April 26, 1745, publish'd according to act of Parliament.
Call Number:
745.04.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Admirals Thomas Mathews and Richard Lestock and other officers who had been engaged in the fight off Toulon, and who subsequently became subjects of a Court Martial. A street scene, on the left a portico, from which a goup of persons is led by the figure of Britannia towards a dockyard; with letterpress inscriptions, verses in four columns
Description:
Title from item., Four columns of verse below image begins: Shall British glory rise again, and wipe the degen'rate stain ..., Later state, with publisher's name burnished from plate. Cf. No. 2682 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Buildings: portico of the Admiralty's Building -- Admiralty: satire on admiralty inscribed on portico -- British Lion -- Personifications: Justice -- Trade -- Symbols: Hand of Providence -- Lightning bolts -- Reference to the Battle of Toulon, 1744 -- Reference to the War of the Austrian Succession, 1740-1748 -- Court martial -- Emblems: laurel wreath -- Balance -- Weapons: sticks as cudgels -- Architectural details: busts -- Naval uniforms -- Gates: dockyard at Deptford -- Reference to Bremen and Verden., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Name):
Torrington, George Byng, Viscount, 1663-1733, Blake, Robert, 1599-1657, Mathews, Thomas, 1676-1751, Lestock, Richard, 1679?-1746, and Norris, John, Sir, 1660?-1749
"The Duke of York (left) and the Prince of Wales (right) stand one on each side of a church door, each holding out a collecting-plate, and each saying, "Pray remember the poor Charity Children of St Jams parish". Behind, a crowd of men leave the Church, Pitt holding out a plate to them, saying, "What is £130,000 pr Ann when you consider the price of provisions & other things pray remember." Three labels rise from the heads of the reluctant congregation (M.P.s): "I have disinherited my own Son for contracting Debts at Brothels & gaming Tables; At the last Charity Sermon both his Father & he promis'd. that he shd not become chargeable to the parish again"; "This Begging is made a Trade of". The tiny Duchess of York, also holding a plate, stands with her left hand under the Duke's arm, saying, "I was born in a strange Land of honest Parents, but their characters are neither here nor there pray remember". The Princess of Wales, three ostrich plumes in her hair, stands with her plate behind the Prince's back, looking at him reproachfully over her right shoulder and saying, "I came here naked & he hath half cover'd me pray remember". On the extreme right stands the stout Mrs. Fitzherbert in profile to the left, clutching papers inscribed '6000 Pr Ann' (see BMSat 8485); she says: "It's always good to have something in hand." The Duke of Clarence, wearing striped sailor's trousers and a cocked hat, stands on the extreme left with an infant (one of the Fitzclarences) in his arms; he holds a paper (or collecting-box): 'Mrs Jordans Night'. The infant holds a paper: 'For the Benefit of Mrs Jordan - a new Way to pay Old Debts the part of Sr Giles Overreach by Mr George, being his second Appearance in that Character.' (Massinger's comedy, revived several times in the eighteenth century.) The Duke looks down disconsolately as if aware that he would have no share in the collection but would be forced to rely on his mistress's earnings. In the background the King and Queen are seated on one horse as in BMSat 6918, a sign-post pointing 'To Windsor'. The King says: "I never interfere in Parish Business they must provide for their own poor." The Queen says: "Charity begins at home Love who knows what we may all come to." (Cf. BMSat 7836.) 19 June [1795]."--British Museum online catalogue
Alternative Title:
Mock charity sermon to a dissenting congregation
Description:
Title etched below image., Watermark., and Mounted to 34 x 42 cm.
Publisher:
Pubd. May 25, 1795, by J. Aitken, Castle Street, Leiceter [sic] Square
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, William IV, King of Great Britain, 1765-1837, Fitzherbert, Maria Anne, 1756-1837, and Jordan, Dorothy, 1761-1816
An Italian family, in a poverty-stricken room, practise for opera. A young man stands full-face, singing, his fingers interlaced across his chest. He wears an open, ruffled shirt, awaistcoat, breeches, and ungartered stockings. To his right an old man plays an enormous 'cello. To his left a middle-aged man, seated in profile singing, plays a low harpsichord; he wears open ruffled shirt and breeches, with bare legs. Beside him on the extreme left a little boy dressed in a shirt plays the violin. On the extreme right a pretty young woman sits over the fire with an infant on her knee; she holds out a cloth to dry, looking over her shoulder to sing. Her score ('Affetuoso') is pinned to the chimney-piece, on which stands a crucifix with a tankard, &c. A lean greyhound howls up the chimney. All but the old man have fashionably dressed hair, and a certain elegance. The room is lit from an open casement window (left); there are dark cast shadows and the bare room has no ceiling. On the wall are a print of 'Vestris' dancing, a sword, a play-bill: 'l'Avaro Deluso' (opera by Paisiello, libretto by Vulpius), and a bunch of farthing dips; on the window ledge a cracked mirror, cocked hat, bottles, &c. Beneath the harpsichord is a large bowl labeled 'Macaroni'; and in the foreground lie a violin, music-books, earthenware pots, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Watermark: J Whatman.
