Manuscript on paper of Benedetto Cotrugli (Benedictus de Cotrullis, c. 1410-1469), De navigatione liber (Della navigazione). After the prologue in Latin addressed to the Doge and the Senate of Venice, the author, quoting countless Biblical, ancient, medieval and Renaissance authors and drawing largely on his own experience, discusses the oceans and seas, islands, ports, the history of ship-building and navigation, weather, and astronomy. At the end, he includes portolano maps and describes the coast of the Mediterranean and the Black Sea
Description:
The author, born in Ragusa (Dubrovnik), was a businessman and humanist, from 1451 onwards in favour at the Court of Naples. His Della mercatura e del mercante perfetto, written in 1458, was for a long time considered his only surviving work. Our manuscript, written during his lifetime and no doubt under his supervision or by his hand, is the only existing manuscript of Della navigazione and it is unfinished, missing most of its illustrations and the end of the text., In Italian., Script: Written by one hand in Humanistica Cursiva close to Humanistica Textualis. Headings and opening words of chapters in pale red capitals., Heightening of majuscules and paragraph marks in pale red up to f. 10r. Space for 2- or 3-line initials at the opening of all chapters, the initials not executed. Illustration largely missing; the few that have been executed are crudely drawn., and Binding: Nineteenth century. Yellowish parchment over cardboard. Marbled paste-downs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cotrugli, Benedetto, d. 1468.
Subject (Topic):
Astronomy, Medieval, Illumination of books and manuscripts, Medieval, Italian literature, Manuscript maps, Manuscripts, Medieval, and Navigation
Manuscript on paper of 1) Leonardo Bruni, La prima guerra punica, in an anonymous Italian translation. 2) Leonardo Bruni, Vita di Dante. 3) Leonardo Bruni, Vita di Francesco Petrarca.
Description:
Binding: Twentieth century, England (?). Hard-grained, brown leather case. Gold-tooled title and date on spine: "L. Bruni Guerra Punica/ Vite di Dante e Petrarca/ MS. Sec. XV". Bright blue marbled edges., Decoration of poor quality: 12-line divided initial in red and blue, f. 1r; 5-line blue initial with red penwork decoration, f. 51v; 5-line divided initial red and blue, f. 51r. Plain red and blue initials, 4- to 3-line, alternate throughout. Headings in bright red., Purchased from H. P. Kraus in 1957 by Thomas E. Marston., Script: Written by two scribes: ff. 1r-51v in humanistic semi-cursive script, above top line; ff. 51v-59v in fere-humanistic script, above top line., and Watermarks: similar to Briquet Monts 11684.
Subject (Name):
Dante Alighieri,--1265-1321 and Petrarca, Francesco,--1304-1374
Subject (Topic):
Biography--Middle Ages, 500-1500, Literature, Medieval--Translations, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Punic wars
Manuscript on parchment (fine, smooth) of 1) Prologue. 2) Moamin, De scientia venandi per aves, translated into Latin by Theodorus of Antioch. Although the prologue states that there are four treatises composed by Moamin, the fourth (Quartus naturam et medicamen qutrupedum [sic] cum quibus uenamur) is omitted in this manuscript. 3) Treatise of Dancus rex. 4) Treatise of Guillelmus falconarius. 5) Four anonymous descriptions of types of falcons. Produced probably for Ferdinand II of Aragon (arms on f. 1r).
Alternative Title:
Moamin
Description:
In Latin., Script: Written by a single scribe in elegant round humanistic script below top line., One miniature, f. 1r, five falcons sitting on a perch in a niche, with a 6-line initial, blue and light green, with green and blue acanthus, against gold, framed in red, with white dots; full border, pink and blue flowers on stems with pink, orange and green leaves and gold dots spiraling around a pink and gold bar; framed in gold and inhabited by birds, putti, four of the putti in lower margin supporting a coat-of-arms. 5-line initials, gold, filled with blue or crimson with flowers in white, on irregular grounds, crimson or blue with flowers in white, and hair-spray extensions with crimson and blue leaves, flowers and gold trefoil leaves or dots. 2-line initials, gold, filled with crimson or blue against irregular crimson or blue grounds with white filigree. Rubrics throughout., and Binding: Nineteenth century. Red goatskin, gold-tooled with "Cetreria" on spine. Gilt edges with lettering on fore-edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Falconry, Illumination of books and manuscripts, Medieval, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper of Colucii Salutati, De seculo et religione.
