"Copy of scene in the "Old Angle In", an inn with the sign of an angel that gives the proprietor as 'Toms. Bates', and a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn."--British Museum online catalogue
Alternative Title:
Stage-coach
Description:
Title from text below image., Copy in reverse of the Hogarth print with the Paulson title: The stage coach, or, The country inn yard. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 167., Date range for publication from the British Museum online catalogue, registration no.: Cc,2.145., "From an unidentified series of copies after Hogarth's prints. The prints in this series are lettered with title, 'Invented & Painted by Wm. Hogarth' and plate number. For the full list of the plates, see BM Satires 3051"--Curator's comments, British Museum online catalogue, registration no.: Cc,2.153., Sheet trimmed to plate mark., and "No. 4"--Upper right corner.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
A crowd of Londoners enjoying a variety of activities on the Nore
Description:
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1827.
"Social satire: a crowd of invalids and loungers on the North Parade in Bath."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Joshua Kirby Baldrey from unverified data in local card catalog record., Published between 1780-1790; see British Museum online catalogue, registration no.: 1948,0214.797., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Bath: North Parade Street -- Prepoint Street -- City buildings -- Walking staves -- Parasols -- Pavement -- Candy in baskets -- Street vending -- Iron fences -- Female costume, 1785 -- Male costume, 1785., 1 print : etching with stipple, hand-colored ; plate mark 272 x 412 mm., and Data in local record (attribution to John Kirby; 1795 date) from Joan Sussler, Lewis Walpole Library.
Publisher:
publisher not identified
Subject (Geographic):
Bath (England),
Subject (Topic):
Gout, Health resorts, City & town life, Terraces, Crowds, Staffs (Sticks), Wheelchairs, People with disabilities, Umbrellas, Wheelbarrows, and Street vendors
"Social satire: a crowd of invalids and loungers on the North Parade in Bath."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Joshua Kirby Baldrey from unverified data in local card catalog record., Published between 1780-1790; see British Museum online catalogue, registration no.: 1948,0214.797., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Bath: North Parade Street -- Prepoint Street -- City buildings -- Walking staves -- Parasols -- Pavement -- Candy in baskets -- Street vending -- Iron fences -- Female costume, 1785 -- Male costume, 1785.
Publisher:
publisher not identified
Subject (Geographic):
Bath (England),
Subject (Topic):
Gout, Health resorts, City & town life, Terraces, Crowds, Staffs (Sticks), Wheelchairs, People with disabilities, Umbrellas, Wheelbarrows, and Street vendors
"Outline of a large crowd with many carriages gathered to watch as men on horseback chase a deer at left."--British Museum online catalogue
Description:
Title etched below image., Approximate date of publication from the British Museum online catalogue, registration no.: 1876,1014.52., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Easter hunt -- Vehicles -- Wagons -- Male costume, ca. 1790., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Horseback riding, Crowds, Hunting, and Deer
A macabre caricature divided into two compartments, The Dandy and The Dangle. On the left, a strutting dandy ties his neckcloth in front of a mirror saying: 'I declare these large Neckcloths are monstrously handy, They [serve] for a shirt too and make one a Dandy.' The right hand image is of a dandy, head covered in a cloth, dangling from a wooden beam with a tie around his neck. Behind him is a town square and in the foreground, a crowd looks on. The image is accompanied by the text: 'When a man comes to this there's little to hope, His neat Dandy Neckcloth is changed for a Rope'.
Alternative Title:
Modern neckcloths
Description:
Title etched below image., Date from dealer's description., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Contemporary manuscript correction in ink of the leftmost speech bubble, with the omitted word "serve" inserted.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Fashion, Great Britain, Clothing & dress, Crowds, Dandies, Mirrors, Neckties, and Hangings (Executions)
Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher wielding clubs; to the left, Ralpho is held by a man with a rope and another with a sword
Alternative Title:
Hudibras vanquished by Trulla
Description:
Title engraved below image., After Hogarth., Twenty-four lines of verse in four columns, two on either side of the title below image: Meanwhile the other campion, Yerst, in hurry of the fight disperst ... restor'd this fiddle and his case.", Copy of no. 508 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 86.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
Hudibras and Ralpho encounter a mob armed with sticks; in the foreground to right, a one-legged fiddler, a butcher and a dancing bear with his leader. On the left, a woman reaches out her arms
Description:
Title engraved below image., Copy of the Hogarth print., Caption below, on either sige of title beginning: "The catalogue and character of th' enemies best men of war; whome ina bold harangue [the] knight defies, and challenges to fight. H' encounters Talgol, routs the bear, and takes the fidler prisoner; conveys him to enchanted castle, there shuts him fast in wooden bastile.", Copy in reverse of no. 506 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 84.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Bears, Crowds, Butchers, Musicians, People with disabilities, Puritans, Riots, and Trained animals
A man beats another man with a walking stick to the amusement of bystanders, who include a fishwife, a milkmaid, a chimney-sweep's boy, etc. A lengthy inscription in a scroll in the upper left corner begins: "Ha ha ha I can't help laughing ..."
