This cityscape depicts a view of Westminster Bridge built in 1739-1750 with private funding under the direction of Swiss engineer Thomas Page. The painting features one of the stone arches that characterize the structure the bridge and frames a view of the city of Westminster in the distance. Abundant activity on the Thames includes several boats and barges loaded with goods. Figures on the bridge include a man on a ladder working on a lantern at the top of a pier
Alternative Title:
Westminister Bridge
Description:
Title from 2005 Christie's appraisal., A second, autograph copy of this composition is at the Yale Center for British Art. See https://collections.britishart.yale.edu/catalog/tms:365, and Temporary local subject terms: arches | architectural subject | baskets | bathers | boats | bridge (built work) | buildings | city | cityscape | costume | drinking | food | genre subject | leisure | men | nude | pipe | platform | river | smoking (activity) | swimmers | swimming | tankard | women.
Thirty-seven men gather in a large room with a painted ceiling and a tessellated marble floor. They drink and converse in small groups. Some are seated at small tables. Servants provide coffee and punch. At the far right, the artist Thomas Patch, seated on the statue of a golden ass, holds a palette and painting stick. The front of the pedestal is inscribed: EREXIT| ANNO | [MD]CCLXI. A lengthy doggerel Italian verse is on the side. Seven canvases hang on the walls. From left to right they are an abbé, perhaps Anton maria Bisconi), Sir Henry Mainwaring, Lord Stamford, the Duke of Roxburghe Doune (later Earl of moray), the Rev. Johnathan Liyeatt, and on the right wall, a parody of a classical picture with Patch in Roman costume. Humorous statuettes represent the four continents. Some of the figures have been identified, including John Althorp, Duke of Roxburghe who is handing a letter to Horave Mann, Lord Cowper, Sir brooks Bridges and Charles Boothby. Other possible identities include Lord Grantham, Thomas Robinson, Lord Torrington and James White. At the center foreground a dog, perhaps Patch’s own, is seated on the floor with a collection of wine coolers and bottles
Alternative Title:
Punch party [from Watson]
Description:
Title from 2005 Christie's appraisal., Alternative title from Watson: A punch party., Inscribed on the front of the plinth: EREXIT/ANNO/[M]DCCLXI., and For more information see Object File in Flat File 35.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the Gothic lantern, designed by Richard Bentley, that hung in the well of the staircase (Entrance) at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 17 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Title devised by curator., Unsigned; tentative attribution to Rowlandson from curator., Date based on artist's death date., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Patients, Psychiatric.
Subject (Topic):
Psychotherapy patients, Mentally ill persons, Shackles, and Pipes (Smoking)
Drawing depicting the shrine designed by Pietro Cavallini, brought to the chapel at Strawberry Hill from Rome in 1768. Four twisted Corinthian columns are at the base
Description:
Title devised by curator., Probably drawn by William Bawtree, perhaps in preparation for a similar engraving he published in 1798. For a description of the engraving, see British Museum online catalogue, registration no.: G,2.199. For a reproduction of the engraving, see: Walpole, H. Strawberry Hill accounts ... Oxford : The Clarendon Press, 1927, opposite page 128., Date based on date of William Bawtree's death., and Mounted on page 200 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Verso in pencil, "The Three Riders," verse, "HKB"., Signed HKB in ink lower right corner., Date of production based on artist's death date., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Satirical drawing on the professions of medicine, law and the church. Three practitioners stand in a well furnished interior; each wears the dress of his profession. The lawyer holds a sealed document, the clergyman a book, and the physician a phial. Pictures on the wall show men rushing to separate two fighting dogs, men and women bringing tithes to a clergyman, and two doctors quarreling at a bedside
Description:
Title from that of the print likely engraved after this drawing., Signed by the artist in ink on verso., Date of production based on that assigned to the print with the same image in reverse by Louis Philippe Boitard. See online record for no. 1775 in the British Museum online catalogue., Formerly laid in at page 207 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Subject (Topic):
Clergy, Interiors, Lawyers, Pictures, Physicians, and Quarreling
Satirical drawing on the professions of medicine, law and the church. Three practitioners stand in a well furnished interior; each wears the dress of his profession. The lawyer holds a sealed document, the clergyman a book, and the physician a phial. Pictures on the wall show men rushing to separate two fighting dogs, men and women bringing tithes to a clergyman, and two doctors quarreling at a bedside
Description:
Title from that of the print likely engraved after this drawing., Signed by the artist in ink on verso., Date of production based on that assigned to the print with the same image in reverse by Louis Philippe Boitard. See online record for no. 1775 in the British Museum online catalogue., Formerly laid in at page 207 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Subject (Topic):
Clergy, Interiors, Lawyers, Pictures, Physicians, and Quarreling
Two peddlers carrying wares walk down the street possibly engaged in the 'cries' of their trade. The man carries a bundle of wood on his back, and the woman carries dead fowl by their legs
Description:
Title and date supplied by cataloger., Attributed to Bunbury., and For further information, consult library staff.