"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue.
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Imprint from British Museum catalogue. and Title etched in upper left corner of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., Wilberforce, William,--1759-1833--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"The Duke of York, in uniform and wearing his cocked hat, but without a sword, stands in back view on a low rectangular pedestal facing the corner of Mrs. Clarke's house in 'Gloucester Place' [cf. British Museum Satires No. 11222, &c.]. The door is partly visible on the extreme left with a door-plate inscribed '[Cla]rke'. On the wall facing the Duke is a placard: 'The Statue on the outside having been thorougly repaired and white Wash'd is to be sold by private Contract-for farther particulars enquire within'. On the right a billposter is putting up a second placard: 'Johnstons Cheap Caricature Warehouse N° 101 Cheapside A New Caricature on Mrs C------ke every Day Price One Shilling & Two each'. Beside him a newsboy blows his horn."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Temporary local subject terms: Bill poster -- Street light., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A young woman stands in profile to the left, at a dressing-table, while a buxom ladies' maid laces a pair of long stays. She wears a boudoir cap tied under the chin, and holds a flat ruler-shaped stick under the stays in front to regulate the operation. The stays fit closely over a pair of plain knickerbockers, cf. No. 9608. The dressing-room is luxuriously furnished. The dressing-table is draped in muslin and has a swing-mirror. On it are toilet-articles, bottles (two inscribed 'Milk of Roses' and 'Esprit de Lavande'), a rosary, a mask, a ticket inscribed 'Masquerade Argyll Street', and a lap-dog, looking at itself in the mirror. The furniture is ornamented with ormolu. A small hanging book-case with curtained glass doors hangs on the wall. A picture of a woman draped in a cloak, walking, with a landscape background, is inscribed 'Morning'. On a console table is a Chinese vase with a bouquet of roses. Jug, basin, &c, are on the ground beside a chair on which are boxes for toilet appliances. Heavy fringed curtains cover the window (left)."--British Museum online catalogue.
Alternative Title:
Progress of the toilet : and Progress of the toilet ; plate 1
Description:
First of three prints in a series entitled: Progress of the toilet., Temporary local subject terms: Corset -- Pin cushion., and Title etched below image, following series title and preceding plate number.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A man in old-fashioned dress kneels in profile to the right at a high-backed elbow-chair, clutching a bundle of 'Bank Notes'. He addresses the 'Adorable and ancient Lady of Thread-needle Street', asking for wealth, for success to the conductors of the new buildings of the Stock Exchange, and for 'prosperity to the little man in the brown bob wig [? John Bull], for he has much money and little wit, therefore fair game for . . . my profession'. He also prays that he may never be a Lame Duck (a defaulter, cf. BMSat 6273)."--British Museum online catalogue.
Description:
Three paragraphs of text below title: Adorable and ancient Lady of Thread-Needle-Street, have pity on thy admirer, bless him with thy solid charms, in Bullion, or stamped gold, or if it best pleases thee, let the light texture of thy paper garments float before his enraptured fancy, and animate him to pursue the path that leads to riches in abundance ... and Title from letterpress text printed on same sheet as plate.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"The windlass (right) is turned by Bedford, in profile to the left, Fox, in back view but looking to the raft (left), Sheridan, in profile to the right, and Tierney, coming towards the spectator. From Bedford's pocket hangs a paper: '£1400 Fined, for False Entry of Servants'. All are running, but it is clear that huge waves raised by Pitt will swamp the raft before it reaches shore. All wear coats except Fox, whose coat lies on the ground beside a paper: 'List of the New Republican Ministry. Citizen Volpone, Premier..'.. Fox's shirt is tattered, his hair is tied by a tricolour ribbon. Pitt's profile emerges from clouds in the upper (right) corner; his blast spreads as it reaches the raft, developing into flashes of lightning ..."--British Museum online catalogue.
Alternative Title:
Republican flotilla in danger
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Tierney, George,--1761-1830--Caricatures and cartoons.