Alternative Title:
Laugh and grow fat
Description:
Title from item., Trimmed within plate mark., and Printmaker from British Museum catalogue.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequel to No. 11384. A fantastic scene in Oxford representing Grenville's installation as Chancellor, which took place at Commemoration, 3 July 1810. Grenville rises in a balloon above a vast applauding crowd; his inflated and spherical posterior fits into the shallow bowl which forms the car. He wears a papal tiara and his Chancellor's gown; a large cross is on his posterior. He extends his arms horizontally, scattering symbolical objects. These are (left): a Cardinal's hat, a rosary, a mitre set in a ducal coronet, and a book, 'Liber Regis . . . Oxford . . .'; (right): three books: 'Letter to the Earl of Fingal'; 'Irish Mass Book'; 'Liber Valorum'. The spherical gas-bag of the balloon represents an inflated Lord Temple, the crown of the head at the summit, with upturned profile in the arc just below (left); shoes emerge from the opposite pole; from the posterior issues a tail or cloud, streaming upward, inscribed 'Promisses'. The car, decorated with Popish emblems, the Host between winged heads, hangs from cords suspended from a net covering the balloon. Three bishops, seated on asses which crouch in neighing obeisance towards Grenville, reach up eagerly towards the Cardinal's hat, &c. They are in back view, and in the foreground on the extreme left. Behind them is part of the Radcliffe Camera, the greater part being cut off by the left margin. By the door is a placard: 'Order'd That No Doctor of Laws shall be admitted without Bag Wig'. Two men are leaving the building: Lord George Grenville, followed by (?) Thomas Grenville. [Not Windham (as Wright and Evans say) who died in June. Lord Holland says Lord Grenville, but he does not resemble him, and his double appearance is unlikely.] The Marquis of Buckingham looks from the principal window under the dome; Lord Stafford leans from a smaller window below. All four wear bag-wigs and gowns. On a projection above the door stands a chicken with the head of M. A. Taylor (the 'Chick of Law', see No. 6777) puffing a blast up at the balloon. Spectacled and bewigged owls perch on the balustrade surrounding the dome. In the foreground on the right is a large group, many of whom wear doctor's gowns with black masks over their features, tied over bag-wigs that perch awkwardly on their heads. Three of them wave their mortar-board caps towards the balloon: Erskine, Tierney (without a mask and especially deferential), and Lord Holland, his face completely blackened by a mask and wearing a mob-cap. Behind (right) are Lord Grey, Sidmouth holding a clyster-pipe behind his back (cf. No. 9849), Lord Cholmondeley, whose wig is back to front and tilted tipsily over one eye, and Whitbread, who clutches his mortarboard in both hands. In front little Lord Lansdowne capers, holding up the brush and shovel of a chimney-sweep (as Lord Henry Petty he was satirized as an inveterate dancer, cf. No. 10589). Next him, but walking off to the right, is Sheridan, who, unlike the others, does not wear a gown and bag-wig, but is naked except for tattered Harlequin trousers (cf. No. 9916), shoes, and ruffles fastened round his wrists to indicate genteel poverty; he clutches his head with a despairing gesture. In the foreground on the extreme right. Dr. Crowe, the Public Orator, sits on the ground, leaning against a milestone with closed eyes and a contented smile; beside him are an overturned tankard inscribed 'Whitbread Entire' [cf. No. 10421], and papers, 'Oratio Croweiana', which a dog is befouling. The stone is inscribed [blank] 'Miles from Oxford to Rome'. The middle distance is filled with a dense crowd of spectators, receding into a sea of heads. Those in front are doctors in red gowns bowing low as Grenville ascends. In front of the crowd Sir W. W. Wynn and his two brothers (Grenville's nephews), sit together in a little chaise drawn by three galloping Welsh goats (as in No. 9760); they wear bag-wigs and gowns and raise their caps to Grenville. One of the goats gallops over a prostrate man in doctor's wig and gown. A bishop (the Archbishop of York) drives through the crowd (left to right) in an open barouche; he doffs his mitre; the coachman and three fat footmen standing behind wave their cocked hats. The crowd surrounds a wooden booth (left) and a high wagon which serves as platform for a rustic family group to view the display. The booth is placarded: 'Wonder of the World the biggest Flying Elephant in the Whole Fair'. Inside it, tiny figures peer at the posterior of a vast elephant with little wings and the head of Grenville. The background is a fantastic view of Oxford towers, which resembles, and is perhaps based on, a drawing by Rowlandson (reproduced, C. Hobhouse, 'Oxford', 1939, p. 60). The crowd fills a space between the Radcliffe Camera and the wall of All Souls abutting (right) on the west end of the Chapel. Behind (left) is the cupola over the gate of All Souls with (right) Hawkesmoor's twin towers flanking a 'Popish' cross. Tom Tower, Christ Church, much heightened and enlarged (right), behind the chapel, flies a Popish flag decorated with tiara and keys, and is traversed from top to bottom by a great fissure. Bats and carrion birds fly round it. Below the design: '-He steers his flight Aloft, incumbent on the dusky air That felt unusual weight,-Par, Lost, Lib: I. l, 225-'"--British Museum online catalgoue
Alternative Title:
He steers his flight aloft, incumbent on the dusky air that felt unusual weight. Par. Lost and Tentanda via est qua me quoque possim tollere humo. Virgil, Geor. ...
Description:
Title etched below image., Date based on publication date of the original print by Gillray, of which this is a reduced copy. Cf. No. 11570 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "34" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 93 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Nugent, George Nugent Grenville, Baron, 1788-1850, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Taylor, Michael Angelo, 1757-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Harcourt, Edward, 1757-1847, Fingall, Arthur James Plunkett, Earl of, 1759-1836, Crowe, William, 1745-1829, Cleaver, William, 1742-1815, Randolph, John, 1749-1813, Grenville, Thomas, 1755-1846, Holland, Henry Richard Vassall, Baron, 1773-1840, Whitbread, Samuel, 1764-1815, Tierney, George, 1761-1830, Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Moss, Charles, 1763-1811