"Wellington sits behind a small cloth-covered table flanked by eight other representations of himself, as depicted in recent caricatures, apparently all by W. Heath. The arrangement is evidently that of Charles Mathews' 'At Homes', see British Museum Satires No. 14714, &c., Wellington, like Mathews, being in propria persona at the table. In this guise he wears the robes (indistinguishable from Coronation robes) and collar of the Garter and the order of the Golden Fleece and a (crown-like) ducal coronet; his head is turned in profile to the right. Immediately below him, the head and hands of another Wellington, who is crouching on the floor, project from the tablecloth; he grasps a royal crown, and wears a cap coloured blue and resembling a tam-o'-shanter, but perhaps intended for a coronet. The other Wellingtons, all standing (left to right): [1] A mute as in British Museum Satires No. 15501, in profile to the right. [2] A Grenadier, full-face and rigidly at attention, much as in British Museum Satires No. 15768, but without the musket. [3] A ratcatcher stooping to the left and touching his hat, the cage in his left hand (cf. British Museum Satires No. 15806). [4] Aged and cloaked, wearing spectacles, with bowed head, he clasps a cross in both hands. [5] The old woman in a soldier's coat of British Museum Satires No. 15721, facing, and apparently in angry altercation with, the seated Wellington. [6] The coachman of British Museum Satires No. 15731, in profile to the left, holding shaft and lash of his whip as if they were the reins of a four-in-hand which he is driving. [7] Wellington in uniform, directed to the left, wearing his plumed cocked hat and holding up with a furtive expression a sword with a damaged blade in a dilapidated scabbard. [8] A mummy-case with an aperture to show Wellington's head with the forefingers compressing his mouth; below the aperture is the word 'Mum'. (Apparently from a satire on Wellington's silence as to his intentions on Catholic Relief until the eve of the opening of Parliament, see British Museum Satires No. 15659.) There is a background of curtains. Cf. British Museum Satires No. 15787."--British Museum online catalogue
Alternative Title:
All the world's a stage &c. S-
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's annnouncement following imprint: ... sole publisher of P. Pry caricatures, none are original without T. McLeans name as publisher., Sheet trimmed to plate mark., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pub. June 15, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Mathews, Charles, 1776-1835.
Subject (Topic):
Tables, Robes, Crowns, Military uniforms, Daggers & swords, Coach drivers, Sarcophagi, and Draperies
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
"Probably based on G. Cruikshank's 'Boney's Meditations . . .', British Museum Satires No. 12593 (1815), an adaptation of Gillray's 'Gloria Mundi', British Museum Satires No. 6012. The place of Napoleon is taken by George IV (right) who stands on the globe, staggering back from the rays of the sun which contains (in place of his own head) a bust portrait of the Queen (left). He repeats a parody of Milton's lines from 'Paradise Lost': "--To Thee, To Thee, I call!!! but with no friendly Voice & add thy Name oh Queen!! To tell thee how I hate those beams that bring to my Rememberance from what state I'm fallen." On the globe is a map with lines of latitude and longitude; the King's left foot is on a frontier between 'England' and 'Hanover' (towards which he staggers), as if to suggest that he will retire to Germany, cf. British Museum Satires No. 13974. A cherub flies above the Queen holding up a ribbon inscribed 'Innocent', and frowning down at the King. A woman resembling Mrs. Quentin in British Museum Satires No. 13897, emerging from behind the globe, tugs anxiously at the King's coat-tail."--British Museum online catalogue
Alternative Title:
Address to the sun
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
Pub. Oct. 20, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Quentin, Georgina
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
"Two cats on garden walls approach each other menacingly. One (left) is white, with the features of Queen Caroline, the other a dark tabby with the features of George IV. Each miaows, raising an angry paw. The Queen is on a 'Party Wall', at right angles to that of the King. In the garden below is a placard, 'Malbrou'. She says: "Meyough you -- you have no business to go Caterwalling." He says: "Meyough you B-- you have no business to come so near me." Below the design: 'Like two Cats on a Wall; They Quarrel & Snarl, To amuse the Weak Minds of the Nation. They Squander large Sums, Expose their bare Bums, For all which they deserve Castigation.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 42 of: George Humphrey shop album.
