A copy (cropped) of Hogarth's fifth plate: Hudibras is sprawled on the ground with Trulla, a large country-woman, astride him fending off angry villagers, including a cobbler and a butcher who are wielding clubs; to the left, Ralpho is flanked by a man with a rope (mostly cropped from this image) and another who holds a sword
Alternative Title:
Hudibras vanquished and protected by Trulla and Hudibras vanquished by Trulla
Description:
Title engraved below image., Title from Paulson: Hudibras vanquished by Trulla., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "5" in upper left corner., Fifteen lines of verse in three columns, below image: Mean while the other campions Yerst In hurry of the fight disperst ... This stopt their fury, and the Basting Which towards Hudibras was hasting., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, volume 1, nnumber 508, Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 86., and From a set of twelve prints, all with two sewing holes along left edge.
Publisher:
Robert Sayer
Subject (Geographic):
Great Britain and England.
Subject (Name):
Butler, Samuel, 1612-1680.
Subject (Topic):
History, Puritans, Butchers, Crowds, Fighting, Peasants, Shoemakers, and Women
"Two adjacent designs: on the left Sheridan drink-sodden and blear-eyed, stoops obsequiously, right hand on heart, hat held low, directed to the right. He says, slyly, "Gentlemen, it is with the most unfeigned submission I present myself to Your Notice, most Humbly requesting your kind suffrages to return me (although unworthy) one of Your representatives for the great City of Westminster, and when I consider whom I succeed, I cannot but sincerly [sic] deplore his loss, but much more so my inadequacy to fill his place, and can only most solemnly promise to exert the utmost of my poor abilities to keep my place." On the right Sheridan with legs astride, hands thrust in his breeches pocket, hat on his head, still drink-sodden and sly, but more alert, says, looking to the left: "Electors, I feel a satisfaction in my own bosom (which I cannot refrain from expressing,) that my transcendant Merit fully entitle me to be chosen your representative, and that you have barely done yourselves justice in returnig [sic] me, why you must have been cursed fools if you had not, & as to that Mr Paul & Mr Cobbett, their speeches are so ungentlemanlike that I do not think it worth my while to answer them, why the fellows say I get drunk one half the day, & lie in bed the other, I dont chuse to answer that, they say I don't pay my Debts Fools! what did I want to get into Parliament for, they say I have never signed those measures since I have been in administration which I so strongly declared necessary while out of Office, this shews their Ignorance! why should I propose reform now when all my Friends have got to be served.""--British Museum online catalogue
Alternative Title:
Canvassing candidate
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark on top edge., Window mounted to 36 x 51 cm., and Mounted opposite page 621 (leaf numbered '58' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. Decr. 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Cobbett, William, 1763-1835., Paull, James, 1770-1808., and Sheridan, Richard Brinsley, 1751-1816.
Print shows three fashionable dandies in a well-furnished room. One (left) sings, seated, and with a leg resting on a second (lyre-backed) chair; he leans sentimentally, hand on heart, towards a lutanist reclining on a (Regency) sofa playing an ornate curiously shaped instrument. The third stands behind the sofa, playing a flageolet, and admiring himself in a mirror above the ornate fireplace. The vocalist holds an open music-book: 'Love has eyes.' On the floor beside him are two others: 'The Lovesick Swain set to Music' and 'Our Warbling Notes and Ivory lutes Shall ravish every ear.' Two whole length portraits flank the mirror, one of a lady in quasi-Elizabethan dress, the other of a man similarly dressed, both having pinched waists and full busts. Below one is a picture of 'Vacuna' [Goddess of rural leisure], a blowzy woman lying under a tree; below the other, a grotesque 'Narcissus' admires his reflection. On the end of the sofa sits a grotesquely clipped (and dandified) poodle suckling puppies
Alternative Title:
Dandy trio and Hummingbirds, or, A dandy trio
Description:
Title etched below image., After a design by amateur caricaturist John Sheringham; see British Museum catalogue., Later state, with G. Humphrey's original imprint replaced. For an earlier state, see no. 13446 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., A reissue of a print originally published 15 July 1819 by G. Humphrey. This later state was included in Thomas McLean's 1835 collective reissue of several Cruikshank etchings entitled "Cruikshankiana : an assemblage of the most celebrated works of George Cruikshank ...", and Sheet trimmed within plate mark.
Publisher:
Pubd. by Thos. McLean, 26, Haymarket
Subject (Geographic):
England, London, England., and London.
Subject (Topic):
Dandies, Fashion, Clothing and dress, British, Interiors, Musicial instruments, Musicians, Music, Parlors, and Poodles
Caption title., Date based on publisher John Pitts's street address. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 151., In one column with a woodcut above the title., A slip song., In verse., First line: I canna like you gentle Sir ..., and For further information, consult library staff.
