Manuscript on paper (watermarks in gutter) of 1) Petrarch, Boccacii Griseldis historia. 2) Pope Pius II, Epistola. 3) Petrarch, Famil. rerum., 12, 2. 4) Pope Pius II, Bulla retractationum. 5) Pope Pius II, Epistola de fortuna
Description:
In Latin., Script: Written by three scribes in similar styles of informal gothic scripts (batarde influence). Scribe 1) ff. 1r-7r; 2) ff. 7v-14v; 3) ff. 15r-26v., One calligraphic initial, f. 1r, 4-line, blue with white floral motifs; infilled with red penwork floral designs tinted with green; penwork trails into inner margin, with plain green dots. Four initials, ff. 1v, 7v, 10v, 21v, red ink, 6- to 2-line. Paragraph marks in red. Numerous capitals stroked in red; rubrics throughout; explicits underlined in red., and Binding: Twentieth century. Vellum spine (verso of an unidentified manuscript) with "Petrarcae et Aeneae Silvii Epistoles" inscribed; grey-blue paper sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Papal documents
Manuscript fragment on parchment from a Book of Hours including the Suffrage for St. Paul
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: Historiated 7-line initial "O" on the recto in blue with white highlights filled by a depiction of the apostle Paul standing on a green field with a gold ground; Paul holds a book in his left hand and a sword in his right; the 2-line initial at the beginning of the antiphon is in red, surrounded by brown penwork; 1-line initials are in black; rubrics are written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript, on paper, in a single scribal hand, containing a version of Gratian's Decretum attributed to "Laurentius Pulericus, clericus Neapolitanus."
Description:
In Latin., Layout: single columns of 49-53 lines; some sidenotes., Script: gothica cursiva in brown ink., and Binding: 19th-century marbled paper over pasteboards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gratian, active 12th century and Puldericus, Laurentius.
Manuscript on parchment (sturdy, of uneven quality) of a breviary
Description:
In Latin., Script: Written primarily by a single scribe in a small running script. Additions by several contemporary and later writers., Plain initials, 4- to 1-line, in red. Rubrics throughout., Portions of text, badly worn or trimmed, have been lost., and Binding: 15th-16th centuries. Resewn on two tapes. Wooden boards. Covered in dark brown calf, blind-tooled in a diamond pattern with indistinguishable ornaments within the diamonds and at their intersections. Traces of five round bosses, larger on lower board, metal corner pieces and a catch plate on the upper board. Rebacked, with leather formed in the shape of endbands in the turn-ins at head and tail of the spine and with a strap and pin (a modern nail?) fastening added.
Manuscript fragment on parchment of a breviary containing St. Andrew (30 November).
Description:
In Latin., Script: written in a hybrid gothic script (littera textualis with frequent but not consistent use of cursive forms of d, b, l, and t; s and f do not descend below the base line)., and Decoration: 1-line initials at the beginning of lessons are in red; other 1-line initials are in brown highlighted with red; rubrics are written in red in the same script as the text; liturgical directions are written in brown and are underlined in red; punctuated with the punctus and virgule.
Manuscript fragment on parchment of a breviary containing: The Passion of St. Ursula and St. Ursula (21 October).
Description:
In Latin., Script: written in gothic script (littera textualis libraria with simple form of "a")., and Decoration: 1- and 2-line initials alternate red and blue; other initials are in brown highlighted with red; rubrics written in red in the same script as the text; there is no punctuation; hyphenation in the same ink as the text.
Manuscript on paper (with parchment conjugate leaves at beginning and end of quires; calendar on parchment) of a Carmelite breviary
Description:
In Latin., Script: Written primarily by a single scribe in an informal, but careful, gothic script. Numerous additions by contemporary and later writers., Plain initials and KL monograms, 6- to 1-line, in red. Rubrics throughout. Paragraph marks, underlining, and initial strokes in red. The verso of the final folio bears the partially erased image of a large decorative initial, in green, over which the later text was written., and Binding: Nineteenth century. Head and fore-edge gilt, with tawed, pink markers on the fore-edge. Bound by William Matthews, a leading American binder (second half of the 19th century) in a dark brown goatskin Jansenist binding (plain outside with gold-tooled doublures).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carmelites. and Catholic Church
Subject (Topic):
Liturgy, Breviaries, Manuscripts, Medieval, and Monastic and religious life
Manuscript on Paper of Breviary: Sanctorale and Common of the Saints from Erfurt, Southern Germany. Artt. 1, 2, 5, and 6 are the original texts in this volume
Description:
In Latin., Script: Written in Gothica Semihybrida Libraria. The original arts. 1, 2, and 5 are written in one hand. Art. 6 is in a different hand. The other texts are written by various hands in small script., Decoration: In the original parts, there are countless red rubrics, 1-line versals, red underlinings, red stroking of majuscules and red running headlines. Some articles open with a larger red plain initial. In art. 3 there is red underlining and red stroking of majuscules. Art. 4 is undecorated. In artt. 7-9 there is red stroking of majuscules and extensive parts of the text are in red underline., and Binding: Original quarter binding sewn on three double cords: white pigskin over wooden boards, now covered by fragments of a 14th century liturgical music manuscript on parchment, with text in Northern Gothica Textualis Formata and “Hufnagel” notation on 4-line black staves. Handwritten title on spine (18th century). Paper(?) flyleaves.