"The patient sits in profile to the left with chattering teeth, holding his hands to a blazing fire on the extreme left Ague, a snaky monster, coils itself round him, its coils ending in claws like the legs of a monstrous spider. Behind the patient's back, in the middle of the room, Fever, a furry monster with burning eyes, resembling an ape, stands full-face with outstretched arms. On the right the doctor sits in profile to the right at a small table, writing a prescription, holding up a medicine-bottle in his left hand. The room is well furnished and suggests wealth: a carved four-post bed is elaborately draped. On the high chimney-piece are 'chinoiseries' and medicine-bottles. Above it is an elaborately framed landscape ..."--British Museum online catalogue, description of earlier state.
Alternative Title:
Ague and fever
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 226-7., Companion print to: The hypochondriac., One line of quoted text etched on either side of title: "And feel by turns the bitter change of fierce extremes ..., Reissue of print published in 1788 by T. Rowlandson. Cf. No. 7448 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
"The undergraduate walks diagonally (right to left) across the grass of a College court; under his arm is a book: 'Advice to Freshmen'. Behind him (right) the grossly obese Master stands in a Gothic doorway leading from a staircase, pointing angrily at the culprit. A shambling man with a broom stands obsequiously beside the doorway, looking over his shoulder apprehensively at the unconscious undergraduate, who leaves a trail of conspicuous footprints on the turf. A Fellow in a mullioned window next the doorway scowls at the young man through a glass."--British Museum online catalogue.
Alternative Title:
Rake's-progress at the university ; no. 2 and Rake's-progress at the university.
Description:
Printmaker from British Museum catalogue., Second of five prints in a series entitled: The rake's progress at the university., and Title from text within curly brackets below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Two Fellows in cap and gown (l.), walking l. to r. under a stone arcade, see with shocked disapproval a dismayed undergraduate emerging from a door giving on to the arcade. He is slim and fashionably dressed. Another undergraduate (r.) with gold-embroidered gown, and the gold tassel denoting a peer, walking r. to left. along the arcade, watches the encounter with amused delight."--British Museum online catalogue.
Alternative Title:
Rake's-progress at the university ; no. 1 and Rake's-progress at the university.
Description:
First of five prints in a series entitled: The rake's progress at the university., Printmaker from British Museum catalogue., and Title from text within curly brackets below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
A satire on the resignation of Charles James Fox, here depicted with a fox's head and riding on a donkey, about to go under a gallows which straddles the road in a country setting.
Description:
Printmaker from British Museum catalogue.
Publisher:
E. D'Achery, St. James's Street
Subject (Geographic):
Great Britain--Politics and government--1760-1789.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Darchery, Elizabeth, publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., and Harvey, Francis--Ownership.
Subject (Topic):
Clothing & dress--England--1780-1790., Donkeys., and Gallows.
"Alecto, a fantastic hag (as in BMSat 7721), stands outside the Crown and Anchor tavern between a diminutive Sheridan (left), playing a fife, and Fox (right), a burly drummer, both wearing regimentals. She towers above them, holding a long pike surmounted by a cap of 'Liberty' and holding out to John Bull, a yokel (as in BMSat 8141), a handful of 'Assignats'. Hissing serpents form her hair and serpents suck at the pendent breasts which her ragged garments do not cover. She has webbed wings, and wears a French cocked hat with a tricolour cockade inscribed 'Liberty'. ... John Bull stands on the left, scratching his head with a puzzled grin; he wears a smock and very wrinkled gaiters; his hat and a pitchfork are in his left hand. ... Sheridan stands between Alecto and John Bull. ... Fox is much larger than Sheridan, both wear French Grenadier's caps. On his drum is the head of a Medusa (Discord) with snaky locks. He smiles, watching John Bull with a stare of eager calculation. ... Behind him and on the extreme right. Stanhope runs off to the right, stooping as if to conceal himself; in his right hand is a letter: 'To Lord Stanhop[e] from W. Pitt.' ... The door of the Crown & Anchor Tavern is immediately behind Fox and Alecto. From it issue flames and smoke in which imps and demons are flying."--British Museum online catalogue.
Alternative Title:
Recruiting sarjeant enlisting John-Bull into the Revolution Service
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Stanhope, Charles Stanhope,--Earl,--1753-1816--Caricatures and cartoons.
"A handsome young man sells pot-plants to a pretty young woman who stands on a door-step (left); a little girl beside her points eagerly to the flowers. He has a two-wheeled cart drawn by an ass; in it are small shrubs in large pots; two pots of flowering plants are on the ground. The background is formed by part of a palatial house having a portico raised on an arcade."--British Museum online catalogue.