Publisher:
Printed and sold by J. Pitts, 14, Great St. Andrew Street, Seven Dials
"John Bull, as a burly and ugly sailor, sits enthroned (right), listening to Melville's plea of innocence. Melville, in Highland dress, and wearing a feathered bonnet, stands in profile to the right. with clasped hands and flexed knees; he says: "Indeed Mr Bull - I knaw nae more aboot it - than Johnny Groat o'the Highlands." Trotter lurks behind him (left) furtively twitching his superior's kilt, and jerking his thumb to the left.; he says: "Take my advice - and let us Trot off while we are well, he looks confounded inquisitive." John scowls and glares pugnaciously, saying, "Why Look ye - de ye see - I dont come for to go for to say - exactly, that you sack'd the cole - all I say is the Shiners set sail - and as you had the care of the Hatches - it is, likely, you should know what Port they steer'd into! I say let's look at your log book Old one." He wears striped trousers and a knotted scarf; in his hat is a tobacco-pipe. His chair stands on a dais and is decorated with a crowned anchor and dolphins."--British Museum online catalogue and A satire on Henry Dundas, 1st Viscount Melville, who was accused of appropriating funds for non-naval purposes during his tenure as Lord of the Admiralty. Dundas was the most prominent Scottish politician of his era and instrumental in the progress of the Scottish Enlightenment. He is controversial today through his delaying the abolition of slavery for several years
Alternative Title:
Iohn Bull makeing a naval enqury and John Bull making a naval enquiry
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Publisher's advertisement in lower right: Folios of caracatures lent out for the evening.
Publisher:
Pubd. April 1st, 1805, by S.W. Fores, 50 Piccadilly
Subject (Name):
Dundas, Henry, 1742-1811, Dundas, Henry, 1742-1811., and Trotter, Alexander, 1750-1830
Subject (Topic):
John Bull (Symbolic character), Sailors, British, Thrones, Ethnic stereotypes, and Pleading (Begging)
publish'd according to Act of Parliament Sept 29, 1750.
Call Number:
750.09.29.01+
Image Count:
1
Resource Type:
still image and text
Abstract:
"A broadside on the trial of the robber James Maclaine; with an etching showing the interior of a court room, the judges seated on the left, Maclaine standing on the right, in the middle background a lady standing, giving evidence in his favour; and with engraved title and letterpress text giving an account of the trial in three columns."--British Museum online catalogue
Description:
Title and imprint from engraved text below image at top of sheet., Among Maclaine's other crimes is the robbing of the Salisbury Coach at Turnham Green on 26 June 1750, when he was disguised using a Venetian mask. In 1749 he robbed a coach in which Horace Walpole was a passenger; he took Walpole's watch in this incident which is mentioned in the final paragraph., and Watermark in center of sheet: Fleur-de lis.
Publisher:
Printed for T. Fox in the Old Baily
Subject (Geographic):
England., England, and London.
Subject (Name):
Maclaine, James, 1724-1750, and Maclaine, James, 1724-1750
Subject (Topic):
Brigands and robbers, Trials (Robbery), Courtrooms, Criminals, Judicial proceedings, and Broadsides
Caption title., Date based on publisher John Pitts's street address. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 151., In one column with a woodcut above the title., A slip song., In verse., First line: As through the groves young Johnny did pass ..., and For further information, consult library staff.
Publisher:
Printed and sold by J. Pitts, No. 14, Great St. Andrew Street, 7 Dials
"Prince Arthur kneeling to right, the paper with King John's order on the ground in front of him, clinging to Hubert's leg when faced with the executioners, who kneel to left with a brazier and a hot iron to blind the boy, while Hubert stands with one hand on a table set with an hourglass, book and crucifix, the other at his head, torn between his duty and his affection for the prince"--British Museum online catalogue
Description:
Title engraved below image.
Publisher:
Pub. Decr. 1 1798 by J. & J. Boydell, No. 90 Cheapside & at the Shakspeare Gallery, Pall Mall
"King Lear at the centre, his arm raised and looking up towards the dark sky, as Kent, behind him, attempts to coerce him out of the storm; Edgar, dressed as Tom O'Bedlam, sits huddled by a scant wooden shelter on the lower right, the Fool on the left crouching and looking warily towards Edgar, behind him stands Gloucester, holding a raised torch and reaching out his hand to Lear."--British Museum online catalogue
Description:
Title from published state., Lettered below image with title, two lines of verse from 'King Lear', Act III, Scene IV: "Off, off, you lendings. Come, unbutton here. (Tearing off his clothes.)]", Numbered '50' in lower left., Sheet trimmed within plate mark., and Mounted to 52 x 65 cm.
Publisher:
Publish'd March 25, 1793 by John & Josiah Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90 Cheapside, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"In the tower of London, Dighton and Forrest carry the murdered princes down stairs in their bedclothes, another man reaching up to receive them at left at the foot, only his hands seen"--British Museum online catalogue
Description:
Title engraved below image., Lettered above title "Shakspeare." in open letters., Sheet trimmed within plate mark., Mounted to 59.7 x 39.8 cm., and Embossed with ownership stamp "W".
Publisher:
Published Jany. 1st, 1795, by John & Josiah Boydell, at the Shakspeare-Gallery, Pall-Mall & at No. 90 Cheapside, London