"Fox and Sheridan (left) sit together at the head of a rectangular table on which is a punch-bowl, &c, looking with dismay at whigs (right), who advance to hurl their wigs at a large pile of wigs on the left (inscribed 'The Heads having Scratched out of the Club'), or retire, having already done so. Fox and Sheridan wear enormous wigs, the former says, "Brother: Brother: we are all in the wrong" ... Before Fox is a list with names scored through. Sheridan grasps a bottle of 'Sherry'. A couple advance together, in the act of hurling their large wigs at the pile; one says, "I will Scratch out my Name in hopes of getting in for the City" (probably Nathaniel Newnham, returned for the City 1784, but defeated in 1790, cf. British Museum satires no. 7162). The other is perhaps Windham. The only one of the retiring wigless Whigs who is characterized is Burke. All say: "We have erased our Names for ever from the Club, when the Artful & Ambitious designs of a Faction are carried on under a Mask of Prudential Reform & when the leading Members are Notoriously known to Carry on a secret Correspondence with the Avowed Enemies of the Constitution they Affect to Support & Defend it is high time for all prudent & real friends to that Constitution to leave them to their Just Punishment, the Contemp of all true Friends to their King and Constitution."--British Museum online catalogue
Alternative Title:
Crack in the Wig Club
Description:
Title etched below image., Artist and printmaker unidentified; attributed to Isaac Cruickshank in the British Museum catalogue., Imprint continues: ... where may be had complete setts of Caricatures on th [sic] French Revolution & on every popular subject. An exhibition admt 1s. in which is a correct model of the guillotine 6 feet high., With publisher's hand-coloring., From a Humphrey's blue paper 'shop' album; price and identities written in ink in the margins, probably in the hand of James Gillray on front. See Andrew Edmunds' description., and On the back, a red stamp with a florish above 'SMP'. Also in black in, in upper left corner "Benier' and in the right corner 'AR'.
Publisher:
Pub. March 17, 1793, by S.W. Fores, No. 3 Piccadilly ...
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Newnham, Nathaniel, approximately 1741-1809, and Whig Club (London, England)
Subject (Topic):
Eating & drinking, Quarreling, Taverns (Inns), Wigs, Whig Party (Great Britain), and Politics and government
"Ten ladies, arranged in two rows, with numbers referring to notes etched beneath the design, their proposed offices etched above their heads. ... '(1) First Lady of the Treasury and Chancellor of the Exchequer.' The 'Duc - ss of Gor-n' (Pitt's friend), wearing a tartan drapery, sits at a writing-table. Facing her, with outstretched right arm, is '(2) President of the Council and Duc-ss of Ric-nd.' '(3) Lady High Chancellor is the Coun-ss of Buc-s-e', very short and fat, in wig and gown and holding the purse of the Great Seal. Facing her is '(4) Chamberlain', who is 'Margr-ne of Ans-h', wearing a coronet and feathers, and holding a long wand of office. '(5) Mistress of the Horse' holding a whip is 'Lady Arc-r.' '(6) First Lady of the Admiralty' is 'Mrs Jo-n', with her arms folded, in profile to the right, as if playing the part of Priscilla Hoyden in 'The Romp', see British Museum Satires No. 6875, but wearing a naval cocked hat, emblem of her liaison with the Duke of Clarence, see British Museum Satires No. 9009. Facing her is '(7) Secretary of War & Capn of the Guards, La-y Wa-ce' (sister of No. 1); she wears a military cocked hat and coat with epaulettes, her hands placed truculently on her hips. (Her friendship with Dumouriez is perhaps hinted at.) '(8) Mistress of the Buck Hounds', is 'March-ss of Sa-ry', thin and weatherbeaten, holding two hounds on a leash, '(9) Ranger of Hyde Park', is 'La-y La-e' (wife of Sir John Lade) wearing a riding-habit and holding a riding-switch. '(10) Post Mistress General and Inspector of Mis-sent Letters' is 'La-y Je-y'. She sits at a round table on which are many letters and appliances for opening and re-sealing them, including a spirit-lamp inscribed 'Hot water'. She holds a lighted candle and peers through spectacles at a sealed letter."--British Museum online catalogue
Description:
Title etched below image., Artist and printmaker from British Museum catalogue., Publisher's advertisement following imprint: ... folio's of caracatures [sic] lent out for the evening., and With illegible monogram, perhaps a collector's mark, written in brown ink in lower margin.