Publisher:
Pub. Jany. 31, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and George IV, King of Great Britain, 1762-1830
"Majocchi, with brown face, debased features, and villainous squint, grotesquely dressed as a dandy, stands full-face, holding out a large rolled document: 'Orders for the Milan Commission' [see British Museum Satires No. 13755, &c.] and a large purse filled with gold coins: 'Secret Service Money'. He wears a small high-crowned hat: 'made by the Dandy Military Tailor in Pall Mall' [George IV, cf. British Museum Satires No. 13237, &c.]. On the lapels of his coat are two portrait medallions, one of 'Mrs Q' [see British Museum Satires No. 13889], the other of the 'K--g'. From a pocket hangs a long paper: 'Minutes of a conversation with a fat goodlooking Gentleman in Pall Mall on the Day George the III was Buried.' A long cylinder attached (?) to a coat-tail is inscribed 'Perjury . . . Per . . . Perjury'. He wears long trousers of hussar pattern, coat with small tails open over a tight white waistcoat: all his clothes are inscribed 'Government Stores'."--British Museum online catalogue
Alternative Title:
Non mi ricordo
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 36 of: George Humphrey shop album.
Publisher:
Pub. Oct. 8th, 1820, by S.W. Fores, 41 Picadill [sic]
Subject (Name):
Majocchi, Theodore, active 1820, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George III, King of Great Britain, 1738-1820., George IV, King of Great Britain, 1762-1830., and Quentin, Georgina.
Subject (Topic):
Dandies, Documents, Purses, Coins, Hats, and Medals
"A scene at Court; beefeaters flank the dais of the empty throne (right). George IV stands before it, turning his back angrily on Prince Leopold, who bows distractedly, dropping his cocked hat with its field-marshal's plume. The King: "You smell of Brandynburgh ['y' being scored through and replaced with 'e']." Prince Leopold: "I have performed my Duty as a Husband to the satisfaction of the Country-- & I hope to do the same as a Son, & a Man;." Others at the levée register astonishment. Behind (left) a man in court-dress kneels facing the King, but is dragged away by three courtiers. He says: "Is this the answer to my Petition." One of the three replies: "Yes this is the Way we answer." Below the design: 'We've heard of the rump Parliment, Rump Chickens & rump't Dames [British Museum Satires No. 6716]. But of all the boasted rumps we've heard, This one most notice claims. A Pugilist he rumps his man, The Dustman rumps his Brother, But here observe the R--l plan , A Prince must rump his mother Rather than thus forego the Man, And virtuous feelings smother 'Gainst Persecution boldly stand, To save an Injured Mother.'"--British Museum online catalogue
Alternative Title:
Royal rumping
Description:
Title etched above image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 43 of: George Humphrey shop album.
Publisher:
Pub. Jany. 31, 1821, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Interiors, Honor guards, Podiums, Thrones, Bowing, Hats, and Petitions
"The King (right) and Queen (left) hurl mud at each other. By the former (who wears jack-boots) is a bucket of 'Italian Filth' [see British Museum Satires No. 13762, &c.]; the Queen's (similar) bucket is inscribed 'Filth from St Giles's, St James, Portman Sqr, Hamilton Place [the Conynghams' address, see British Museum Satires No. 13847] &c &c &c.'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 28 of: George Humphrey shop album.
Publisher:
Pub. Sep. 5th, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron., and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
"The artist in his studio scratching his head perplexed by a landscape composition."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum online catalogue, registration no.: 1998,1108.13., Sheet trimmed within plate mark, with some loss of portions of the text., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. Aug. 30, 1812, by T. Palser, Bridge Road, Lambeth
Subject (Topic):
Painters (Artists), Artists' studios, and Artists' materials
Four monkeys in human dress form a quartet and give a concert, one singing, the others plating a piano, guitar and flute
Alternative Title:
Little music
Description:
Title etched above image., Print signed using William Heath's device: A man with an umbrella., Date of publication from dealer's description., Sheet trimmed within plate mark., One line of quoted text below image: "What softer sounds are these salute the ear, as if the center of all sweets met here? Ben Johnson., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Topic):
Monkeys, Musicians, Musical instruments, and Animals in human situations
"Young woman dressed in her ballgown half-reclines on a settee in her bedroom while her elderly maid yawns with tiredness."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A figure of Paul Pry., Date of publication from the British Museum online catalogue, registration no.: 1995,0930.40., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Watermarked paper: J. Whatman Turkey Mill.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Topic):
Ball dresses, Bedrooms, Couches, Yawning, Candles, Dogs, and Women domestics
An old woman in patched-up clothes with her harp huddles in a doorway. The satire contrasts the life of a street singer with the sweet lyrics of the popular ballad by Thomas Moore
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum online catalogue, registration no.: 1985,0119.318., Sheet trimmed within plate mark., One line of quoted text beneath title: "Sleep, gentle sleep, Nature's soft nurse., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Name):
Moore, Thomas, 1779-1852.
