Page 83. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Alternative Title:
Temple Bar du côté du couchant
Description:
Title etched below image., Plate from: Beeverell, J. Les délices de la Grande Bretagne, & de l'Irlande. A Leide : Chez Pierre Vander Aa, MDCCVII [1707], v. 4, opposite page 834., Sheet trimmed within plate mark., Mounted to 32 x 26 cm., Mounted on page 83 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?]., and Note in ink below image, on mounting page: Temple, Ludgate Hill, and St. Pauls, 1730.
"View in Cheapside, looking down the wide street with the church on the right, the old shop signs over-hanging the pavements on either side."--British Museum online catalogue, description of another print of identical composition
Alternative Title:
Eglise de St. Marie le Bow dans Cheapside, London
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "10" in upper right corner., Watermark: Curteis & Son 1806., and Leaf 41 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Cheapside (London, England),, England, and London.
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Alternative Title:
La Fleur part de Montreuil
Description:
Titles engraved below image, in English and French., Sheet trimmed within plate mark., Verses in English and French below title; English verses begin: "La Fleur kissed their hands round & round again, and thrice he wiped his eyes, and thrice he promised ...", and Mounted on page 25 of: Bunbury album.
Publisher:
Publish'd May 28th, 1781, by Watson & Dickinson, No. 158 New Bond Street
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Alternative Title:
La Fleur part de Montreuil
Description:
Titles engraved below image, in English and French., Sheet trimmed within plate mark., Verses in English and French below title; English verses begin: "La Fleur kissed their hands round & round again, and thrice he wiped his eyes, and thrice he promised ...", Mounted on page 35 of: Bunbury album., 1 print : stipple engraving with etching in sepia ink on laid paper ; circular image 30.5 cm, on sheet 40.9 x 36.4 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd May 28th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Titles engraved below image, in English and French., Later state of a plate published by Henry Overton. Cf. Yale Center for British Art, accession no.: B1977.14.15258., Date of publication inferred from publisher's statement; Laurie & Whittle took over the business of Robert Sayer in 1794. See British Museum online catalogue., Imperfect; sheet trimmed within plate mark with complete loss of imprint from bottom edge and partial loss of plate number from upper right. Missing text and numbering supplied from impression at the Yale Center for British Art, accession no.: B1977.14.15259., Plate numbered "83" in upper right corner., Folded to 24.5 x 38.3 cm., and Leaf 58 in an album of views of London and its vicinity.
Publisher:
Published by Laurie & Whittle, 53, Fleet Street, London
A view of the back window of a carriage on a country, tree-lined lane, shows a woman unswaddling her screaming child with a look of concern. An obese man to her right plugs his ears with his fingers, red-faced and angry. A thinner man to her left holds his nose. Another man in a bonnet leans out the window of the carriage with a surprised look on his face. In the front is a glimpse of the whip and the arm of the coach driver as he drives the coach quickly down the lane, hurling clouds of dust behind them. A dog looks down from the roof of the coach
Description:
Title etched below image., Series title etched above image, Printmaker's name etched at top of carriage., Series title and number from caption above image., Dimensions from impression Museum of Fine Arts, Boston., "The series 'Musée Grotesque' consists of at least 65 plates, made over a long period between March 1814 and August 1829. They seem all to have been designed, and in some cases etched, by Godissart de Cari, and all are placed under his name in the British Museum. The first four plates of the series, unlike the others, do not carry the heading 'Musée Grotesque' but rather 'Les Nouvellistes' and are numbered 1 to 4."--British Museum online catalogue., and Sheet trimmed to 20 x 24 cm.
Publisher:
Chez Martinet, Libraire, rue du Coq, No. 25
Subject (Topic):
Infants, Carriages & coaches, Crying, Dogs, Odors, and Sounds
A perspective view, or vues d'optique, of the Covent Garden Market, looking towards Inigo Jones's St. Paul's Church, which is situated slightly to the right of center; in the foreground are shown vendors, carriages, pedestrians and other street life. The image is reversed for viewing through the lens of a Zograscope and designed to give the illusion of a deeper perspective, enhanced by the deep vanishing point and bright colour of the print
Alternative Title:
Vue perspective du Covent Garden, Vue du Couvent Garden, and Vue du Convent Garden
Description:
Title etched below image; alternative title etched in reverse above image: Vue du Couvent Garden., Date of publication from dealer's description., and "No. 92"--Upper right, above image.
Publisher:
Chez J. Chereau, rue St. Jacques au desses de la Fontaine St. Severin aux a Colonnes no. 257