Publisher:
Pubd. Febry. 1st, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St. ...
Subject (Geographic):
England and Great Britain.
Subject (Name):
Gordon, Jane Gordon, Duchess of, 1748-1812, Richmond, Mary, Duchess of, 1740-1796, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Craven, Elizabeth, 1750-1828, Archer, Sarah West, Lady, 1741-1801, Jordan, Dorothy, 1761-1816, Lady Wallace, -1803, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835, Lade, Letitia, Lady, -1825, and Jersey, Frances Villiers, Countess of, 1753-1821
Caption title., With reference to the importation of a sort of chip or shaving from Holland., Docket title: The case of the straw-hat-makers, humbly offered to the consideration of the Parliament., and Stab-stitch holes and remains of binding to gutter; single early manuscript correction to text. For further information, consult library staff.
A trade card advertising the services provided by the printseller and picture restorer Robert Hulton, whose shop was at on the corner of Pall Mall facing the Haymarket. A medley print with text in image on the left "Paintings, prints & Indian picktures [sic] carfully [sic] clean'd. mended and lined" and on the right "The following particulars made & sold very cheap by Rt. Hulton at the corner of Pallmall facing [the] Hay-markett, St. James's, London
Alternative Title:
Maps and prints sold and framed for parlors, staircases and closets at reasonable rates
Description:
Title from engraved text below image in two columns. Text continues in one column below: Carved and gilt frames, Ebony frames with gilt edges, black peartree frames with gilt edges for paintings & prints made after the newest faishions [sic]., Date from annotations on impression at the Lewis Walpole Library., and On verso is a manuscript bill from Robert Hulton to "Honble. Mr. Henson", dated October 1743. For further information, consult library staff.
Title page in red and black., With a half-title., In this edition the last line of the Dunciad is correctly numbered 620., Horizontal chain lines., Signatures: [A]², B-E⁸, F⁴ (F4 blank), ²A-H⁸, I²., and One of ten volumes rebound in mottled calf by Riviere for Sir William Fraser (1826-1898), three of which are added volumes not Horace Walpole's. With Horace Walpole's bookplate 1 and press-mark K.5.22 in Manuscript Catalogue of 1763 (marked 9 vols. but only 7 were sold); moved to the Glass Closet. Also with bookplates of Sir William Fraser, Beverly Chew, and James Wyckoff.
Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher. In the lower right corner, an image of a cross-section of brain, labeled below frame "A Methodist's brain"
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched either side of title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend to the left of the title: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.
Publisher:
Published Novr. 12th, 1795 by John Ireland, No. 3 Poets Corner, Palace Yard, Wesminster
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
A copy of the Hogarth's Frontispiece and its explanation for Samuel Butler's poem Hudibras with the title engraved above the image and the text below in a single sentence below. Plate one is an emblematic scene with an oval portrait of Samuel Butler mounted on a pedestal on which is carved a relief showing a satyr whipping figures of Rebellion, Hypocrisy and Ignorance dressed as puritans, while he drives a chariot drawn by Hudibras and Ralpho; in the foreground, on the left, a satyr holds up a volume of Butler's poem as a guide for the carver (a boy dressed only in an apron), and on the right a young satyr holds up a mirror to a figure of Britannia
Alternative Title:
Hudibras. Frontispiece
Description:
Title from text above image., After Hogarth., Date of publication based on publisher's name and address in imprint statement. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Five lines of explanatory text below image: The bass relief on the pedestal represents the general design of Mr. Butler in his incomparable poem Hudibrass ..., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 82., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1, no. 504., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet annotated in brown ink in a contemporary hand: "Twelve plates" written above image and "35" is written in upper right corner. Two sewing holes along left edge.
