"The Prince of Wales, Mrs. Fitzherbert (three quarter length figures), and Fox are seated at a rectangular table playing cards. Fox, who is full face, sits behind the table between the Prince (left) and his partner (right). He has taken three tricks, and holds one card above his head, about to play it, looking fixedly at Mrs. Fitzherbert. His other hand is under the table. His opponents hold two cards, and have taken no tricks. The profiles of the Prince and his partner are blank, except for the eyelashes of the concealed eye of each. Fox's features, especially his eyes, are marked and swarthy. Above his head, and between two pilasters which decorate the wall, is a picture of a fox running off with a goose, while a bystander lashes at him with a whip; in the background is a windmill."--British Museum online catalogue and The picture of a fox running off with a goose, while a bystander lashes at him with a whip amplifies the subject; the title is a reference to the song "Black Jack.".
Description:
Title etched below image., Sheet trimmed within plate mark., Publisher's statement following imprint: Where may be seen the completest collection of caricatures &c. in the kingdom. Admittance one shilling., and Watermark.
Publisher:
Pub. Oct. 24, 1790, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806
"George IV drives Lady Conyngham in a four-wheeled pony-chaise. He is chubbily obese, in loose trousers and braided jacket, wearing a cap poised on his naturalistic curls (cf. British Museum Satires no. 14637). He turns to the enormously corpulent lady. Both overweight the little chaise, and the very small ponies strain desperately. Behind and on the extreme left is the head of the horse ridden by an attendant. They have just passed a gate with a small octagonal lodge. The drive is bordered by a paling; in the background are stags."--British Museum online catalogue
Alternative Title:
Ponies posed
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Watermark: J. Whatman 1824.
Publisher:
Pub. March 28, 1824, by S.W. Fores, 41 Picadilly [sic], London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Title from caption etched above image., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Copy of no. 4079-4 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Bedchamber -- Furnishings: bed curtain -- Emblems: Scotch bonnet for Lord Bute -- Wall mirror -- Female dress: stays., and Mounted to 31 x 44 cm.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772 and Bute, John Stuart, Earl of, 1713-1792
"In the centre of the design is an open grave from which a hand raises a wand topped by miniature antlers. It divides Lady Graves (left), youthful and handsome, from Cumberland, in the uniform of the Royal Horse Guards (Blues). They advance towards each other, he with arms outstretched. The title (her words) continues: 'Then come my love TO TIHS' [sic] (his words)."--British Museum online catalogue
Alternative Title:
Alas there is no happiness on this side the grave!!! : - Then come my love to this and Resurrectionist
Description:
Title etched below image; alternative title etched above image: The resurrectionist., Later state, with text added above image; for an earlier state lacking this text, see no. 16012 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., Imprint continues: ... sole pub. of W. Heaths etching., and Sheet trimmed within plate mark.
Publisher:
Pub. Feb. 1st, 1830, by T. McLean, 26 Haymarket ...
Subject (Name):
Graves, Mary Paget, Lady, 1783-1835 and Ernest Augustus, King of Hanover, 1771-1851
Print shows an ugly and leering elderly man, identified as the London banker Thomas Coutts, embracing the actress Harriet Mellon (later Mrs. Coutts, and subsequently Duchess of St. Albans).
Description:
Title from item.
Publisher:
Pub. 15 May, 1815, by T. Palser, Surry Side Westr. Bridge
Subject (Name):
Coutts, Thomas, 1735-1822 and St. Albans, Harriot Mellon, Duchess of, 1777?-1837
A satire on the Prince of Wales's relations with Lady Salisbury, the pair shown holding hands on the right, while her husband, drawn as a block of stone, stamps angrily in the center. Between them is Mrs. Robinson, who had been deserted by the Prince, and on the left 5 figures are dancing in a circle
Alternative Title:
Monuments lately discovered on Salisbury Plain
Description:
Title etched below image., Two lines of explanatory text below title: The figures No. 1 & 2 are judged by conoiseurs [sic] to have lately been animated with the coelestial fire ..., and Sheet trimmed within plate mark.
Publisher:
Pubd. June 15th, 1782, by H. Humphrey, New Bond Street
Subject (Geographic):
Salisbury Plain (England) and England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835, Salisbury, James Cecil, Marquess of, 1748-1823, and Robinson, Mary, 1758-1800
Titles engraved below images., Possible Lord Sandwich?, Plate for the "Histories of the téte-à-téte annexed" in the Town and country magazine, 1788, v. xx, p. 151., Two head-and-shoulder portraits in separate ornamental oval frames numbered 'x' and 'xi'., and Mounted with the pages from Town and country magazine, 1788, v. xx, p. 151.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
April 9th 1833.