Subject (Topic):
Street musicians, Harps, Older people, Poor persons, Women, and Doors & doorways
"Eldon as a street-beggar kneels on both knees on straw placed on paving-stones, wearing a cap resembling those worn by butchers and the rags of a Chancellor's gown over tattered breeches. He supports himself by a staff, and holds out his short powdered wig. Beside him (left) lies an empty and dilapidated bag inscribed The Old Bagg [cf. British Museum Satires No. 12883]. He looks down with a gloomy scowl, and from his closed lips rise the words: Pity the sorrows of a poor old man [cf. British Museum Satires Nos. 13991, 16236]--vide beggars petition, Tricked out of Work by a Soldier. Round his neck is tied a placard reaching below the waist, and inscribed: Pity a poor Old Man out of Place, at the age of 78 [76], and though extremely anxious, for employment, disappointed in, all his expectations of procuring the Same. His pension is only 4.000 P A [cf. British Museum Satires No. 10714] and not a Dinner has been dressed in his house within the memory of man! He has a wife to support, and a Son to provide for, who holds only Eight Appointments! Beside him an emaciated dog stands on its hindlegs holding a begging-dish, with a piteous expression."--British Museum online catalogue
Alternative Title:
To a benevolent public
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., and Sheet trimmed within plate mark on right and left sides.
"George IV sits jauntily astride a tall high-stepping giraffe, at the base of the neck, hands on hips. Lady Conyngham (left) sits sideways on the sloping back, close to the tail, her vast posterior projecting. She smiles over her shoulder. He wears a straw hat with wide curving brim. She is décolletée, with large gigot sleeves and feathers in her hair. Four Nubians (right) bow obsequiously."--British Museum online catalogue
Alternative Title:
New hobby
Description:
Title etched below image., Date based on subject: A camel was present to the King at Windsor on 13 August 1827., and Attribution to William Heath and date of publication from the British Museum catalogue.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
A caricature of Queen Caroline embracing her lover Bartolomeo Bergami
Description:
Title etched below image., Attributed to William Heath; see Curator's comments, British Museum online catalogue registration no.: 1949,1008.49., Probably a later state, with the text "Le cannon est en bas" added at end of title. For a variant state lacking this text, see Lewis Walpole Library call no.: 820.08.28.01+., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Aug. 28, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bergami, Bartolomeo Bergami, Baron., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"Prince Leopold (right), in uniform, puts his head through a glassless aperture in a window in the door of his 'Grecian Establish[ment]--Co[burg]', to look intently at a fat Turk who stands in profile to the right, elaborately dressed and holding a long pipe with smoking bowl. The door, partly cut off by the right margin, is flanked by a Corinthian pillar and set in a wall on which are placards: 'This . Shop!!! will shortly open under entire new Management--Vivant [sic] Rex'; a Union Jack poster (partly covered); the Russian eagle, and a fleur-de-lis, the two last inscribed 'Loan'. The Turk: 'What have you taken the Shop? well if you take my advice you will not give Your Customers too much Credit for I can tell you they are a queer set to deal with by the bye they nearly ruined me--and mind that you look sharp after your Shopmen'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Window mounted to 50 x 36 cm.