Publisher:
Printed and sold by Robt. Sayer, map & printseller at No. 53 in Fleet Street
Subject (Name):
Butler, Samuel, 1612-1680, and Butler, Samuel, 1612-1680.
Paine (head and shoulders only visible) dangles on a noose from a lamp-bracket, the post of which is inscribed 'Rights of This Man'. The head of Orléans with the horns of a devil looks down at Paine from behind the post, which he clutches with his talons. From the lamp dangles an escutcheon, on which are pairs of stays and a chevron, with the motto 'Common Sense'.
Description:
Title from letterpress text below image., Date of publication from British Museum catalogue., With eighteen lines of letterpress text attacking Paine, beginning: Setting forth as how Tom was born at Thetford ..., and Dated '1794' in a contemporary hand. Beneath the date is a later pencil inscription: ‘This is said to contain a strong likeness of Paine and is not a print to be bought.’
Publisher:
publisher not identified
Subject (Name):
Paine, Thomas, 1737-1809, Paine, Thomas, 1737-1809., and Orléans, Louis Philippe Joseph, duc d', 1747-1793
"Trade card of Peter Griffin, printseller, at Dial and Three Crowns, Next the Globe Tavern, Fleet Street, from the late Overtons; text on sheet at the centre with clock face and three crowns above; with various prints overlapping behind it, including maps, portraits, satires, and ornaments."--British Museum online catalogue
Description:
Title from item., Date of publication from the British Museum online catalogue, registration no.: Heal,100.32., Imprint engraved at top of plate; date of publication below image, lower right., Engraved above the image is a detailed list of wares for sale: All sorts of maps both foreign & English, fine French, Italian, Dutch, and English Prints; metzo-tinto heads, & historys black, or painted on glass; fitteth up Gent. halls, or large rooms [with] maps or prints on rolers, neatly puts into frames & glasses any of [the] above goods. NB. Where merchants, or sea commanders, country or town chapmen may be supplied wth. quanteties [sic] of the above goods, at the most reasonable rates, for exportation &c., and Date "1747" added in ink in lower right corner. For further information, consult library staff.
Publisher:
Sold by Peter Griffin, map & printseller at the Three Crowns & Dial, next the Globe Tavern, Fleet Street
Title from first lines of text., A settlement certificate signed, and with seals, by the church wardens, overseers of the poor, and witnesses, for a husband, wife, and their two children in the Parish pf Tamworth in the county of Warwick., "(No. 18)"--Upper left, above coat of arms., Certificate completed in manuscript to establish the right of William Bissell and his family to relief in Tamworth; signed and sealed by the churchwardens and overseers of the poor. Imprint trimmed. For further information, consult library staff., and Annotated in blank ink on verso: No. 153, Wm. Bissells certificate from Tamworth.
Title etched below image., Sheet trimmed within plate mark on three edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Medical Fees -- Unsuccessful treatment, 1 print : etching and aquatint, hand-colored., Imperfect; sheet trimmed within plate mark with loss of all text from lower margin., and Pasted to mounting sheet with ink and wash border.
Publisher:
Publish'd April 1st, 1786, by H. Brookes, Coventry Street
Subject (Topic):
Death, Sick persons, Physicians, Wages, Military uniforms, and British
A stout man (left) wearing a robe and nightcap, on crutches with his gouty right foot bandaged and in a sling that wraps around his shoulders, complains to a thin man (right) wearing a coat and boots but with his legs bare. The man on the left says "Don't plague me now - I have got the gout", to which the other man replies "I give you joy my good friend, in these hard times it is very well you can get any thing!!!"
