"A whole length portrait of a military officer standing in profile to the left holding papers in his (gloved) left hand; right hand behind his back. He wears a small pigtail, cocked hat, and sash. His sabre hangs very low, resting on the ground. He is Lord Berkeley (1745-1810), colonel of the South Gloucester Regiment (gazetted 14 Mar. 1794), see British Museum Satires No. 5140."--British Museum online catalogue
Description:
Title etched below image., Leaf 72 in an album with the spine title: Characatures by Dighton., Figure identified as "Lord Berkley" in pencil in lower left corner of sheet., and On verso is some arithmetic in pencil, beside which is written "3 plates" in ink.
Publisher:
Pub. Decr. 1801 by Dighton, Charg. Cross
Subject (Name):
Berkeley, Frederick Augustus Berkeley, Earl of, 1745-1810
"The Duke of Grafton stands directed to the left, his head in profile, both (gloved) hands resting on the head of his stick. He wears his accustomed and characteristic dress of an earlier fashion: small tricorne and full-skirted coat buttoned at the waist, with a star, and spurred top-boots."--British Museum online catalogue
Description:
Title etched below image., Leaf 30 in an album with the spine title: Characatures by Dighton., and Figure identified as "Duke of Grafton" in pencil below plate mark.
Publisher:
Pubd. Novr. 20th, 1801, by Dighton, Charg. Cross
Subject (Name):
Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
"Lord Harrington, in uniform, slim and upright, sits his horse in profile to the right. A cane dangles from his right wrist. He has a leopard's skin saddle-cloth."--British Museum online catalogue
Description:
Title etched at bottom of image., Leaf 67 in an album with the spine title: Characatures by Dighton., and Figure identified as "Earl of Harrington" in pencil at bottom of sheet.
"Portrait caricature of George Nugent Grenville when a student at Oxford, whole length, walking in profile to left, wearing academic gown and hat, tight jacket, breeches, glove on his right hand, holding another glove."--British Museum online catalogue
Description:
Title etched below image., Leaf 40 in an album with the spine title: Characatures by Dighton., and Figure identifed as "Ld. G. Grenville" in pencil in lower left corner of sheet.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker, artist
Published / Created:
May 1831.
Call Number:
831.05.00.02+
Image Count:
1
Resource Type:
still image
Abstract:
Grey stands in the center pulling back a curtain on the large painting (right) addressing the three men (probably Peel, Cumberland, and Wellington) who look on in amazement. Grey says, "Gentlemen this is a fine color'd picture representing Futurity. The idea of which was concieved [sic] by an injured people and painted by a new and promising artist. Reform." Reading from the left Peel looks at himself in the painting seated in a chair at a loom, "Why if there a'nt me at a spinning Jenny." Cumberland, hat flying off, looking at himself depicted in the painting on his backside, "And me dying on a dunghill." And Wellington closest to the painting that depicts him as a wounded soldier holding a broom and begging with his cap in hand, observes "And me begging." In the painting is a tower with the British and French flags the former with the year 1814, referencing the Wellington's successful campaign to end the Peninsular War
Description:
Title from text below image. and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by G. Tregear, Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Great Britain. Parliament, Wellington, Arthur Wellesley, Duke of, 1769-1852, Ernest Augustus, King of Hanover, 1771-1851, Peel, Robert, 1788-1850, and Grey, Charles Grey, Earl, 1764-1845
Subject (Topic):
Reform, Politics and government, Begging, Spinning machinery, and Paintings
"The Duchess of St. Albans, fat, flamboyant, moustached, and smiling, stands on a carpeted floor, a glove in one hand, three large feathers in her hair. Curious draperies decorate a deep border to her skirt, and are seemingly intended for money-bags. On the wall is a small framed picture of a melon (cf. British Museum Satires No. 15458). Above: 'Sure thou wert form'd by all the Gods in Council; Who having made a lucky hit, | beyond their journey-work, Cry'd out,--"This is a Woman!"'."--British Museum online catalogue
Alternative Title:
Hugeous Duchess
Description:
Title etched below image., Alternative title etched above image: Hugeous Duchess., "A. Sharpshooter" is the pseudonym of John Phillips; see British Museum catalogue., Watermarked paper: J. Whatman 1829., and Offprint on verso
Publisher:
Pub. by E. King, Chancery Lane
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837
"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image., Mounted on page 117 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 41.2 x 56.7 cm., and Sheet trimmed within plate mark.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
A caricature of Queen Caroline embracing her lover Bartolomeo Bergami
Description:
Title etched below image., Attributed to William Heath; see Curator's comments, British Museum online catalogue registration no.: 1949,1008.49., Probably a later state, with the text "Le cannon est en bas" added at end of title. For a variant state lacking this text, see Lewis Walpole Library call no.: 820.08.28.01+., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Aug. 28, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bergami, Bartolomeo Bergami, Baron., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.