Publisher:
Pub. April 10, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Léopold I, King of the Belgians, 1790-1865
Subject (Topic):
Turks, Ethnic stereotypes, Doors & doorways, National emblems, and Signs (Notices)
"Thomas Coke of Norfolk leads his bride through a pastoral landscape; he prances gaily along hat in hand, turning to look at her, and singing, Oh the Days when I was Young; in his left hand is a book: Coke upon Littleton [see British Museum Satires No. 14423]. She takes his left arm, holding back the gauze veil that floats from a bonnet trimmed with flowers and towering feathers. Her tight-waisted pelisse has a deep crimson border. She is gravely demure, but sings: Of all the Gay Lads that Dance on the Green, Old Tommys the Lad for Me. He looks younger than 67, she older than 18. Behind them (right) is a country church, before them a signpost pointing To the Breeding Park and To the Nursery. An old ram branded C approaches a sheep; a French greyhound prances towards a decrepit and shaggy dog."--British Museum online catalogue
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Collector's stamp in red on verso: half-length raised figure of fox with initials MW below., and Watermark: A. Stace 1801.
Publisher:
Pub. March 26th, 1822, by S.W. Fores, 41 Picadilly [sic]
Subject (Name):
Coke, Thomas William, Earl of Leicester, 1752-1842 and Keppel, Anna Amelia, Countess of Leicester, 1803-1844
Subject (Topic):
Spouses, Walking, Dogs, Sheep, and Traffic signs & signals
"Prince Leopold sits enthroned, flanked by his new subjects; he wears uniform with a crown, and sits on a two-tiered circular dais in a chair of state, the seat of which is covered with giant thorns. Punctured and frightened, he grasps the arms of his chair with crisped fingers; his toes are drawn back, touching the ground, and he looks towards a savage-looking Greek (right) who kneels before him with a long knife held behind his back. A similar ruffian kneels on the left; others approach menacingly from the left, one smoking a long pipe and grasping a knife. They wear Greek costume with embroidered jackets and full white breeches. On the right are long-robed ecclesiastics, headed by a bearded patriarch with a cross in one hand, a knife in the other."--British Museum online catalogue
"Townsend, the Bow Street Officer, holding up his constable's staff, chases a man away from a country house, a corner of which appears on the right. A third man, Wellesley-Pole, shelters behind the constable, stretching out his arms towards his fleeing rival; he turns his head to listen to a pretty young woman who stands on a small iron balcony immediately behind him, with an open sash-window behind her. She says: "Risk not thy Precious life my Love in bold encounter with that dareing Scott." He answers: "no no my dear I'll shelter me behind the arm of Justice, & hunt him from his Scent by one of the most famous Bull Dogs in the Kingdom, & teach him never never to Dare to woo the [sic] from my Longing Arms Oh thou Golden Angel." A paper inscribed 'Scot' projects from the fugitive's pocket. Townsend says: "I'll teach you worsted working rascall to dare to set up in opposition to the Irish Secretary D-n your Impudence." A signpost points (left) to 'Norwhich' and (right) 'To Chippenham'."--British Museum online catalogue
Alternative Title:
Poled Scott hunted off after a long struggle
Description:
Title etched below image. and Attributed to William Heath in the British Museum catalogue.
Publisher:
Pub. Jan. 7, 1812, by S.W. Fores, 50 Picadilli [sic]
Subject (Geographic):
England and London.
Subject (Name):
Townsend, John, 1760-1832, Mornington, William Long Wellesley, Earl of, 1788-1857, and Wellesley, Catherine Tylney-Long, -1825
Subject (Topic):
Courtship, Staffs (Sticks), Chasing, Law enforcement officers, Balconies, and Traffic signs & signals
Title from from dialogue etched below image., Publisher's announcement following imprint: ... sole publisher of W. Heath etching., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Two ladies embrace, seated on a sofa, not noticing the entry of their husbands. One, Lady Strachan, says: "You know my dear Sarah I love you very well yet I must reserve a few Kisses for the worthy old Ad-l." Lady Warwick: "Oh never mind him, my Sweet Louisa he's undeserving your embrace's and only fit for walking the Quarter Deck." In the doorway is Sir Richard Strachan, in admiral's uniform, followed by Lord Warwick, indicated by a paper or pamphlet: 'Warwick Gude' [sic]."--British Museum online catalogue
Alternative Title:
Amorous Ladies, or, Tete-a-tete ex strachnary, Tete-a-tete ex strachnary, and Tete-a-tete exstrachnary
Description:
Title etched below image., Questionable attribution to William Heath from British Museum catalogue., Sheet trimmed within plate mark., Temporary local Medical Library subject terms: Sex behavior., and Stamp in ink in lower right corner.
