Caption title., Date based on publisher John Pitts's street address. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 151., In one column with a woodcut above the title., A slip song., In verse., First line: A sweet country life is both pleasant and charming ..., and For further information, consult library staff.
Publisher:
Printed and sold by J. Pitts, No. 14 Great St. Street, Andrew Seven Dials
"A broadside on Matthew Skeggs, a publican who became famous for miming music-making with a broomstick while making matching vocal sounds; with a round mezzotint after a painting by Thomas King, showing Skeggs facing towards the right, next to the portrait an etched broomstick surmounted by a dancing hog, and a suspended horn; with engraved title and verses of one poem and of one song text by Henry Howard in two columns."--British Museum online catalogue
Alternative Title:
Introduction. Each buck & jolly fellow has heard of Skegginello
Description:
Engraved broadside, in verse in two columns., Printmaker identified as Richard Houston in the British Museum catalogue., Date from British Museum., At head of title: Introduction. Each buck & jolly fellow has heard of Skegginello. The famous Skegginallo that grunts so pretty upon his broomsticado. Such music he has made, O. Twill spoil the fiddling trade, O. And that's a pity. ..., and Mezzotint portrait at head signed, with fictitious signature: "G Pigganinne Fecit". After a portrait by Thomas King.
Publisher:
Printed for John Ryall, at Hogarth's Head, in Fleet Street
Tragical ballad, of the unfortunate love of Lord Thomas and fair Eleanor
Description:
In three columns with the title above the first two; a woodcut is in middle of the second column; imprint is below the third column; the columns are not separated by rules., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Verse begins: "Lord Thomas he was a bold forester,"., Mounted on leaf 72. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Publisher:
Printed and sold at No. 4 Aldermary Church Yard
Subject (Geographic):
England
Subject (Topic):
Ballads, English, Man-woman relationships, Murder, Suicide, Courtship, Betrayal, Decapitations, Dead persons, and Daggers & swords
Caption title., The poem is signed "Quod J.C." [J.C., i.e. James Catnach?]., A broadside in two columns announcing the death of Queen Caroline, followed by a poem "A lament for Caroline, the rose of England", the whole text surrounded by a black border., and For further information, consult library staff.
Publisher:
Catnach, printer, 2, Monmouth Court
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
Caption title., In verse., Text within ornamental border., An ode to Queen Caroline, who died soon after the Coronation of her husband George IV, an event to which she was refused entry., First line: The fairest of flowers must shed all its blossom ..., "Price one penny."--Following imprint., and For further information, consult library staff.
Publisher:
Printed & published by B. Johnson, Hudson's-Court, 482, Strand, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Caption title., Date based on publisher John Pitts's street address. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 151., In one column with a woodcut above the title., A slip song., In verse., First line: Twas on the Belfast mountains ..., and For further information, consult library staff.
Publisher:
Printed and sold by J. Pitts, No. 14, Great St. Andrew Street, Seven Dials
Caption title., In verse; without the music., First line: Britons! who have ever been ..., "Price one penny."--Below first imprint., Eight lines of advertisements for "New caricatures" printed at bottom of sheet, including an additional imprint "Printed and published by John Fairburn, 2, Broadway, Ludgate-Hill.", and Edges on upper half of the sheet, mounted in paper frame. For further information, consult library staff.
Publisher:
Published by John Fairburn, 2, Broadway, Ludgate-Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Caption title., In verse; without the music., Date from context., First line: Britons! who have ever been ..., "Price one penny."--Below imprint., Twenty-four lines of advertisements for "New caricatures" printed at bottom of sheet, including an additional imprint "Printed and published by John Fairburn, Broadway, Ludgate Hill.", and For further information, consult library staff.
Publisher:
Printed and published by John Fairburn, Broadway, Ludgate-Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821