Manuscript fragment on parchment of a missal containing: Common of the Apostles; Common of Martyrs; Common of a Martyr; Common of a Martyr not a Bishop; and Common of a Martyr Bishop
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis), with a larger script for the lessons and prayers and a smaller script for the chants., and Decoration: 6- to 7-line initials "I" at the beginning of lessons are in red; other 1-, 2-, and 3-line initials are in red; 1-line initials within lessons are in black highlighted with red; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of a missal containing the Great Litany and St. Anne (26 July).
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis formata), with a smaller script for the chants and a larger one for the prayers and lessons., and Decoration: 2-line initials at the beginning of Masses and lessons and 1-line initials at the beginning of chants and prayers alternate red and blue uncials; 1-line initials within the lessons are in brown highlighted with red; the rubrics are written in red in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation is in the same ink as the text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Anne (Mother of the Virgin Mary), Saint and Catholic Church
Manuscript fragment on parchment of a missal containing Christmas
Description:
In Latin., Script: written in two sizes of gothic script, the small a littera textualis and the large a textualis formata., and Decoration: 1 10-line initial "I" in red; 1- and 2-line initials are in red; other 1-line initials are in black highlighted with red; rubrics are written in red in the same script as the text; foliation written in red; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.
Manuscript fragment on parchment bifolium (thick) of Passion of St. Bartholomew (25 August). Text is continuous
Description:
In Latin., Script: Written in neat but somewhat uneven Beneventan script. Passages added in cramped text hands, (ca. 1250), in lower margins, f. 2r-v., Leaves trimmed with some loss of text along upper and outer margins; portions of f. 2v illegible due to paste and offset impressions of leather turn-ins and wooden boards., and Bifolium used as flyleaf and pastedown.
Manuscript on paper (watermarks trimmed; unidentified) of various prayers
Description:
In German and Latin., Script: Text written in formal gothic by one scribe. Prayers added on the flyleaves, front and back, by several later hands in italic of the 17th century and later. 2- and 1-line initials in blue-grey or orange-tinted red. 1-line initials within the text, with red stroke. Extensive rubrication in orange-tinted red., and Binding: 16th-17th centuries. Sewn on three single, round, vegetable fiber cords laced into wooden boards. "Made" endbands glued on and extending onto the outer face of the boards. Red edges and numerous place marks of vellum or tawed skin on the fore-edge. The spine rounded and lined. Covered in dark brown calf with two brass catches on the upper board and brass clasps hinged to the lower. The lower board is detached and one clasp and some leather at head and tail of the spine are wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustinians. and Catholic Church
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Prayers
Manuscript on parchment of a Psalter, with astrological notes, a Calendar, and other litanies and prayers
Description:
In Latin., Written by two scribes in tiny gothic textura. Scribe 1: ff. 2v-91v; Scribe 2: ff. 91v (last folio of quire 8)-95v. Several later hands have added scribbles, prayers, and inscriptions on ff. 1r-2r, 10r, 95v, 96r, 97v, 98r, 99r., Small (6-line) and rather crude historiated initials. The initials for Ps. 52 (the Fool) and Ps. 109 (the Trinity) are missing. In each initial, the figure drawn in black and colored pink, green, and/or blue on a gold ground; the initials attached to cusped, tapering bar border, blue, red, and gold, with white highlights, with ivy terminal, black with red and green leaves. Gold and blue calligraphic initials (2-line), with blue and red penwork respectively; 1-line initials, alternating red and blue. KL monograms, gold on red and blue, with white highlights. Because the initial I was placed in the margin without an inset space in the text, the illuminator often missed it (e.g., for Ps. 70 on f. 42r; for Ps. 113 on f. 62r, and for Ps. 125 on f. 68v)., and Binding: 15th-16th centuries. Resewn on three two-layered tapes of tawed skin attached to wooden boards. The endband cores are of tawed skin with a tawed skin braid at the head, a new endband added at the tail. The spine is square and the cover adhered to it. Covered in tawed skin, originally pink, with corner tongues. Cover repaired at spine and two corners and two silver clasps added. In a flexible grey leather pouch.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Astrology, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript on parchment of a Psalter-Hymnal, written for a Benedictine monastery. On the rear flyleaf, a fragment of the Gospel of Mark, 1:24-31 and 36-42, in West-Saxon translation
Description:
