A collection of original caricatures by Robert Dighton, published 1792-1812
Alternative Title:
Caricatures by Dighton
Description:
Title from spine., Etching, several leaves watermarked 'Edmeades & Pine' and dated 1808 and 1807; sheet size 31.0 x 25.5 cm., Bound in early 19th century black half morocco, gilt-decorated spine, titled in gilt 'Characatures by Dighton', recased with original spine laid down., With the bookplate of James Barratt, Lymm Hall, inside front cover., and For further information, consult library staff.
A group of portrait drawings depicting some of the correspondents included in a French collection of Madame du Deffand's letters. The drawings are inserted throughout both volumes of the printed text, supplementing the engraved portraits and other plates that were either issued with the work or added later
Description:
Collection title devised by cataloger., All but one of the drawings have the sitter's name added in pencil below, and all but two are signed "ABaudet Bauderval" (with the initial letters forming a monogram). The artist is tentaitvely identified as A. Baudet-Bauderval, a lithographer who was active in France in the mid-19th century; see person record in the online catalogue of the Bibliothèque nationale de France., Bound in a copy of: Du Deffand, M. Correspondance complète de la marquise du Deffand avec ses amis le président Hénault-Montesquieu-d'Alembert-Voltaire-Horace Walpole ... Paris : H. Plon, 1865., and Extra-illustrated with plates, portraits, drawings.
Subject (Name):
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780, d'Averne, Sophie de Brégis, comtesse, active 1721-1723,, Pont-de-Veyle, 1697-1774,, Choiseul, Louise Honorine Crozat, duchesse de, 1734-1801,, Saint-Lambert, Jean-François de, 1716-1803,, Luynes, Marie Brûlart de La Borde, duchesse de, 1684?-1763,, Chaulnes, Anne Josèphe Bonnier de La Mosson, duchesse de, 1718-1787,, Vallière, Anne Julie Françoise de Crussol, duchesse de, 1713-1797,, Luxembourg, Madeleine-Angélique de Neufville-Villeroy, duchesse de, 1707-1787,, and Rochefort, Marie Thérèse de Larlan de Kercadio, comtesse de, 1716-1782,
Volume of etchings, engravings, and four drawings by amateur artists, collected and heavily annotated by Horace Walpole and assembled and bound by him around 1774. Artists included are: C.W. Bampfylde, Lady Beaumont, Miss C.S. Blake, the Earl of Buchan, the Countess of Burlington, Hon. Richard Byron, Emma Crewe, Lady Cunynghame, the Countess of Drogheda, Lord Grantham, Eliza Gulston, E. Haistwell, Sir William Hamilton, Mary Hartley, Georgina Keate, Ellis Cornelia Knight, Lady Elizabeth Montagu, the Duchess of Newcastle, Viscountess of Polwarth, Sir Thomas Reeve, Catherine St. Aubyn, the Earl of Sunderland, J. Tobin, Caroline Yorke (engravings from drawings by her mother Mrs. Agneta Yorke), and others; some of the engravings are after the work of Lavinia Countess Spencer and Lady Diana Beauclerk
Description:
Title from item., Bound in red morocco, gilt, with Horace Walpole's coat of arms on sides. Bookplate of John Waldie, Hendersyde., and With three additional title pages, formerly thought to have been printed at Strawberry Hill Press: Etchings by Isabella Byron, daughter of William Lord Byron, and second wife of Henry Harcourt, fourth Earl of Carlisle; Etchings by Lady Louisa Augusta Greville, eldest daughter of Francis Earl of Brooke and Warwick; Etchings by George Simon Harcourt Viscount Nuneham, eldest son of Simon Earl of Harcourt.
A group of portrait drawings depicting some of the correspondents included in a French edition of Madame du Deffand's letters. The drawings are inserted throughout the three volumes of the printed text, supplementing the engraved portraits and other plates that were issued with the work
Description:
Collection title devised by cataloger., Many of the drawings have the sitter's name written below, and most are signed "ABaudet Bauderval" (with the initial letters forming a monogram). The artist is tentaitvely identified as A. Baudet-Bauderval, a lithographer who was active in France in the mid-19th century; see name authority record in the online catalogue of the Bibliothèque nationale de France., Bound in a copy of: Du Deffand, M. Correspondance complète de Mme. du Deffand avec la duchesse de Choiseul ... Paris : M. Lévy frères, 1866., and Extra-illustrated: plates, portraits, drawings.
