Five poverty-stricken Scotsmen are depicted walking to attend Parliament, four having crossed the Tweed river, the one on the furthest left about to cross. He is labelled "famine", the next two in the center are dancing a reel, and further to the right another (possibly Dundas) carries his breeches on a pole. The figure on the far right is leaning on two sticks. He is possibly Lord Adam Gordon
Description:
Title from item. and Mounted to 28 x 40 cm.
Publisher:
Pubd. as [the] act directs Jany. 1784 by J. Smith & sold at No. 66 Drury Lane
Subject (Geographic):
Scotland
Subject (Name):
Gordon, Adam, Lord, approximately 1726-1801. and Melville, Henry Dundas, Viscount, 1742-1811.
Subject (Topic):
National characteristics, Scottish, Poverty, Walking, and Clothing & dress
Lord North, carrying a large sack labelled "budget, small beer, soap, tobacco, insurance, carriages, tea", references to his proposed taxes of 1782. The Devil stands behind helping support the sack, as North approaches an open window at which a fox (Charles James Fox) is standing
Description:
Title from item., Attributed to Colley in the British Museum catalogue., and Mounted to 30 x 37 cm.
Publisher:
Pubd. April 10th, 1782 by W. Humphrey No. 227 Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
North, Frederick, Lord, 1732-1792. and Fox, Charles James, 1749-1806.
Subject (Topic):
Politics and government, Economic conditions, Lifting & carrying, Devil, and Clothing & dress
"A woman decked out in quasi-fashionable but absurd finery, stands in an old-clothes shop between two sailors, one (r.) dressed much as in BMSat 10894, but with two bunches of seals at his fob, the other wearing a petticoat, his bluejacket open to show a white waistcoat. Both have their black scarves knotted round a white stick-up collar. The woman holds a parasol, and has a ring on every finger; a miniature (see BMSat 10894) hangs from a chain of beads, she has two large bunches of seals, bracelets, and ear-rings. A much-feathered hat has a large projecting scoop; her high-waisted dress has a long train, with vandyked lace trimmings. The vulgar, would-be fashionable, shopman, says: "Depend upon it Sir, mine is the first house for for fashionable Articles in Monmouth Street, on the honor of a Salesman I have dealt fairly and honestly, I assure you, by the Young Lady's fashionable feather hat, I dont get a farthing - ." The sailor answers: "Come - come no palaver. I know you have cheated me pretty handsomely - but howsomever as my Messmate and I go partners in the ship and Cargo - it wont fall so heavy - but come my hearty - I'll tell you what I'll do with you - throw me in half a dozen laced Smickets [chemises], and we'll make it even money, I like to have it all rignt under the Hatches, you understand me - all of a piece from Stem to Stern, D----n me!" The other sailor (r.) and Poll face each other. He says: "Why Poll I should scarcely know you - You look like a Bond Street frigate steering towards Pall-Mall - but I say my lass I dont much admire your gib-boom - it puts me in mind of a scuttle fish in a fresh gale." On the extreme left. are long shelves piled with garments; on the r. a man's tail-coat is displayed on a stand. The shop opposite is seen through the open door."--British Museum online catalogue
Description:
Title from item., Plate numbered '30' in upper right corner., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., and Later reissued without full publication date. Cf. No. 10901, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Publisher:
Novr. 12th, 1807 pubd. by Thos. Tegg, 111 Cheapside
A portly gentleman in a light suit with spots walks facing right, his left hand seemingly resting on one of four posts between which chains are hung. In his right hand he holds up a short whip or riding crop. He wears a powdered wig with curls on the sides and at the back a queue tied with a bow
Alternative Title:
Sam Spot Esquire
Description:
Title from item., Signed (by engraver?) in lower left of image: HI, (i.e. Hen. Ibb.?), MD of publisher's name form a monogram., and Numbers in plate at top: [V. 2, 67] erased but supplied in pencil.
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
Subject (Topic):
Threats, Judges, Gambling, Interiors, and Clothing & dress
A cloven-hoofed Fox in the company of the Prince of Wales, is depicted as Satan reviewing his troops. At the head of the ranks labelled "majority" stand the 4 prominent figures with their names on their standards of Asmodeus (Keppel), Moleck (Burke), Mammon (North), and Belial (Duke of Portland).
Alternative Title:
Satan haranguing his troops previous to action
Description:
Title from item., Text following title: Widé Paradse. Lost Book 5th., Sheet trimmed within plate mark., and Mounted to 28 x 39 cm.
Publisher:
Pubd. as the act directs Jany. 22, 1784, by W. Humphrey 227 Strand
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806. and George IV, King of Great Britain, 1762-1830.
A fashionably dressed young woman in half-profile to the left looks with with a smile at a wine glass she is holding in the raised right hand. In the left hand she has a bottle of wine
Description:
Title from item. and A companion print to Savoir vivre -- sans six sous, by the same printmaker.
"Five ladies play musical instruments; all stand, except a performer on the triangle who is seated (right) in profile to the left. Next her a vast lady, perhaps Lady Buckinghamshire, raises a massive fist to thump a tambourine. The centre figure, who plays the cymbals with graceful energy, her head turned to the left to show a classic profile, may be Lady Charlotte Campbell .... A fat performer on the French horn inflates her cheeks grotesquely. On the extreme left a thin woman, of gipsy-like appearance, plays the true hurdy-gurdy or vielle."--British Museum online catalogue
Alternative Title:
Musical mania of 1799
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Edmeads & Pine.
Publisher:
Pubd. April 24th, 1799, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
France
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Bury, Charlotte Campbell, Lady, 1775-1861
Subject (Topic):
Savoyards, Bracelets, Clothing & dress, Chairs, Cymbals, French horns, Musical instruments, Organ grinders, Tambourines, and Women
A scene inside an apothecary’s shop, with a surprised looking apothecary standing behind the counter serving a shifty looking male customer wearing a Scottish bonnet cap and tartan trousers. Behind the counter is a labelled drug run (a set of drawers for storing medicinal ingredients) and labelled drug jars (for storing prepared medicines); on and in front of the counter are pestles and mortars. The shop has carboys and drug jars on display in the windows to the right. The apothecary holds a plaster iron in his hand and is in the process mixing a preparation. See: Royal Pharmaceutical Society Museum online, Attitudes to Health Collection, Reference 997.17.7.
Description:
Title etched below image., Sheet trimmed within plate mark., Two lines of dialogue etched below title: Please Dockthar to gee me a baubee's worth o' brimstane, its no for mysel but for anither gentleman thats outside., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Pharmacies, interior.