Call Number:
833.04.09.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on the puritanical message of strictly observing the Sabbath. A puritan stands on a barrel marked 'St. Andrew', his arms held out making a cross. He cries: "Clear the streets of all evil doers - Remember ye keep severely strict the Sabbath day. 6 days and nights shall thou labour & do all that thou can get to do: but the 7th day is the Sabbarh of the Bishops according to law, and of the Ranters, and the Jumpers, and the Pantilers, and the Devildodgers and the Muggletonians and the Sawney Kirkmen and the Believers in the Unknown Tongues and the Irvins and the Spencer Percivals and the Agnews and the Mawworms and the Welllingtons and the Miguels and the Nickolas's and all the Whigs and Tories. In it thou shalt do no manner of work, thou & thy son & thy daughter & thy servant & thy dog & thy cat & thy horse & thy ass. Neither shall thou eat, drink, sleep, run, walk, nor talk under the penalties of fine confiscation, excommunication, carceration, starvation & D-nnation." Surrounding him are rotund puritans carrying clubs attack people going about their Sunday business. In the lower left one of the puritans raises a club over his head ready to strike a pig and saying, " Sacriligous monster to dare to eat on the blessed Sabbath." Above along the left edge, a thinner Puritan in a tall hat with an outstretched hand and a raised club stops a couple carrying a suitcase and bag and demands, "Hollo here! Where ar you going to on a Sunday." They reply, "Why for a bit of a jaunt in the Gravesend Steamer to be sure. It's the only day we can get out for a bit of hair. I'm afeard the wessel's off afore now, so don't stop us, man." In upper left, a Puritan points his stick up at a man sitting in a window, smoking a pipe and cries, "I say what smoke's that comming out of your chimney. You have been either blowing the fire or else you'r boiling summut. Put out the fire instantly or - - - - !!!" In the center of the sheet, a Puritan with club raised, pulls at the box of a young boy causing the tankards to spill out; he says, " Let go you wicked wrtech, to carry out beer on a Sunday." In the center foreground, a Purtain with a very large nose looks down a grate in the street and observes " There's some evil a brewing down here. Aye, as I'm a sinner if there isn't some new ale & yeast with it too. Now I should't be at all surprised if the yeast & the ale ain't a working togeather." In the center, a very fat Puritan with a bottle in his pocket grabs a very thin man by the neck and shakes his club as he asks, "Now young man what's the reason you a'n't at Chappel." To which the poor man replies, " Vy, sir, I'm going to the docters for some fizic for the bowel complaint." His accoster replies, "Well, you must to morrow because if you take it to day no doubt it'll work." On the right, a couple of puritans with guns shoot at a thin dog who runs from them, dropping his bone; the one says, " Shoot the infidel, he's got a bone." in the right foreground, another large Puritan with a Bible in his pocket grabs a thin man by the collar, "Sinner drop that toad in a hole." In the upper right, two puritans pull passengers from a carriage while another two stop the horses from the front. The coachman brandishing a whip, calls out "I say you cunting hypocrits, jist let go my horses or I'm bless'd if I don't luy this here vip on ye back."
Alternative Title:
Coersion for England
Description:
Title from item.
Publisher:
Pub. by G. Tregear, 123 Cheapside, London
Subject (Geographic):
Great Britain and England
Subject (Name):
Agnew, Andrew, Sir, 1793-1849.
Subject (Topic):
Sabbath legislation, Puritans, Couples, Dogs, Fear, Hoodlums, Nightsticks, and Swine
"The Duke of York (right) dances a jig or hornpipe with a housemaid wearing a mob-cap and apron, who holds up a broom. The mistress of the house sits on a settee against the wall, watch-them with gestures of rage and indignation. Two men, blowing wind-instruments, watch from a musicians' gallery (left), on which is inscribed 'Horns! Horns! Horns!' Under the gallery persons are indicated turning their backs on the dancers. After the title is etched: 'Hic est, cujus amans hospita capta dolo est.' Beneath are the verses:'See See the fair one by her Guest betray 'd, By York deserted - rivall'd by her Maid T-r-n-l, lovely Bride, no longer mourn His love, since Spider Brushers serve his Turn, The Cook maid next will strike this loving Man With Kissing Crusts, & Meat sops in the Pan.'"--British Museum online catalogue
Description:
Title etched below image., Ralph Juvenal alias for Ralph Hook? See British Museum catalogue., Six lines of verse in two columns below title: See see the fair one by her guest betray'd. By York deserted, rivall'd by her maid ..., and Mounted to 41 x 31 cm.
Publisher:
Pubd. Sep 9, 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Tyrconnel, Sarah Hussey