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19. Het committè van voorlichting [graphic].
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Call Number:
- Auchincloss Gillray v. 12
- Image Count:
- 1
- Abstract:
- "A lamp-lighter (left) stands dejectedly on his ladder which rests against a stone obelisk supporting a lamp whose glass is broken. The light has been extinguished by a blast from the head of a cherub emerging from clouds (right). A man wearing a cocked hat standing by the lamp-post tries in vain to get a spark from a flint. A stout citizen bends over a cup held by an old woman seated on the right, he stirs it and blows upon it, evidently trying to kindle a light. A dog befouls the obelisk. '. . . Ce Committé se donne bien dela peine pour allumer la grande lanterne. Mais - le vent siffie - les verres sont cassé - comment les raccomoder ? - ' Text, 'Job', xviii. 5."--British Museum online catalogue.
- Description:
- Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "9" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: committee of public instruction -- Lamp-lighters -- Lighting: lamps -- Dutchmen., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
- Found in:
- Beinecke Rare Book and Manuscript Library > Het committè van voorlichting [graphic].
20. Les invisibles [graphic].
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Call Number:
- Auchincloss Gillray v. 11
- Image Count:
- 1
- Abstract:
- "Copy of a French print. A fashionable promenade. Two men walk towards each other, each with a lady hanging to each arm, all have their faces concealed by some part of their dress, hat, or collar, or both. One man has a round hat, with a fantastically curved brim projecting downwards. The other has a huge crescent-shaped cocked hat with the peaks dipping over face and back. Both have high, stiff, pointed collars projecting above the high collars of coat and waistcoat. The ladies wear bonnets with projecting scoops or a straw hat with broad contorted brim, with high neck-ruffles. A couple walk arm-in-arm, and in the background two ladies walk away. Another lady sits alone under a tree (left). The men wear knee-breeches. The ladies wear or carry shawls with their trailing dresses; their flat slippers are en cothurne."--British Museum online catalogue.
- Description:
- Printmaker and date of publication from British Museum catalogue. and Title etched below image.
- Publisher:
- H. Humprey, No. 27 St. James's Street
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
- Found in:
- Beinecke Rare Book and Manuscript Library > Les invisibles [graphic].
21. Napoleon le grande [graphic] / inventé par Dabos ; Alex Tardieu effigiem del.
- Creator:
- Rowlandson, Thomas, 1756-1827, printmaker.
- Call Number:
- Auchincloss Rowlandson v. 12
- Image Count:
- 1
- Abstract:
- "A travesty of a French print, an apotheosis of Napoleon by Tardieu after Dabos. As in the original, the title is on a piece of fringed drapery between two naturalistic eagles; these flank an arc of the globe, its northern summit, more flattened than in the original. On the globe is a map, with 'France' in the centre, flanked (left) by 'Golfe of Venice' and 'Italy' and (right) 'Espagne' and 'Pologne'. On the north are 'Amsterdam Pres Unie' [sic] and 'Whestphalia'. From the summit of the globe rises a pole supporting the face of Napoleon, copied from the original but with the addition of a melancholy frown and transformed by the pole into a decollated head. It is inscribed 'Polar Star' and enclosed in a circle of writhing serpents which takes the place of a laurel wreath. Rays extend from the circle over the greater part of the design, with inscriptions radiating outwards: 'Assisting in the Assassination of Louis the 16th my Benefactor'; 'Murdering the Citizens of Paris under Roberspierre' [cf. British Museum Satires No. 9534]; 'Murdering the Citizens of Toulon' [see British Museum Satires No. 10095]; 'Insulting the Pope robbing and plundering the Churches &c &c.' [see British Museum Satires No. 8997]; 'Poisoning my own Sick Soldiers in the Hospital at Jaffa' [see British Museum Satires No. 10063]; 'Murdering the Duke Danguilme' [d' Enghien, see British Museum Satires No. 10251]; 'Treacherously betraying the king of Spain and his Family' [see British Museum Satires No. 10990]; 'Murdering the inhabitants of Madrid in cold Blood' [see British Museum Satires No. 11000]; 'Murdering Captain Wright in the Temple at Paris' [see British Museum Satires No. 11057]; 'Marrying two Wives and intriguing with the Daughter of one of them' [Hortense, cf. British Museum Satires No. 10362]; 'The Murder of Palm [see British Museum Satires No. 11053] of Hoffer &c &c.'; 'Leading 500000 Frenchmen to perish in Russia by the Severity of the Season 1812' [see British Museum Satires No. 11917, &c.]; 'Loosing another similar Army the following Year in Germany 1813' [see British Museum Satires No. 12093]; 'Writing lying Bulletins' [see British Museum Satires No. 11920]; 'Loosing all the Colonies Commerce and Shipping' [cf. British Museum Satires No. 10439, &c.]. At this point, in the upper right corner, an open cask inscribed 'Dutch Comet', divides the inscriptions. A fat Dutchman smoking a pipe sits astride it; he directs the contents of the cask against Napoleon (see British Museum Satires No. 12102). The final inscription: 'And for all these brilliant Exploits am now to be sent headlong to the Devil.' In the original the rays are faintly inscribed 'Marie Louise' and 'Roi de Rome'. The design is surmounted by the head of the Devil wearing a spiky crown inscribed 'Damnation', between two oval shields: on one a heart, 'Heart of a Tyrant', on the other a 'Vulture'. These emblems replace a crown between two shields, one with the Napoleonic eagle, the other with the Habsburg eagle. From this centre-piece flames and smoke (replacing olive branches) stream left and right, with a scourge and a barbed trident. The lower corners are decorated with trophies slanting outwards from the eagles: spears, eagles, axes, &c., one spear supporting a placard: 'Flags manufactured for the Empress'. In the original spears are faintly indicated."--British Museum online catalogue.