Description:
Title etched below image., Final two digits of year in imprint likely transposed in error; publisher S.W. Fores did not move to the 50 Piccadilly street address until the mid-1790s, according to the British Museum online catalogue. Krumbhaar lists 1789 as the year of publication., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Sling for a gouty foot., and 1 print : etching, hand-colored ; plate mark 34.5 x 23.3 cm.
"The Thames at the centre with boats on the water, figures on the quay to the right, a mansion by the quay and the city in the back, Richmond Hill in the background."--British Museum online catalogue
Alternative Title:
View of Richmond Hill from the Earl of Cholmondeley's and Vue de la Montagne de Richmond de la maison du Conte de Cholmondelly
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Imperfect; plate number erased from sheet and replaced with number "6" written in ink. Missing number supplied from impression in the British Museum, registration no.: 1872,1012.5399., Plate numbered "4" in upper right corner., Mounted to 24 x 39 cm., and Leaf 10 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleetstreet
Subject (Geographic):
Richmond (London, England), Thames River (England), England, and London.
Subject (Name):
Cholmondeley, George Cholmondeley, Earl of, 1703-1770
Subject (Topic):
Homes and haunts, Rivers, Dwellings, Piers & wharves, and Boats
Leaf 11. London and its environs about 1750. Page 55. New London spy, or, A twenty-four hours
Image Count:
1
Resource Type:
still image
Abstract:
"View down the canal in the park, looking towards Buckingham House, trees on either side, fashionably dressed figures in foreground in park, a few ducks on the water."--British Museum online catalogue
Alternative Title:
Vü̈e du canal et de la Maison de Buckingham dans le Parc de St. James
Description:
Titles etched below image, in English and French., Date range for publication from the British Museum online catalogue, registration no.: 1880,1113.2277., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Imperfect; plate number erased from sheet and replaced with number "10" written in ink. Missing number supplied from impression in the British Museum., Plate numbered "12" in upper right corner., Mounted to 24 x 38 cm., and Leaf 11 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Saint James's Park (London, England),, England, and London.
Subject (Name):
Buckingham Palace (London, England),
Subject (Topic):
Parks, Canals, Castles & palaces, Pedestrians, Trees, and Ducks
"Ticket to the Pantheon; a family concert outside a thatched cottage with a boy blowing a trumpet accompanying his sister who sings from a sheet, while the parents look on; in frame wrapped in garlands, ... cartouche at top."--British Museum online catalogue
Description:
Title devised by cataloger., With embossed wafer seal in red ink of the "Society of Musicians" in lower left corner, and the concert details "Pantheon, Friday, May 16th, 1788" added in ink within blank cartouche at top of image., Imperfect; sheet torn in lower right corner resulting in loss of printmaker's signature. Trimmed to plate mark on left edge. Missing text supplied from impression in the British Museum, registration no.: C,2.1476-1483., Watermarked paper: LV., and With contemporary ink signatures of "Arnold" (for Samuel Arnold) and "Sandwich" (for the Earl of Sandwich, as Society committee members) to blank lower margin; verso with contemporary ink note "No. 158. Richard Sulivan Esq. Subscriber." For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
Charity, Musical instruments, Families, and Dwellings
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[9 March 1788]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 2, page 61. Etchings by Henry William Bunbury, Esq. and after his designs. Page 131. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"Three soldiers capturing a young man, his kneeling lover clutching his arm, the scene watched by two monks standing in the left foreground, one shaking his fist in encouragement, and another soldier at right; after Bunbury."--British Museum online catalogue
Alternative Title:
Frederick Zemmerman, having escaped from the Abbey of La Trappe ...
Description:
Title, artist, printmaker, and publication information from lettered state., State before letters. For a later state with title, statements of responsibility, imprint, and dedication etched below image, see British Museum online catalogue, registration no.: 1917,1208.2934., Sheet trimmed within plate mark., Mounted on page 131 of: Bunbury album., and 1 print : etching on laid paper, hand-colored ; sheet 45.8 x 55.8 cm.