In Latin and Anglo-Saxon., Script: Copied by three scribes, all writing Northern Gothica Textualis Formata. The fragment is copied in careful Anglo-Saxon Minuscule., The decoration consists of 1-line plain initials alternately in red and blue in the text; 2-line flourished initials in blue with red penwork with marginal extensions; 3- and 5-line litterae duplices with partial or full penwork borders (J-motifs) as indicated in art. 2. Litterae duplices also on ff. 116r, 133v, 143v (artt. 3, 6 and 7)., and Binding: Original undecorated leather over oak boards (?). Spine with three raised bands. Traces (?) of one clasp.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines. and Catholic Church
Subject (Topic):
Liturgy, Hymns, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Psalters
Manuscript on paper (heavy, rough) composed of four parts. Part I: Excerpts (divided into three parts) from the Malogranatum of Gallus, abbot of the Cistercian abbey of Koenigssaal, Bohemia. Part II: 3) Thomas a Kempis, Tractatus de imitatione Christi et contemptu omnium vanitatum mundi, Book I only. 4) Unidentified Fasiculus florum or Fasiculus morum. 5) Brief excerpts from Augustine and Jerome. 6) Unidentified excerpts dealing primarily with defects in the performance of the mass. Part III: 7) Unidentified extracts on virtues and vices. 8) Series of exempla of virtues and vices perhaps intended as illustrations for the selections quoted in art. 7. 9) Exemplum of Udo, Abp. of Magdeburg. Part IV (parchment): Unidentified text
Description:
In Latin., Watermarks: Part I: unidentified monogram buried in gutter. Parts II and III: similar in design to Piccard Buchstabe P XVI.301-29., Script: Part I (ff. 1-154): Copied by one person in a poorly formed, abbreviated gothic cursive. Part II (ff. 155-202): Written by two scribes: 1) ff. 155r-196r in hybrida; 2) ff. 196v-199v in hybrida. Part III (ff. 203-248): Written in neat gothic cursive by a single scribe. Part IV (ff. 249-256): f. 249r-252r (first column) written in small neat gothic textura; ff. 252r (col. b) - 255r written in gothic cursive., Part I: Small knobby initials, 3- to 2-line, in red. Underlining, paragraph marks, initial strokes, and circles enclosing marginal annotations by the scribe, in red, throughout. Part II: Scribe 1) Incipits, knobby initials (3-line), strokes on initials, in red; 2) Crudely drawn initials (2-line), paragraph marks, strokes on initials, and underlining for headings, in red. Part III: Many plain initials, 2- to 1-line, headings, initial strokes, and lines drawn through the names of authors cited, in red. Notes to rubricator, many perpendicular to text along outer edge of leaf. Part IV: Small plain initial (f. 249r) in red., The patterns of water damage and stains indicate that the codex originally consisted of several booklets., and Binding: Fifteenth century. Bound in the Charterhouse of St. Barbara in Cologne. Vellum stays in the center of the gatherings and their backs cut in about 3 mm. at each sewing station. Sewn on four, double, vegetable fiber supports laced into oak boards and pegged as are the plain, wound endbands. Covered in light brown calf with very narrow corner tongues and defined supports. Blind-tooled with intersecting diagonal fillets with roses, two-headed eagles, crowned swans and fleurs-de-lis in the compartments, inside an outer frame. Trace of a catch on the upper board; edge of the lower one cut in for a strap. Rebacked and clasp wanting. Front and back flyleaves, formerly pastedowns, from a liturgical manuscript (Germany, 12th-13th centuries) containing Office of the Dead. Responses to the first five lessons are Qui lazarum, Heu michi, Ne recorderis, Domine quando, Peccantem me cottidie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Christian literature, Latin (Medieval and modern), Didactic literature, Latin, Exempla, and Manuscripts, Medieval
Manuscript on paper (thick with heavy chain lines) of Sermons by Graeculus O.F.M. (early 14th century) and Conradus de Waldhausen Can. Reg. (d. 1369). With additional sermons
Description:
In Latin., Script: Copied by various hands all writing Gothica Cursiva Antiquior Currens. Scribes in quires I-V often make remarkable extensions to majuscules or ascenders on the first line, decorated with foliage or grotesque heads., Headings, heightening of majuscules and plain initials in red applied very irregularly and totally missing on ff. 26v-29v, 30v-118v, 119v-130v and 135v-138v. Some 2- or 3-line initials of coarse execution, with or without guide-letters; most initials are not executed., and Binding: Damaged original limp parchment with flap, made from several pieces of parchment sewn together by means of parchment strips. The sewing runs through the spine and is gathered in decorative patterns over two strips of heavy leather.
Manuscript on parchment, composed of 7 parts bound together
Description:
In Latin., Script: Each part written in different hand., and Binding: Eighteenth century. Damaged: sprinkled brown leather over cardboard. Spine with five raised bands, gold-tooled, with gold-tooled title on a red leather label: "MANUSCRIPT". Red sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, à Becket, Saint, 1118?-1170. and Catholic Church