- Alternative Title:
- Astre brillant, immense, il éclaire, il feconde ...
- Description:
- "Deposée a le Bibloteque Impereale [sic]."--Below lower right corner of image., Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; Grego gives a date of 14 December 1813., Title from text in image., and Two lines of text below image: Astre brillant, immense, il éclaire, il feconde, et seul fait, a son gré, tous les destins du monde, 'Vigée.'
- Publisher:
- R. Ackermann, 101 Strand
- Subject (Name):
- Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
- Found in:
- Beinecke Rare Book and Manuscript Library > Napoleon le grande [graphic] / inventé par Dabos ; Alex Tardieu effigiem del.
22. Past op!!! [graphic].
- Creator:
- Gillray, James, 1756-1815, printmaker.
- Call Number:
- Auchincloss Gillray v. 12
- Image Count:
- 1
- Abstract:
- "Time stands behind an oval table covered with a cloth on which is an hour-glass, its sands nearly run out, standing on a large flat book inscribed 'Traitè de Paix', from which five seals hang evenly. Behind him is a doorway in a stone wall, covered with a curtain, one side of which he holds. With his left forefinger he points upwards at the inscription above the door: 'L'avenir', which is decorated with seven (drooping) ears of corn. The seals are inscribed (left to right): 'F.W.' [Frederick William of Prussia]; 'G Rx', with its ribbon inscribed 'God save the King'; France; a crowned 'C' [Catherine II]; 'Fr. Imp.' [Francis Imperator] (prophetic of the powers that decided the fate of Holland in 1815). 'Le génie du Terns garde la porte de l'avenir;... Qui est le mortel assez hardi, pour oser le penetrer? . . .' Text, 'Proverbs', x. 28. To this is added, in English only, 'St. Matthew', v. 9, 'Blessed are the peacemakers!'"--British Museum online catalogue.
- Description:
- Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "20" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Emblems: hour-glass -- Personifications: Time -- Seven ears of wheat-corn as United Provinces., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
- Subject (Name):
- Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
- Found in:
- Beinecke Rare Book and Manuscript Library > Past op!!! [graphic].
23. Vive le roi! Vive l'empereur. Vive le diable [graphic].
- Creator:
- Rowlandson, Thomas, 1756-1827, printmaker.
- Call Number:
- Auchincloss Rowlandson v. 13
- Image Count:
- 1
- Abstract:
- "A tall French soldier, swarthy, mustachioed, muscular, and sinister stands almost full-face, his mouth open as if shouting. In his large cocked hat are three large favours, one white inscribed 'Vive Le Roi', one tricolour inscribed 'Vive Le Empereur', the uppermost and largest, 'Vive Le Diable', is pink. He holds his musket by the barrel, the butt resting on the ground, in his left hand he holds out a snuff-box. His uniform is neat, but his feet are bare, except for remnants of leather across the instep. By his head in large letters: 'French Constancy' (left) and 'French Integrity' (right). Behind and on a smaller scale are emblems of fickleness: a windmill (left) represents 'French Stability'; an ape and cat embracing, both on their hind-legs, represents: 'French Union between the National Guard and Troops of the Line'."--British Museum online catalogue.
- Alternative Title:
- Vive le roi! Vive le empereur. Vive le diable
- Description:
- Printmaker, publisher, and date of publication from British Museum catalogue., Sheet trimmed within plate mark on bottom edge., and Title etched below image.
- Subject (Name):
- Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
- Found in:
- Beinecke Rare Book and Manuscript Library > Vive le roi! Vive l'empereur. Vive le diable [graphic].