Manuscript on parchment. Possibly produced at the Cistercian abbey of Fitero (between Pamplona and Tudela).
Description:
In Latin., Script: Copied by various hands in Iberian Praegothica., The original sections (articles 1, 2, 7 and 8) have red headings and red decorative line-fillers; 1-line plain initials and numerous 2-line (sometimes 3- or 4-line) plain or flourished initials or litterae duplices intermingled. Many round initials such as C, D, O, Q are filled with a human face ("face initials"); in art. 7 some initials I are zoomorphic and take the shape of a fish (ff. 127r, 134r). Red and purple initials normally alternate. Art. 4 has red initials. The remaining articles are undecorated., Lower edge of many leaves damaged, with loss of text. The final pages worn and smudged., and Binding: ca. 1800. Limp parchment with remains of two leather ties. On the spine the hand-written title "Charta charitatis, liber usuum et institut. Ordinis S. Bernardi. M.S." At the bottom of the spine a label with the handwritten modern number "1280".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment of A collection of copies of grants and concessions made to Jacobo Probo, conte di Pianelle, from Francesco Gonzaga, Marquis of Mantua (1466-1519), and his son Federico II (1500-40). The three documents of Francesco are dated 1496 (ff. 8r-10r), 1514 (ff. 6v-7v), 1516 (ff. 1r-2r); the two of Federico are dated 1519 (ff. 2v-5r) and 1526 (ff. 5v-6r). On f. 10v there is a statement by the notary "Castantius [sic] Iottus" authenticating these copies (dated 18 Oct. 1541). Two documents of Ferdinand II of Aragon, King of Sicily (1452-1516) confirming title to the property in question (ff. 11r-14r) seem to have been added later by another writer
Description:
In Latin., Script: Written in inelegant italic for ff. 1-10; a sprawling running hand for ff. 11-14., and Binding: 15th-16th centuries. Levantine? A single gathering backstitched to the vellum lining of a semi-limp pasteboard folder covered with red-brown goatskin with corner tongues. Blind-tooled with a cross on a pedestal in a border on the upper board and an X on the lower. The design made up of fleurs-de-lis, diamonds with concave sides and flowers, the flowers bordering the turn-ins. Two ribbon fastenings, missing. Some mold and worm damage.
Subject (Geographic):
Connecticut, New Haven., and Mantua (Duchy)
Subject (Name):
Federico II Gonzaga, Duke of Mantua, 1500-1540. and Francesco II Gonzaga, Marquis of Mantua, 1466-1519.
Manuscript fragment on parchment of Jerome's Commentaria in Ezechielem
Description:
In Latin, Script: written in late Carolina minuscule., and Decoration: 1-line initials are in brown rustic capitals; two words in Greek majuscules with a line drawn above them; punctuated with the punctus and punctus elevatus; double quotation marks in the outer margin of the recto.
Manuscript on paper of Alexander de Angelis SJ (1542-1620), Quaestiones in libros Metaphysicorum et Meteorologicorum Aristotelis
Description:
Beinecke MS 839: Foliation error: ff. 157-158 repeated., In Latin., and Binding: Contemporary white parchment over pasteboard. On the spine the handwritten title "De Angelis / Quaestiones / in librum?? / Metaphysic. / Aristotelis".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alessandro degli Angeli., Aristotle., and Jesuits.
In Latin., Script: copied by a single hand in Praegothica still close to Carolina. There are short running headlines in Gothica Cursiva up to f. 124r and again from f. 140v to the end., Large Romanesque initials in red., and Binding: 15th century. Blind stamped leather over wooden boards, repaired and recovered. Flyleaves are from a 12th-century Italian homilary (?).
Manuscript on paper of 1) Ambrosiaster, Commentarius in Epistolam S. Pauli ad Romanos, recensio. 2) Pseudo-Haimo of Halberstadt (here attributed to his pupil Remigius of Auxerre), Commentaries on Romans, 1 and 2 Corinthians, 1 and 2 Thessalonians, 1 and 2 Timothy, Galatians, Ephesians, Philippians, Colossians, Hebrews, Philemon, and Titus
Description:
In Latin., Script: Copied by a group of scribes, all writing a more or less careful Italian Late Carolingian script. There are numerous and extensive alterations and corrections on erasure. Headings in a mixture of Capitals and Uncials., Headings in red. Initials of various styles: (1) plain Romanesque initials, sometimes with developed decoration, in red; (2) more or less large painted initials in various bright colours on coloured background and filled with white vinestem; the body of the letter often filled with various interlace and frets; the vinestem may be issuing from an animal's mouth. Special forms of these painted initials: ff. 88v (wheel-shape), 90r (a snake winding round the shafts of the letter), 126r (outline drawing of vinestem initial), 136v (zoomorphic: bird-shape), 186v (inhabited by two birds), 204v (zoomorphic: dragon-shape), 209r (idem, with head at both ends), 215v (zoomorphic: fish), 216r (zoomorphic: dragon with head at both ends), 222v (inhabited by two birds), 268v (partly zoomorphic: bird), 274v (historiated: head of St. Paul). Initials are lacking f. 197v, 201v., and Binding: Original doeskin over heavy unbevelled wooden boards. On each cover traces of five circular bosses; traces of two straps fixed to the rear cover and clutching over pins in the front cover. On the front cover an inscription largely worn off: "Remigius super epistolas sancti Pauli" (13th century?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ambrosiaster.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript fragment on parchment of the commentaries of Arnobius the Younger and Jerome on the Psalms
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 2- and 3-line initials at the beginning of each commentary are in red uncials; they are frequently decorated with balls or cross-hatching; 1-line initials are in brown uncials with occasional use of rustic capital forms; the first several words of each commentary are written in brown rustic capitals; punctuated with the punctus, punctus elevatus, and punctus versus; hyphenation is in the same ink as the text; accents were added by a later hand.
Manuscript fragment on parchment of Pseudo-Haimo of Halberstadt's Commentarium in Epistolam ad Hebraeos
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 1-line initials are in brown rustic capitals with occasional use of an enlarged minuscule "e"; punctuated with punctus and punctus interrogativus; a contemporary hand has made corrections and altered punctuation in a somewhat lighter ink.
Manuscript on parchment (thick, mottled) of Nicolas Trevet, Commentarius in Boethium
Description:
In Latin., Script: Written in neat round gothic by one scribe who also made corrections to the text., Large initial, f. 1r, in red, with black penwork designs (worn). Plain initials and paragraph marks, in red, throughout. Spaces left for rubrics., Several folios, including first and last, are illegible in sections due to rubbing., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524. and Trivet, Nicholas, 1258?-1328.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Medieval, and Scholia