Title etched below image., Date derived from subject., Place of publication from item., In margin lower right: Déposée à la Bibliothèque Natale., In margin upper right: No.13., Eight lines of verse about vaccination vs. inoculation are on either side of title., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Inoculation controversy; Infectious diseases.
Publisher:
chez Dépeuille Rue des Mathurins Sorbonne aux deux Pilastres d'Or
Subject (Geographic):
Great Britain.
Subject (Topic):
Smallpox, Vaccination, Smallpox vaccine, Quacks and quackery, France, Foreign relations, Anti-vaccination movement, Carriages, Cows, Horses, Medicine shows, Soldiers, Children, Turkeys, Dogs, and Spectators
Plate [77] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition of Hume's 'History of England'; Lady Elizabeth kneeling before Edward IV with arms outstretched, her younger child between them and elder to her left, the King's greyhound in right foreground."--British Museum online catalogue
Alternative Title:
Lady Elizabeth Gray intreating Edward IV to protect her children and Lady Elizabeth Gray entreating Edward the Fourth to protect her children
Description:
Title from text below image., Sheet trimmed within plate mark., and Plate [77] in a volume bound to 50 cm.
Publisher:
Published by R. Bowyer, Historic Gallery, Pall Mall
Subject (Name):
Elizabeth, Queen, consort of Edward IV, King of England, 1437?-1492, and Edward IV, King of England, 1442-1483,
Title from item., Date derived from printmaker's active date., Above image: Galeries Pittoresque; No.19., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Dero-Becker, editeur, rue neuve St. Augustin, N.43 and Lith de Lemercier, rue de Seine S G.55.
Subject (Topic):
Convalescence, Sick persons, Fathers, Dogs, and Children
Title from caption below image., Text above image: A little music à la françoise., Sheet trimmed within plate mark., Reissue of no. 13047 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Sept. 18, 1818, by G. Humphrey., Temporary local subject terms: Gypsies -- Dustmen -- Dustman's bells., and Numbered in ms. at top of sheet: 30.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Butchers, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Organ grinders, Street entertainers, and Violins
Volume 2, page 80. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A kneeling woman reads the palm of a girl standing at left in travelling clothes with a basket on her arm, two others watching, leaning on a fence behind, children and a dog sitting beside a fire at right, over which a large pan hangs; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Fourteen lines of verse below image, seven on either side of title: Last Friday's eve, when, as the sun was set, I, near yon stile, three sallow gipsies met ... Vide Gay's Pastorals., and Mounted on page 80 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Novr. 20, 1791, by Thos. Macklin, Poets' Gallery, Fleet Street
Subject (Name):
Gay, John, 1685-1732.
Subject (Topic):
Baskets, Fences, Children, Dogs, Campfires, and Pots & pans
"'The Marriage Settlement' (after the painting by Hogarth in National Gallery); a grand interior where Earl Squander and a city merchant arrange the marriage of their son and daughter; the extravagantly dressed young man looks at his reflection in a glass while his future bride listens to the lawyer's soft words; through the window is a view of a palatial house under construction."--British Museum online catalogue
Alternative Title:
Marriage settlement
Description:
Title from British Museum online catalogue., Title engraved below image., "Size of picture ft. 3 by 2 ft. in. 4.", Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2692., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 158., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 228.
Publisher:
Pubd. June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery, Pall-Mall, London
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., and On page 111 in volume 2. Sheet trimmed to: 37.9 x 46.5 cm.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., and After the painting "The Marriage Settlement" in the National Gallery, London.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.