Publisher:
Pubd. Decr. 1785 by S. Alken, No. 3 Dufours Place, Broad Street, Soho. Sold by W. Hinton, No. 5 Sweeting Alley, Cornhill
Subject (Name):
Vulpius, Christian August, 1762-1827, Paisiello, Giovanni, 1740-1816, and Vestris, Auguste, 1760-1842
Subject (Topic):
Children, Families, Italian, Mothers, Musical instruments, Musicians, and Singing
Title from caption below image., Temporary local subject terms: Adultery., and Watermark: J. Whatman 1820.
Publisher:
Pubd. Aug. 25, 1820 by John Marshall Junr. 24 Little St. Martins Lane
Subject (Name):
Bergami, Bartolomeo Bergami, Baron, Pratt, John Jeffreys, Marquis of Camden, 1759-1840, and Salisbury, James Brownlow William Gascoyne-Cecil, Marquess of, 1791-1868
Title etched above image., Publication date from British Museum catalogue., Three columns of verse below image begins: In an---t days Sr Robt Carr ..., Temporary local subject terms: Allusion to William Pitt the Elder -- Executioner's axe -- Emblems: Thistle (Scotland) -- Emblems: Jack boot (Lord Bute) -- Ghosts., and Watermark: Strasburg lily.
Publisher:
Printed & sold at Darly's in Cranbourn Ally, as the act directs Js. P.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Somerset, Robert Carr, Earl of, d. 1645
Title etched above image., Publication date from British Museum catalogue., Three columns of verse below image begins: In an---t days Sr Robt Carr ..., Temporary local subject terms: Allusion to William Pitt the Elder -- Executioner's axe -- Emblems: Thistle (Scotland) -- Emblems: Jack boot (Lord Bute) -- Ghosts., 1 print : etching ; sheet 20 x 25 cm., and On laid paper, sheet trimmed within plate mark, mounted to 32 x 48 cm.
Publisher:
Printed & sold at Darly's in Cranbourn Ally, as the act directs Js. P.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Somerset, Robert Carr, Earl of, d. 1645
Title etched below image., Sheet trimmed to plate mark at left., Plate numbered '22' in upper right corner., Earlier state, without border around design and without lines indicating the floor in the image. Cf. No. 4699 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Macaronies -- Quizzing glasses -- Critics, and Watermark: countermark W.
Publisher:
Publish'd as the act directs, Novr. 16, 1772, by M. Darly, 39 Strand
"The head and shoulders of Stanhope, looking to the left, right arm raised in the attitude of an orator. He wears a large cocked hat. ... The bonnet-rouge does not fit this head."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "3" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., and Watermark: 1805.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816 and Cloots, Anacharsis, 1755-1794.
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
"A masonic feast: in the centre of the room on a platform is an empty armchair decorated with a masonic symbol. Below it and on the right is a table with punch-bowl, glasses, candles, &c, behind which are the English members of the Lodge, some seated, others standing. On the left sit the French members, the most prominent being Cagliostro; all wear masonic aprons. ... "--British Museum online catalogue
Alternative Title:
Masonic anecdote
Description:
Titles in English and French etched above image., Printmaker from British Museum catalogue., Captions in French and English etched under each title, respectively., Thirty lines of verse in French below image on left, under the heading, "Abregè de l'histoire du Comte Arabe": Nè Dieu sait où, maintenu Dieu sait comme ..., Thirty lines of verse in English below image on right, under the heading, "Abstract of the Arabian Count's memoirs": Born God knows where, supported God knows how ..., Sheet trimmed within plate mark, and imprint statement mostly erased from sheet; imprint from British Museum catalogue., Temporary local subject terms: Trades: hairdresser -- Hairdressers: Mr. Barker, King Street, Bloomsbury -- Opticians: Mr. Mash -- Interior of the Freemasons' Lodge of Antiquity -- Freemasons' symbols -- Furniture -- Upholstered chair -- Lighting: candlesticks -- Glass decanter -- Glass bottle -- Wine glasses -- Punch bowls., and Watermark: Russell & Co. 1797 on the right side of sheet; fleur-de-lis on the left side.
Publisher:
Publish'd November 21st, 1786, for the proprietor by H. Humphrey, New Bond Street
Subject (Name):
Cagliostro, Alessandro, conte di, 1743-1795
Subject (Topic):
Freemasonry, Fraternal organizations, Interiors, Dining tables, Chairs, and Candles