Subject (Name):
Voltaire, 1694-1778,, Walpole, Horace, 1717-1797,, Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780,, Lévis-Mirepoix, Anne-Marguerite-Gabrielle de Beauvau-Craon, duchesse de, 1707-1791,, Luxembourg, Madeleine-Angélique de Neufville-Villeroy, duchesse de, 1707-1787,, Guerchy, Claude-Louis-François Régnier, comte de, 1715-1767,, Gleichen, Charles Henri, baron de, 1733-1807,, Dufort de Duras, Henriette Julie de, comtesse d'Egmont, 1696-1779,, Noailles, Marie-Anne-Françoise de, comtesse de la Marck, 1719-1793,, Choiseul, Etienne-François, duc de, 1719-1785,, Barthélemy, J.-J. 1716-1795, (Jean-Jacques),, Choiseul, Louise Honorine Crozat, duchesse de, 1734-1801,, Vallière, Anne Julie Françoise de Crussol, duchesse de, 1713-1797,, Boufflers, Amélie de, 1751-1794,, Bauffremont, Charles-Roger de, 1713-1795,, Aiguillon, Louise Félicité de Brehan-Plélo, duchesse de, 1726-1796,, Sénac de Meilhan, Gabriel, 1736-1803,, Brionne, Louise de Rohan, comtesse de, 1734-1815,, Mirepoix, Gaston Charles Pierre de Lévis, duc de, 1699-1757,, Mazarin, Louise-Jeanne de Durfort de Duras, duchesse de, 1735-1781,, Conzié, Louis-François-Marc-Hilaire de, 1732-1804,, Maine, Anne Louise Bénédicte de Bourbon, duchesse du, 1676-1753,, and Grammont, Béatrix de Choiseul-Stainville, duchesse de, 1730-1794,
A group of amateur watercolor drawings that illustrate various scenes from Clara Reeve's Gothic novel The old English baron. The drawings are inserted throughout the printed text of the fourth edition, bound in near the scenes that are depicted. Although untitled, the drawings have been assigned titles that derive from the text
Description:
Collection title devised by cataloger., Each drawing is signed 'C. Boyle' and most are dated with the month, day, and year of production. The artist is probably Charlotte Boyle-Walsingham (1769-1831), who married Lord Henry Fitzgerald in 1791; she legally changed her name to Charlotte FitzGerald-de Ros in 1806, after successfully petitioning to end the abeyance to the Barony of de Ros and becoming 20th Baroness de Ros of Helmsley., Bound in a copy of: Reeve, C. The old English baron: a Gothic story. London : Printed for Charles Dilly, in the Poultry, MDCCLXXXIX [1789]., Lacking the two published plates., Bound in vellum with gilt edges and tooling and with pink silk endpapers., Extra-illustrated with eight watercolor drawings on vellum, produced by Charlotte Boye in 1789 (these drawings are cataloged separately)., Autograph (Fitz-Gerald?) scratched out on page iii., and In red case.
A group of drawings that illustrate select scenes from Laurence Sterne's novel The life and opinions of Tristram Shandy, gentleman. The drawings vary in level of detail and completeness; one is a slight pencil sketch, two are more detailed drawings in pen and ink over pencil, and three are elaborate drawings in ink and wash. The drawings are bound in as either the frontispiece or before the frontispiece, one in each of the six volumes of the eighth edition of the work. Several of the compositions were later engraved, presumably from larger designs by Bunbury
Description:
Collection title devised by cataloger., The drawings are unsigned, and only one has a title written at the bottom., Bound in H.W. Bunbury's copy of: Sterne, L. The life and opinions of Tristram Shandy, gentleman. London : Printed for J. Dodsley, 1770., In slipcase., and With H.W. Bunbury's original drawings (cataloged separately) bound in; also with verses in unidentified hand on end-papers of v. 4.
Title from text in image., Artist and date of publication from unverified data from local card catalog record., Nine lines of descriptive text located centrally in design: In presenting to your notice these volumes of caricatures, I am desired in the names of the publishers, artists, & also from myself ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet trimmed within plate mark.
One of a collection of four similar images; the others in this series are: Miss Hargraves as Amy; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. In this image, a full-length image of Edmund Kean as Othello constructed from parts of a print or prints while his costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming and small metal buttons. This image is the only one of the four mounted on a secondary sheet, this one ruled as if from a ledger
Description:
Title written at bottom of sheet., Statement of responsibility written at top of sheet; "the author" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Kean, Edmund, 1787-1833, and Shakespeare, William, 1564-1616.