"View of Marble Hill, a grand house fronting the Thames, seen from the opposite shore; a large lawn lined with trees separating house from riverbank; boats on the water, a man with three horses in right foreground"--British Museum online catalogue, description of a later state
Alternative Title:
Maison de la Comtess de Suffolk proche de Twickenham
Description:
Title from caption below image., Date of publication based on printseller's street address. See British Museum online catalogue., Reissue of a print originally published in 1749 by John Bowles. See British Museum online catalogue., "Publish'd according to act of Parliament"--Below image., Sheet trimmed within plate mark., No. 24, "Marble Hill," on Edith McKeon Abbott's map: Horace Walpole's Twickenham 1747-1797, in v. 42 of the Yale Edition of Horace Walpole's Correspondence. New Haven: Yale University Press, 1980., No. 28, "Montpelier Row," on Edith McKeon Abbott's map: Horace Walpole's Twickenham 1747-1797, in v. 42 of the Yale Edition of Horace Walpole's Correspondence. New Haven: Yale University Press, 1980., Window mounted to 44 x 59 cm., and Sheet numbered "39" in a contemporary hand below printmaker's signature.
Publisher:
Printed for Robt. Wilkinson, No. 58 in Cornhill & Carington Bowles, No. 69 in St. Pauls Church Yard
A rare surviving example of a volume that a printseller would put together in order to showcase for clients visiting the shop the satirical prints available for purchase, either from existing inventory or to be printed on order from copperplates in the publisher's stock. Includes a complete copy of: Horrida bella : Pains and penalties versus Truth and Justice
Description:
Title devised by cataloger., Date based on dates printed on individual items bound in., House trade label pasted on the inside of both the upper and lower boards: Humphrey, Printseller, No. 27, St. James's Street / engd. by Lockington Shug Lane., Unidentified trace of a bookseller's pencil stock note from 1943 on first leaf., Binding very worn and soiled, spine missing. Some damage and some staining to the prints., and For further information, consult library staff.
Subject (Geographic):
Great Britain and England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, and Lockington, J., active 1776-1790,
"Portrait of Thomas Alexander Erskine, 6th Earl of Kellie, three-quarter length, seated to right in an armchair, glancing towards the viewer, his right arm on chair arm and the left on his lap; wearing short wig, open coat, waistcoat fastened with five buttons, neckerchief and frill."--British Museum online catalogue
Description:
Title engraved below image., Imperfect; sheet trimmed within plate mark resulting in loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1914,0317.5., Mounted to 51 x 36 cm., Mounted opposite page 468 (leaf numbered '74' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Contemporary ink annotation "367" in lower right corner.
Publisher:
Publish'd as the act directs, Feby. 12th, 1782, by R. Blyth, No. 27 Great Castle Street, Cavendish Square
Subject (Name):
Kelly, Thomas Alexander Erskine, Earl of, 1732-1781,
Hodges, C. H. (Charles Howard), 1764-1837, printmaker
Published / Created:
[2 January 1792]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, half length in a rectangular frame, seated almost in profile to left, looking towards the viewer, holding a paper in left hand, wearing a double-breasted coat with a high collar, frilled cravat, star and powdered wig tied at the nape; after Stuart; published state."--British Museum online catalogue
Alternative Title:
His Grace William Robert Duke of Leinster
Description:
Title engraved below image., State from: Smith, J.C. British mezzotinto portraits., Imperfect; sheet trimmed within plate mark and mutilated along lower edge, resulting in slight loss of text. Missing text supplied from impression in the British Museum., Window mounted to 51 x 36 cm., Mounted opposite page 310 (leaf numbered '134' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Remnant of contemporary annotation in brown ink in lower left corner, mostly trimmmed away: ... Duke.
Publisher:
Publish'd Jany. 2d, 1792, by George Cowen, at Thomas Macklin's Poets Gallery, Fleet Street, London, & at his house, Grafton Street, Dublin
Subject (Name):
Leinster, William Robert FitzGerald, Duke of, 1749-1804,