Alternative Title:
Cries of London ; no. 6 and Cries of London ; no. 6.
"Two designs on one plate. Above, the Duke of York sits, pen in hand, writing a love-letter, but turns from his table to declaim towards the window (right): To morrow I inspect my regiment--and then for my Dearest--Dearest--Dearest--Love. A negro servant (left) wearing a jewelled turban regards him with dismay: Bless my Massa what be de matter with him--him in love I fear--Sambo once be in love with bad Woman but him repent. On table and floor are papers inscribed: O Love is the cause of my Folly, My Amiable Girl; My Dearest Dear I hope to be in your Arms; Love Letters. Below, an elderly military officer without sword or gorget, scowls through an eye-glass at a pert boy (right) in uniform with sword and gorget. He says: Can I believe my eyes, why this is the little foot boy--who waited on us at the house of a Lady of a certain description. The boy (Carter) answers, hands on hips, I beg Sir you will not come for to go, to affront a gemmen--."--British Museum online catalogue.
Alternative Title:
An unexpected meeting. and Scene at Weymouth
Description:
Artist identified as Woodward in the British Museum online catalogue., Plate numbered "69" in upper right corner., Printmaker from British Museum catalogue., Temporary local subject terms: Eye glass -- Blacks., and Title for upper design etched above image; title for lower design etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 1 of 2) | Folder I-17
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"Design in an oval. Two men playing cards at a small round table. The man on the right pulls out an ace of spades from the five cards in his hand and shows it with a grimace of satisfaction. His opponent (left), in profile to the right, looks at it with an expression of consternation, frowning and opening his mouth wide. The pack and other cards lie on the table. The men are probably portraits. The successful player is middle-aged, plainly dressed, with a bob-wig; the other is younger, very thin, and more fashionably dressed, with a long pigtail queue."--British Museum online catalogue.
Description:
CtY-BR, Questionably attributed to Rowlandson in the British Museum catalogue., Sheet trimmed to plate mark., and Title etched below image.
Publisher:
J. R. Smith, no. 83 Oxford Street, London
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., Harvey, Francis--Ownership., Riviere & Son Binding., and Smith, John Raphael, 1752-1812, publisher.
"Frontispiece to 'All the Talents', 18th edition, satirical verses by 'Polypus', i.e. E. S. Barrett, attacking the late Ministry. The print (Hogarthian in manner) has little relation to the verses, and is probably adapted from an earlier satire, perhaps on Bute. A creature with the body of a man and the face of an ape, with a tail, tramples on burning papers. It wears spectacles, a large wig, bands, old-fashioned laced coat (with a star), and tattered breeches. On one foot is a shoe; the left. leg is in a large jack-boot (? originally an emblem of Bute). In the right hand is a crozier with which he pulls down two books from a shelf: 'Magna Charter' and 'Coronation Oath'. Behind him a musket inscribed 'Army', the barrel pointing upwards, is firing a blast at the falling books. His left hand rests on a book or ledger, open on a book-stand, in which he writes with the feathered end of his pen. The page is headed 'Finance'; from the book hangs a paper: 'Country Dances'. The burning papers are inscribed 'Negotiation' [bis], 'Sinecures'. He is smoking a pipe from which thick clouds of smoke rise and obscure a profile bust portrait of Pitt. Below the design: 'Monstrum horrendum, informe, ingens, cui lumen ademptum.'."--British Museum online catalogue. and British Museum curator's comments: The monster symbolizes the blind and reckless politician. The verses, though published after the fall of the Ministry ... were written before it, and do not allude to the Catholic question, here indicated by the treatment of the 'Coronation Oath'. Nor are the peace negotiations, ... directly referred to. They contain a tribute to Pitt, and gibes at Petty, ... here illustrated. They went through nineteen editions in 1807 ....
Description:
Lettered below title with a line from Virgil (Aeniad, III, 658): Monstrum horrendum, informe, ingens, cui lumen ademptum., Plate from: All the Talents, 18th edition, satirical verses by 'Polypus.', and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Barrett, Eaton Stannard, 1786-1820, artist., Harvey, Francis--Ownership., Pitt, William,--1759-1806--Caricatures and cartoons., and Stockdale, John Joseph, 1770-1847, publisher.
Subject (Topic):
Animals in human situations., Apes., and Pipes (Smoking)