"Five passengers sit together on a bench against the side of a ship, all but a small boy, seemingly a mulatto, manifesting misery or resignation. The others (left to right) are a woman shrouded in black except for her chin, a planter in a long coat and broad-brimmed hat, his wife's arm through his. A fat and hideous negress, awkwardly asleep. The deck is level."--British Museum online catalogue
Description:
BEIN BrSides Box 2020 131: Inscription on verso: Alfred I. Schofield, Newcastle on Tyne., Title from caption below image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified in the British Museum catalogue., Temporary local Medical Library subject terms: Seasickness., 1 print : etching, hand-colored ; sheet 151 x 206 mm., and Sheet trimmed within plate mark.
"Portrait of George III, half-length, slightly turned to the left, in gold-laced military uniform with the lapels buttoned back, a cocked hat over his neat powdered wig, epaulettes on his shoulders and the star of the Garter pinned to his breast, after Beechey"--British Museum online catalogue
Alternative Title:
His most gracious Majesty King George III
Description:
BEIN BrSides Folio 2019 217: On sheet 59.7 x 43.4 cm. Forms part of the Benjamin Franklin Collection., Title from caption below image., and Sheet trimmed within plate mark: 39.3 x 27.8 cm.
Publisher:
Pub'd March 2, 1812 by Boydell & Co., 90 Cheapside, London
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
publish'd according to Act of Parliament Sept 29, 1750.
Call Number:
750.09.29.01+
Image Count:
1
Resource Type:
still image and text
Abstract:
"A broadside on the trial of the robber James Maclaine; with an etching showing the interior of a court room, the judges seated on the left, Maclaine standing on the right, in the middle background a lady standing, giving evidence in his favour; and with engraved title and letterpress text giving an account of the trial in three columns."--British Museum online catalogue
Description:
Title and imprint from engraved text below image at top of sheet., Among Maclaine's other crimes is the robbing of the Salisbury Coach at Turnham Green on 26 June 1750, when he was disguised using a Venetian mask. In 1749 he robbed a coach in which Horace Walpole was a passenger; he took Walpole's watch in this incident which is mentioned in the final paragraph., and Watermark in center of sheet: Fleur-de lis.
Publisher:
Printed for T. Fox in the Old Baily
Subject (Geographic):
England., England, and London.
Subject (Name):
Maclaine, James, 1724-1750, and Maclaine, James, 1724-1750
Subject (Topic):
Brigands and robbers, Trials (Robbery), Courtrooms, Criminals, Judicial proceedings, and Broadsides
Letterpress broadside with a hand-colored etched and engraved header illustrating the use of a fire-engine at the site of the Cornhill fire, which occurred on 25 March 1748
Description:
Caption title from letterpress text. and Annotations on verso. For further information, consult library staff.
"Prince Arthur kneeling to right, the paper with King John's order on the ground in front of him, clinging to Hubert's leg when faced with the executioners, who kneel to left with a brazier and a hot iron to blind the boy, while Hubert stands with one hand on a table set with an hourglass, book and crucifix, the other at his head, torn between his duty and his affection for the prince"--British Museum online catalogue
Description:
Title engraved below image.
Publisher:
Pub. Decr. 1 1798 by J. & J. Boydell, No. 90 Cheapside & at the Shakspeare Gallery, Pall Mall
"King Lear at the centre, his arm raised and looking up towards the dark sky, as Kent, behind him, attempts to coerce him out of the storm; Edgar, dressed as Tom O'Bedlam, sits huddled by a scant wooden shelter on the lower right, the Fool on the left crouching and looking warily towards Edgar, behind him stands Gloucester, holding a raised torch and reaching out his hand to Lear."--British Museum online catalogue
Description:
Title from published state., Lettered below image with title, two lines of verse from 'King Lear', Act III, Scene IV: "Off, off, you lendings. Come, unbutton here. (Tearing off his clothes.)]", Numbered '50' in lower left., Sheet trimmed within plate mark., and Mounted to 52 x 65 cm.
Publisher:
Publish'd March 25, 1793 by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90 Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"In the tower of London, Dighton and Forrest carry the murdered princes down stairs in their bedclothes, another man reaching up to receive them at left at the foot, only his hands seen"--British Museum online catalogue
Description:
Title engraved below image., Lettered above title "Shakspeare." in open letters., Sheet trimmed within plate mark., Mounted to 59.7 x 39.8 cm., and Embossed with ownership stamp "W".
Publisher:
Published Jany. 1st, 1795, by John & Josiah Boydell, at the Shakspeare-Gallery, Pall-Mall & at No. 90 Cheapside, London
"In the tower of London, Dighton and Forrest stand beside the bed of the two princes who are asleep, arms around each other, a book open at their side over a rosary. Dighton and Forrest hold a pillow, ready to smother the princes."--British Museum online catalogue
Description:
Title engraved below image., Description based on imperfect impression; sheet trimmed within plate mark., and Mounted to 39.5 x 60 cm.
Publisher:
Published June 4th, 1790, by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall & at No. 90 Cheapside