4 corner pieces and a central piece) and one decorated clasp in the same material, fixed to the rear cover, have been mounted. Yellow silk pastedowns. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of a Book of Hours, with Calendar and prayers to the Virgin in French
Description:
In Latin and French., Script: Two hands can be distinguished: ff. 1r-6v and 15r-63r are written in a small, even batarde; ff. 7r-14v in a rounded gothic script showing some batarde characteristics. Folios 7-14 may have been added later, judging by the difference in the style and color of the miniatures and their placement on the page. Prayers added on ff. 63v-64v in batarde, early 16th century., Sixteen camaieu-gris miniatures by three artists, in tondo format, with gold frames inscribed in white capitals. The miniatures on ff. 15v and 19v are by the leading artist; the remainder are by a competent assistant (with the exception of ff. 7v, 8r, 9r, and 10r, which are of inferior quality). 4-, 3-, 2-, and 1-line initials, grey with gold highlights, on a black ground, some with leaves and dots in gold. On ff. 7r-14v the letters are composed of leaf forms. Ribbon line-fillers, geometric and leaf forms, gold, grey, and white on black. Rubrics in pale red. Calendar has KL monogram as 2-line initials, month and dates in red; feasts in blue, major feasts in red., The black ink of the initials has run on many pages, and has sometimes adhered to the opposite pages., and Binding: 18th-19th centuries. Brown goatskin gold-tooled, silver fastenings. On the spine, flowers and the words "Heur en Latin. MSS. S. Velin en Min."
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Book of Hours, with Full calendar in French
Description:
In Latin and French., Script: Written in elegant batarde., Fourteen full-page miniatures in elaborate architectural frames, gold, with marbelized columns on plinths capped with a lintel or arched, scalloped or triangular pediments, with swags and putti. Twenty-five small miniatures, 13- or 12-line, in black and gold frames, one, f. 106v in a gold and magenta arched frame. Calendar with twenty-four small miniatures in upright rectangular brown and gold frames in outer margin; occupations of the months on rectos, signs of zodiac on versos. 6-line initials with full-page miniatures, blue curling scrolls filled with red, blue and green flowers against gold or gold flowers against red; red and gold grounds with gold filigree. 3- to 1-line initials, gold, against red or blue grounds. Line-fillers and KL monograms in the same manner. Feasts alternate red and blue, with important feasts in gold. Rubrics throughout., and Binding: 18th-19th centuries. Brown calf, gold-tooled, in a reddish-brown gold-tooled box lined with a paste paper. Traces of two fastenings.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval