Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
Manuscript on paper (sturdy, polished). Pages 99-170 contain Sermons and Lives of Saints for December 20 to February 2. Notations within the codex concerning the appropriate time for reading each item (e.g., "at the table") suggest that the collection was intended to be read aloud in a monastery
Description:
In Greek., Watermarks consisting of a hat surmounted by six-pointed star, with countermark of cloverleaf plus the letter P and unidentified letter., Script: Written by a single scribe in a bold and carefully executed minuscule., Large initials, 7- to 5-line, skillfully drawn in red with many floral appendages, occur at the beginning of each sermon. Long rubricated incipits and small initials throughout the codex., Most pages are water- and wax-stained; some leaves have been repaired, others remain torn., and Binding: Twentieth century. Brick-red goatskin, blind- and gold-tooled by the same binder as MS 241.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Christian hagiography, Manuscripts, Medieval, Monasticism and religious orders, and Sermons
Manuscript on paper (sturdy). Pages 9-1315 contain Sermons and Lives of Saints for March 25 through August 29. The manuscript is composed of three parts; the second two serve to complete a text that was either unfinished or damaged
Description:
In Greek., Watermarks: anchor within a circle and surmounted by a six-pointed star, all three parts with assorted countermarks., Script: Part I (pp. 1-1315, skips 399): Executed by a single scribe in large bold minuscule. The scribe of Part II notes on p. 1315 that this portion was completed by Cyrillus in 1585 at the monastery of St. Simon Petras, with the subvention of Constantinus. Cyrillus' own signature occurs on p. 1323. Part II (pp. 1315-323): Written by a single scribe in a smaller, more calligraphic minuscule than Part I. Part III (pp. 1324-1334): Executed by a single scribe who signed and dated the section on p. 1334: Ioasaph, 15 January 1651., Part I: Intricate headpiece of vine-tendrils within rectangular blocks, outlined in black and filled with red, yellow, and pale gold (p. 9). Large initials, 10- to 8- line, of similar design and colors, appear for each new text together with narrow headpieces. Some instructions for the rubricator remain along upper and lower edges. Part II: Simple headpiece in black and red (p. 1316); one ornamental initial, 5-line, sprouting floral motifs on same page, in red. 2-line initials in gold. Part III: Headpiece of plaited design, in red and burnt orange (p. 1324); single decorative initial, 9-line, at beginning of text., and Binding: Nineteenth century. Half bound in purple calfskin with watered cloth sides. "Lectionary. Greek MS. Mt. Athos 1555" on spine.
Subject (Geographic):
Connecticut, New Haven., and Athos (Greece)
Subject (Name):
Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, and Sermons
Manuscript on paper of 1) Table of Contents. 2) Praefatio in Gregorii Nazianzeni orationes, translated into Latin by Rufinus of Aquileia (Rufinus Aquileiensis, c. 345-411). 3) Gregory of Nazianzus (Gregorius Nazianzenus, d. c. 390), Apologeticus, Latin translation by Rufinus of Aquileia. 4) Gregory of Nazianzus, De epiphaniis sive de natali Domini. 5) Gregory of Nazianzus, De luminibus, quod est de secundis epiphaniis. 6) Gregory of Nazianzus, In semetipsum de agro regressum. 7) Gregory of Nazianzus, Ad cives Nazianzenos gravi timore perculsos et praefectum irascentem. 8) Gregory of Nazianzus, De Pentecoste et de Spiritu Sancto. 9) Gregory of Nazianzus, De reconciliatione et unitate monachorum. 10) Gregory of Nazianzus, De grandinis vastatione. Ends incomplete. 11) Gregory of Elvira (Gregorius Illiberitanus, d. after 392), De fide orthodoxa. Missing beginning. Often ascribed to Gregory of Nazianzus and erroneously considered a Latin translation by Rufinus of Aquileia
Description:
In Latin., Watermark: var. Briquet 2482., Script: Copied by one hand in small Humanistica Cursiva Libraria., Pale red headings. Plain initials (Capitals) in pale red ink, 2-3 lines., The paper is at places slightly damaged by the acid ink., and Binding: Nineteenth century. English brown polished calf over pasteboard, both covers and turn-ins framed with gold-tooled fillets. Back repaired. Gold-tooled title on spine "GREGORI NAZIANZENIS OPUSCULA LATINA INTERPRETE RUFFINO. M.S. CART 1494". Grey paper endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory, of Nazianzus, Saint.
