Manuscript on paper of 1) Ambrosiaster, Commentarius in Epistolam S. Pauli ad Romanos, recensio. 2) Pseudo-Haimo of Halberstadt (here attributed to his pupil Remigius of Auxerre), Commentaries on Romans, 1 and 2 Corinthians, 1 and 2 Thessalonians, 1 and 2 Timothy, Galatians, Ephesians, Philippians, Colossians, Hebrews, Philemon, and Titus
Description:
In Latin., Script: Copied by a group of scribes, all writing a more or less careful Italian Late Carolingian script. There are numerous and extensive alterations and corrections on erasure. Headings in a mixture of Capitals and Uncials., Headings in red. Initials of various styles: (1) plain Romanesque initials, sometimes with developed decoration, in red; (2) more or less large painted initials in various bright colours on coloured background and filled with white vinestem; the body of the letter often filled with various interlace and frets; the vinestem may be issuing from an animal's mouth. Special forms of these painted initials: ff. 88v (wheel-shape), 90r (a snake winding round the shafts of the letter), 126r (outline drawing of vinestem initial), 136v (zoomorphic: bird-shape), 186v (inhabited by two birds), 204v (zoomorphic: dragon-shape), 209r (idem, with head at both ends), 215v (zoomorphic: fish), 216r (zoomorphic: dragon with head at both ends), 222v (inhabited by two birds), 268v (partly zoomorphic: bird), 274v (historiated: head of St. Paul). Initials are lacking f. 197v, 201v., and Binding: Original doeskin over heavy unbevelled wooden boards. On each cover traces of five circular bosses; traces of two straps fixed to the rear cover and clutching over pins in the front cover. On the front cover an inscription largely worn off: "Remigius super epistolas sancti Pauli" (13th century?).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ambrosiaster.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript fragment on parchment of the commentaries of Arnobius the Younger and Jerome on the Psalms
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 2- and 3-line initials at the beginning of each commentary are in red uncials; they are frequently decorated with balls or cross-hatching; 1-line initials are in brown uncials with occasional use of rustic capital forms; the first several words of each commentary are written in brown rustic capitals; punctuated with the punctus, punctus elevatus, and punctus versus; hyphenation is in the same ink as the text; accents were added by a later hand.
Manuscript on paper (trimmed), with parchment bifolios interspersed, of Julius Caesar, Commentary on the Gallic Wars, translated into French by Jean Duchesne. Written for Jacques Donche, counselor of Charles the Bold of Burgundy
Description:
In French., Watermarks: similar to Briquet Armoires: Trois fleurs de lis 1741., Script: Written in neat batarde script by Hellin de Burchgrave., Ten half-page miniatures, each in an arched frame composed of two thin bands, gold and red highlighted with white, edged in black, the arch with tiny cusps; beneath, initials, 6-, 4-, or 3-line, blue or blue and red with white highlights on a gold ground of irregular shape conforming to the letter, edged in black, with serifs protruding into the left margin; filled with green and/or red and crimson trilobe leaves on curling stems with white and/or yellow highlights, or with a blue, green, crimson, and gold diapered ground with white highlights. Three smaller miniatures, 12- or 14-line, occasionally cut off at the upper edge so as to fill only part of a line of text; frames rectilinear, otherwise identical to those described above, Beneath, 2-line initials, blue, with white highlights, filled with trilobe leaves, as above, once (f. 25r) with one leaf of spiky acanthus added, and once (f. 256r) with a pink ground with gold filigree. There is a blank space on f. 27r for another miniature of this type. Other decoration consists of 2-line calligraphic initials, paragraph marks, line fillers (spirals and heraldic dragons), page and chapter headings, all executed in red. The first one or two lines of some books (as well as occasional lines within the text) are underlined in red., A few folios have tears in the margins., and Binding: Eighteenth century. Spattered and gilt edges. Red goatskin, gold-tooled, with the arms of Eugene of Savoy on cover and his monogram on spine.
Subject (Geographic):
Connecticut, New Haven., and Gaul
Subject (Name):
Caesar, Julius.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and History
Manuscript fragment on parchment of Pseudo-Haimo of Halberstadt's Commentarium in Epistolam ad Hebraeos
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 1-line initials are in brown rustic capitals with occasional use of an enlarged minuscule "e"; punctuated with punctus and punctus interrogativus; a contemporary hand has made corrections and altered punctuation in a somewhat lighter ink.
Manuscript on parchment (thick, mottled) of Nicolas Trevet, Commentarius in Boethium
Description:
In Latin., Script: Written in neat round gothic by one scribe who also made corrections to the text., Large initial, f. 1r, in red, with black penwork designs (worn). Plain initials and paragraph marks, in red, throughout. Spaces left for rubrics., Several folios, including first and last, are illegible in sections due to rubbing., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524. and Trivet, Nicholas, 1258?-1328.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Medieval, and Scholia
Manuscript fragment on parchment leaf of Pseudo-Bede, Commentarius in Psalmos. The fragment contains Ps. 77:68-78:13, PL 93.909-914. The lemmata are announced by means of paragraph marks in the shape of gallows. There are many corrections; additions are written in the upper margins or vertically in the intercolumnar space, in the same way as in MS 517
Description:
In Latin., Script: Written in a careful small late Carolingian script., The upper corners and the lower part of the leaf have been trimmed with loss of text., and The fragment was used as cover for a binding of a 16th-century book, f. 1v being the outer side. On what was the spine a handwritten title is vaguely legible "SCHOLIA SAL*** TAN*"; on the front cover the letters "M C E //" and the date "15//" are stamped.
Manuscript on paper and parchment of Walter Burley's Commentary on Aristotle
Description:
In Latin., Script: copied by one hand in highly abbreviated Gothica Cursiva Libraria., The entire manuscript is damaged by moisture and the text has become extremely pale or is entirely lost on sections of almost all pages. Brittle lower edges., and Binding: S. XVII (?) binding: brown blind-tooled leather over bevelled wooden boards. Both covers decorated with frames of fillets and rolls, the central panel with a strapwork pattern. Two clasps attached to the front board, with rectangular decorated brass catches on the rear board.
Manuscript fragment on parchment of an unidentified commentary on Galatians
Description:
In Latin., Script: written in Caroline minuscule with archaic features such as half-uncial "g", "rt" ligature, and occasionally half-uncial "a"., and Decoration: 1-line initials are in brown uncials with an enlarged minuscule "e"; punctuated with the punctus for major pauses and the punctus elevatus for minor pauses.
Manuscript fragment on parchment of an unidentified commentary on Luke
Description:
In Latin., Script: written in small, highly abbreviated gothic script (littera textualis currens)., and Decoration: 1-line initials in black; punctuated with the punctus; accents added by a later hand.
Manuscript on paper (unidentified watermarks, trimmed) and parchment (f. 1) of Sozomenus Pistoriensis, Commentary on Persius
Description:
In Latin., Script: Written in a neat humanistic script in 1461 by Bartholomaeus Baldinotti., Small initials, in red, mark the beginning of prologue and each satire., and Binding: Nineteenth century. Vellum case.