"Satire on the negotiations for the Peace of Paris. A lion and lioness (the King and Queen) look in alarm from the window of a coach (Great Britain) as it crashes against a large rock. Lord Bute, the driver, and Princess Augusta, who has been sitting beside him, fall headlong to the ground and the horses (bearing names connected with British actions in the Seven Years War: "Germany", "Guardeloup", "Pondechery", "America", "Martinico" and "Quebec") run off. Bute cries out, "De'el dam that Havanna Snuff its all most blinded me". The postilion, Henry Fox, lies on the ground having hit his head on a rock labelled "Newfound Land"; a speech balloon lettered "Snugg" emerges from his mouth. Behind him Pitt, holding a whip, grasps the leading horse's reins; the Marquis of Granby gallops up to assist him, together with William Beckford (who was shortly to become Lord Mayor of London) and the Duke of Newcastle. In the foreground is a conflict involving a number of journalists: Bute's supporters, Arthur Murphy and Tobias Smollett shoot their pistols at Pitt, and further to the right Charles Churchill, in clerical robes, fires a cannon labelled "North Briton" at them, causing another man to fall to the ground his arm resting on a copy of the Gazetteer (the fallen man must be either Charles Say, editor, or John Almon, contributor to the Gazetteer, an anti-Bute newspaper), with the headline, "A letter from Darlington" (a reference to Henry Vane, 2nd Earl of Darlington, a relation of Bute's by marriage). The British lion beside Churchill urinates on the Scottish thistle. Behind this group, the Duke of Cumberland runs forward anxiously mopping his bald head, having lost his wig. In the background are Lord Mansfield and the Earl of Loudon, the latter suggesting that they retreat (a reference to his failure to capture Louisbourg from the French in 1757). To the right a group of Scotsmen are driven off by two Englishmen with whips; another Scot sits on the ground scratching himself."--British Museum online catalogue
Alternative Title:
Fall of Mortimer, Coach overturned, and Coach overturn'd
Description:
Title etched above image., Publication date from British Museum catalogue., and Four columns of verse below image: With raptures Britannia take notice at last, proud Sawney turn'd over by driving too fast ...
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Murphy, Arthur, 1727-1805, Smollett, T. 1721-1771 (Tobias),, Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Mansfield, William Murray, Earl of, 1705-1793, Granby, John Manners, Marquis of, 1721-1770, and Mortimer, Roger de, Earl of March, 1287?-1330.
Subject (Topic):
Seven Years' War, 1756-1763, Politics and government, Cannons, Carriages & coaches, Journalists, National emblems, British, Scottish, and Newspapers
Title from item., "From an original picture painted by Mr. John Collett."--Below title., and Cf. No. 4258 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
Printed for Rob. Sayer, No. 53 in Fleet Street
Subject (Geographic):
England and London.
Subject (Topic):
Carriages & coaches, Military uniforms, British, Peg legs, Police, Prostitutes, Riots, Sailors, and Taverns (Inns)
"George IV drives Lady Conyngham in a four-wheeled pony-chaise. He is chubbily obese, in loose trousers and braided jacket, wearing a cap poised on his naturalistic curls (cf. British Museum Satires no. 14637). He turns to the enormously corpulent lady. Both overweight the little chaise, and the very small ponies strain desperately. Behind and on the extreme left is the head of the horse ridden by an attendant. They have just passed a gate with a small octagonal lodge. The drive is bordered by a paling; in the background are stags."--British Museum online catalogue
Alternative Title:
Ponies posed
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Watermark: J. Whatman 1824.
Publisher:
Pub. March 28, 1824, by S.W. Fores, 41 Picadilly [sic], London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Title from text above and below image., Shortshanks is the pseudonym of Robert Seymour., Sheet trimmed within plate mark., Two lines of verse below image, in lower right: I go; I go; look, how I go; Swifter than arrow from the Tartar's bow., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted.
"View of the town from Richmond Hill, the Thames at the centre, a road in the right foreground with figures and a coach."--British Museum online catalogue
Alternative Title:
Paisage du haut de la Montagne de Richmond en descendant la Tamise
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "3" in upper right corner., Mounted to 24 x 39 cm., and Leaf 4 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Richmond upon Thames (London, England), Thames River (England), England, and London.
Drawing of the view from Richmond Hill, with the Thames in the distance surrounded by fields and rows of trees. Two boats are on the river; people and horses are visible in the fields. On the road in the foreground are several men on horseback, a strolling man and woman with a dog running behind them, a milkmaid accompanied by a boy, and a coach driving to the right. A vast sky is above
Description:
Title written in brown ink below image., Signed and dated by the artist below image, in lower left., and Formerly laid in at page 5 (formerly D) of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Geographic):
Richmond upon Thames (London, England) and Thames River (England),
Subject (Topic):
Rivers, Sailboats, Carriages & coaches, Pedestrians, and Horseback riding
"View of the Thames from Richmond Hill, with animals grazing in the foreground, a woman guiding a herd of cows towards the right, a coach and a covered cart going in opposite directions, and three figures talking at the centre."--British Museum online catalogue
Alternative Title:
Paisage du haut de la Montagne de Richmond en assendant la Tamise
Description:
Titles etched below image, in English and French., Probably after a painting by Jolly; statement of responsibility "Jolly pinxit" is present on another print of identical composition. Cf. British Museum online catalogue, registration no.: 1875,0508.1436., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "2" in upper right corner., Mounted to 24 x 38 cm., and Leaf 3 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Richmond upon Thames (London, England), Thames River (England), England, and London.
Subject (Topic):
Rivers, Boats, Livestock, Carriages & coaches, and Dwellings
Page 153. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"View of the old façade of Guildhall with the Chapel, Blackwell Hall, and the old Law Courts; elegantly dressed figures in foreground with a decorative carriage approaching the arched entrance."--British Museum online catalogue
Alternative Title:
View of Guildhall in King Street, London
Description:
Title etched below image., Plate from: The gentleman's magazine, or, Monthly intelligencer. London : Printed by Edw. Cave ..., v. 21 (January 1751), page 49., In lower margin is a key (numbered 1 to 9) to the buildings depicted: 1. Blackwell Hall. 2. Guild Hall Chappell ..., Imperfect; sheet trimmed within plate mark with loss of text from upper margin. Missing text supplied from impression in the British Museum, registration no.: 1880,1113.3580., "Gent. Mag." etched in upper left margin; "Jan. 1751" etched in upper right margin., Mounted to 32 x 26 cm., and Mounted on page 153 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].