"A man in ragged but quasi-fashionable dress rides (right to left) an ass through a river which flows past a steep mountain. The animal jibs, with ears set back; the rider raises a whip in each hand. He wears, and uses, three pairs of spurs, and attached to his shoulders and to the ass is a monstrous pile of bladders inscribed respectively 'Repartee', 'Nonsensical Verses', 'Catastrophe', 'Sentiment', 'Blasphemies', 'Puns', 'Duels', 'Double Entendres', 'Metaphors', 'Ghosts', 'Melting Speeches', 'Squibs', 'Dialogue', 'Daggers Poisons'."--British Museum online catalogue, description of the print engraved after this drawing and A rough pencil sketch of the same design but lacking much of the detail on the verso
Alternative Title:
Dramatic author foiled in his endeavor to ascend Parnassus
Description:
Title written below image, in the artist's hand., Unsigned; artist attribution from statement of responsiblity "Giles Grinagain in. et f." present on the print made after this drawing., Date surmised from that of the print based on this drawing., Giles Grinagain is possibly a pseudonym of Samuel Howitt. See British Museum online catalogue., and Original design for a print first published by S. Howitt in 1802 and then reissued by S.W. Fores in 1804. Changes in the printed version include the replacement of the word "endeavor" in the title with "attempt," and the elimination of the speech bubble emanating from the man. Cf. No. 10334 in the Catalogue of prints and drawings in the British Museum, v. 8.
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A thin man, dressed in macaroni fashion, stands in profile to the right, holding a cane in his right hand and a bouquet in his left hand; a sword hangs from his side. A child stands behind him, hat held out as if begging for money
Alternative Title:
This club was instituted and kept at Almacks and called the Macaroni Society
Description:
Titled by the artist in ink below image., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Date from local card catalog record., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Volume 1, page 21. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Thomas Cavendish, navigator
Description:
Title from contemporary notes below image., Date supplied by cataloger., With a partly legible pencil annotation in upper right corner: Ao. 1594 [...?]., Laid down on an ink line mount., and Mounted on page 21 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Full-length portrait of a soldier, in profile to the left, a rifle with bayonet resting against his left shoulder
Description:
Title from inscription below image., Unsigned; attributed to Rowlandson., and Probably a study drawing for one of the plates from Loyal Volunteers of London & environs ..., published by R. Ackermann in 1799. For a similar study by Rowlandson for the same publication, see British Museum online catalogue, registration no.: 1871,0812.1666.
Drawing of William Lodge (1649-1689), English born painter, etcher and landscape draughtsman
Alternative Title:
William Lodge, Gent
Description:
Title, caption and Inscription in ink, in Horace Walpole's hand., Drawing that was later used as a basis for an engraving of Lodge in: Catalogue of engravers / digested by Mr. Horace Walpole from the mss. of Mr. George Vertue. Strawberry-Hill : Printed in the year MDCCLXIII [1763], opp. p. 87., and George Vertue, English artist, 1684-1756.
The profile of an actor in the role of a Spanish nobleman bears a strong resemblance to that of David Garrick, in costume on stage looking left, arm raised in a dramatic gesture. Garrick's rule over the English stage was absolute for over thirty years. He went to London with Dr. Johnson in 1737, and by 1741 had progressed to his famous portrayal of Richard III, which made his reputation. Garrick was accomplished in seventeen Shakespearian roles and was also a gifted playwright and producer
Alternative Title:
Shadow box framed depiction David Garrick on stage
Description:
One of a pair of shadowboxes. The other box was titled in the 2005 Christie's appraisal: A shadowbox framed depiction of two actors in performance. and Provenance from a label affixed to the top of one of a pair of boxes, in Mrs. Lewis hand.
The dancer wearing a Roman toga is perhaps David Garrick, with Mrs. Siddons accompanying him on the lute. In his imaginary journey through time, Three tours through London in the years 1748, 1776, 1797 (New Haven, 1941), Wilmarth S. Lewis 'goes' to the London theatre of 1776 where "Garrick still requires that those playing a scene with him shall turn their backs to the audience when addresssing him so that there will be no question whatever of its attention being diverted from him. Failure to observe this rule ... caused young Mrs. Siddons to fall into disfavour and contributed to her dismissal from the company."
Alternative Title:
Shadow box framed depiction two actors in performance
Description:
One of a pair of shadowboxes. The other box is titled: A shadowbox framed depiction David Garrick on stage. and Provenance from a label affixed to the top of one of a pair of boxes, in Mrs. Lewis hand.
Subject (Name):
Garrick, David, 1717-1779. and Siddons, Sarah, 1755-1831.
A soldier, worried look upon his face, leads his pregnant lady by the arm through a rural scene
Description:
Title devised by cataloger., Date from unverified data from local card catalog record and based on uniform., and For further information, consult library staff.
Subject (Topic):
Military uniforms, British, Poverty, Pregnant women, and Soldiers