"A companion print to BMSat 8656. Grenville stands on a hearth-rug, his back to a blazing fire (right), holding up to his face an open book inscribed: 'Fundamental Principles of Government for 1795', at which he looks sideways and near-sightedly. He raises his coat-tails to warm his bulky posteriors, his left hand in his breeches pocket. On the chimney-piece lie two books: 'Court Cookery' and 'Locke on Human Understanding'. Hanging above it is a 'Map of British Victories on the Continent' on which confused scrawls are depicted. On the back wall (left) is a bracket supporting a bowl of gold-fish, above which is a picture of the 'Treasury Bench': three Ministers seated as if in Parliament, in back view with their coats drawn aside to show their bulky posteriors; the wall of the Treasury forms a background. ...."--British Museum online catalogue
Description:
Title etched below image., Nine lines of verse in two columns below title: "Lord-Pogy boasts no common share of head ...", Sheet trimmed within plate mark., and Temporary local subject terms: Fireplaces -- Furniture: shelves -- Fish bowls -- Shortsightedness -- Wall maps -- Pictures amplifying subject: Treasury bench -- Literature: Reference to John Locke's Essay on human understanding -- Furnishings: carpets.
Publisher:
Pubd. June 13th, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
Grenville, William Wyndham Grenville, Baron, 1759-1834
"A lady sits in back view before a tall pier-glass, twisting a piece of drapery round her head. Two young women (right) hold up festoons of the immensely long drapery, the end of which trails across the floor and is worried by a small dog, shaved in the French manner. The glass is surmounted by an earl's coronet and decorated by triple ostrich plumes, suggesting that the lady, who wears a loose wrapper, may be Lady Jersey. The mirror is lit by two candles. Through a window (right) is a crescent moon, sinking into clouds. The second attendant wears a hat, suggesting that she is a milliner. Both are dressed in the short-waisted fashion of the day (cf. BMSat 8571). An elaborate bowl of flowers stands on a pedestal or small ornate table. A patterned carpet covers the floor."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Furniture: mirrors -- Crowns: earl's coronet -- Claw-foot table -- Furnishings: flower arrangements -- Window curtains -- Emblems: Earls of Jersey ostrich feathers -- Pets: dogs -- Lighting: candle holders on mirror -- Trades: milliners -- Female dress: drapery headdress.
Publisher:
Pubd. June 30th, 1795, by H. Humphrey, No. 37 New Bond Street
"Lord Moira, rigid and impassive, stands in profile to the left, right hand on his tasselled stick, left hand on hip, wearing quasi-military dress with looped cocked hat and high boots. Clouds, so coloured as to suggest a distant conflagration, and a low horizon, curved as if to indicate the edge of the globe, form a background. ..."--British Museum online catalogue
Description:
Title etched below image., Seven lines of quoted verse below image in two columns, one on either side of title: "Ne'er may his whiskers loose their hue, "chang'd (like Moll Coggin's tail) to blue! ... vide Anti-Jacobin., Sheet trimmed within plate mark., and Temporary local subject terms: Male dress: quasi-military -- Male fashion: sideburns -- Walking staves -- Literature: Quotation from the Ode to Lord Moira, by George Ellis (1753-1815) -- Periodicals: Anti Jacobin Review, no. XI.
Publisher:
Pubd. May 16th, 1799, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Major-General Lord Cathcart stands stiffly in profile to the left. His features are blunt and ugly. He wears court dress with a military cast, heavily gold laced, and a long pigtail. His right hand rests on the head of a gold-headed cane. A figured carpet and bare wall complete the design."--British Museum online catalogue
Description:
Title etched above image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Temporary local subject terms: Military uniforms.
Publisher:
Pubd. June 11th, 1800, by H. Humphrey, 27 St. James's Street
"A whole length satirical portrait of the Duke of Norfolk, directed to the right; in his left hand is the baton of Earl Marshal; his right hand is in his waistcoat pocket. He wears top-boots, a slouched hat, and his hair is closely cropped. Earlier caricatures show the Duke wearing his own hair without powder, hanging on his neck."--British Museum online catalogue
Alternative Title:
Norfolk dumpling
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Food: allusion to dumplings -- Hair fashion: cropped hair -- Obesity., and Mss. annotations below title.
Publisher:
Pubd. Sepr. 21st, 1791, by H. Humphrey, No. 18 Old Bond Street
"Britannia, in profile to the right, kneels on the ground, bending forward with an expression of angry distress. She supports herself on her spear, the upper part of which rests against her right shoulder. Her shield, broken, lies on the ground, her knee resting on it. Behind her (left) are the two 'State Quacks', Fox and North, Fox, with a fox's head, sitting on the ground, lifts Britannia's petticoats in both hands. North, very stout and fat, stands (left) in profile to the right, holding a large syringe. A mountainous landscape, with clouds, forms the background."--British Museum online catalogue
Alternative Title:
State quacks administring and State quacks administering
Description:
Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Medical: quacks -- Medical implements: syringe -- Britannia (Symbolic character) -- Britannia's shield., and Mounted to 37 x 56 cm.