Description:
Belonged to S. Harrison Thomson (MS 6); note inside front cover states that he purchased the manuscript in Oxford in 1926. Acquired from Thomson in 1968 with the Edwin J. and Frederick W. Beinecke Rare Book Endowment Fund., Cataloged from microfilm by Albert Derolez., Cite as: Coluccio Salutati, De Seculo et Religione. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on paper of Colucii Salutati, De seculo et religione. Folios 49 and 50 (central conjugate leaves) were reversed in binding. Produced probably in Northwestern Italy (diocese of Ivrea) by the scribe Martinus de Laurentio de Padono, in 1485 (colophon, f. 81r). Written in neat gothic cursive that shows batarde influence; first word(s) of each section executed in bold textura. Spaces for decorative initials are unfilled; guide-letters in margins., and Seventeenth-century (?) binding: Sewn on three tawed, slit strap supports, the spine lined with vellum between them. Blue and cream colored endbands. Covered with tawed skin, originally white, over flush, made boards.
Manuscript on paper of Antonio de Ferrariis (called himself Galateo after his birthplace, d. 1517), De situ Iapygiae. His work is a geographical, historical, epigraphical and literary description of Iapygia, i.e. the Southeastern part of Italy (now Apulia).
Description:
In Latin., Script: Three scribes, all writing Humanistica Cursiva: hand A copied ff. 1r-20v, 24v-26v, 31r-36r line 10, 36v last three lines (Libraria); hand B copied ff. 21r-24r, 27r-30v (Currens); hand C copied f. 36r line 10-36v, except the last three lines (Currens under Gothic influence)., No decoration., Water stains. Some pages badly damaged by the acid ink., and Binding: The damaged covers of the original binding are mounted on the new binding in brown leather. Blind-tooled, featuring two square frames bordered by fillets and rolls.
Subject (Geographic):
Connecticut, New Haven., Italy, and Puglia (Italy)
Subject (Name):
Ferrari, Antonio de, 1444-1517.
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Description and travel
Manuscript on parchment of 1) Joannes de Sacro Bosco, De sphaera. 2) Unidentified Cosmographicae libellus. 3) Nicolas Oresme, Traite de la sphere, in a Latin translation apparently extant only in this manuscript
Description:
In Latin., Script: Written by one person in small fere-humanistic script bordering on cursive, verso., Simple decorative initials, 5- to 2-line, in red. Headings, paragraph marks, strokes on majuscules at beginning of sentences, and marginal notes, in red., Seventeen carefully executed astronomical drawings and two tables, in red, black, yellow and beige, accompany arts. 1 and 3., and Binding: 18th-19th centuries. Limp vellum case. "Tractatus spere" on tail edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, active 1230.
Subject (Topic):
Astronomy, Medieval, Cosmography, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (highly polished) of Xenophon, De venatione, translated into Latin by Leonicenus Omnibonus and preceded by a dedicatory epistle to John Tiptoft
Description:
In Latin., Watermarks: similar in design to Briquet Oiseau 12127., Script: Written in a well formed italic by a single scribe., Spaces left for rubrics and initials., and Binding: Nineteenth century. Paper case with paste paper sides. Rebound in Yale Conservation Studio in 1982.
Manuscript, in unidentified hand, on paper, containing an Italian translation of Antonio Guainerio's De venenis
Description:
In Italian., Title assigned by cataloger., Script: humanist hand., Decoration: one six-line decorated initial in gold on rectangle border with floral decoration (f. 1r). Two-line initials in red and blue ink throughout. Rubrication., Layout: single column of 24 lines., Binding: 17th-18th c. deer skin over paper boards., and Watermark is a variant of Briquet 6597-6600, Northern Italy, 1465-80.
Subject (Topic):
Materia medica, Medicine, Manuscripts, Medicine, Medieval, and Venom
Manuscript on parchment of a Diploma for a doctorate in Theology accorded to Iosephus Prudentius from the University of Padua, June 1598
Description:
In Latin., Script: Written by Franciscus de Oddis, in an elegant italic., On f. 1r, a full vine-scroll border, in purple ink with grapes and highlights in gold, outlined in double purple lines; a 5-line initial, gold, with purple and gold vines. Headings and names of persons in humanistic bookhand or square capitals, in gold., and Binding: Nineteenth century. Brown leather wrapper, gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Padua (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval