In French., Script: Written in gothic bastarda script., and Initials in red, blue, and gold. Illuminated marginal miniatures, one with a man threshing wheat in a town and the other with a mythological goat/serpent hybrid. Text in red, brown, and blue inks.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment, on parchment, containing an illustration of the execution of the general Vitruvius, as described in Book 8, chapter 20 of Livy's Ab urbe condita (History of Rome). The verso contains 18 incomplete lines of text in French
Description:
In Middle French., Tipped onto a cardboard mount. Bookseller description pasted to the reverse of the mount., Script: bâtarde script., and Decoration: the miniature is full-color with shading in gold, edged with a narrow burnished gold frame.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Livy.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment. The book is not so much a guide to the pilgrimage churches of Rome, as a set of instructions on how to obtain the same spiritual benefits without making the actual pilgrimage. The seven letters designating the seven Roman basilicas serve as references throughout the manuscript. The latest indulgence to be mentioned (f. 14r) was awarded by Pope Pius II (1458-1464). After the description of the indulgences to be obtained in the seven principal churches, the manuscript mentions the station days and indulgences for the Temporale and for the Sanctorale and the visits to make during the non-station days
Description:
In French., Script: Copied by one hand in Gothica Cursiva Formata (Bastarda)., Headings in red ink. Liquid gold paragraph marks on square alternately red and brown background. Liquid gold 1-line initials on similar background. 2-line silver trompe-l'oeil initials decorated with foliage on coloured background. Similar 2- or 3-line gold or silver initials containing a flower on indented coloured background in art. 1. In art. 1 seven three-quarter page square arch-topped miniatures above 3 lines of text., and Binding: Seventeenth century. Richly gold-tooled red morocco over cardboard; gold-tooled spine with four raised bands and title "PRI* MANUSCR." Pastedowns decorated with green and gold arabesques.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Margaret, of York, Duchess, consort of Charles the Bold, Duke of Burgundy, 1446-1503.
Subject (Topic):
Devotional literature, French, Illumination of books and manuscripts, Medieval, Indulgences, and Manuscripts, Medieval
Manuscript of Honore Bonet, L'Arbre des Batailles. With Diego de Valera, Espejo de verdadera nobleza, translated into French by Hugues de Salve; and other treatises on arms
Description:
In French., Script: Written in formal batarde script. Folios 7r-9r, also in formal batarde, but in a different hand., The fine miniatures, by the Master of Bruges of 1482, are in arched frames composed of thin gold and pink bands. Between ff. 147r and 152r there are sixty-three painted armorial bearings, perhaps a later addition (16th century?) as indicated by the type of pigment, the occasional lack of correspondence with the original preparatory drawings, and the fact that some drawings were never overpainted. 5-, 4-, 3-, and 2-line initials, gold, edged in black, against irregular blue and red grounds with white highlights. 1-line initials in the table of contents, red and blue, with guide-letters to illuminator; ff. 7r-9r (the section for the L'Arbre des batailles) in darker shades and without notes, suggesting, as does the change of hand, that this section of the table as well as the portion of the text to which it refers were added to the manuscript in a second stage of its production. Paragraph marks, 1-line, red and blue. Pages foliated in red, upper right recto. Headings in red throughout., and Binding: Nineteenth century. Edges gilt. Purple goatskin case with brilliant gold tooling and elaborate doublures.
Subject (Geographic):
Connecticut, New Haven., Burgundy (France), and France
Subject (Name):
Bonet, Honoré, fl. 1378-1398.
Subject (Topic):
Chivalry, Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment of Arthelouche de Alagona, La Fauconnerie. Text is defective from ff. 32v-33r; leaf missing after f. 32.
Description:
In French., Script: Written by Vincent Philippon in elegant upright batarde., One undistinguished miniature (f. 1r), a falconer standing on a shallow ground, with some blue tinting for sky, set between blue and red columns with gold highlights; a blue and red band above inscribed in gold: "VRAI LVI SERAI AMI." A large coat of arms on f. ii verso (possibly a later addition and now effaced) supported by two angels with a miter above, in brown ink. One blue and red initial (f. 1r), 3- line, against a gold ground. 6- to 1-line initials throughout, brushed gold against blue or red grounds; line-endings, blue or red with gold highlights. Rubrics throughout., and Binding: 16th-17th centuries. Original sewing on three tawed, slit straps laced in and out of the boards. The spine is square. Covered in brown calf, blind-tooled with vertical lines of square and diamond shaped tools in a border of flowers in squares. Two ribbon fastenings. The upper board is broken down the center and sewn together. Half the lower board, endbands, ties and leather around the edges of the boards wanting.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Alagona, Arthelouche de.
Subject (Topic):
Falconry, French literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (soft, furry; trimmed) in two parts, the first of which has several distinct formats. Part I: 1) Pierre de Peckham, La lumiere as Lais, lacking all of Book I and part of Book II. Part II: 2) Edmund Rich, St., abp. of Canterbury, Speculum amicicie, also known as Speculum religiosorum or Speculum ecclesie, in a French translation. 3) Poem on the love of God and the hatred of sin. 4) Hymn based on the "Iesu dulcis memoria" (14 quatrains). 5) Appeal of Christ to sinner. 6) Collection of recipes
Description:
In French., Script: Part I: Written in gothic textura by two hands: Scribe 1) ff. 1r-71v; Scribe 2) ff. 72r-85v. Part II: Written in gothic textura by two hands: Scribe 1) ff. 86r-99v (column 1); Scribe 2) ff. 99v (column 2)-110v., Decoration, Part I: One historiated initial, f. 16v, Master expounding to a pupil, figures predominantly pink and blue on a pale purple and gold diapered ground; blue initial with white filigree and pink and green curling vine serifs on a pink ground with white ivy; ground framed by a thick gold band, edged in black. Two styles of minor decoration that correspond to work division of the two scribes: ff. 1r-71v, 2-line initials, blue or gold with red or blue penwork with flourishes; 1-line initials, blue or gold; numerous line-fillers, almost every line in different styles, blue and gold; first letter of each verse stroked in red. ff. 72r-85v, 2-line initials, blue with red penwork and flourishes. No line-fillers. First letter of each verse stroked in red. Rubrics throughout. Part II: Decorative initial, divided red and blue, 4-line, on f. 86r, with blue and red flourishes and design cascading down inner margin. 2-line initials, blue, with red penwork and flourishes. 1-line initials, red or blue. Rubrics throughout. Very crude drawings (16th century) added on f. 111r-v., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled. Bound by F. Bedford (London, active 1851-ca. 1883). Title on spine: "Lume As Lais/ Poemes francais MS. XIV siecle".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pierre, de Peckham, -1293.
Subject (Topic):
Devotional literature, French, French literature, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Christine, de Pisan, approximately 1364-approximately 1431
Published / Created:
[between 1450 and 1475]
Call Number:
Beinecke MS 427
Image Count:
212
Resource Type:
unspecified
Abstract:
Manuscript on parchment (trimmed).
Description:
In French., Script: Written in batarde, with elaborate flourishes and cadeaux in upper and lower margins., The manuscript includes four miniatures which are among the finest by the Master of Amiens 200, active in Hesdin and Mons and possibly in Amiens in the third quarter of the fifteenth century. Four half-page miniatures, each with a 6- to 4-line initial, blue with white highlights, filled with red, blue and green ivy, against an irregular gold ground, edged in black, some with cusping. Initial on f. 1r with arms of Crevecoeur family (gules, 3 chevrons or) added later. Folios with miniatures have a blue and gold bar in inner margin, with diamond-shaped terminals and regularly spaced blocks of black hair-spray with two gold ivy leaves in margin; the other three margins with red, blue and green acanthus, with some gold, red and blue flowers, birds, insects, surrounded by blue and gold ivy leaves. 2-line initials, gold, filled with pink or blue against irregular, cusped blue or pink grounds with white filigree. Rubrics throughout., and Binding: Nineteenth century. Red, straight-grained goatskin gold-tooled with black onlays over the bands. Light blue, watered silk doublures and gilt edges. Bound by Bozerian (Paris, 1793-1817). Armorial binding of comte L. L. Pajot d'Ons-en-Bray.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Christine, de Pisan, approximately 1364-approximately 1431.