One of a collection of four similar images; the others in this series are: Mr. Kean as Othello; Madame Vestris as Don Giovani; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed from the same fabrics, were made by friends and exchanged as gifts. This collage shows full-length image of a woman, identified as Miss Hargraves. Her head and neck, arms, and feet have been cut from an unidentifed print or prints while her costume and its trimming are cut from satin cloth. On each side are small images also cut from prints: on the right a house with a second story wrap-around porch and on the right a covered structure ladened with refreshments and On the back of this collage are mounted three small engravings of women in fashionable dress; with notes in red ink "Presented by Sarah, Apl. 8 1830" written twice in the upper left and right and below also on the right and left "The author returns thanks". In the same hand the middle print has been annotated "Kemble" which is also engraved in the plate with the author and printmaker statements "R. Cruikshank delt. J. Rogers sc."
Description:
Title written below image; artist statement above image. and Date of production from recipient's note on the verso and other internal evidence.
Title devised by curator., Devised title and artist attribution based on Horace Walpole's notes on facing leaf: This book belonged to Mr. Pope, and the drawing is by him. Horace Walpole, 1766. It is a view of Twickenham Church from his own garden., Date of production based on artist's death date., and Drawn on front flyleaf in volume 1 of Alexander Pope's copy of: Homeri opera quae extant omnia. Amstelaedami : Ex officina Wetsteniana, MDCCVII [1707].
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, made using the same farbics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Vestris: her head and neck, arms, and boots have been cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso written in red ink, two poems: "The Snow Drop by Henry Neele" and "I Saw Thee Weep, Byron" transcribed in two columns
Alternative Title:
Madame Vestris as Don Giovanni
Description:
Title written at bottom of sheet., Signed with initials in lower right corner; artist "H.A.S" is unidentified., Date of production from recipient's note on the verso of one of the collages and other internal evidence., and The poem on verso "The Snow Drop" in the Oriental Herald and Journal of General Literature, volume 16, page 502 and signed "W. B." Also published in May 1828 in the The Ariel: A literary and cricial gazette (Philadelphia), vol. 2. no.1.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856,, Mozart, Wolfgang Amadeus, 1756-1791., and Da Ponte, Lorenzo, 1749-1838.
Subject (Topic):
Characters, Actresses, British, and Operas & operettas
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Madame Vestris as Don Giovani. Formerly part of an album (now lost), each on the same size sheet but different colors and collages attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed using the same fabrics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Bartolozzi, with her head and neck, hands, and boots cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso in two columns written in red ink and ruled in red ink: On the left the title of a poem only "Lines on my garden". On the right: Song, "My own Blue Bell".
Description:
Title written below image., Artist statement written at top of sheet; "Master Butcher" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856, and Da Ponte, Lorenzo, 1749-1838.
No. Excise-Office, at in Distt. Colln. 1748 and Receipt for payment of carriage tax
Description:
Title transcribed from item., Body of text: Received of [blank] of [blank] in the County of [blank] the sum of [blank] Pounds for [blank] four-wheel carriage, and [blank] two-wheel carriage, of which [blank] has this day given notice, according to the Statute of the Twentieth Year of His present Majesty. In full for one year., Printed in red ink., Form completed in ink by the Excise Office at Methwould in Lynn, Swaffham District, 30 May 1748. The completed receipt reads: Received of Cyril Wycke Esqr. of Hockhold [Hockwold] in the County of Norfolk the sum of four Pounds for one four-wheel carriage ... Also annotated on the verso., and For further information, consult library staff.
A coffin is carried down the stairs of a gothic church by a procession of monks, lit by the light of the full moon and the flames of the torches that some of the monks carry. They walk toward an open crypt in the foreground. The light from the crypt illuminates the monument on the wall opposite (a knight in armor) as well as two monks kneeling at the opening of the crypt and a third monk holding a thurible. A man with a red cloak stands in the shadows on the left, looking down at the scene at the crypt. The image is intended to be backlit. The light sources in the image -- the moon, the glow shining out of the gothic crypt, and the torch-bearing friars -- are enhanced when the image is held up to a light
Description:
Title and approximate date of production from dealer's description., Unsigned; artist unidentified., Drawn in the style of the painter and etcher Franz Joseph Manskirch (1768-1840), who worked in London between 1793 and 1819., and On paper watermarked "J. Whatman Turkey Mill".