Publisher:
Pub. June 9th, 1820, by E. Brooks, 16 Panton Street
Subject (Name):
Strachan, Louisa, Lady, -1868, Strachan, Richard John, 1760-1828, Warwick, Sarah Elizabeth, Countess of, 1786-1851, and Warwick, Henry Richard Greville, Earl of, 1779-1853
Subject (Topic):
Homosexuality, Admirals, British, Couches, Kissing, and Doors & doorways
"Fashionably dressed men and women, in acute discomfort, hasten from right to left. A lady in the foreground (right) taking the arm of a dandy resembles Mrs. Robertson, see British Museum Satires No. 14557. There is a background of bushes and trees. The head of a black footman, wearing a cocked hat, pops up from behind a bush. On the extreme right is part of the Pump Room, with central cupola and pillared portico."--British Museum online catalogue
Alternative Title:
Tis necessary to quicken your motions
Description:
Title etched below image., Questionable attribution to William Heath from the British Museum catalogue., Temporary local Medical Library subject terms: The Royal Well, Cheltenham., and 1 print : etching, hand-colored ; plate mark 24.4 x 34.4 cm, on sheet 27.7 x 36.9 cm.
Publisher:
Pub. by S.W. Fores, 41 Piccadilly
Subject (Geographic):
Cheltenham (England)
Subject (Topic):
Hydrotherapy, Health resorts, Dandies, British, and Servants
Title from text below image., Attribution to William Heath and date of publication from pencil note "Heath 1826" in lower left; also present is the note "McCleary" in lower right., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Clyster -- Animals, prevention of cruelty to.
Publisher:
publisher not identified
Subject (Topic):
Animal welfare, Veterinary medicine, Medical equipment & supplies, Goats, Donkeys, Dogs, and Cattle
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies
Title and date from item., Place of publication derived from street address., Printmaker also known as Paul Pry., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Health boards; Skeleton as Death.
Publisher:
Published by S.W. Fores, 41 Piccadilly and W. Clerk. lith 41 Dean St. Soho
Subject (Topic):
Cholera, Hospitals, Finance, Physicians, Skeletons, Sick persons, and Fear
Title etched below image., Attributed printmaker supplied by curator, and is also known as Paul Pry., Date derived from printmaker's date of death., Place of publication derived from street address., Above image: Phrenology No. 1; Sketches of Science., In lower left margin: [Man with umbrella] Esq DM., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pub by T McLean 26 Haymarket where Political and other Caricatures are daily Publishing
Title etched below image., Date assigned by cataloger., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Scene outside a large apothecary's shop, both windows filled with large coloured jars. Above the door is the sign, a terrestrial globe on which scales are balanced. Outside, a doctor in old-fashioned dress, acts as usher with a long wand to a band of naked infants (left) who run eagerly towards him. In the jars fœtuses are indicated. Outside the other window stands an undertaker holding up his professional staff and doffing a hat draped with a mourning scarf towards a skeleton who advances from the background (right). Behind the skeleton is a church among trees."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with text "The World!" removed from lower margin and added (without exclamation mark) to the shop sign within image. Text beginning "Accoucheurs & apothecaries ..." below image has also been re-etched. For earlier state before these changes to the plate, see no. 14584 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local Medical Library subject terms: Pharmacies.
Publisher:
Pub. June 29, 1823, by G. Humphrey, 24 St. James's St. & 74 New Bond St.