Publisher:
Pubd. April 1st, 1783, by W. Humphrey, No. 227 Strand
Subject (Name):
North, Frederick, Lord, 1732-1792 and Fox, Charles James, 1749-1806
"George III and Queen Charlotte stand before the open gate of the Treasury, from which Pitt has just wheeled a barrow laden with money-bags. Pitt, the straps of the barrow round his shoulders, his coat-pocket bulging with guineas, obsequiously hands the king a money-bag. George III stands full-face, legs astride, a money-bag inscribed '£100000' under his right arm, another in his right hand and all his pockets overflowing with guineas. Queen Charlotte (left) stands on his right taking a pinch of snuff, and looking up at him with a smile of greedy and satisfied cunning; in her apron is a heap of guineas. Military officers wearing high cocked hats with feather trimmings (in a French fashion), and long pigtail queues, stand round the King and Queen, in a semicircle, in front of the spiked gates of the Treasury, playing musical instruments: fifes, bassoons, a horn, &c. The pockets of the two in the foreground (left and right) are crammed with guineas, those of the others, presumably equally full, are concealed. They represent the placemen and Ministerialists of the Treasury Bench. The most prominent (right) is probably Lord Sydney. In the foreground (left) an old sailor, armless and with two wooden legs, sits on the ground, his empty hat before him. On the right the Prince of Wales, in rags, hesitates to take a paper inscribed 'Accept £200000 from your Friend Orleans', which a slim and foppish Frenchman, in bag-wig and 'chapeau-bras', standing on the extreme right, offers him, taking his hand. He is very different from the heavily built Due d'Orléans (who succeeded his father in Nov. 1785) who had recently presented his portrait by Reynolds (now at Hampton Court) to the Prince of Wales. He had adopted the English manner of dress and made it fashionable in France ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Temporary local subject terms: Treasury building entrance -- Civil list -- National debt -- Miserliness -- Wooden legs -- Amputees -- Sailors -- Allusion to prodigal son.
Publisher:
Pubd. April 21, 1786, by Willm. Holland, No. 66 Drury Lane
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Sydney, Thomas Townshend, Viscount, 1733-1800, and Necker, Jacues, 1732-1804
"Lord Lansdowne sits at a small writing-table, pen in hand, a number of papers before him. Three Jews (left) stand obsequiously on his right, but he turns with his enigmatic smile towards a French post-boy (right), a grotesque dwarfish man with long queue and jack-boots holding his whip and hat, who holds out to him with a cunning smile a paper inscribed: 'My dear Lord Paris 7th Jany 1783 I am happy to hear you have so nearly concluded your Alley Arrangements. The Preliminaries shall be signed coute que coute by the Time you desire, & you may rely on the Courier's arrival on the Eve of the 23d yours truly Billy Paradice [William Eden.]' Under Lansdowne's elbow is a paper inscribed 'Memorandums Pay off the Mortgage on Jesuits Colledge in Berkeley Square - Pay off Solomons any for 500£ pr Annm Inquire what Tayt will take for my Bond for 3000£ given for furniture sold at Christyes'. The foremost Jew holds out to Lansdowne a paper ... On a shelf, inscribed 'Waste Paper', in the upper right corner of the design, are three large bundles of papers: 'Ordnance Estimates', 'State of the National Debt', and 'Civil List'; two piles of documents hang from the shelf. On the wall above Lansdowne's head are two bust portraits: 'John Calvin', wearing a steeple-crowned hat, gown, and bands, and 'Ignatius Loyola', a profile portrait of Burke wearing a Jesuit's biretta as in British Museum Satires No. 6026, &c. 12."--British Museum online catalogue
Description:
Title etched below image., Counterfeit signature; print by Gillray. See British Museum catalogue., Sheet trimmed to within thread margins of plate mark., and Temporary local subject terms: Treaties -- Commerical Treaty with France -- National debt -- Civil list -- Military Ordinance -- Allusion to J. Bond -- Allusion to St. Ignatious Loyola -- Allusion to John Calvin -- French post-boy -- Jesuits -- Allusion to William Eden, 1st Baron Auckland, 1744-1814.
Publisher:
Pubd. March 12th, 1787, by R. Phillips, Southwke., London
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Burke, Edmund, 1729-1797
Subject (Topic):
Jews, Ethnic stereotypes, Tables, Writing materials, Boots, and Whips
"Two heads emerge from the highly-polished boots of their respective owners, which face each other. They are finished portraits of Skeffington and Montagu Mathew, inseparables, see BMSat 9699. Skeffington's boot (left) is a tasselled Hessian; its pointed toe rests on the foot of Mathew's spurred top-boot. Both wear round hats of slightly differing shapes. Skeffington's dark hair is short, falling over his forehead; he has a large whisker. Mathew's fair hair is long and powdered, and tied by a ribbon at the tips; he has a small whisker. Round the two boots are grouped blacking materials. A large open book (left) is 'Essay on Blacking'; by it are bottles labelled 'Mr Broomhills Recipe' and 'The Princes Recipe', and a mixing-pot. Two volumes (right) are 'Chemistry'; on them are bottles labelled 'Pine Apple' and 'Spirit of Salt'. There are also two brushes, a polishing pad, a cake of 'Holdsworth's' blacking, and a broken bottle of 'Royal Blacking'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Mounted to 56 x 37 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 10th, 1801, by H. Humphrey, 27 St. James's Street
Subject (Name):
Skeffington, Lumley St. George, Sir, 1771-1850 and Mathew, Montague James, 1773-1819