Subject (Topic):
French literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Women authors, French
Manuscript on paper (unidentified watermark) of a List of English Knights with Blazons. The names of the knights are arranged by counties. The manuscript was originally part of a larger manuscript
Description:
In French., Script: Copied by one hand in Gothica Cursiva Libraria (Secretary)., Edges and folds of most leaves repaired., and Binding: Twentieth century. Half leather (dark brown sprinkled calf) over cardboard covered with blue-grey marbled paper. On the spine gold-tooled inscription "ENGLISH KNIGHTS. MS - ABOUT - 1480".
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Heraldry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment. Formerly known as the "Fouquet Missal", based on the mistaken attribution of the illumination to Fouquet
Description:
In French., Script: Written by a single scribe in formal gothic bookhand., A richly decorated manuscript with an unusual and elaborate program of miniatures by at least four artists: the Master of the Vienna Mamerot, Jean Colombe, a hand close to the Masters of Morgan 96 and 366, and a fourth artist whose hand has not yet been identified in other manuscripts. Each large miniature (107 total) has a full border incorporating four marginal scenes (428 in all) with subjects which either amplify or follow closely from the action of the miniature, disposed with two rectangular scenes in the outer border and two roundels in the lower border. The subsidiary miniatures, framed in red, are surrounded by blue and gold acanthus, flowering vines in green, blue and red, ivy in black pen with gold dots, large, naturalistic flowers, and black hair-spray with gold dots. The borders are framed on the outer edges with a red bounding line, on the inner edges with a red or gold bounding line., 4- and 2-line initials throughout, shaded pink or blue with gold foliate decoration against blue or pink grounds with pink or blue curling leaves, heightened in gold. 1-line initials, gold, against pink or blue grounds with gold filigree. On ff. 6r-13v the 4- and 2-line initials, as well as line-fillers in the same manner, are painted over blue or red initials with red or blue penwork and line fillers in red, blue and gold. The overpainting of this archaizing decoration reflects a change in decorative scheme rather than an interval of three-quarters of a century between the writing and the illumination of the manuscript. Rubrics and some underlining in red throughout., and Binding: Nineteenth century. Quarter bound in brown goatskin. Blue/green cloth sides with silver fastenings and fittings. On fastenings small roundels with portraits of the evangelists; on clasp a roundel with Annunciation. Numerous Turk's head place-marks on fore edge. Earlier covers, 17th century, mounted inside boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on paper and parchment (trimmed) of 1) Grantz Geantz, a poem explaining the origin of the Giants that occupied England before the arrival of Brutus and the Trojans. 2) A Latin summary of art. 1. 3) Roman de Brut, a chronicle of England from Aeneas to King Edward II (1307-1327). 4) Sequence to the Roman de Brut, dealing with the reign of King Edward III (1327-1377). 5) Unidentified poem in English on the countries and peoples of Asia, Africa and Europe. 6) Account of the relations between Church and State under popes Gregory VII (1073-1085) and Alexander III (1159-1181), and especially of the conflict between King Henry II of England (1154-1189) and Thomas Becket, Archbishop of Canterbury
Description:
In Anglo-Norman, English, and Latin., Script: Copied by two hands: Section I is in Gothica Cursiva Antiquior Libraria (Anglicana); Section II, including the explicit formula of art. 3 on f. 118v, is in Gothica Cursiva Libraria (Secretary)., The decoration of Section I consists of 2- or 3-line flourished initials, blue with red penwork. On ff. 1r and 5r (artt. 1 and 3) 5-line flourished initials in the same colours. In Section II art. 4 is decorated with 2-line flourished initials in the same colours but of a different style, with marginal extensions; at the beginning (f. 119r) a 3-line flourished initial in gold with purple penwork; in art. 4 also red headings and red or blue paragraph-marks. Artt. 4-5 are undecorated., and Binding: Twentieth century. Dark blue velvet by C. Lewis. On the spine the 19th-century brown leather title-label has been pasted with the gold-tooled inscription: "LES VEULZ CRONIKES D'ANGLETRE APPELLEZ LE BRUTE - PLUSEURS AUTRES NOUELLES CRONIKES - MS. IN MEMBRANIS". At the bottom of the spine small paper label with printed number 3338. Gilt edges.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Topic):
Anglo-Norman literature, Church history, English literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History