Subject (Topic):
Death (Personification), Drugstores, Storefronts, Globes, Scales, Signs (Notices), Physicians, Infants, Containers, Undertakers, Staffs (Sticks), Skeletons, and Churches
"A country dance; eighteen couples in a strip design in the manner of the 'Long Minuet' (No. 7229), dance with awkward vigour; one of the most active ladies has a wooden leg. The first couple (left) face each other, the lady squinting violently. On the right a man turns eagerly from his elderly and offended partner to a young lady, whose partner also holds the hand of another lady, while an elderly man stands alone on the extreme right, holding his wig, and mopping his bald head. The elder men wear powdered hair with small pigtails, the younger ones have frizzed hair without powder, short or with small tails. Only one or two wear wigs. The women wear simple high-waisted gowns with elbow sleeves and long gloves; one wears a hat and long sleeves. All wear flat-heeled shoes, and have frizzed hair, short, or piled on the head; a few wear feathered bandeaux; one lady only has powdered hair. Some have strange hair ornaments: a fat and very decolletee lady with a lap-dog under her arm wears round her erect bush of hair a circlet from which project barbed zigzags, like lightning flashes. A youngish lady has on her head a bird with a barbed fang; an older one in spectacles wears a small windmill behind two drooping aigrettes. The neglected lady wears a tiny wheat-sheaf, her pretty rival a ship in full sail. Below the title: 'What an elegant Set-What a bustling of Rumps! What a Sweet Toe to Toe-ing of Slipers and Pumps! At the sight my Old Drumsticks are ready to Prance There is nothing I love so as seeing Folks Dance.'':--British Museum online catalogue
Description:
Title from caption etched below image on third sheet., Artist's signature from impression in the British Museum., Four lines of verse below title: What an elegant set, what a bustling of rumps! What a sweet toe to toe-ing of slipers [sic] and pumps! ..., One continuous design on five plates., Description based on imperfect impression; sheets trimmed within plate mark and artist's signature erased from lower left corner of first sheet., and BAC: British Art Center copy is the Abbey copy. Untrimmed. Artist's signature visible on lower left corner of first sheet. Hand-colored.
Publisher:
Published Aug. 15, 1811, by Robinson, 5 Margaret Street, Cavindish Square & Calnaghi, Cockspur Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Caricatures and cartoons, Social aspects, English wit and humor, Pictorial, Social life and customs, and Dance
John Bull, supported by Peel, lies on the ground while Wellington uses a crossbar to force into his mouth a piece of paper entitled "Catholic emancipation. John Bull shouts "Murder! if you get it down it will ruin by consitution." Wellington dressed as a doctor except for cavalry boots, responds "Hold him fast, Bob, I'll soon make him swallow it. there it goes Johnny you wil be quite a different man after this."
Alternative Title:
Dr. Arther & his man Bob giving John Bull a bolus and Dr. Arther and his man Bob giving John Bull a bolus
Description:
Title from item., Sheet trimmed to plate mark on top., The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath., and Advertisement following subtitle: "Political & other caricatures daily pub[lished]."
Publisher:
Pub. April 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and England.
Subject (Name):
Peel, Robert, 1788-1850 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Politics and government, Catholic emancipation, John Bull (Symbolic character), Drugs, Dosage forms, Mortars & pestles, Medicines, Politicians, and Physicians
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Actors -- Theatres -- Clowns.
Publisher:
Published as the Act directs August 1st 1812, by W. West, No. 13, Exeter Street, Strand
Title from caption below image., Printmaker from British Museum catalogue., Temporary local subject terms: Women -- Hats -- Fashion., and Watermark: J. Whatman 1816.
Publisher:
Pubd. by S.W. Fores 50 Piccadilly and 312 Oxford St.
"Officers promenade, swaggering selfconsciously; three couples are arm-in-arm. One pair, one of whom is a lancer with a moustache, arrogantly stare at a taller and more dignified Life Guards officer wearing a huge curling plume on the crest of his helmet. All have small high waists with belts or sashes, bulging breasts, high collars, and stocks, narrow and sometimes tiny coat-tails, tight sleeves, high padded shoulders; usually a bush of hair projects from a fantastic shako or helmet. The two Life Guards officers have boots, wide at the top, reaching to the thigh. Two officers wear fantastically large plumed shakos. An officer in back view, (?) the Duke of York, wears the plumed hat of a field-marshal, and is arm-in-arm with a very tall thin officer"--British Museum online catalogue, description of S.W. Fores copy
Alternative Title:
Heroes of 1819
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Possible reissue of print published by S.W. Fores., Publication date from unverified data from local card catalog record., Sheet trimmed within plate mark., and Cf. No. 13059 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9.