Subject (Topic):
Doctors of the Church, Manuscripts, Medieval, Sermons, and Theology
Manuscript on parchment in two volumes. Vol. 1: Gospels of Matthew and Mark. Begins in the middle of Matthew 5.17. Volume 2: Gospels of Luke and John. Both volumes exhibit the same physical format and were clearly bound together at an earlier date
Description:
In Greek., Script: Written by a single copyist in minuscule script, with headings and tables of chapters in uncials; writing runs through guide-lines rather than sitting on them., Full page portraits of Mark, Luke, and John; all are depicted on gold. Mark holds a codex in his left hand and touches his chin with the right. Luke (f. 3v, Vol. 2) writes in an open codex he is holding in his lap, while John (f. 87v, Vol. 2) holds a scroll bearing the opening phrases of his gospel. Illuminated headpieces and ornamental initials in gold with stylized foliage, before each book (except Mark); red initials at beginning of first, tenth, and twentieth lines of text., and Bindings: Volume 1, ca. 1904. Vellum case, gold-tooled. Volume 2, 1961. Orange goatskin gold-tooled, bound by Sidney Cockerell.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment in two volumes. Vol. 1: Gospels of Matthew and Mark. Begins in the middle of Matthew 5.17. Volume 2: Gospels of Luke and John. Both volumes exhibit the same physical format and were clearly bound together at an earlier date
Description:
In Greek., Script: Written by a single copyist in minuscule script, with headings and tables of chapters in uncials; writing runs through guide-lines rather than sitting on them., Full page portraits of Mark, Luke, and John; all are depicted on gold. Mark holds a codex in his left hand and touches his chin with the right. Luke (f. 3v, Vol. 2) writes in an open codex he is holding in his lap, while John (f. 87v, Vol. 2) holds a scroll bearing the opening phrases of his gospel. Illuminated headpieces and ornamental initials in gold with stylized foliage, before each book (except Mark); red initials at beginning of first, tenth, and twentieth lines of text., and Bindings: Volume 1, ca. 1904. Vellum case, gold-tooled. Volume 2, 1961. Orange goatskin gold-tooled, bound by Sidney Cockerell.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of John Lydgate (1375?-1449?), Siege of Thebes
Description:
In Middle English., Script: Copied by one hand in Gothica Cursiva Antiquior Libraria/Formata (Anglicana). The scribe has been identified as being Stephen Doddesham, a Carthusian monk, first in Witham Priory, afterwards in the Charterhouse at Sheen, near London, d. 1481/1482., Red headings and running titles. The latter are preceded by alternately blue paragraph-marks with red penwork and golden paragraph-marks with blue penwork. 6-line foliate initials in pale blue and pink with left-margin floral borders extending into the upper and lower margins, at the beginning of Parts II and III (ff. 13v and 33v); the same type of initial with similar but four-margins border at the opening of the Prologue (f. 1r). There were only two 3-line dentelle initials with short marginal extensions, namely on f. 20v (now cut out, v. 1569, speech of Adrastus) and 25r (v. 1901, speech of Tideus)., and Binding: Nineteenth century. White parchment over pasteboard by Edward Parry. On the gold-tooled spine two bordeaux leather labels with gold-tooled inscriptions: "DESTRUCTION / OF / THEBES / BY/ LYDGATE" and "MANUSCRIPT".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451? and Carthusians.
Subject (Topic):
English poetry |y Middle English, 1100-1500, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript on paper (light-weight) of Laws of Sjaelland, Denmark
Description:
In Danish., Watermarks in gutter similar to Briquet Main 11417 and Lettre P 8636., Script: Written in a running script with some looped ascenders, by one scribe., Crude 2-line initials, in orange. Paragraph marks and slashes between sentences, also in orange., and Binding: 16th-17th centuries. Rebinding? Sewn on three vegetable fiber, double cords, the previous sewing caught up. No endbands. The cords are laced and pegged into oak boards. Between the cords the spine is lined with vellum strips which extend into the inside of the boards. Covered in reddish-brown calf, blind-tooled with a vine scroll St. Andrew's cross set in a panel border of the same on the lower board, concentric panels, two with vine scrolls on the upper. There is a brass catch on the upper board, the stub of a vellum strap attached to the lower one. The leather is wanting in the spine area.
Subject (Geographic):
Denmark., Connecticut, New Haven., and Sjælland (Denmark)
Manuscript on paper of 1) Pseudo-Augustine, Soliloquia, translated into Greek by Demetrius Cydonius; first leaf missing. 2) Creed of St. Athanasius. 3) Various prayers and hymns, some by John of Damascus and Macarius, but most anonymous
Description:
In Greek., Watermarks: Harlfinger Chapeau 74., Script: Written by a single scribe in tall, upright minuscule., Decorative initials, 6- to 5-line, in red with simple floral designs; rubrics throughout., and Binding: 16th-17th centuries. Three original chain-stitched supports, the thread laced into square-edged, flush, wooden boards grooved on the edges. The beaded, colored endbands are sewn on cords which are attached in holes in the edges of the boards. The edges are painted with a red and black interlace design, the spine smooth and round. Covered in brown goatskin, blind-tooled with concentric borders, different on each board, the central panels filled with flowers and small diamonds. One pin hole in the edge of the upper board, three holes for a strap in the lower. Rebacked. According to A. R. A. Hobson, the binding originated in Crete.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus. and Orthodoxos Ekklēsia tēs Hellados.
Subject (Topic):
Creeds, Hymns, Manuscripts, Medieval, Mysticism, and Prayers