"A tall strapping Irishman wearing a flamboyant cocked hat and quasi-military uniform looks down, with a sly smile, at his squat and bedizened bride. Under his right arm is a long cudgel or shillelagh. She takes his arm and looks up rapturously. They walk (right to left) across the 'Crescent', Bath, whose houses form a background. A gouty old man on crutches behind them (right) looks sourly at them, and a chair-man (left) between the shafts of his sedan-chair, gapes in astonishment."--British Museum online catalogue.
Alternative Title:
Captain Shelalee leading Miss Marrowfat to the Temple of Hymen
Description:
Reissue, with the year following Rowlandson's signature altered from "1802" to "1812." For the original issue of the plate, see Lewis Walpole Library call no.: 802.00.00.19+. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Printmaker from description in the British Museum catalogue of a later state. and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Abdülhamid--I,--Sultan of the Turks,--1725-1789--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Carl Wilhelm Ferdinand,--Duke of Brunswick and Lüneburg,--1735-1806--Caricatures and cartoons., Catherine--II,--Empress of Russia,--1729-1796--Caricatures and cartoons., Fores, S. W., publisher., Frederick--II,--King of Prussia,--1712-1786--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Joseph--II,--Holy Roman Emperor,--1741-1790--Caricatures and cartoons., and Louis--XVI,--King of France,--1754-1793--Caricatures and cartoons.
"Mack (left), followed by his generals, prostrates himself, grovelling before three French Grenadiers (right), each holding a large sack inscribed '20 Million Livres'. Mack throws down his sword and two keys labelled 'Keys of Ulm'; beside him are a standard with the Habsburg eagle, a bundle of muskets, and a paper: 'Articles to be deliver 'd up - I. Field Marshall 8 - Generals in Chief 7 - Lieutn Generals 36 Thousand Soldiers - 80 Pieces of Cannon - 50 Stand of Colours 100000 Pounds of Powder 4000 Cannon Ball.' Napoleon, very small, is perched on a large drum on which is an imperial crown and the letter 'N'. He points with his sabre to Mack, with the left hand to his three Grenadiers, saying, "There's your Price! There's Ten Millions! - Twenty!! - it is not in my Army alone, that my rescources of Conquering consists!! - I hate Victory obtain'd by effusion of Blood!" Mack answers, his eyes on a money-bag, " - and so do I too! - what signifies Fighting when we can settle it in a Safer way!!!" His pigtail flies upwards, showing the violence of his obeisance; so do those of the generals who follow him. Behind them are the towers of a high fortress bristling with guns; their seeming impregnability points the satire. Behind Napoleon and facing the spectator are serried ranks of French grenadiers standing at attention; they have tricolour flags inscribed: 'Vive I'Empereur Napoleon'; 'Vive Buonaparte'; 'la Victoire ou la Mort'."--British Museum online catalogue.
Alternative Title:
Buonapartè & Genl. Mack coming to a right understanding and Buonapartè and General Mack coming to a right understanding
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Mack von Leiberich, Karl,--1752-1828--Caricatures and cartoons., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"A tall, thin, elderly military officer, ugly but elegant, stoops to embrace a fat woman, short and hideous. She wears a countrified straw bonnet, apron, and high pattens, but is very decolletee. There is a rustic background with a cottage (right). He says, the words etched across the upper part of the design: My Friends all declare that my time is mispent [sic] While in rural Contentment I rove, I ask no more Wealth than Dame Fortune has sent And the sweet little Girl that I love. The rose on her cheeks my delight She's soft as the down, the down of the dove No Lilly was ever so fair As the sweet little girl that I love!"--British Museum online catalogue, description of an earlier state.
Description:
Also issued separately., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 88., Later state; imprint statement has been completely burnished from plate., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Plate numbered "167" in upper right corner., Publication information inferred from earlier state with the imprint "Pubd. June 4, 1808, by Thos. Tegg, N. 111 Cheapside." Cf. No. 11138 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.