Publisher:
Publish'd by J. Le Petit 20 Capel St.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Daggers & swords, Dandies, British, and Military uniforms
"A promenade, with clouds added in watercolour as the only background; dandies are smoking cheroots and puffing out clouds of smoke. One stoops, puffing into a lady's face which is thus completely hidden; she staggers back; on an ascending cloud are the words Fond of Steaming Ladies? do you Smoke it, Eh! A second man stands over him, also smoking hard. On the left a dandy's moustache is blazing, he staggers back, his hat falling, his cheroot on the ground, and shouts Fire Fire Oh Dear my best Mustacios will be quite Destroyed. The man behind him, letting his cheroot fall from his mouth, screams Fire Fire. On the extreme left a fireman with the badge of the Sun Fire Office on his arm laughs, saying, Why Master I must fetch our Engine to put out your Steam Engine. The men wear bell-shaped top-hats, coats with a large collar standing away from the neck, and sometimes "with a single cape to the waist; trousers are full at the waist and tightly strapped over spurred boots. The women wear fur tippets and feathered bonnets; one has a huge muff."--British Museum online catalogue, description of reissued state
Alternative Title:
Costumes and customs of 1820
Description:
Title etched below image., Attribution to William Heath from description of reissued state in the British Museum catalogue., Sheet trimmed leaving thread margins., "Price 1 s.", For a reissue with the digit "0" in "1820" in both the title and the imprint etched over with a "4", see no. 14726 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Watermark.
Publisher:
Pub. Feb. 26, 1820 by S.W. Fores 41 Picadilli [sic]
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Smoking, Muffs, and Hats
A caricature of Queen Caroline embracing her lover Bartolomeo Bergami
Description:
Title etched below image., Attributed to William Heath in the British Museum online catalogue., Probably an early state. For a variant state with the text "Le cannon est en bas" following title, see British Museum online catalogue, registration no.: 1949,1008.49., Sheet trimmed within plate mark on two sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Jewelry: Male earring., Watermark: Weatherley & Lane 1818., Embossed stamp of publisher in lower right of sheet: S.W.F., and Sheet numbered '232' in ink, top center.
Publisher:
Pub. Aug. 28, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Bergami, Bartolomeo Bergami, Baron
"George IV, seated in an armchair, plays a 'cello. Bloomfield stands behind, playing a flute; in his pocket is a paper: 'Farmer's Boy' [for this identification cf. (e.g.) that of Orger in No. 11940]. Lady Conyngham stands beside the King, saying blandly: "Play Here we go Up Up Up." On the right is a dancing bear, facing a stout jovial man (identified, A. de R. xviii. 4 as Sir L. Neagle, i.e. Sir E. Nagle, appointed Groom of the Bedchamber on George IV's accession). No one notices John Bull (wearing top-hat and top-boots) who enters, shouting: "Rome's on fire, Haste Haste Help Help the People 's Roused, Perjurys allowed Conspirators are suffered to Escape, the Directors are impeached-- the World's in Arms." Behind the King hangs a large placard: Estimate of Expenses at the Chinese Temple One Million--Building Repairing & Furnishing Mark Anthonys State Barges Building two New ones . . . £150,000 Cottage seat Como [Countess Cowper (25 Sept. 1820): 'They say the story is really true of blundering Sir E. Nagel saying in the boat on the Lake near the New Cottage, "We have also got our little Lake of Como"--the King and Ly C present.' Airlie, 'Lady Palmerston', 1922, i. 67; 'The King laughed very much...' 'Journal of H. E. Fox', 1923, p. 38; cf. No. 13857] formerly called V-g-o [sic] Water . . . 40,000 New Cottage at O-P Q . . . 20,000. Presents to Cleopatra. Horse 150 Diamond Necklace . . . 30,000. Pearl Ditto . . . to Cleo's Daughter 15000. Sinecure to Cleo's Boy Pr Anm 3000.' Above Lady Conyngham's head is a painting of a nude woman in bed; below this is an unframed print, a bust portrait of 'Caroline' with the head torn off."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Male costume: 1820 -- Bloomfield, Benjamin, 1st baron Bloomfield, 1768-1846 -- Nagle, Sir Edmund, 1757-1830., Watermark: J. Whatman 1820., and Manuscript "265" in upper center of plate.
Publisher:
Pub. Oct. 11th, 1820 by S.W. Fores 41 Picadilli
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline Amelia Elizabeth, consort of George IV, 1768-1821
Subject (Topic):
John Bull (Symbolic character) and Musical instruments
Title from caption below image., Sheet trimmed within plate mark on three sides., and State with imprint. Cf. No. 14462 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Title from caption below image., State with complete imprint. Cf. No. 14370 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Watermark: J. Green 1819.