Subject (Topic):
Churches, Funeral processions, Incense, Monks, Moonlight, Pointed arches, and Torches
A collection of sixty-four prints (mostly engravings and etchings) showing views of London and its vicinity, including views of Chelsea with Ranelagh, Hampstead, Highgate from Upper Halloway, Old Bedham with the gardens in front, Whitehall with the gatehouse, Grosvenor Square, St. Mary's Church on the Strand with old Somerset House, The Royale Mews in Charing Cross, St. James's Square with the Round Pond, Covent Gardent, Royal Gardens of Somerset, Hampstead, and scarce views of Barnes and Richmond as well as views of Twickenham, and many other scenes in and around London in the later half of the 18th century
Subject (Geographic):
England, London., Thames River (England), Saint James's Park (London, England), Twickenham (London, England), and London (England)
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid
Description:
Title from published print based on this drawing., Signed "George Cruikshank" lower right. The British Museum catalogue attributes the design to George's father Isaac in its description of the print engraved after this drawing. Cohn similarly suggests that this design "was probably the work chiefly of Isaac"., A drawing for the illustrated songsheet "Galvanism, or, The miraculous recovery of the unfotunate [sic] Miss Baily", published by Laurie & Whittle in 1807, which tells the tale of a servant Darby Daly who discovers the young Miss Baily hanging, and after reviving her with bellows, forces her seducer to marry her., Backed with Japanese tissue; with the title "The outraged husband" printed on mount., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10938., and Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1144.
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Couples, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
Four drawings, each depicting a different character with their face in the form of a heart: a man drinking; a man with a pipe; a violinist; and an elegant lady and Eleven drawings, each depicting a different character with their face in the form of a heart: a man playing a flute; a dour-looking cleryman; a coachman; a vendor wearing a turban; a man in a tricorne hat; an obese man in an armchair with medicine on a side table; a man smoking a pipe. Also two cards wtih older woman clutching a blanket around her shoulders; a pretty young women with a highly decorated hat with feathers and her hands in a muff; and, a female ballad sheet vendor
Description:
In English., Title devised by cataloger., Each drawing is signed by the artist in lower left corner either initials or full name., One small pencil drawing of a coffee pot on the verso of the drawing of a dour-looking cleryman., Date based on a watermark on one of the sheets., and Elizabeth Dubuisson was a portrait painter whose work was displayed at the Royal Academy between 1805-40; she also drew "Character Sketches", a series of caricatures on the Mufflechop Family published by Pewtress and Ackermann approximately 1830. She produced additional drawings similar to these four, with ten being held by the Victoria and Albert Museum (accession no.: E.1091-1992).
A collection of five botanical drawings, one with two hummingbirds (Lampornis calosoma) and twenty botanical prints (some proof state) by James Sowerby
Description:
Title devised by cataloger. and Housed in two solander boxes, with drawings in Box 1 and prints no.1-9. Box 2 contains prints nos. 12-17 and two unnumbered prints.
Manuscript on paper of Carta de foresta, a collection of hunting and forestry laws. With a collection of extracts, in Latin, all concerning laws of forestry
Description:
In English., Watermarks: unidentified pot., Script: Written in a well formed chancery hand by a single scribe., and Binding: Sixteenth century. Endleaves reinforced with vellum, two leaves originally pasted to each board. Sewn on five single, tawed skin thongs laced into paste boards rounded on the outside of the spine edge. Beaded endbands sewn on leather or cane cores but not laced to boards. The spine is square, with traces of adhesive. Covered in dark brown calf, blind-tooled with a triple line border and a small central ornament. Two ribbon fastenings, now wanting. Leather broken at joint, sewing reinforced.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Forests and forestry, Hunting, Manuscripts, Medieval, and Politics and government
Manuscript on parchment of Fragments of a Brut Chronicle. Begins imperfectly in chapter 36 (Constantine) and has several lacunae. The work ends in chapter 86 (beginning on f. 11r) with the thirty-first year of Edward III. With art. 3) A note (in Latin) stating that King Henry IV was consecrated in 1399 and documenting his descent from Adam. 4) A list (in Latin) of 86 kings (each numbered) from Brutus to Edward III. 5) Names of prisoners captured and killed at the battle of Poitiers (19 Sept. 1356). 6) Terms of the treaty of Bretigny (8 May 1360). 7) Parliamentary text
Description:
In Anglo-Norman., Script: Written in Anglicana bookhand by one scribe., Decorative initials, blue with red penwork, appear only on ff. 1-12; initial strokes and headings, in red, throughout., and Binding: 18th-19th centuries. Stab sewn to a vellum folder made up of a legal document (trimmed with some loss of text) dated 1766 and involving the manors of Whitechurch and Milbourne in Wiltshire. The outside has an inscription, 19th century, "Some leaves of early English History in Norman French supposed to have come from Malmesbury Abbey." A similar inscription occurs on f. i verso.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
England.
Subject (Topic):
Anglo-Norman literature, Manuscripts, Medieval, and History