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Publishd. Feby. 10th, 1823 by A.W. Fores, 41 Piccadilly
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. Feby. 10th, 1823 by A.W. Fores, 41 Piccadilly
In a elegant bedroom with a floral carpet, a young woman sits before at her vanity and gazes in the mirror as she applies make-up to her cheeks. Her fashionable dress and her hat are displayed on either side of her. In the background stands her curtained bed. On the wall is a picture of a woman drawing a silhouette
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Pictures amplify subject -- Bedrooms -- Cosmetics -- Mirrors.
Publisher:
Published by G. Humphrey 74 New Bond Street & 24 St. James's Street
Title from caption below image., One line of text below title: As hot as Beelzbub's back kitchen in the dog days., and Originally published April 15, 1823 by George Humphrey. Cf. No. 14570 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. April 21, 1823 by G. Humphrey, 24 St. James's St. & 74 New Bond Street
"A wild turmoil of men and women in court dress or uniform outside Buckingham House, which is indicated in the background, with a covered way or awning leading to the doorway from the right. Two beefeaters stand before the door and above the crowd, holding up their arms and yelling: Keep back, Keep back Put off postponed till the first of next April. Prominent figures in the foreground are (right), a field-marshal (? Prince Leopold) with a hussar officer (? Prince Esterházy). The former steps on and tears the train of a lady who looks round in angry dismay. She and an absurdly dandified Lancer officer are the central figures in the foreground. Women and men are prostrate, and there are many incidents. A barrister with (?) Brougham's profile drives his elbow savagely into the face of a bishop. Plumed shakoes, helmets, and cocked hats tower above the crowd. An arm holds up a lady's feathered wig and curls on the point of a sword. Complaints are inscribed along the upper margin: [1] Have I not borrowed the Duchess's last Birth Day suit & had it transmogrified to prevent its being known again, at the expence of 1.13.9 & and only to be hustled. [2] ever since four Oclock this morning, under two men & three maids suffering purgatory to be made an April Fool of. [3] I never looked so bewitching in all my life. [4] What a cut. [5] have I been up all night, Dressing, perfuming, painting, & plastering to be served thus. [6] What after hiring all these dashing Diamonds & Jewels at such an extravagant price & not to be suffered to shew them insulting, provoking. [7] was to have been Presented now I suppose shall be Represented [? caricatured]. The last speaker is a fat lady who tugs at a man's bag-wig"--British Museum onling catalogue
Alternative Title:
Birthday hoax and April fools
Description:
Title from item., Printmaker from British Museum online catalogue., and Sheet trimmed to plate mark on one side.
Publisher:
Pub. April 24th, 1823 by S.W. Fores 41 Picadilly[sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, Esterházy, Prince, 1786-1866 v Caricatures and cartoons., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868
Subject (Topic):
Celebrations, Clergy, Crowds, Dandies, Military officers, and Nobility
Titles from six individually captioned images., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Costume: male, female, 1823 -- May Day -- Prison cells -- Leg-irons -- Crockery shops., and Manuscript "108" in upper center of plate.
Publisher:
Published by W. Sams Royal Library 1 St. James's St.
"The man walks (right to left) on a mountainous landscape carrying a musket, and with knapsack, sword, and sheathed bayonet. In the front of his cap is a red cross on a white ground (like that of the modern Red Cross), a similar but smaller cross is on his neat military tunic, which is blue with red facings. He wears trousers or pantaloons and buckled shoes. In a distant valley is a burning town or village."--British Museum online catalogue
Description:
Title from caption below image., Similar in design to prints in the series: Sketches of character,, and Watermark: Whatman.
Publisher:
Pub. May 8, 1823 by G. Humphrey 24 St. James's St. & 74 New Bond Street
"An obese man has dismounted to offer help to an injured man thrown from his horse. In the background (left) a second saddle-horse grazes and (right) three men run off with the victim's hat, whip, &c."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Pub. May 12, 1823 by G. Humphrey, 24 St. James's St. & 74 New Bond St.
Title from caption below image. and Two lines of dialogue are inscribed on either side of title: What would this nut say if it could speak? D--n it give us none of your jaw!
Publisher:
Pubd. May 12, 1823 by G. Humphrey, 24 St. James's St. & 74 New Bond St.
Title from caption below image. and Originally published April 15, 1823 by George Humphrey. Cf. No. 14576 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pub. May 12, 1823 by G. Humphrey, 24 St. James's St. & 74 New Bond St.